Ghostbusters (1984)

And the answer is absolutely YES!

I won't get caught in the main synopsis of the movie, I'm guessing you know the story and the actors. If not you should be asking your self where have you been the last twenty years or so...now lets get into it!

Video Quality on this release is in full 1080p using the MPEG-4 codec on a BD-50 (50 gigabyte dual-layered Blu-ray Disc). This is a great catalog release. It is so refreshing to see a studio not attempt tweaking the original image with digital noise reduction and edge enhancement. This is a faithful to the source transfer. Clarity and resolution is where this transfer shines, all the little signs, switches, knobs and so forth are all clearly defined displaying an excellent depth of field. Colors are nicely saturated and accurate displaying good natural hues.

As for the Bonus Materials: these are presented in Standard Definition 480i and High Definition 1080i with Dolby Digital 2.0 sound.

* BD-Live Keep in mind that BD-Live requires the user to be on a "Profile 2.0" capable Blu-ray Disc Player and connected to the Internet to access online content via the studio (in this case Sony). Once online you can access content such as downloadable trailers for other Sony Blu-ray Disc release upcoming and already available. Title specific content in this case is actually included. 2 different Ring tones are available which are just dialogue from the film. Standard rates apply to get these I'm sure, nothing is 100% free these days.

* "Cinechat" This BD-live application allows viewers to chat with friends and family while watching the film. A easy to understand tutorial is included.

* "Slimer Mode" is a Blu-ray exclusive feature that is using Bonus View which requires the user to be on a "Profile 1.1" or higher capable Blu-ray Disc Player. If you are capable of it, this is worth the time to watch all the way through. A neat "Ghostbusters" border frames the film while it's playing; at the same time a Picture-In-Picture track plays interview clips featuring the cast and crew looking back at the production. It is complemented with additional still photographs and behind-the-scenes video. A pop-up trivia track is also inserted into the mix, showcasing interesting facts about the film and its shooting locations.

* "Blu-Wizard" A BD-Java feature that will allow viewers to create their own play list of special features by selecting only those of interest. Once activated, a pop-up marker indicates when that particular feature is available to view.

* Audio Commentary Director Ivan Reitman is joined by co-writer/actor Harold Ramis and associate producer Joe Medjuck. It is unfortunate that they weren't able to update the commentary (originally recorded in 1999 for the DVD release) with thoughts from Bill Murray, Dan Aykroyd, or Sigourney Weaver. This is very informative track but unfortunately it comes across as dry. Opcional subtitles are included.

* "Scene Cemetery" (9 minutes SD) This is a collection of 10 deleted scenes that while fun to see in their own right aren't missed in the film.

* "1984 Featurette" (9:45 SD) This is a fun vintage featurette shot for the original 1984 release. Featuring behind-the-scenes footage and short interviews with cast and crew talking about the various aspects of making this beloved movie.

* "Cast and Crew Featurette" (10:53 SD) -This is a short 11 minute featurette originally recorded for the 1999 DVD release.It is a collection of interviews with Ivan Reitman, Dan Aykroyd, and Harold Ramis talking about the film and its impact in general.

* "SFX Team Featurette" (15:22 SD) This is a panel discussion with the original F/X team.They discuss their experience of working on the film.

* "Multi-Angle Featurettes" (SD) This is broken into three sections: "Spook Central Exploding" (2:49), "She's A Dog" (2:00), and "Crossing the Streams" (1:23). Here you can watch the rough video and animation work in before-and-after stages from three particular scenes.

* "Storyboard Comparisons" (SD) Also broken into three sections: "Slimer" (2:13), "Dogs Drag Dana" (2:09), and "Atop Spook Central" (2:04). you can watch the hand-drawn storyboards and compare them to the film's finished cut.

* "Ecto-1: Resurrecting the Classic Car" (15:37 HD) Sony and the filmmakers had the hero car restored to its original glory for the promotion of "Ghostbusters: The Video Game". Interview clips include Dan Aykroyd and the talented crew of people who worked on the refurbishment of the 1959 Cadillac Miller-Meteor Ambulance. The real treat is seeing the process of breaking down the car and building it back up to look better than it ever has. Once it is restored Dan Aykroyd was invited to see the Ecto-1 in all it's glory and it is a pleasure seeing the genuine joy he displays at being reunited with the old girl.

* "Making of Ghostbusters: The Video Game" (11:18 HD) A promotional fluff piece for the video game has the cast and creators sharing their thoughts about the game and its storyline. Brief clips of the video game are interspersed throughout. The game looks like a fun trip down memory lane. The graphics look authentic to the "Ghostbusters" films.

* "Ghostbusters Garage: Ecto-1 Gallery" (HD) This is a beautiful slide show highlighting the restoration process, whilst Elmer Bernstein's music plays in the background.

* "Ghostbusters: The Video Game Preview" (1:43 HD) Simply this is the trailer for the now available video game.

* Theatrical Trailers (HD) A collection of previews in HD `The Da Vinci Code: Extended Cut,' `Close Encounters of the Third Kind,' `Men in Black,' `Fired Up!,' `Paul Blart: Mall Cop,' `So I Married an Axe Murderer,' and `You Don't Mess With the Zohan'.

Hope this was useful.

At the end if you ask me this si a must have!

I received the DVD a few days earlier than expected, and in an unexpected way.

There was a knock on the door, it was maybe 2 in the morning. I don't really remember. I slowly got out of bed and peeked through the doorhole to see who it could possibly be.

It was Bill effing Murray. Dressed up as a ghostbuster. When I opened the door, he clicked a remote to turn on a stereo boombox he had with him. Ghostbusters theme blaring, he starts dancing. 70's disco style.

After "WHO YOU GONNA CALL," he held the DVD case up to my face and paused the song. I was silent, he lowered the case and put it in my face again.

"Ghostbusters?" I asked.

He started the music again, put the dvd down on my doormat, took the boombox and danced away.

I opened up the DVD case when I got back inside, and on the INSIDE of the SHRINK WRAPPED DVD CASE, I kid you not there was a note that read

"No one will ever believe you. No one buys DVDs anymore."

I got noise complaints from other people in the apartment the next day. I told them I was sorry and wouldn't play my music so loud. Let's face it. No one would believe otherwise.

Excellent DVD. High quality video and audio, and the extras are AWESOME.

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Well, this isn't packed with special features, but it's sure worth more than two stars. After all, what do you expect for a double-feature (each film is in its own thin-pak case) plus episodes of the cartoon (which it will be great to reminisce while watching, by the way) and a scrapbook at such a low price?

The real treat that home theater enthusiasts and most people with eyes will appreciate is that the transfers have been remastered and are marvelous-looking. That alone makes this a good companion to the old discs (KEEP THE OLD RELEASES because the video commentary from the first Ghostbusters DVD isn't on this new one and the neither are theatrical trailers). e-mail me for a link to comparison pics of the transfer upgrades! Worth an upgrade for home theater enthusiasts and fans of the cartoon (and fans of cool gimmick packaging, too, I guess!).

Read Best Reviews of Ghostbusters (1984) Here

I already have the 25th anniversary blu-ray edition of this movie, but I was wondering if the 4k would really upgrade the video quality which is not that great on the earlier edition, and this newer edition (at $14.99) was cheap enough to experiment with. I do not have any of the very expensive 4k equipment but the 4k is advertised that it will improve a regular blu-ray. Side by side with the earlier blu-ray version, I would say that there is a noticeable upgrade in the foreground of the scene and some shots come out very clear. It is enough of an improvement that I am keeping this one, but don't get rid of your earlier editions because this one does not have any features. The 25th anniversary blu has all the original dvd features plus some forgetable new features such as info on the Ghostbusters video game. So I am keeping them both. Amazon has the unfortunate habit of using all 555 reviews which go back to the dvd version which I find very confusing when I am trying to decide if an upgrade is worth it. As to the movie itself, it is still funny almost 30 years later, which is a testament to all the great actors, writer and the director, so I can't give it less than a five.

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The outside box does say that GB is in fullscreen and GB2 is in widescreen. However, that is a misprint. Originally they did intend to release it this way, but the backlash was so severe that they reversed this (stupid) decision. I guess the box artwork was already printed by this point. Rest assured that the actual movies are BOTH in widescreen and there is not even a fullscreen option. The inside boxes do both indicate widescreen.

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The Spirit Is Willing (1967)

This is not a movie for small children but for teens and up it's good, solid family entertainment. Sid Caesar and Vera Miles have ghost problems and their son Steve (Barry Gordon) is right in the middle playing straight man to a bunch of ghosts and taking all the hits for things going wrong.

Not the best William Castle film but it had its moments. There was more Jill Townsend in this than in the "Seven-percent Solution" but was a fairly juvenile film. I liked it but my wife was bored and left the room.

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If you love love-smitten ghosts and teenagers getting the blame for everything that goes wrong, you'll love this movie. The video and audio quality are excellent; far better than a previous DVD release of this movie.

Read Best Reviews of The Spirit Is Willing (1967) Here

A must see William Castle feature. A interesting plot with a great cast, done in the William Castle fashion. An old time enjoyable event.

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Great old movie loved it when I was a child and it still is a great oldie but a goodie love it

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The Darjeeling Limited (The Criterion Collection) (2007)

Wes Anderson is at his best when he explores a small group of people -sometimes family, sometimes not -and explores what makes them tick.

And after the cluttered "The Life Aquatic of Steve Zissou," Anderson returns to those roots with "The Darjeeling Limited." Technically it's an Indian road trip movie, and it's full of his quirky charm... but at heart it's just about three unhapppy brothers with a lot of baggage. Both literally and psychologically.

The forlorn Peter (Adrien Brody) and his luggage barely make it to an Indian train in time to join his brothers, woman-chasing writer Jack (Jason Schwartzman) and bandaged control freak Francis (Owen Wilson). They haven't spoken for a year, and now they're planning to awkwardly bond as they travel to their estranged mother's convent.

But after disasters involving a snake, painkillers and pepper spray, the three brothers find themselves (and their monogrammed suitcases) thrown off the train. As they trek back to civilization, the three men set out on a quest to explore the spiritual, deal with life, death, feathers, man-eating tigers, funerals and their own painful memories... and possibly find their mom.

Nobody in their right mind would expect Wes Anderson to spin up an ordinary good-ol'-boys road trip movie. At least, not the way most directors would. Instead, Anderson crafts this as the baby brother to "The Royal Tenenbaums," exploring a fractured, mildly dysfunctional family with an absent parent.

And the cinematic flavour of "Darjeeling Limited" is much the same as in "Royal Tenenbaums" -bittersweetly funny and arch, with a tinge of poetic melancholy underlying the plot. It would be an endearing movie in any setting, but somehow putting it in the mellow glow of India's dusty roads, bright fields and cluttered shrines makes it even better. The bright, visual richness gives it a sense of whimsy.

For the record, Roman Coppola and Schwartzman helped Anderson out with the script, but there isn't much change. As always, lots of wry, amusingly contemplative dialogue ("I wonder if the three of us would've been friends in real life. Not as brothers, but as people"), though there is some hilarious comedic scenes of sibling infighting. It even gets slapsticky.

Fortunately, Anderson never puts artificial twists into the story, for any extra drama, comedy or thrills; the closest thing would be a brief detour into a child's funeral. The story simply flows by, because it's all about the brothers -and focusing on anything but their self-imposed journey would just be extra baggage.

And the three men playing Jack, Francis and Peter are nothing short of brilliant. Brody is vaguely lost and forlorn, while Schwartzman is a quirky rake who is still haunted by his last girlfriend (played by Natalie Portman in the short intro, "Hotel Chevalier"). But there's something almost painfully wounded about Wilson's reckless control freak, which has nothing to do with his bandages.

"The Darjeeling Limited" is a visually astounding, contemplative little comedy, all about three men who have to deal with the past before they can move on. Put it on the shelf next to "Royal Tenenbaums."

Wes Anderson directs this movie about three brothers on a spiritual journey. In true comedy form, we get to see the brotherly love and jealously that siblings often have for each other. I knew this was going to be a wonderful comedy, but what always takes me aback is the soulful humanity that is in Wes Anderson movies. Once again we get to see Owen Wilson, Bill Murray (in a cameo), Jason Schwartzman, and Anjelica Huston. But we also see the great Adrien Brody playing one of the three brothers. While your laughing, you just might be surprised to find tears falling. This is a wonderful film to share with family.

Buy The Darjeeling Limited (The Criterion Collection) (2007) Now

Synopsis: An ornate and psychedelically colored train known as the Darjeeling Limited transports three estranged brothers; Francis (Owen Wilson), Peter (Adrien Brody) and Jack (Jason Schwartzman) to destinations unknown (actually Francis is attempting to arrange a rendezvous with their constantly disappearing Mother (Anjelica Huston) now living as a nun in Tibet). It has only been a year since their Father's tragic death and each brother carries their own personal heartache over his passing and their Mother's disturbing absence from the funeral.

As one comes to expect when traveling with others, close proximity, annoying behaviors and old wounds eventually surface which must be dealt with as they arise. Add to the mix unforeseen events both aboard the train and at intermittent stopovers along the way and you have the makings of a transformational experience unlike anything the brothers could have anticipated.

Critique: The '07 film `The Darjeeling Limited' begins painfully slow and incomprehensibly weird but if you have the fortitude to survive the first 40 minutes you will eventually find yourself on a delightfully oddball, unpredictable trek across the Indian subcontinent on a spiritual journey in search of physical, emotional and relational healing. Serving as a metaphor for life's journey, one might say that we are all aboard the Darjeeling Limited headed in the same direction to parts unknown. In the final analysis one learns that it's not where you're headed but how much baggage you drag along with you.

There's a lot of food for thought hidden away in this film for those who are willing to put in the effort and watch until the very end. Give it a try if you're in the mood for something obtuse.

Read Best Reviews of The Darjeeling Limited (The Criterion Collection) (2007) Here

The first disc starts off with "Hotel Chevalier," a short film that acts as a prequel of sorts to The Darjeeling Limited and provides a backstory to Jack. In France, he meets with his ex-girlfriend in his posh hotel room. The usually modest Natalie Portman shows quite a bit of skin in this film and shares quite a sensual moment (especially for an Anderson film) with Jason Schwartzman's character.

Also included is a theatrical trailer.

There is an audio commentary by writer/director Wes Anderson, co-writers Jason Schwartzman and Roman Coppola. The three of them start off discussing their writing process and how one's subconscious plays a role. They touch upon various aspects of the production, including production design, cinematography, and so on. Interestingly, the three of them were responsible for their own Whitman brother to write for. A lot of the commentary is spent recounting all kinds of filming anecdotes.

The second disc starts off with a "Conversation with James Ivory." He and Anderson talk about the Indian music used in the film. Anderson was influenced by and used several musical cues from Ivory's films. The veteran filmmaker talks about some of his early Indian films with clips illustrating some of the music from it that Anderson used.

There is a visual essay by Matt Zoller Seitz about the film and how it best sums up everything about Anderson's films. Seitz provides fascinating analysis over clips from the film and the short film as well.

Also included is a 40 minute making of documentary by Barry Braverman. It takes a fly-on-the-wall approach to the production with plenty of footage of Anderson and his crew filming on location. The documentary provides some fascinating insight into what it must be like to make a film there and how Anderson adapted his methods there.

"Sriharsh's Audition" features footage of a child Indian actor trying out for the film.

There is a deleted scene and two alternate takes that run just over three minutes. We see Peter Whitman playing cricket with some Indians. There is an alternate take of the three brothers running down a hill and then one of them trying to board an airplane.

Also included is a clever American Express commercial that Anderson shot around the time of The Life Aquatic with Steve Zissou Criterion Collection. In it, the filmmaker slyly parodies the notion of making a film while also paying homage to Francois Truffaut's film Day for Night.

"Oakley Friedberg/Packer Speech" is a slideshow presentation that a boy made while his parents were working on Darjeeling Limited. He and his folks about helped out the locals while they were there.

"Trophy Case" is an amusing little bit about the "awards" that the film won.

"Waris' Diary" is a collection of very brief snippets of behind-the-scenes footage not shown in the documentary. They provide additional insight into the production.

"Stills Galleries" features photographs by on-set photographer James Hamilton and also candid snapshots by Owen Wilson and Adrien Brody's mothers.

Finally, "Sketch by Roman Coppola" is footage of Anderson, Coppola and Schwartzman traveling through India while they were talking about and writing the screenplay for Darjeeling Limited.

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Isn't it the dumbest thing to judge a movie by its title? Well, that's what I had done with this little jewel of a movie. When I looked at the theater schedules, my eyes just skipped this title for whatever reasons. But I should've known better because the famous "never judge a book by its cover" proverb has always been around, hasn't it?

I came across this movie while I was channel surfing and was lucky to catch it just as it was starting. I didn't know anything about it, so it really helped that the initial scene shows no other than Bill Murray riding a cab going furiously fast, through the crowded streets of an Indian city.

Bill Murray's character arrives at the train station and then runs along the platform trying to catch the Darjeeling Limited, a train which is just starting to leave. Then, in a choreographed slow motion shot, we see Peter Whitman (Adrien Brody) catching up with Bill, getting ahead of him, and eventually leaving him behind as he catches the train and boards it through the last car. We won't see Bill's character until a brief scene later in the movie; what we see, instead, is a close-up of Peter lifting his sunglasses and triumphantly looking back at a defeated Bill Murray as he gives up trying to catch the train. This is the beginning of the mesmerizing journey of three brothers, Peter, Francis and Jack Whitman, through interior India, while they look for a reason to be together.

The Whitman brothers share two cabins on the Darjeeling Limited which is loosely based on the Darjeeling Himalayan Railway, a legendary train that runs through West Bengal in northeast India. It's been some time since they saw each other and for some reason Peter and Jack have agreed with Francis to take this trip.

As brothers, they have things in common. They like to smoke cigarettes and they share a taste for over the counter drugs and painkillers. They all carry and share an inherited, expensive, Louis Vuitton-like complete luggage set, which is almost a character in itself; and of course, they all share a past of which, luckily, we get to see a glimpse.

They're brothers, but they are also very different. They all wear suits, but when it's time for bed, Francis wears a "Darjeeling Limited" pajama; Peter wears boxers, a dress shirt and a sleeping mask; and Jack wears the bathrobe he brought from his brief stay with his girlfriend at a luxurious Paris hotel. They sleep in these, but they also fight, pray and confer. Unexpectedly, these outfits tell us much of what these characters have been through.

Owen Wilson is perfect as Francis, the eldest, who spends almost the entire movie with his head wrapped in an odd-looking set of bandages. He recently crashed with his motorcycle and was technically dead for a moment. He is single or perhaps divorced, and takes, or tries to take, the role of leader and organizes the itinerary. He is struggling to be the glue that they need to stay together but goes a little over the top and even orders what Jack and Peter are having for dinner.

Jason Schwartzman is Jack, the youngest, a published writer who has a high maintenance girlfriend. His stories, so he says, are based on "fictional" characters, but those suspiciously mirror exactly what happens to him, his girlfriend and his family. Jack is the most candid and doesn't hesitate to say to Francis and Peter: "I wonder if the three of us would've been friends in real life. Not as brothers, but as people".

Adrien Brody plays Peter, the soon-to-be dad who likes to wear his father's prescription glasses although these give him a never-ending headache. Perhaps we get to know the least about Peter, but Brody does an excellent job and with his solemn, woebegone expressions he gets Peter to speak a thousand words.

The screenplay by Wes Anderson, Roman Coppola and Jason Schwartzman is extraordinary. But the absolute beauty of this screenplay resides not in the things the characters get to say, but rather in the ones left unsaid. It is like a fill in the blanks puzzle that Anderson and company have given us to complete. I bet anyone can come up with some interesting theories on what it is that we don't see in this movie. I sure came with mine. Initially, I was trying to think of the most logical plot, one that made sense. However, when I saw this movie a second, and a third time, I stopped trying to connect the dots, forgot about logic, took pleasure in the outstanding performances and enjoyed every moment of it.

This is a tale that can spread over so many things that I'm still overwhelmed. It is a story about faith and fate; trust, relationships, aspirations and frustrations; desperation and death. Conceivably, above all, it is a story about friendship, family and love. I do not deny that the mood you're in definitely affects the way a movie affects you. But in this case, I am sure it must be repeatedly delightful and engaging, regardless of your mood, to witness these three brothers spend a few days together, do good beyond what they initially intended and successfully complete their spiritual quest.

This is a funny, engaging and very well made movie. The cinematography, by Robert Yeoman, is outstanding. Teaming up again with Anderson, Yeoman beautifully shoots it through stunning Indian locations in a yellowish, somber tone, mixes it with some slow motion and every now and then shifts to bright blues, reds and greens. The back and forth through the train cabins and the close-ups of the Whitman brothers give this movie a peculiar and unforgettable feel.

Acting, casting, editing, art direction, production design and specially the music and songs, are all exactly what this film needs. Supporting cast is also vital. Like Bill Murray, Anjelica Houston joins Wes Anderson again, and delivers a solid, key performance. Also, after appearing alongside Jason Schwartzman in "Hotel Chevalier", the 13 minute prelude to the Darjeeling Limited, Natalie Portman can be seen briefly as Jack's girlfriend.

I've always thought that having just up to four stars to rate a movie is like trying to write your full name with just four letters. In this case, "The Darjeeling Limited" gets my highest rating because I could not think of a single flaw in it, nor any way this movie could be better, and most of all, because I really enjoyed it.

"The Darjeeling Limited" might become a "cult" film. Wes Anderson has another couple of "cult" movies to his writing and directing credits: The Royal Tenenbaums and The Life Aquatic with Steve Zissou. I've also skipped those in the past. For sure that, soon, will be corrected. And please, never, ever, judge a movie by its title, poster or trailer!

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The Wackness (2008)

What an incredible film. Director Jonathan Levine's attention to detail in making sure that every aspect of the film looks and feels like the 90's really adds to the feel of the film. All of the actors work really well especially Sir Ben Kingsley and Josh Peck, who has a breakout performance in this film, showing that he's got a future in this business. With funny dialogue, nicely shot cinematography, and backed by an incredible soundtrack, The Wackness is definitely a film to see this summer if you loved the 90's.

Yo! Don't be whack!

The award winning film (Sundance Audience Award) "The Wackness" is now out on DVD and it's definitely one of the coolest and more pleasant coming-of-age films to come out in a long while and a DVD with features that embraces that non-traditional style courtesy of writer/director Josh Levine.

"The Wackness" stars well-known legendary award winning actor Ben Kingsley and "Drake & Josh" actor Josh Peck who appears to have shed his young teen Nickelodeon image for the character of 18-year-old Luke Shapiro. Both playing roles so different from what we have seen of them and both delivering an exceptional performance.

The year is 1994, A high school teenager in New York who doesn't have any friends but spends his time selling marijuana using his disguise as a person who sells ice in the park, while saving up all his money.

But all is not cool in the life of Luke, his parents are having some financial problems and in danger of being evicted, his mind is on getting laid and losing his virginity and the only person he can communicate his emotions to is one of his clients, Dr. Jeffrey Squires (Ben Kingsley). He wants some anti-depressants but Squires tells him to embrace his pain and more or less, he needs to find a girlfriend and get laid.

Dr. Squires is not exactly a role model for Josh. He's a product of the 60's, loves doing cocaine and marijuana and somehow, is able to connect with Luke and provides him professional advice for drugs. But like Luke, his life is not at all going that great. His relationship with his wife Kristin is not at all going so great and all they have is their memories of sex and doing drugs. Meanwhile, he notices that his step-daughter Stephanie (Olivia Thirlby, "Juno") is getting closer to Luke. But realizes that it's not love that she has for Luke, it's just a sexual fling.

Luke doesn't have much experience with people, love and thus he discovers himself while hanging out with Stephanie. Dr. Squires as a father doesn't want his stepdaughter to be around a drug dealer but at the same time, as his psychiatrist, he doesn't feel that Stephanie is good for Luke. But after their passionate time together, he develops feelings for Stephanie so strong that when he says the words of "I Love You" to her, Stephanie realizes that this fling has gone so far and ends their romantic fling and all communication with Luke. Around that same time, Dr. Squires wife Kristin decides to leave her husband.

Both men are obviously heartbroken but somehow, they find comfort in talking with each other and thus Luke and Dr. Squires form a friendship that would interestingly introduce Dr. Squires to Luke's world and for Luke, getting the needed therapy from his shrink. So, the story pretty much focuses on a young man (Luke) who is guided by an older man (Dr. Squires) but then the story starts to shift of the younger guy guiding an older man.

VIDEO & AUDIO:

The film is featured in anamorphic widescreen ala 2:35:1 ratio. The film is shot in different parts of Tokyo but oviously scenes such as the Twin Towers had to be put into the film. When you do a period piece, especially if it's 1994, with a busy city like New York, unless you have a huge budget, you got make do what with what you have. And thus a lot of the scenes are shot indoors but you do have some outdoor scenes with Luke and Stephanie at the beach or areas where Luke is dealing drugs.

As for audio, you get a English and French 5.1 Dolby Digital track and the film is primarily a dialogue driven film. But audio-wise, what makes this film shine is the fact that it's 1994 and the old school songs, especially the hip-hop songs of that time are what comes blaring out your speakers. Bass and all courtesy of artists such as Notorious B.I.G., a Tribe Called Quest, KRS-One, Nas, Biz Markie, etc.

SPECIAL FEATURES:

The DVD shines in its amount of special features offered. Included are:

* Commentary with Director Jonathan Levine and Actor Josh Peck A very casual and cool commentary and you learn important tidbits about the film. From Ben Kingsley giving advice to Josh, having to work with Mary-Kate in the amount of hours they had to work with her and how hard it was for Josh Peck to do his lovemaking scene with Olivia Thirlby. Levine and Peck have cool and fun commentary talking about blunts, the music, it's typically a commentary that is like hanging out with friends. Especially at the end when they talk about hanging out after the commentary and playing XBOX 360, you don't hear that on director's commentary, so it's all good.

* Keeping it Real: A Day in the Life of Writer/Director Jonathan Levine For this eight minute feature, Jonathan Levine is traveling around the country and London to promote "The Wackness" at film festivals and interviews at radio stations. Jonathan is joined by the cast and his girlfriend, production designer Annie Spitz and his brother and his girlfriend.

* Time in a Bottle: Behind the Scenes of The Wackness An 18-minute featurette featuring behind-the-scenes on the making of the film. Levine explains that the film is not 100% autobiographical and a screenplay that was based on an idea he had during filmschool. Also, featuring Levine's staff and how they were able to get that 1994 setting.

* The Luke Shapiro Show Episode 1 & 2 These are five minute short episodes that were created for cable access featuring Luke Shapiro and his doorman Miguel. The first featuring Luke, Miguel (on keyboards) and his super Tony. The second featuring Luke, Miguel (on keyboards) and a dancer.

* Deleted Scenes This scene features four deleted/extended scenes from the film. The total amount of deleted scenes is about five minutes long featuring "Luke Works in Cap and Gown", "Extended Squires Vacation", "Squires in Stephanie's Room" and "Dad's Walkman Scheme".

* The Wackness Trailers Featuring all five theatrical and teaser trailers

I have to say that "The Wackness" is a pretty cool coming-of-age film and yes, there have been many of these type of movies but a definitely, unique film. Having the film set in 1994, having the main character as a drug dealer, having his psychiatrist as one of his clients and also a hardcore drug user and just how everything just comes together is quite enjoyable.

But the performances by Ben Kingsley and Josh Peck was well done. Two roles by talents that I would never see coming. Ben Kingsley in so many serious roles in "Ghandi", "Schindler's List", "Rules of Engagement" to name a few and then Josh Peck who stars in the Nickelodeon teen show "Drake & Josh", these two taking on roles so different and to see them drinking alcohol and doing/dealing drugs, definitely it's quite a bit of a surprise. But the unique thing is that these two talents had tremendous chemistry and everything worked out quite well.

And there are also a good number of talent in this film. Olivia Thirlby did a great job as Squire's daughter Stephanie and Luke's love interest. Did a great job playing a sexual teen and then you have Mary-Kate Olsen as a pothead who just makes out with Ben Kingsley. Famke Janssen as Dr. Squires sexy wife, Method Man playing the character "Percy" as Luke's supplier and much more.

There are just these small moments in the film, from mannerisms to the small things that a character does, it really makes this film seem quite realistic and make it all work. Of course, the early 90's nostalgia and the music plays a big part in the film. When Luke and Olivia are making love, R. Kelly playing on the boom box to Luke playing Zelda on his NES, these small things are what many people who grew up at the time and listened to the music can related to. So, definitely a nice touch!

And the DVD, just makes you love the film even more with cool commentary, the featurettes and more. It's not all business-like and professional. You have Levine and Peck quite casual and as I mentioned in the commentary section, it's like hanging out with a few friends and just everyone having a good time.

Now granted, perhaps I may be a bit biased having grown up with the pop culture of the 90's and hearing the songs and the style from those years boosting my appreciation for the film but for an indie film, I have to admit that the overall presentation was quite non-traditional. Again, there are a bunch of "coming-of-age" films out there but this one was really thinking outside of the box and instead of getting a "revenge of the nerd" happy-feel good storyline, each of these characters have flaws but it's all about discovering one's self.

All in all, a solid DVD with a lot of humor, a lot of soul and all out fun!

Buy The Wackness (2008) Now

I have been waiting my whole lifetime for a movie like this... Everyone who I've shown it to has absolutely loved it, and yet I don't know why critics kind of swept it under the rug when it created so much uproar at the 2008 Sundance Film Festivals.

I think everyone should go into this movie not knowing what it's about. It's honestly not because I'm lazy and don't want to explain it to you, but I notice that in my opinion that when you heighten the expectations for someone who hasn't seen the movie, it makes the movie seem not as good as it really is.

Watch the clips Amazon supplied and that's all you need to know... It's a movie about how adults shouldn't be embarrassed to take advice from the younger generation, because it's not about age IT'S ABOUT KNOWLEDGE. And guess what? Sometimes they can be right.

It's a movie about not being afraid to live life; don't hide from it or bottle your problems. Don't look at the bad side of things, look at the good things. People say that's easier said than done, but the trick is to PRETEND!!!

When something bad happens you need to embrace your fears and embrace the pain that comes with it. If you run away from life with drugs (and by now everyone should know that includes prescription drugs) and not face your problems, you eventually just start to experience all the downs in life.

If what you choose is to embrace your pain, learn from it, and have the courage to not to be afraid to take chances & risks in your life-WELL THAT'S WHAT LIFE IS ALL ABOUT.

If it weren't for the pain in life, the joy wouldn't be so good. It's like the spoiled kid everyone went to school with, they got everything they wanted their entire lives and in the end nothing in the world can ever make them happy.

If you were even SOMEWHAT interested in Eternal Sunshine of the Spotless Mind, American Beauty, Donnie Darko, I guarantee you WILL love The Wackness. Even if you didn't like these movies.....

WATCH THE WACKNESS!!!

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I haven't heard much about this movie besides seeing the name on Peck's list of films on wikipedia. Of course I judged the title thinking that the film would be some lame attempt of a superbad type comedy but man was I wrong. The wackness is actually quite easy to explain and although it contains a young man with an occupation that isn't known for such a lifestyle I feel a lot of teens can sort of relate to it. Luke Shapiro (Josh Peck) is a 17 year old just a day from graduation. He's an incredibly lonely drug dealer that is basically dieing inside from not living the life of having fun and being dumb. The film takes him on a small hip hop packed and smoke filled adventure to live some sort of a teenage life before the summers over. He eventually finds a friend in his psychiatrist Dr. Squires (Ben Kingsley) but it takes time for them to realize how important they are to each other.

I've grown up watching Peck on Nick although he played great characters in those films he was mostly the side man and fell under the radar until he started getting a little older. My point is that I think this guy is a pretty good dramatic actor, better than his comedic roles he played on Nick. The acting was solid especially the slightly self destructive pot smoking Ben Kingsley, loved the cast. The story itself was a kind of crazy, I mean I believe that drug dealers are usually depicted as these people that get love and hate but not a lot of loneliness or at least not the high school type guys. I love how they put that spin on it because somehow everyone is linked by this. Peck's character shares what a lot of us had or even have, that big chunk of life you felt like you missed or are about to miss and all that experience and life just falls into your lap at one time.

I mean overall I loved the movie, I think the insane but realistic characters even though the weed thing sends it over a bit but it pulls it to be a super cool movie. It also has one of the sickest soundtracks of all time. I love the fact that the movie didn't try and make cliche's or make fun of hip hop. It felt like it was truly paying homage to the music, another thing that helps ease through the times. If you're a fan of good movies period I know you'll love this film. It was hard to find anything to take away from it but it's definitely a must see.

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I just finished watching this movie...gotta say it was on point.

The older man learns from the young man and vice versa. The two were almost the same but at different points in life.

The older man searches for his youth and love from his wife knowing that he will never find it again, while the young man wants to gain love and a place to fit in but cannot find it.

They are the same as both are trying to run away from similar issues, such as the older man not getting what he needs from his marriage and the young man not getting what he needs from his parents. The moral: life is too short to worry about things that get you down. Don't let lifes roadblocks keep you from happiness as these issues are only short, albeit, painful moments that we (men and women) all will go through.

You probably will not understand unless you see the movie. Josh Peck and Ben Kingsley give outstanding performances. If you are on the fence about buying it give it a rent...however...it is worth the buy!

Those who thought this was wack (thats wack not wacked)...missed the whole point.

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Jeff Dunham: Arguing with Myself (2008)

Its really hard to review a standup comedy routine "critiquingly". If it's GREAT, like this one is, I would have to resort to the overwhelming non-lack of cliches plastered on the covers of movie boxes and posters across the Land.

What it boils down to, is this (and its very simple): This is one of the funniest and most tallented stand-up acts I have ever seen. You have your all-time greats like Pryor and (fill in your fav here) but did they hold three-way conversations at lightning speed and legibly conveying three unique voices with three different personalities? Either he has incredible tallent or he's related to Emily Rose.

In short, its fantastic Excellent pullamuscle funny and man does it deliver. Highly recommended for you adults who need a change in pace. ~saos~

It's been awhile since a stand up comedian has actually brought tears to my eyes. After seeing Jeff Dunham's show on Comedy Central I immediately went to Amazon.com and pre-ordered it. It's sure a refreshing act, since you have all these other comedians doing stupid red neck jokes all the time.

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Jeff has a funny routine. His characters include "Walter", a sort of elderly curmudgeon; "Sweet Daddy D" sorry, that's "Sweeeeeeeeet Daddy D", a playa in management position (PIMP); "Peanut", described as a South Pacific islander but could really be some alien; "Jose Jalapeno", a Cuban condiment (on a "steeeeek"); and "Bubba J", a slow-witted beer-guzzling NASCAR aficianado.

Some of the jokes might be a bit politically incorrect, but as Jeff and "Shrek 2"-director friend surmise in the optional commentary, they are accepted because they are spoken by a puppet, not a human.

I watched it twice (on successive nights) and loaned it to a friend who thought it was bleeping hilarious and also is going to watch it again before returning it.

You get the option of a "bleeped" or "unbleeped" version.

Extras include a commentary, a couple bloopers, and a video of Jeff's dog humping one particular puppet.

Read Best Reviews of Jeff Dunham: Arguing with Myself (2008) Here

I've been a fan of Dunham for a long time I saw him live in Orlando in 1992(?) and was fan before that. I knew what to expect, but my wife (who has belly-laughed exactly once since we were married 8 years ago) was totally taken by surprise she laughed so-o-o hard!!! Dunham is funny, creative and his puppets are so believable you can actually suspend belief and think of them as people. Dunham's wit is great even off the cuff things like when a member of the audience steps out on a call of nature Dunham waits until he comes back to continue.... One of the funniest comics you'll ever see...

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This "reviewer" did not watch Jeff's performance very carefully. The entire audience was NOT white; yes, it was predominantly so, but the editors of the performance were careful to show several minority attendees in the theater.

Besides, Jeff tackles EVERYONE in this performance: Whites, Blacks, Hispanics, Asians, Southerners, NASCAR fans, the elderly, the stupid, the deaf, the blind, and those with bladders too weak to sit through an entire show. (Walter's ridicule of the guy sneaking out of the auditorium to go to the bathroom is priceless!)

I have shown "Arguing With Myself" to old and young alike, and the result is ALWAYS the same: tears pouring from eyes, sides splitting, and thighs raw from being slapped. You will LOVE this DVD.

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The Babysitters (2007)

Initially when I heard about The Babysitters, I thought of Risky Business with Tom Cruise in it, but upon watching it, I realised the two movies are very different. Risky Business was tinged with humor throughout but The Babysitters takes a very dark look at teens, sex, drugs and middle-aged men, a combustible combination indeed.

The movie begins with a bunch of nubile teen girls in compromising positions with middle-aged men, and a commentary by the lead actress [Katherine Waterston] who plays Shirley. We know the movie is going to be rather dark when Shirley casually makes the observance that "paid fellatio" is not much different than flipping burgers.

Turns out Shirley is a financially-challenged honors student who babysits to earn extra money and meets a couple Gail [ Cynthia Nixon] and Mike [John Leguizamo] who have two children. Mike is a middle-aged executive who finds his wife rather boring and unadventurous, and whilst driving Shirley home one night, they 'bond'. A kiss results in a heavy tip for Shirley, and soon the pair are engaged in a hot affair, the first encounter netting Shirley $200. The bright young woman decides this is the path to financial freedom, and is soon not only making money hooking on the side with Mike and other like-minded guys but also pimping out her similar-minded classmates, charging a 20% levy on each of her 'girls' transaction.

What appears to be an easy ride turns difficult and dangerous when greed and rivalry amongst the girls turns life into a spiralling nightmare for Shirley.

Katherine Waterston [daughter of Sam Waterston of Law & Order] does an amazing job in her role as the enterprising teen Shirley, though I did find her sudden chameleon-like change from virginal teen to teen nymphet and madam hard to swallow [pun intended]. John Leguizamo's performance as Mike was well-done, though his sex scenes with Waterston were unconvincing. Cynthia Nixon's dumpy wife role truly wasted her talents and didn't elicit much sympathy for her character. Another stand-out performance was by Halley Wegryn Gross who plays Nadine, another of Shriley's girls.

Overall, I found the movie an above-average attempt at addressing the darker side of high school students' lives, the pressures they face etc, but I felt the movie did not truly spend time on character development and plot cohesion.Final verdict: a dark drama dealing with teen vice and angst.

this movie certainly had a lot to offer but came out short. if you're going to make a adult-themed movie, then go for it. having sex scenes with everyone fully clothed does nothing for the movie. it's not my main complaint or major concern, but it is more distracting than anything. i doubt if teenagers are that organized or can keep a secret especially with all the business, money and backstabbing that was going on. their business would of collapsed long before it did. and it would not only be the kids that noticed high buck jewerly and clothes on them. i really don't think the leguizamo character would really have the caring and feelings he did. i didn't think much of the acting or characters played. and yes, common sense giving teenagers drugs and alcohol will come back to haunt you. nothing really happened, which i'm sure is a relief to the characters. if this movie would have been made in any other nonpolitically correct decade, it might have been done differently.

Buy The Babysitters (2007) Now

This movie is rather average, characters forgettable, director's work let's call it unobtrusive, so at best it should be given 3 stars, so why did I give it four?

Precisely because it's so average and normal.

In this movie Shirley, a student in a nice clean high school in a nice clean American suburb organizes her classmates into a prostitution ring, well functioning, smooth and efficient American business.

The movie starts with Shirley, actually a honors student, babysitting for a neighboring family. When the husband, Mike [John Leguizamo], gives her a ride back home, they kiss, and he gives her a rather heavy tip.

Soon we find him giving her tips for very different services, which she offers without much ado. Money is very prominent in the film from the very beginning to the very end, because Shirley, while her family is far from poor, doesn't have much money herself, and needs some income of her own that's why she is babysitting in the first place.

But for her sexual services she, apparently, gets paid much better than for babysitting, and, as she says herself in the movie, "paid fellatio is not much more humiliating than flipping burgers". Amazingly, this is talking a nice clean girl from nice, clean American suburbia, not an underclass, deprived girl from some inner city slums.

But the film gives us much more than this. Once Shirley is established in her new role, one day she tells her friend, her classmate, about this small business she has on a side, and her classmate becomes interested, she needs extra money too. Shirley asks her "customer" Mike if any of his friends might be interested in similar kind of service. Or maybe it's Mike who asks her if she has any classmates who could "babysit" for his buddies.

Soon Shirley's business is growing, she adds new customers, and her classmates willingly provide them with quality service. There're some conflicts, but those are of purely business nature: Shirley charges classmates a fee for providing them with clients, and some girls don't want to pay, or they don't want to pay enough this kind of conflict, nothing personal. No moral torments.

Girls counting money are shown in this film more than once, and it is pretty much as sexually explicit as this film goes.

Lord Of the Flies, where a group of boys is left without adults on an island, shows how easy human morals are going away when children are left unsupervised.

No remote uninhabited islands in Babysitters.

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After about half an hour, the viewer can predict the outcome. What is not so transparent is the development of the two central, and one or two peripheral, characters.

Note of a moral nature: this movie (like numerous others that primarily aim to shock in order to motivate a kind of moral reflection that is valuable in itself, films such as 'American Beauty', 'Magnolia', 'Bad Education', '13 Tzametti', 'Perdita Durango' and 'Natural Born Killers') raises the question: "Will its release encourage morally reprehensible behavior?" My answer would be "Maybe." Not much of an answer, but perhaps this is something troubling, and perhaps public debates on such subject matter as one encounters in this film wouldn't be a bad idea. I can understand some peoples' less-than-favourable response to this film. After all, teen prostitution isn't the world's healthiest practice, both physically AND psychologically. Anyway. What about the non-normative aspects of the film (which warrant discussion in themselves)?

Leguizamo is versatile, and this movie provides further evidence of said trait. Nixon fans might be disappointed insofar as her role is a minor one, with little investigation of the character she plays. But Leguizamo, his love interest (Waterston), and the other 'babysitters' (esp. 'Brenda') are given some serious attention. Of special mention are a few aspects of Waterston's character that make for a more interesting story than would otherwise have been the case.

Not an easy film to watch. Makes one wonder how exaggerated the story actually is. Overall, entertaining, superior acting, interesting plot. But note moral caveat above.

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It could be said that this movie is a lesson on considering every angle before embarking on a new endeavor. In this case, the girls realized they could make money by having sex under the guise of baby-sitting, but eventually things get out of control in ways that make it not worth even the good money. What seems like it is going to be easy money turns difficult and dangerous. Avarice and typical teen girl rivalry among the group turns life into a treacherous nightmare for Shirley. The movie gets four stars instead of five because I am not sure a girl as 'innocent' as Shirley could turn into such a ruthless Madame in such a short time. There is nudity (teen breasts) and some bad language and drugs, but less than one would expect in such a movie.

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Jeff Who Lives at Home (2013)

This was another one of those movies that I missed when it went into theaters, and it was also a film I really wanted to see. I'm a huge fan of Jason Segel's (Jeff) work, so naturally I wanted to see this. However, it was nothing like I expected.

I thought we'd follow Jeff through a point of his life that covered a week, a month, or any set period of time for that matter, but that's not really what happens. We follow Jeff through one crazy day in his life. Which isn't bad, but I feel they could've done more with the character had they expanded the amount of time the movie covered in his life. On top of that the movie is really short, running just over one hour and twenty minutes.

Jeff is a 30 year old stoner who currently lives in his mothers basement. He's recently been infatuated with the movie Signs, and is taking everything that happens to be some sort of sign. Jeff's main goal is to find some sort of greater purpose for himself. He feels lost in today's world, as if there's something he's supposed to find out about himself. During the movie he is helping his brother Pat (Ed Helms) who is also going through a rough patch. Only difference is Pat has a wife, a job, and a life. Even though the movie didn't play out as I expected, I still fell in love with it. Mainly with Jeff. I feel I resemble Jeff a lot in the sense that I too am searching for what my destiny is in life, and until I do I just live life day to day. You see everyone else around you progressing in their lives, and you just feel stuck.

I don't know who did the music to the film, but it was wonderful. It definitely served its purpose in setting the perfect mood for the film. It's very lighthearted and carefree, I hope I can find the score somewhere.

The only thing I can really complain about aside from the length is how it was filmed. If you've ever watched an episode of the Office, that's the best thing to compare it to. The camera is kind of shaky and it zooms in and out on the character a few times in each shot. It doesn't make it unwatchable, but that kind of filming isn't for everyone.

Overall Score: 8/10 Even though it didn't turn out as I expected, I still highly recommend this film. If you're into those weird comedy films that don't necessarily try to be comedies, then you will enjoy this. Overall it's a beautiful movie, and Jason Segel does an amazing job as Jeff. I can't picture anyone else playing him.

When I read the description and reviews of this movie, I was expecting a somewhat average movie one worth watching once, and then probably forgetting shortly afterward. What a surprise!

The movie was engaging from start to finish. I loved the realism, the "presence" of the scenes, the slow but deliberate unfolding of the plot, and the strong acting, especially that of Ed Helms.

By the time the movie was almost over, I realized it was special and that I needed to purchase a copy of it. Then, as an added bonus, the ending was completely unexpected and incredibly powerful.

I rented this, but I will definitely be purchasing a copy of it very soon. This is one to watch over and over.

Buy Jeff Who Lives at Home (2013) Now

I loved this movie. Its subtlety reveals so much about human relationships and interconnectedness. If you are struggling to find meaning for your life, this movie is right for you. Plus it has a good star cast.

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This was the best movie I have seen in a long time. The story is amazing the cast is awesome. I never rate movies but I really had to this time.

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A very Enjoyable comedy about family bonding, relationships and more. The acting performance is Superb. Jason Segel and Susan Sarandon at their best! The story has funny moments and heartfelt moments. But, there's never a dull moment from start to finish, inspiring and touching. Highly Recommended!

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