Showing posts with label free movies online to watch. Show all posts
Showing posts with label free movies online to watch. Show all posts

Kevin Hart: Laugh At My Pain

Kevin Hart: Laugh At My PainKevin Hart is too funny! Saw this one at the theater twice (the first time people were laughing so loud/long, I missed some parts! lol). Definitely worth buying as he never gets old. I have been a fan for years and have his other dvds (I'm A Grown Little Man & Seriously Funny) and watch them all the time. Each time, it just gets funnier. You won't be disappointed with this purchase!

I can honestly say this is one of the funniest stand ups I have seen in a long time. I couldn't stop laughing when Kevin was talking about his dad. "alright, alright, alllllllright". Hahahaha..........definitely not something to watch with the kids. My 6 year old over heard it and he wont stop saying "alright, alright, alllllllright". He thought it was so funny. Glad I watched it on Comedy Central so some of it was edited. I am definitely buying the DVD to watch when the kids are sleeping. :)

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I don't understand why people don't love this!! My friend, who's a Kevin Hart fan, told me that he didn't like it as much as his previous stand-up routines. I thought this was hilarious! I don't normally buy these things, but it was so funny, that I'll buy it.

I also wanna support "Chocolate Drop", cuz he's a hard worker. He has been doing commercials, movies, comedy stand-up routines, etc. eBay has commercials with him on YouTube. Xbox has an add with him promoting Forza 4. I wanna support his hard work.

He used to be my #2 fav Comedian behind Louis CK. Now he's my first.

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This Is The Follow Up 2 "Seriously Funny". Does It Match Up?......No, But That Doesnt Mean That Its Not Funny In Its Own Way. Basically, Kevin Gives You A More Personal Look Into Who He Is, While Hes At New Heights In His Career. The Movie Starts With Kevin Back In Philly, Looking Back At His Life And Career With Friends And Family. The Stand Up Content Is Basically The Same With Kevin As It Always Has Been (His Kids, Relationships, Arkward Moments And Sex) But The Jokes Just Arent As Funny As "Seriously Funny". After The Stand Up, There Is A Bank Robbery Sequence With The Plastic Cup Boys And Also Taraji Henson As A Bank Teller. The Robbery Sequence Is Extremely Random And Doesn't Flow Well At All With The Rest Of The Rest Of The Movie. The Most Interesting Thing Outside Of The Stand Up Is The Fact That LARRY KING Actually Interviews Kevin's Father, Who Clears Up Some Of The Things That Kevin Talks About In The Stand Up. Overall This Movie Is Funny But Even On The DVD Itself Theres A Sticker That Says You Should Watch "Seriously Funny".....Now Thats Funny.

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Simply put, I saw him live in Philly and then went to see the movie to laugh again! Get this!

Wedding Daze (2006)

Wedding DazeActor/writer Michael Ian Black is known for his appearance on TV series such as "Reaper", "The State", "Reno 911', "Ed" and most recently on the series "Backwash".

Known for his comedy, Black had the opportunity to write and direct his first romantic comedy feature film "Wedding Daze" starring Jason Biggs ("American Pie" films, "Loser") and Isla Fisher ("Wedding Crashers", "Rango", "Confessions of a Shopaholic").

The 2006 film features Biggs as the protagonist Anderson. A person who is very much in love with his girlfriend Vanessa (played by Audra Blaser), a young woman who Anderson considers "perfect".

So, what best than to give her the perfect proposal for marriage to show his love for her.

Unfortunately, for Anderson, his plan is to dress up as Cupid and visit her at the restaurant to propose to her. His best friend Ted (played by Michael Weston) can't believe what Anderson is about to do and disagrees with his plan and thinks it is embarrassing but for Anderson, he feels that he knows Vanessa and its the best way to propose to her.

While both argue outside the restaurant on who is right and who is wrong, Vanessa is being schmoozed by the waiter Morty (played by Mark Consuelos) and you can tell that Vanessa is starting to become quite interested in him.

Meanwhile, Anderson wins the argument and goes to propose to Vanessa. Shocked by the proposal, Vanessa is so happy that she has a heart attack and dies.

From that moment on, Anderson is a mess and one-year later, he is seen as a much bigger mess. Everywhere around him is something that reminds him of his dead girlfriend and he can't get over her.

One day, his friend Ted asks him to join him and grab a bit to eat a restaurant. And Ted tells him bluntly that he has to get over Vanessa and move on.

Anderson said he can't because she's so perfect.

But Ted insists that he take a look at other women and start over. Ted looks around and all he sees are older women that smoke and then catches the eye of a waitress in the restaurant.

Anderson tells him that if he does go out with a girl and gives it a try, will he get off his back. Ted agrees.

So, the waitress goes to take their order and the first thing that comes out of Anderson's mouth is "Will you marry me?" and surprisingly the waitress says "yes!" and accepts his proposal.

The story then showcases the waitress named Katie (played by Isla Fisher).

The story goes back a few days before the proposal and Katie is dating a man who is very feminine. Her parents Lois (played by Joanna Gleason) and Stuart (played by Matt Maloy) love him but Katie is not sure if she loves him at all. In fact, her boyfriend proposes to her and she tells him that "she'll think about it".

The next day, her mother can't believe that she is not accepting the proposal from a perfect guy. Confused about her boyfriend, she goes to her father Smitty (played by Joe Pantoliano) who is in prison, and tells her about her boyfriend's proposal and how she is not happy about it.

She goes back to work and tries to convince herself that she is happy about the marriage proposal and tells her friends and co workers Jane (played by Heather Goldenhersh) and Matador (played by Ebon Moss-Bachrach) about how she feels and Matador is quick to tell her that he doesn't like her current boyfriend.

And then we see the proposal once again, in which Katie says "yes" to Anderson.

Both agree to take things slow and live with each other. But still, Anderson feels guilty and starts thinking about Vanessa not approving of his decision to marry Katie. When Katie asks who is the woman that is pictured in his room, he tells her that it's Vanessa, a photo frame model and the reason why he is pictured with her is that he is a former model for a picture frame company. Katie doesn't question it and believes him.

But both spend time with each other and enjoy each other's company.

Meanwhile, Anderson introduces Katie to his parents, Katie introduces Anderson to her parents and sure enough, the parents don't agree with their children's choice of who they are going to marry. But Katie learns from Anderson's mother Betsy (played by Margo Martindale) that Vanessa is actually Anderson's girlfriend who passed away and is distraught that Anderson had lied to her.

The two get into a huge fight and it looks as if their brief relationship is over and the marriage is off.

And while they spend time away from each other for a brief time, both Anderson and Katie realize, they are actually falling for each other and want to get married.

And now with the help of Ted and Katie's friends, everyone takes off to Atlantic City for Anderson and Katie's wedding but in the process, Ted takes a car from the car lot that he works at and tells his boss it's for a test drive (and because he hasn't returned it, his boss calls the cops) and Katie's father has broken out of prison (and the cops are after him). To make things worse, Katie's former boyfriend has followed Anderson and Katie and wants to fight Anderson.

With all these obstacles, will Anderson and Katie ever get married?

VIDEO:

"Wedding Daze" is presented in 1080p High Definition (widescreen 1:85:1). Picture quality for the film is quite vibrant, black levels are pretty good considering this is a catalog title and I detected no artifacting, no edge enhancement on the video. For the most part, fans of the film should be pleased with the picture quality and vibrant colors.

AUDIO & SUBTITLES:

"Wedding Daze" is presented in English 5.1 DTS-HD Master Audio, Spanish 5.1 DTS and French 5.1 DTS. The film is primarily dialogue and music driven. Dialogue is clear and understandable as is the music coming from the front and center channels. There are some moments where the surround channels are used. When Isla shoots a gun into the ceiling or when Matador steps on the brakes of his car, you can hear the surround channels being utilized.

But for this romantic comedy, it's a front and center channel driven soundtrack.

Subtitles are in English SDH, Spanish and French.

SPECIAL FEATURES:

"Wedding Daze" comes with an alternate opening sequence and two deleted scenes.

JUDGMENT CALL:

"Wedding Daze" is a romantic comedy that has a few jokes that will make you laugh and has potential to be entertaining. Somehow, during its final half hour, it becomes uninspired and loses its humor and eventually becomes too kitschy for anyone to really enjoy.

As someone who grew up watching Jason Biggs on the "American Pie" films and also have been entertained by actress Isla Fisher in a few of her films, the idea to have a film that revolves around a shotgun wedding is sure to bring some laughs, especially with Michael Ian Black writing and directing the film.

First, the good. The good is that the premise of the story of two individuals trying out a relationship and getting married, despite not spending any time together is quite interesting and can be entertaining. Both characters, Anderson and Katie are normal people, it's just those that are around them are not.

And the storyline that is built around those characters is pretty much out of left-field and very crazy.

Anderson's father is hardcore into sex and gives Anderson his cock ring as a gift for his marriage, while his mother threatens Katie that she will cut her if she brings up Vanessa's name. As for Katie's mother, she is married to a shy Jewish man who has built a Jewnicorn and wants to make it to a toyline, while her mother still thinks about having mad, passionate sex with her ex-husband.

Throw in Katie's co-workers, Jane who wants to be in the circus and throws knives while Matador is just a strange individual.

Needless to say, there are some funny moments in the film as Katie tries to be sexy for her fiance, tasting Anderson's toothpaste dribble around his mouth and he accidentally spitting it out on her eye and temporary blinding her. I couldn't help but laugh.

But from there on, things become too kitschy as Michael Ian Black somehow changes the pacing and has everything focus on the group going to jail, breaking out of jail and having the police after them. It worked great during the Laurel & Hardy and Buster Keaton silent years but to focus a romantic comedy so much on it, especially for its climax, unfortunately instead of peaking, the storyline goes downhill and never recovers.

Actually, I had more fun watching the ending credits with the talent having fun and messing around than what was taking place in the final 20 minutes of the actual storyline of the film.

"Wedding Daze" is a Blu-ray release that features vibrant and solid PQ and the lossless audio soundtrack is about what I would expect from a romantic comedy. Special features are few with only an alternative opening sequence and two deleted scenes, all three which I'm glad were cut out of the film.

Needless to say, I'm sure Jason Biggs and Isla Fisher fans will have fun watching the film but while the film has its fun and charming moments, much of those moments happen earlier on and the storyline doesn't get any better.

Overall, "Wedding Daze" is popcorn romantic comedy that is not the best, nor is it the worst but its storyline suffers from lackadaisical writing and an uninspiring way to end the film that it comes up short.

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Silver Streak (1976)

Silver StreakThis movie is one I can watch over and over again. While Gene Wilder's cluelessness may seem to wear a little thin in places, the chemistry between the characters works. Admittedly when Richard Pryor appears the movie goes from humorous to hilarious, but in the meantime the Hitchcockian flavor will keep most viewers entertained.

Gene Wilder is a book editor travelling by train from Los Angeles to Chicago. Jill Clayburgh is a professor's assistant. During a romantic interval in Jill's compartment Gene see's a man killed. Of course the man is the professor. Let the fun begin.

Gene Wilder is a perfect straight man for this movie. He is clearly intelligent, but unused to crime and guns. His bravado is likely that of a typical suburbanite, and while we laugh at his actions, we also identify with his character.

Other stars make this movie an absolute joy to watch over and over. Richard Kiel of James Bond "Jaws" fame makes another silent appearance. Ray Walston is a sleazy hood. Clifton James, another James Bond movie character, also makes an appearance about the same time as Richard Pryor. Ned Beatty plays a government agent and Scatman Crothers plays a conductor. An all-star cast of characters actors in somewhat stereotypical roles, but they are so instantly recognizable that their appearance is enjoyable.

The train is a center piece of the movie, and the most important action scenes take place on or around the train. Train buffs who also enjoy comedies will find this movie to be fascinating. The end of the movie is particularly spectacular and intense as we wonder whether Jill, Richard, Gene and Scatman are going to survive to the end.

This movie was nearly an instant classic when it was released. Light comedy and very good entertainment, this movie is worth having on DVD.

More than a quarter of a century has passed between the release of this movie and my review. It looks current, exciting, and brand new. I highly recommend it. The pace is great, the suspense is ubiquitous, but not overblown (as it tends to be in so many contemporary movies), and the comedy is fantastic. I believe this is one of the best comedies of the last thirty years.

Gene Wilder displays more energy in this one than Richard Pryor. He is still quite young here and runs all over the place, being thrown off the train and all. But when Pryor shows up, the overall tempo of the movie picks up somehow, and we move from the middle to the conclusion so quickly that one can hardly stop to catch his breath.

The train wreck conclusion was nicely done. Somebody mentioned that this was the forerunner of Speed, and I think that is right one the mark. Nice comedy/suspense that made me feel a litte better after I watched it. I have not taken a train since I don't know when. In Southern California, the car is king. This movie made me almost nostalgic about the place I grew up--in a universe far away--where people used trains all the time, and I was among them.

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Of all of the collaborations between Gene Wilder and Richard Pryor, this one is my favorite. The characters are well drawn, the plot is balanced nicely between the elements of romance, adventure and mystery, plus the dialogue sparkles wittily.

The story is about a man who decides to combine a business trip with a little bit of relaxation, by taking the train from Los Angeles to Chicago. Along the way, he is involved with a beautiful woman, murder, a loveable thief and slate of "bad guys" well worthy of black hats.

The film is a charming diversion from the world; one that can be enjoyed by most of the family. It is a must have, either as a family film (for kids over 13) or a "date" movie. If you like to laugh, then add Silver Streak to your collection.

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I've waited for this title on DVD ever since the format arrived. Even though the disc is essentially bare-bones (although the original theatrical trailer is included), you do get an anamorphic widescreen transfer--I've never seen the movie look this good. For the price, not a bad deal. I'm not sure what the other reviewer meant about the DVD being too dark; the colors and brightness look just fine to me. As to the movie itself, I always thought it was best described as a screwball comedy on rails. Only drawback (for some) might be that a lot of the comedy was probably unintentional! If you're a train freak like me, you know you have to have it.

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SILVER STREAK needs to come out in a restored letterboxed DVD (adding the reminiscences of the stars on an alternative track would be great but seems unlikely given Gene Wilder's and Richard Pryor's health concerns). Sitting down to watch this movie is like embarking on a weekend holiday with a group of terrific friends. You feel the excitement as you step on the train with Gene Wilder's character, and you're off! For anyone nostalgic for the 70's, this has the clothes, the cheesy decor, the innocent sense that saying "dirty words" was naughty and funny, and of course it has Pryor and Wilder -two of the decade's greatest icons. Wilder in his prime here projects a sweetness and grace that is one-of-a-kind, and so endearing. Pryor is at the height of his hilarious talent and skill. Their pairing produced magic. Fine direction from Arthur Hiller following a warm-hearted script by Colin Higgins.

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Throw Momma From the Train (1987)

Throw Momma From the TrainReally, how can you go wrong? Billy Crystal and Danny Devito in their primes. I still hear the old lady's voice in my head whenever I hear the name Owen. This movie is hysterical, both in situational and physical comedy. Devito and Crystal made a good team, it would have been nice to see them work on another film together. Owen's mother is played by the same woman who played Mama Fratelli in the Goonies. A great character actress, she makes you hate her as soon as she makes her entrance. Devito is wonderful in his portrayal of an immature man who stills lives with his mother and can't seem to stand up on his own. Crystal plays one of his classic type roles, similar to the Albert Brooks characters, the whiny and frustrated average Joe. A very fun dark comedy, one that every comedy fan should own.

Despite the dark story that lurks behind the comedy in this film it is entirely entertaining from beginning to end.

Larry (Billy Crystal) is a creative writing teacher with a class full of inept writers. He is divorced from a woman (Kate Mulgrew) who has taken his novel and "written" it herself and is now receiving all the glory. Larry is stewing. One of Larry's students, Owen (Danny DeVito), becomes obsessed with a murder mystery he is working on and he follows Larry around hoping for a moment of his attention. Owen has issues....his Momma (Anne Ramsey). The fun begins with a mistaken clue being taken by Owen to mean that he and Larry should criss-cross their anger and murder one another's nemesis and it all leads to a completely amusing journey into the dark part of a suffering mind.

Danny DeVito is the king of black comedy and here he stars and directs with a talented ability to find humor in the darkest desires. Along with Billy Crystal they complete a madcap comedy duo in search of some relief from those who taunt their insecurities. The stand out talent in this film is of course Anne Ramsey, who as Momma, will make you roar with laughter....you stupid poop! For you writers out there this movie takes a great look at the inevitable block that stares us in the face every now and then. Get ready to laugh and store this classic close at hand to re-watch time and again when your own heart feels a little heavy and you need a dose of Momma to ease the pain.

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Absolutely hilarious from the beginning to the end! Billy Crystal plays a creative writing instructor who has writer's block. He also has an ex-wife who has just published a best seller. His best seller. He is frustrated with the writer's block, furious with his ex-wife for stealing his book and being driven insane by the pathetic stories coming through his creative writers class (i.e. 40 yards of Nawgahide and a Dream the story of an upholsterer).

Danny DeVitto is a slow witted man in about his late thirties or early forties living with his mother who is always yelling at him and being generally disgusting. He is aspiring to be a writer and is taking Crystal's college class. When Crystal tries to explain motive to DeVitto by sending him to see a Hitchcock Film, he sets loose an imaginative and resourceful streak in DeVitto, who gets from the Hitchcock film (Strangers on a Train) that Crystal has offered to set up a reciprocal killing Crystal would kill his mother if DeVitto killed his wife.

Without realizing what DeVitto is thinking and without having an opportunity to explain the concept of an alibi, Crystal's life is turned upside down as he is put on the run from the law and the only one he can turn to is DeVitto who expects him to kill his mother.

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I didn't expect to really like this movie all that much. At times I find DeVito to be rather over-the-top, and not in a good way. I also am not a biggest fan of Billy Crystal either. I actually find him rather dull a lot of the times (aside from his stellar work in `When Harry Met Sally'). Really, I'm not sure why I truly wanted to see this movie. Knowing that it was inspired by the Hitchcock film `Strangers on a Train' was incentive I guess, but since my personal opinion of that movie has lowered since seeing it I guess really the only reason I sat down to watch this comedy was that it has been lauded as truly worth the time.

Yes, `Throw Momma from the Train' is supposed to be really funny.

So, it's safe to say I wasn't expecting much. I think at times that is the best way to walk into a film; without high expectations. That way, when the film bombs at your feet you're not left disappointed. It also works the other way, because when the film excels you are truly surprised and very appreciative.

I think you can tell by the five-star review that this movie excelled, at least for me.

Larry is a Writing Teacher who is tormented by his ex-wife who has stolen his novel and published it as her own. She is ruining his life, his career, his name and he cannot take it anymore, despite pleas from his current girlfriend to just let it go. One of his students, the not so bright Owen, has a similar problem; his mother. She is overbearing, condescending and just plain gross. She is ruining his life and he cannot take it anymore. That's when Owen proposes a solution, an absurd solution, that Larry wants nothing to do with.

But Owen takes it upon himself to set his plan in motion.

Believe it or not, DeVito and Crystal make a dynamic team, hilarious from beginning to end. They feed off one another wonderfully, playing to each others strengths in order to create a great comedic duo. DeVito is a surprisingly adept director. Between this achievement and his stellar work on `The War of the Roses' I must say that I am impressed with his comedic technique. He knows how to develop a strong emotion core to secrete his comedic focus and engage the audience in more than just a string of gags. Both films are strong examples of how to make an engaging and intelligent dramedy.

Stealing the show here is Anne Ramsey, who just delivers one of the funniest performances in recent memory. She is hard to look at, hard to listen to; she's even hard to stomach but the fact remains that she's impossible to forget.

In the end I highly recommend this film. It is a surprisingly effective reimagining of the prose originally written by Patricia Highsmith and serves as a very entertaining comedy that will bring loads of laughs and smiles.

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We all have certain movies that we inexplicably never tire of watching. That's not to say that we consider these films to be among the best ever made, but that they're just one of our favorite movies. THROW MOMMA FROM THE TRAIN is one of those for me, and I can't quite pinpoint why.

The story focuses on two men: there's Larry (Billy Crystal, at his neurotic best), a novelist who is having severe writer's block (he's been on "The night was..." on the 1st page since July) after his ex-wife Margaret (Kate Mulgrew) stole his masterpiece and made a fortune off of it; and Owen (director Danny DeVito), a 40-year-old man trapped in a child's body (not a short joke, by the way) who lives with his monstrous mother (Anne Ramsey, nominated for an Oscar for her outlandish performance) and daydreams about doing her in. Owen takes a writing class, taught by Larry, at the local community college, and soon the two strike up a friendship of sorts (that is to say, Owen asks Larry for writing advice by constantly following him everywhere). Larry tells Owen that the story he wrote for class, "Murder at My Friend Harry's," fails because it has 2 characters, one killing the other, with neither having a motive nor an alibi (which are key to a murder). He tells Owen to look to Hitchcock, and Owen does just that, watching STRANGERS ON A TRAIN (which this of course takes plot points from) and concocting a scheme that he thinks Larry was hinting towards: Owen will kill Margaret, and in turn, Larry will kill Owen's mother; that way, both men have killed a total stranger (no motive) and will each have been elsewhere when the murder of the person they hate happens (alibi). Owen, being not too bright, does his part before telling Larry, and now Larry has no alibi and must stay low with Owen, being told he must kill Owen's mother (and then Owen will turn himself in, I think) or else go to jail for a long, long time.

If you think I gave it all away, don't worry. Most of that is in the synopsis, and besides, you probably already know how it will all end up (this is a comedy; a dark one, sure, but nowhere near as dark as DeVito's later efforts). There's also a tepid romance with Larry and fellow teacher Beth (Kim Greist), but the film sparkles when DeVito and Crystal are together. This may not be CITIZEN KANE, but I could watch this movie everyday. Why, I don't know. But if you haven't seen this movie, please do so, and maybe it'll have the same effect.

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To Be or Not to Be (Criterion Collection) (1942)

To Be or Not to BeJack Benny is the greatest and most groundbreaking comedian certain readers have most likely never heard of. on radio in the '30s and '40s, Benny more than anyone else effectively invented the sitcom, and his series has been rewarded with a title of Greatest Old-Time Radio Comedy that still stands to this day.

radio (and, to a lesser extent, television) was Jack's true forte. his work in movies was nowhere hear as fullfulling. of the nearly 30 films he starred in, he would personally recommend only three, and was completely satisfied with only one of those. (guess which?)

as you might imagine from the title, Benny plays an actor. this neatly dovetails with one of his radio running-gags: a paragon of pomposity, Benny's radio counterpart considered himself a better actor than he in fact was, and he'd always get sulky when Acadamy Awards time rolled around.

the mastperiece of director Ernst Lubitch, this 1942 release tells the story of a Polish theatrical troupe who fight back when the Nazis invade in 1939. not that they defeat the Nazis, mind you. even if it could be rendered believeable that mere actors had manage to topple Der Furer himself, he'd of just turned up in the newspaper again the next morning. (this would've been particularly surreal given that the film was set three years in the past.) so they content themselves with foiling a plot to destroy the Polish Resistance, then getting the hell out of Nazi territory.

Jack's leading lady is the impeccable Carole Lombard. she's been called the first great comedic actress of the "talkies," and you'll get no argument from anyone who sees this film. she effortlessly exudes charm and pathos as well as her trademark humor in the roll of Jack's mostly devoted actress wife. "mostly" because she's not above letting herself be fawned over by a young admirer (a barely recognizable Robert Stack, looking more Dobie Gillis than Elliott Ness). Ms. Lombard is also, for all intents and purposes, the driving force of the film. it is her and her young friend, who turns out to be a pilot with the Polish army, who begin to suspect that a trusted ally may be a Nazi agent.

the humor here is not simply about Jack's pomosity. there's roughly equal parts political satire and intrigue. there's a certain poignancy to what Warsaw is reduced to over the course the film. an early scene depicts rehearsing actors reciting Shakespeare: "if you prick us, do we not bleed?" his repeat of the same line later, when Warsaw is officially "occupied," serves as as forceful an answer as the question will ever get.

simply put, everything about TO BE OR NOT TO BE works. it effortlessly walks the fine line between humorous comedy and suspenseful tension. it's should've been a spectacular hit, a shot in the arm to a nation (if not world) which was finally officially preparing for war. not only that, but it should've been a significant turning point in the career of Jack Benny, proof positive once and for all that, wonderful as Jack Benny's radio program was, it was hardly all he could do.

but alas, the film was tainted by tragedy less than a week before it's release, when Carole Lombard died in a plane crash. the irony, of course, is that the time would come when the death of a star, particularly with a new release on the way, is practically a Christmas present to the marketing department, because they can use it to drum up residual enthusiasm for past triumphs as well as curiosity about said new release. sometimes it even kicks off a mini-industry: teen angst posterboy James Dean, sex kitten Marilyn Monroe, martial arts innovator Bruce Lee, and Beatles founder John Lennon are only a few of the luminaries to come of whom it will be said, only half jokingly, that dying was the smartest career move they ever made. even Jack Benny got to reap a bit of that harvest, because his 1974 death coincided with a thriving new interest in the radio dramas of old.

but alas, in a world that doesn't see it quite like that just yet, Ms. Lombard's death can only stigmatize the film. many who might otherwise of seen TO BE OR NOT TO BE now found it's very existance a bit disconcerting if not downright eerie. those who did chance to see the film at the time tended to describe it as bittersweet at best.

but fortunately the stigma has long since faded. like CITIZEN KANE or The Marx Brothers' DUCK SOUP. the one film Jack Benny was actually proud of would receive a second chance when rediscovered by the televisions generation 20 years or so down the line. it's stature has held firm ever since, and you'll see why.

[WARNING! WARNING! WARNING! the film was remade in the early '80s, and like most remakes, all it really manages to do is fall flat on it's ass. what's especially dreary about this one, however, is that it is the work of another of my comedy heroes, Mel Brooks. if anyone should've know better, it's the genius behind BLAZING SADDLES and SPACEBALLS.

so, as with roughly 98% of all film remakes, this is a case of Stick With The Original.]

P.S.: I almost forgot, the other two films Jack felt were "okay" or "pretty good" are BUCK BENNY RIDES AGAIN and GEORGE WASHINGTON SLEPT HERE.

I hope this Blu Ray lives up to its potential, but I have ordered it regardless.

Here is the greatest psychological moment in cinema history (sez me).

spoiler alert. (You wouldn't have noticed it anyway, probably.)

It is 1939, just before Hitler's invasion of Poland. The scene is Warsaw. The movie was made in 1941, after the conquest of Poland and France, before America entered the War in December. Can you imagine a comedy about America's wars in Afghanistan and Iraq, while W was still our prezydent??

The opening titles play in front of the Heroic Polonaise of Chopin. Anyone who does not feel like bursting into tears doesn't know history.

Jack and Carole are a husband and wife stage acting team in Warsaw, like Hugh Cronin and Jessica Tandy, or Brad Pitt and whatser name. Jack's wife Carole Lombard is flirting with a stage door admirer, a naive young pilot in the Polish Air Force, played by Robert Stack. She invites him to leave the audience and come backstage when her husband playing Hamlet goes, To Be or Not To Be -what could be more wounding to her vain, infantile hubby, who cannot but see the lad's walk-out? Stack rises to the Oedipal bait, and after a few visits just as he is putting serious moves on Lombard, her dressing room door bursts open, and a maid announces Hitler has invaded Poland, Sept 1, 1939. Stack the pilot has to leave to go to war to defend Poland, and grow up in a hurry.

The amazing piece of psychology is that it is a RELIEF!!! Thank god, WWII happened just in time to prevent this illicit, quasi-incestuous hook-up from happening. Using my psychiatric license to dispense opinions, I offer the idea that it makes sense that War resolves certain emotional conflicts. Why else would we send our sons and daughters to die in war, and why else would they agree to go?

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This original Fritz Lubitsch satire on Hitlerism no doubt inspired many followers including Mel Brooks, but Brooks' treatment of this same material lacks the Lubitsch touch, indeed. Probably Jack Benny's best film work--in which he doesn't play himself--is perfectly complementary to the incomparable Carole Lombard (in what I believe was her last film). One of Lubitsch's " touch" moves is his use of ensemble players and his ability to integrate a Benny or Lombard into the troupe (exception may be the wooden Robert Stack who in his early movies always seems to be auditioning to be Eliot Ness, but he serves as a perfect foil here). Anyone who has seen Brooks' ham-handed take will benefit greatly from this deft version.

Brooks does much better in his original satiric attack on Hitlerism in "The Producers" (film and stage versions) than he does in his remake of this film, which depends on someone else's comic vision.

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Drillbit Taylor (2013)

Drillbit TaylorWade (Hartley), Ryan (Gentile), and Emmitt (Dorfman) are three nerdy kids in need of protection. School bully Filkins (Frost) has decided to make their lives a living hell. After about a week of dealing with this, they decide to hire a bodyguard. Constrained by money, they opt for Drillbit Taylor (Wilson), an ex-military man who is currently homeless and trying to make enough money to get to Canada. Drillbit is less than impressive though, and has to come up with a plan quickly if he wants to help the kids and himself as well.

"Drillbit Taylor" fits the mold of the Judd Apatow-produced films, albeit in PG-13 form. Think of it as Judd Apatow-light, and that is fine because he knows what makes good movies. Sweetness, likeable characters, and raunchy comedy make up the mix, and for "Drillbit Taylor", the raunchiness is toned back to give it a PG-13 rating. Wilson is very good as Drillbit, a con-man of sorts that really isn't that good at things. "Drillbit Taylor" is an amusing addition to the Apatow family of films.

I thought this movie would be hilarious because of Seth Rogen's involvement with writing the story but I was wrong. Owen Wilson is okay and you rarely get laughs from the teenage kids. Pretty much a Flop!

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Being in high school, I loved this movie. I think it was geared toward a teenage audience and most of the humor in it is meant for teenagers. If you are in high school, you will probably love this movie. Adults, maybe not so much.

The acting was excellent, and I liked the story line too. I thought it was overall a really funny movie that I plan on purchasing.

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Drillbit Taylor makes quite an accomplishment in that it is a PG-13-rated film that has the feel of last year's R-rated Superbad. Most of the vulgarity that made Apatow's previous venture inappropriately hilarious has absconded to unknown horizons, and Drillbit is left with utilizing more crafty means at achieving laughs. Not necessarily more intelligent, but certainly less crude, the similarly hilarious lead characters all find their perfect places in this consistently amusing comedy.

Three kids experience bullying at school by antagonizer Filkins, an emancipated student who revels in terrorizing smaller kids. On their first day at high school, Wade (Nate Hartley as the Harry-Potter-like scrawny kid), Ryan (Troy Gentile as the overweight kid with the never-ending ranting) and Emmit (David Dorfman as the kid-who-gets-shoved-in-a-locker) can't seem to evade constant humiliation at the hands of nemesis Filkins. Only able to take so much, the three decide to hire a bodyguard to defend them. In a riotous job-interview montage, the trio chooses Drillbit Taylor (Owen Wilson), an ex-black-ops and improvised weapons expert, who teaches them to stick up for themselves. During the process, Drillbit gets sidetracked with aggressive teacher Lisa (Leslie Mann) and the truth that he is nothing more than a homeless bum who yearns for the good life in Canada.

Drillbit Taylor, like Superbad, derives much of its humorous moments by forcing many continual little laughs. Quick jokes follow rapid slapstick to allow the audience to pick and choose what tickles their funny-bones. When some gags don't work, instant new ribs replace them so that no one can sit still for long. But most unique is the idea that the majority of the humor does not rely on crudeness, but the friendlier grounds of physical comedy (undergoing torment by bullies) and unexpectedly nonsensical dialogue (the love chatter between Drillbit and Lisa).

Again this comedy falls into the same storyline quicksand that plagues most recent comedies, which is allowing the conflict to become too serious. No one doubts the fact that the plot is absolutely ridiculous and that most of the concepts are exaggerated to the point of absurdity, but within this fantasy world of nerds and bullies, some things we hope to remain realistic. Things like vengeance against the bullies, getting the girls, and staying out of serious harm's way. These concepts are approached with little justice to realism, and so results in a conclusion that can only be as unlikely as the samurai-sword-wielding antagonist. That's not to say that any of it was intended to be faithful to the stereotypical perception of high school life, but most of it appears that way from the get-go.

"As long as you have a coffee cup in your hand, nobody says nothing," explains Drillbit, on his ease at infiltrating the school as a substitute teacher. And so as long as the humor remains appealingly gut-busting, no one questions the reasoning behind much of the juvenile antics. Where Superbad focused on nonstop sexual and gross-out humor, Drillbit stays refreshingly clean with its parody of the cool kids and the un-cool kids frequenting a typical high school. And (comedic) revenge against persecution is one of the most universally inviting themes to watch.

Mike Massie

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i and my famiy enjoyed and laughed and laughed and will watch agian since i bought it for a really good price on amazon digital

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