Showing posts with label free movie downloads. Show all posts
Showing posts with label free movie downloads. Show all posts

Genevieve (1953)

GenevieveVCI Entertainment and The Rank Collection presents "GENEVIEVE" [Blu-ray] (1953) (86 min/Color) -Starring: Dinah Sheridan, John Gregson, Kay Kendall, Kenneth More, Geoffrey Keen, Reginald Beckwith, Arthur Wontner Guest Artistes: Joyce Grenfell, Leslie Mitchell

Directed by: Henry Cornelius

Another great film from the British Invasion VCI has restored and brought from their vaults

Light hearted comedy about an antique car rally and the competitive relationship between two friends. Gregson is especially good as the bewildered husband who loves his old car--called Genevieve, baited by his larger than life friend Kenneth More, accepts a bet on who will return to London first.

Sheridan is also sharp as the loving wife who wants a different weekend but who gets into the spirit of things. Kendall sparkling as an upper class fashion model with an unexpected capacity for trumpet playing and heavy drinking almost steals the film.

Joyce Grenfell is funny as the hotel clerk. When giving the rules of the hotel to

Dinah Sheridan and John Gregson, in dismay can't believe what they're hearing. Just then

another tenant walks by and hears them, she then replies to Grenfell "Are they Americans?"

Also the clock across the square that tolls the hour and the inner workings of the clock that

is a bit distracting.

A splendid film of a long forgotten era of English film making, no film of this type has even come close.

I had tears of laughter and totally kept recalling various scenes with a joyful chuckle.

A catchy harmonica soundtrack by Larry Adler, keeps the tempo and spirits high on this very lively film from the Brits.

For product description and editorial review check this out on the Amazon site above my review

** Awards for Genevieve (1953)

1. Oscar Nominated Best Music, Scoring of a Dramatic or Comedy Picture (Larry Adler) & Best Writing, Story and Screenplay (William Rose)

2. Won BAFTA Film Award Best British Film

3. Nominated BAFTA Film Award Best British Actor (Kenneth More) and Best Film from any Source

4. Won Golden Globe Best Foreign Film UK.

BIOS:

1. Henry Cornelius [aka: Owen Henry Cornelius] (Director)

Date of Birth: 18 August 1913 Capetown, South Africa

Date of Death: 2 May 1958 London, England, UK

2. Dinah Sheridan [aka: Dinah Nadyejda Ginsburg]

Date of Birth: 17 September 1920 Hampstead, London, England, UK

Date of Death: Unknown

3. John Gregson [aka: Harold John Gregson]

Date of Birth: 15 March 1919, Liverpool, England, UK

Date of Death: 8 January 1975, Porlock Weir, Somerset, England, UK

4. Kay Kendall [aka: Justine Kay Kendall-McCarthy]

Date of Birth: 21 May 1926 Withernsea, Yorkshire, England, UK

Date of Death: 6 September 1959 London, England, UK

5. Kenneth More [aka: Kenneth Gilbert More]

Date of Birth: 20 September 1914, Gerrards Cross, Buckinghamshire, England, UK

Date of Death: 12 July 1982, Fulham, London, England, UK

SPECIAL BONUS FEATURES:

1. Documentary "A Profile of Genevieve" (30 minutes): An amusing look at the madcap motoring movie

2. Includes interviews with Dinah Sheridan (starring actress), Larry Adler (Composer),

Clive Donner (Film Editor) and Christopher Challis (Director of Photography)

& featuring the veteran cars themselves!

3. Photo & Poster Gallery!

4. Trailers: CAMPBELL'S KINGDOM (Blu-ray) & AGENT 8 3/4 aka HOT ENOUGH FOR JUNE (Blu-ray)

Mr. Jim's Ratings:

Quality of Picture & Sound: 5 Stars

Performance: 5 Stars

Story & Screenplay: 5 Stars

Overall: 5 Stars [Original Music, Cinematography & Film Editing]

Total Time: 86 min on DVD ~ VCI Entertainment #9006 ~ (September 6, 2011)

Genevieve is one of those wonderful 1950's British comedies that prove that if you have a smart script and good actors, you are three quarters of the way home. Combine that with an atmospheric soundtrack on the mouth organ by Larry Adler that transports you to a magically nostalgic world of 50's Britain.

The film is about two friends who are veteran car nuts and the long suffering women in their lives. They are entered in the two-day London to Brighton Veteran Car Run and the film follows the trials and tribulations the two couples have getting their cars the 58 miles there and back again. The film may not provoke huge laughter or be terribly deep, but it is endlessly watchable, largely due to the great chemistry all the actors have with each other. Gregson, More, Sheridan and Kendall are all on top form, helped no end by playing fully rounded out, believable characters. The same can be said for all the lesser roles too. Joyce Grenfell has a wonderful cameo as the concierge of the abjectly awful hotel Alan and Wendy (Gregson and Sheridan) are forced to stay in when they finally arrive in Brighton.

Image quality on the blu ray is a little soft and a little red shifted on occasions (understandable given that the film is nearly 60 years old) but otherwise is easily the best version of the movie available.

It is a little light on extras, a good documentary on the making of the film and a gallery of images.

If you like the Ealing style of British comedies, then you are going to enjoy this one no end. Just sit back and marvel at the seeming effortless of a near perfect movie.

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"Genevieve," (1953). This Oscar-nominated classic British comedy comes down the years not only in full color, most unusual for the time, but in lastingly saturated color of the green English countryside. The early road picture, directed by Henry Cornelius, follows two couples entered in the London-to-Brighton classic car rally. Their friendly rivalry heats up when during a quarrel, Alan McKim ,(John Gregson), wagers more than he can afford, that he and his wife Wendy, (Dinah Sheridan), in their antique car Genevieve, will win the race. Thereby beating Ambrose Claverhouse (Kenneth More) and his fashion model date Rosalind Peters (Kay Kendall) to their destination. They pull various dirty tricks which escalate to acts of sabotage as the two teams race back toward London's Westminster Bridge. Ambrose's date Rosalind must endure her wet and dirty maiden voyage on the rally; Wendy McKim, on the other hand, knows the drill, and has packed extra clothes. This fondly remembered movie has been hard to find for years; it is now available with subtitles, how helpful!--though not so many extras on the disk.

I believe it was an accepted principle of comedy that a production should be filtered through the sensibilities of `normal' people. Thus we have the McKims, as played by Dinah Sheridan (who gets top billing), and John Gregson, given more screen time and higher star billings. But I can claim no knowledge of either of them. Much better known today are the comic actor Kenneth More, (The 39 Steps) as Claverhouse. And, outstandingly, though she left us shockingly young, Kay Kendall (Les Girls, The Reluctant Debutante ) as Rosalind Peters. Kendall, a Golden Globe winner who was married to outstanding British actor Rex Harrison, died at 33, in London, of leukemia, cutting off what might well have been a brilliant comic career. She came from an English music hall family background, which may well have had something to do with her most famous scene in the film the film's most famous, show-stopping scene--in which she drunkenly stands up in a nightclub and plays the trumpet (voiced by Kenny Baker). Popular comic actress Joyce Grenfell (The Belles of St. Trinian's ) has a funny cameo as a Brighton hotel proprietress. Other comic favorites such as Reginald Beckwith and Geoffrey Keen round out the cast. The joyous harmonica theme is by Larry Adler, who, when blacklisted by Hollywood, simply took up his career on the other side of the pond.

In reading other reviewers, I can see that they often say this movie was a favorite of their Mom's or Dad's. But I am older than most other reviewers, and this movie was a great favorite of mine. It was the first British movie I ever saw, as a young child, and left some lasting impressions. I was stunned that a woman could get up in public and play a raucous trumpet. And I desperately wanted to live in a cute little mews house, as the McKims did, presumably because it was cheap. Unfortunately I was much too young to be buying mews houses then, could only beg for doll houses, and, as an adult, never could afford a mews house::they became terribly chic and expensive. I remember the film as a laugh a minute, of course, but after seeing it again after a very long wait, find it a bit of a slo-go; and actually rather genteel and restrained through most of the race. And it clearly demonstrates the era's rather demeaning attitude toward women. Never mind, back then I grew to love the dinner gong logo of the J. Arthur Rank Organisation, and to salivate the moment I saw and heard it, in the expectation of a delicious entertainment to come. This one is still tasty, colorful and flavorful.

Read Best Reviews of Genevieve (1953) Here

Great movie and it is a well done production about the old car run in England. A fun ride for sure.

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first saw this movie when i was 16 (1953) and drove to a small movie theater that showed foreign movies enjoyed it very much especially Kay Kendall's role it really put her on the map she later married Rex Harrison and they made a good couple even now i can see just why it got all those nominations and awards including the Golden Globe what prompted my to get this movie was the recent passing of its star, Dinah Sheridan found the movie to be a pleasant surprise all the way to the end very funny flick thank you for having it paul

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The Amateurs (2008)

The AmateursTHE AMATEURS is about as close to the quality of British film comedies (a high compliment indeed!) as we have seen, thanks to writer/director Michael Traeger. It is everything a small town community aura represents without the stumbling blocks of cruelty that so often provide the turning point in 'rural stories' that defame the simple homespun humanity that is too often foreign to the big city life. Perhaps to refer to it as 'sweet' will rile some review readers, but for this viewer the overriding emotion at the close of the story is just that sweet, in the finest sense of the term.

The film is narrated by the down and out, unemployed, newly divorced middle-aged crisis victim Andy Sargentee (Jeff Bridges) who spends his time in the local watering hole trying to come up with an idea that will change his fortune and life. Giving up his marriage to Thelma (Jeanne Tripplehorn) and his son Billy (Alex D. Linz) has been painful but Andy believes he will somehow regain their respect by discovering his 'big idea'. Surrounding him are other underachievers such as Some Idiot (Joe Pantoliano), Barney Macklehatton (Tim Blake Nelson) hopelessly in love with loony dreamer Helen (Glenne Headly), church janitor Otis (William Fichtner), local video store worker and video buff Emmett (Patrick Fugit), Moe/Ron (John Hawkes and Brad William Henke) who are never seen alone, the closeted gay Moose (Ted Danson), and bartender Floyd (Tom Bower) among other 'observers'. A wild idea occurs to Andy: he and his friends could make an amateur porn film and make money and gain fame. Out of both love of Andy and individual needs to make something of their boring existence in the little town, the group commits to helping Andy with his project. How the steps succeed and fail underline the integrity and unconditional friendship these simple people represent. Along the way we meet the porn film's stars including Valerie Perrine, Judy Greer, Fiona Hunter, Isaiah Washington, Melinda Dahl all of whom eagerly participate in the 'very private' filming concept of an amateur porn film. How the final product is threatened and ultimately survives produces the warm ending to the film. And along the way we get to know Thelma's new husband Howard (Steven Weber) who breaks the stereotype of the rich new stepfather, and these small town folk including Dawn Didawick, Jayne Taini, Lauren Graham, and Eileen Brennan (who contributes a very special cameo role).

The film has been named THE MOGULS and DIRTY MOVIE in other countries and perhaps that confusion of titles has been part of the problem of the lack of promotion the film received in the theaters. But in a way, seeing this very special movie in home surroundings adds to the intimacy and the very warmly honest view of the genuinely kind and caring interrelationships among the people of this small town. There is much to be learned from this film and the added features include the writer/director sharing the experience with each of the actors in this truly ensemble work. Highly recommended. Grady Harp, March 08

The low-key effect of the film grabbed my attention from the beginning as actor Jeff Bridges began his narration of his life in the little town of Butterface Field. He introduced the characters while playing his character engaged in troubled thought, sitting alone, in the local restaurant bar.

Bridges is Andy Sargentee, a husband and father who places his impulses above the economic viability of the family by relieving himself on the desks of every supervisor he has had (and despises). His wife, played by Jeanne Triplehorn, sets off into divorce and the sunset with the station wagon and their son.

Bridges only support now is the town of Butterface Field, the place in which he was born and raised. The townsfolk know him well enough especially when he is about to come up with a brainstorm, which they are apprehensive about. Friends and neighbors at adjacent tables see the mental storm brewing. (He led them into a Ponzi scheme before just when the tulip bubble bubbled, proving his brainstorm nothing more than a light drizzle).

But now, he's got it!

He and the town will make a fortune creating a genuine, amateur porn film! He quickly enlists his friends to invest their meager sum and even more meager talents as actors, writers, directors and so on. They also have to get girls for the part, and enlist Black actors for their presumed assets. They find a young, counter girl from an ice cream store, an aging stripper, and a bedding store saleswoman, who insists on getting it on with the storeowner.

Jeff Bridges, Ted Danson, Joe Pantoliano, William Fichtner, Lauren Graham, Glenne Headley, Tim Blake Nelson, and Jeanne Tripplehorn make this "light" film work along with the superb direction of Michael Traegor. No actor overplays his or her part. The humor is subtle, even hilarious at some points. And for a movie about porn, there is no flesh or foul language.

A colleague at work recommended this; her stock has gone way up.

This is a keeper.

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I can't quite put this up at the 5 star level, but it's awfully close.

Big props to the cast here as they really do a great job here and seem perfectly cast for the roles each is asked to play.

Lead actor Jeff Bridges puts on a great performance as a man (Andy Sargentee) that is looking for his one big break, but unfortunately has failed at everything he's ever tried. Early on we find that he lost his wife because he's just not able to be responsible and can't take care of his family because of his lack of steady income. His son's birthday comes up and he goes to the store to buy a gift for him only to realize he just can't afford the one he feels is right. Real embarassment kicks in when he goes to his wife's new home and finds that it isn't just a big home, it's a complete mansion.

From that embarassment springs inspiration as Andy sits deep in thought in the town bar. Eventually he's inspired to make a porn movie with the help and support of his friends, a cast of some of the weirdest and wildest characters you'd ever find assembled.

This film isn't a continuous laugh fest, but it is very entertaining. Some parts would seem predictable, but the story does a good job of planting timely distractions and diversions along the way that keep things very fresh.

While the movie is about the making of a porn film, the nudity in the film is fairly tasteful and there is no sex really shown in the film. There are however sexual references, sex toys and discussion of porn movies is prevalent so this isn't a film for the easily disturbed.

Well worth a purchase and priced at a fair level.

Read Best Reviews of The Amateurs (2008) Here

"The Amateurs" Is a perfect little gem tucked between boxes of costume jewlery. With so many video choices out there just taking up space on the shelves, it is a pleasure to find a film that has real value.

When you finish watching "The Amateurs" you will feel like you have been given a very special gift. The framework around the substance of the film is recognizable: A father seeking a meaningful relationship with his son;"characters" in a small town who stumble around and win in the endbut the movie is much more than that. The characters have dimension, and belie stereotypes.

This film is about kindness, generosity, friendship, acceptance, and just doing the next right thing. Using the creation of such a crass commodity as a porno film as the vehicle these lessons arrive in is just sublime. "The Amateurs" may be rated R for language and sexual content, but I have never seen these potential offenders made so impotent than they are by their treatment in this film. If Frank Capra worked in 2008, "It's a Wonderful Life" might well have looked like this movie.

I keep very few films on video for repeated viewing. Most just don't have long-term presence. I'm keeping this one so my son and his friends can watch itseven years from now.

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"The Amateurs" won't change your life, but it may make it a little easier to bear.

Yes, it's heartwarming. Yes, the little town is filled with the predictable eccentrics who do the expected offbeat things. Yes, everything ends well for everybody (except the big brother). Despite all those drawbacks, this movie is funny. Great casting, great writing, great acting (as much as is demanded by the material).

The Jeff Bridges overstory and narration is the glue that brings all the individual characters and their lines into one whole; his gentle persona creates the film, not only in the story sense but in reality. A great entertainment if you're not offended by graphic but good-natured language.

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Lucas (1986)

LucasThis 1980's movie helped to make Charlie sheen a big star. Unlike today where we don't have many actors who become big early on , back then it happened more often. You just knew Sheen was going to the top. And Cory Haim was bound for a great career too it seemed , this movie which did quite well made them even more popular. This movie about a young 14 year old who will do anything to impress a older girl was right on the mark. This blu ray which looks pretty good is worth owning and very family friendly. It's a good story of teen angst and it has both touching and comedic moments. Even today a kid could emphasize and relate to the basic story here. The characters are played as real people and not stereotypes. It's worth owning on blu ray if you love these type of movies. Watching this close to 30 years later it's easy to see how much charisma these actors had and sadly both of them would let drugs destroy their careers (sheen could have stayed a giant movie star but by the mid 90's that prospect was gone) and they even completely destroyed Haim's health. He died a few years back , broke and barely functioning. Thankfully this movie isn't about drugs. Because even back then , a drug movie was about teens out of it, and this is a story with a better message. And it has a good blu ray release finally.

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Suck (2010)

SuckOkay, so maybe it's not quite the classic that "Shaun" is, but this is a really, really fun horror comedy. I rent all the video store horror movies and it is rare that one comes along that's as good as "Suck." Well-shot, well-acted, great story, "Suck" feels like it's taunting critics with its title, but then it turns out to be a really solid film with what I thought would be just your typical blink-and-you'll-miss-them cameos until it turns out that Alice Cooper, Iggy Pop, Henry Rollins (who is HILARIOUS) and Alex Lifeson are all just characters in the movie. Who knew Lifeson was so funny?

The best thing about "Suck" is that while it's a good vampire comedy, it's also a play on indie band cautionary tale movies that has a few salient and pointed things to say about fame but is never overbearing or preachy.

I would really recommend this movie to horror fans. It's really entertaining and a lot of fun and you can really feel the makers' love of both horror and rock-n-roll.

a couple of posters have made comparison to rocky horror. thought this movie was better. alice cooper is on-screen for more than just a cameo and adds something to the mix. also a good performance by malcolm mcdowell as the vampire hunter. this is one of those movies that people have barely heard about now but will gain momentum as time passes. it's on my halloween shelf to watch yearly at this point.

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Sorry. I couldn't think of a non-cheesy title for the review.

So Suck is pretty under-the-radar at this point. It might end up being one of those movies that the trendy dudes talk about knowing about BEFORE it was popular though. For a low-budget movie it looks really great and has a great cast and fantastic rock legends for cameos and small roles. McDowell is great as "Eddie VanHelsing." As are Alice Cooper, Iggy Pop and Henry Rollins to name just a few of the rockers in the movie. But the primary cast is also really good. The star of the movie is also the writer/director and he does a very good job playing the "straight man" as it were. The humor is pretty spot on and flows naturally. The only thing keeping the movie from being really great is the pacing and the conclusion. The pacing is sort of all over the place and doesn't build to a worthwhile climax. And the end of the movie is just a little underwhelming. Almost like the writer/director/star knew he had to come up with something after the climax, but ran out of steam before he got there. And even though it is a comedy, I would have liked to have seen some moral repercussions for the main characters.

But it's still a very enjoyable movie, and if you're a rock aficionado you'll love pointing out cameos from veteran rockers since just about every minor and bit role is filled by a rock star. Suck should be enjoyed by groups of friends, or better yet, bandmates.

Read Best Reviews of Suck (2010) Here

I enjoyed this movie but don't consider it to be a 5/5 level experience. Positives: True music aficionados will undoubtedly enjoy all the cameos; the production values are surprisingly high and the acting is generally quite good; it features the girl from Hot Tub Time Machine who had a memorable hot tub crying scene; its witty good dialogue with enough humor sprinkled in throughout; some very creative and artistic scenes (camera work, use of lighting, use of limited sfx, etc.). On the negative side, I found the story to be a bit slow and lacking engaging elements. While it was certainly fun, its just not that memorable; the story proceeds without any particular punch or substantial conflict. Again, please understand that I enjoyed this film, but its important to understand that its may not necessarily qualify as a 5/5 on everyone's scale. Definitely recommended as a rental, but be duly advised on a purchase decision.

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4 Stars = Classic

I've been running into some great Vampire films lately out there underneath the bats radar, & 2009 Canadian film, "Suck," is no exception. Clever, cutting edge Vampire comedy, with a drop of musical in it, about a struggling nowhere rock band, who turns into Vampires & finds success. Yes, this plot line has been used before, but never quite like this, as hilarious black comedy abounds, with imaginative twists on rock n' roll life on the road & Vampires!

You got to love a film that features surprisingly great, funny, witty appearances by, Alice Cooper, Iggy Pop, & Henry Rollins. A surprising, I'd never know it was Alex Lifeson of Rush, as a gung-ho US boarder patrol officer, LOL! Moby, as Buffalo, NY's, biggest rock star ego is a hoot as "Beef," the lead singer for a band who fans throw raw meat at while performing! How about Malcolm McDowell as EVH, that is, Eddy Van Helsing. Funny stuff! Then there is Dimitri Coats, as the Vampire who starts this all, who looks like Johnny Depp's "Mad Hatter" character on steroids, turned Vampire, which makes for a pretty convincing bloodsucker!

Wink's & nod's abound in this film to rock culture & Vampire lore. You have to watch intently to catch them all, & "Hugo" the roadie for the band as a Renfield type character about steals the show!

This film does not take it's self seriously, & you shouldn't either, otherwise the whole point will be missed, that point is fun! You have to stick with it, as it gets funnier as it progresses, & Director, Rob Stefaniuk is one to watch!

For lovers of Vampires with a wicked since of humor, you'll suck this one up!

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ef ~ A Tale of Memories: Complete Collection (2012)

ef ~ A Tale of Memories: Complete CollectionI have been waiting for this set since 2008, this is an amazing series. It's short but they cram a lot of content into each episode. The japanese voice actors are awesome but i'm excitied to hear it dubbed in english.

Plot Summary: The anime revolves around two protagonists, Hirono Hiro and Asou Renji. On Christmas Eve, Hirono Hiro meets a girl named Miyamura Miyako who was chasing a purse snatcher. Hiro later finds out that Miyako also goes to the same school as he does and they start hanging out together. This made Hiro's childhood friend, Shindou Kei, feel left out. Kei then tries to compete with Miyako for Hiro's affection and a love triangle ensues. The anime also tells the story of Asou Renji. Renji meets a girl named Shindou Chihiro at an abandoned train station. He soon learns that Chihiro suffers from a type of amnesia where her memory span only lasts for 13 hours. He also discovers Chihiro's dream of writing a novel, but she has never been able to fulfill that dream due to her condition. Renji then decides to help her fulfill that dream.

Highly recommend buying this sereis!!!

I watched this anime a long time ago and it's one of the great ones out there! Like Clannad, it's based on an original visual novel game, "Ef-A Fairytale of the two." It's romantic and psychological. The only thing I don't really like is the sort of "darkness" present in this anime. But I guess that's why the show is so great. The ending is good too, but I won't spoil it. I'm mostly looking forward to hearing the new English dub with many actors I've seen in previous animes released by Sentai. Nagisa Furukawa from Clannad and Haruko Kamio from Air will voice Miyako. Ryou Fujibayashi from Clannad, Ayu from Kanon and Yuri from Angel Beats doing Kei's. Greg Ayres who voices Sunohara from Clannad doing Hiro's. Mizuzu from Air will do Chihiro's voice, Fuko Ibuki from Clannad will do Mizuki's voice, and Yoshino Yusuke from Clannad playing Kazuya's voice (correct me if I got his name wrong). I'm so excited that I know how the characters will sound like before the anime, but too bad we have to wait an entire month until it's released. The opening song (euphoric field sung by ELISA) and second ending song are catchy too. If you buy this anime and it impresses you, don't forget to pick up the sequal season, ef-a tale of melodies which in my opinion, is even darker and kinda more disturbing than this season.

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As you may know from hearing about this series, it is bittersweet. The plot flows great so that there is no boring times(except maybe one scene but I think it emphasized emotion)since this is a 12 episode series. Each of the main characters get some screen time and to show there character. The animation is very unique, its not very moving as in active motions but was very good. I felt an emotional/lifestyle connection to the 3 main characters. Some scenes in the story reminded me of some american drama stuff, but they were ten times better which increased my liking to this series.

The english dub shook my thoughts of english dubs. Great cast with a very accurate script.

Greg as Hiro, and Clint as Renji were very very good, it brought up there popularity as both of my favorite actors. People need to open up to understand that these actors expressed there character just like there japanese counterparts. Though I hate other stuff that Serephim dubbed just like everyone else(EX: H.O.T.D had good voices but had an inaccurate script).

Chris, David, and Illich were wonderful as usual. I suspected that Luci would voice Miyako, along with Hillary Hagg voicing Mizuki. Brittney had a very unique voice in this compared to other works which changed my opinion about her in a positive way, Monica Rial brought very good voicing as Chihiro. And I was surprised that Tiffany Grant did a wonderful dub as Renji's mom.

But what is so strange about this dub, is because that the actors used a lot of japanese honorifics in this dub. I don't know if this drops it or gives it a plus for cultural reference. I say this gives it a plus since a lot of visual novel anime series talk about honorifics in there subjects (EX:Clannad, Kanon), plus this is great for sub lovers if they complain about some parts in the script.

This series is good, but don't suspect to find a lot of comedy in this series. There are not a lot. There is some nudity in this of course, but it is very brief.

There are no special extra's in this set, just this wonderful 12 episode series that has a wonderful english dub. And it got me wanting to legally buy the soundtracks of the series. Go get this if you want a bittersweet relationship japan/U.S drama. Ef ~ A Tale of Melodies is coming out as well this year, I don't want to miss it. This series stands tall against Kyoto Animations moe visual novel anime series. Must buy for a emotional anime fan.

Read Best Reviews of ef ~ A Tale of Memories: Complete Collection (2012) Here

I was pleasantly surprised by the story line of the title. It was nice viewing an anime without the fan service that substitutes for the lack of an intelligent plot. Will be buying "A Tale of Melodies" at a future date because I enjoyed "A Tale of Memories" so much.

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i must say that this series really caught me off-guard, i wasn't expecting to get sucked in as far as i did, the story beautiful and i would easily recommend this to my friends and anyone who enjoyed the anime Clannad

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The Watch (2012)

The WatchThis movie definitely is having a rough time with critics and audiences, for various reasons all around. Why though? From start to finish, I was laughing consistently with the goofy and conversational humor of these guys all hanging out and bustin' up aliens together. The aliens looked great (in my opinion) and it was all just a ton of fun. It had may qualities of a campy 80's flick and references abound which made me enjoy a heck of a lot more. Overall, it ain't perfect, but it's a darn good popcorn flick nonetheless.

The lines and humor is crude, but, I liked the roles that the guys played, perfectly suited and well done. Jonah Hill is getting better all the time. Loved the part where R. Lee Ermey runs the guys off his front yard with a shotgun, no one can cuss out a bunch of idiots like him. I thought it was amusing from the start. THe alien photo party was a first! Watch this one if you like these guys, and sci-fi/comedy, (mostly comedy)!

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I didn't really know what to expect from this movie, but it was a great mix of dirty Stiller/Vaughn comedy and an alien sci-fi genre. Still plays an active participant in the community named Evan Trautwig. When a security guard at his store is brutally killed, Evan is determined to find the killer and bring them to justice, so decides to form a Neighborhood Watch. Only 3 men are interested. Vince Vaughn as Bob, the father of a rebellious teen and wants to party with his new buds. Jonah Hill plays Franklin, the crazy one of the group who failed the written, physical, and mental health tests at the police academy. Finally, we have Jamarcus, a recent divorcee. Together, they form a bond a rid the neighborhood of delinquents and aliens from another planet. It was hilarious and awesome to see these guys fight aliens and save the world from extinction. I would definitely recommend THE WATCH!!!

Read Best Reviews of The Watch (2012) Here

A good story, a little cheesy, especially in the beginning, but very entertaining and I very glad I watched it.

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Honestly I don't know why everyone is giving this film so many bad reviews. When I watched it I personally thought it was a great movie as did everyone I talked to about the movie who had seen it. Honestly I thought this movie was the best alien movie I'd seen since Independence Day and I'm usually not the biggest fan of alien movies.

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New York Stories (1989)

New York StoriesThere are two-thirds of a good movie in this movie, as New York's three most famous directors each contributed a short film about an aspect of New York life. The opening short, "Life Lessons" by Martin Scorsese and starring Nick Nolte and Roseann Arquette is a unforgiving look at the competitive, abusive, almost cannibalistic world of a megalomaniacal painter. I read somewhere that this short is flawed because Nolte's character doesn't change. That is not a flaw; that's the point. The ego of a successful artist, according to Scorsese, will not soften, will not learn what a conscience is, will not admit that there are other artists in his/her world. Even when the artist recognizes talent in someone else, it is quickly dismissed. The ego lords over all.

The final short film, "Oedipus Wrecks" by Woody Allen is typical comic genius. The plot is simple. Woody takes his overbearing mother to a magic show, and the magician makes her disappear. Completely disappear. The magician himself doesn't know how he did it. When mom appears as an apparition in the clouds, and speaks to the entire population of Gotham about her son, the laughs are endless.

In between these two films is one directed by Francis Ford Coppola. I can't tell you what it's about. I have yet to sit through more than ten minutes of it.

I just wrote because I didn't see any appriciation of Life Without Zoe mentioned...I loved the piece it was innocent and precocious in an endearing way the girl plays at being an adult like many adolescent girls...Zoe is still learning how to be an adult and she's excessive in some ways...I think Coppola lovingly depicts her character...it had a lot of charm...I wonder if other reviews expected a different tone from Coppola...I also really liked Life Lessons ...Oedipus Wrecks was entertaining but wasn't one of Woody Allen's stronger pieces...and im a big Woody Allen enthusiast.

Incidently Woody Allen uses adolescent girl charaters similar to Zoe often: including in the movies Everyone Says I Love You and Crimes and Misdomeanors

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Three directors to approach the diversity of New York.

Scorsese depicts the life of a painter in this city. He is a cannibal and needs to possess a younger woman, slightly artistic to find his momentum and his inspiration. He is the absolute vampire who sucks life out of her till she rebels and goes away, but he needs this resistance for inspiration to work.

Coppola looks at the city through the eyes of a young girl, the daughter of an internationally famous photographer, her mother, and an internationally famous flutist, her father. She lives in that rich world without any parents with her most of the time and finds a sudden pleasure when she can take a plane with her mother to fly to a concert of her father's somewhere in the wild wide world. Is that a life for a child ? It sure is the life of the children of that class of world-wide artists and celebrities and New York is an excellent base for them to grow somewhat normally.

Woody Allen goes back to his obsession of a Jewish possessive mother who cannot accept her son to be an independent person. She meddles and the trick is her disappearance and reappearance in the sky of Manhattan talking for weeks to everyone in the street and developing a consciousness of everyday life problems. New York, in that vision, is seen as the ultimate mother and the primeval family.

New York is thus shown as a multifarious entity where people live in a world of their own, a world suspended in mid air, somewhere in another space and time. Outlandish, eerie and fascinating. Nothing can destroy a city like this, and the vision of the twin towers of the WTC are there to remind us of that absolute perenity in resurrection if necessary...

Dr Jacques COULARDEAU

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I love this film, but the biggest problem I have is with the aspect ratio. I recently bought the film, not realizing it had been cut to a 1.33:1 from a 1.85:1, and I ultimately feel like if I'm paying for a film, I should own the entire thing.

Shame on me for not reviewing the aspect ratio before purchase, but beyond that, it's a great film minus the Coppola dribble in the middle.

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The anthology of three short films that take place in New York City was made by three great American directors, Martin Scorsese, Woody Allen, and Francis Ford Coppola.

"Life Lessons" directed by Martin Scorsese, literally took my breath away it made me want to rewatch all Scorsese's films (with the one exception, GONY, though). What a magnificent work visually it is as powerful as the painting Nolte's Lionel was painting. Combining in one short film Procul Harum's "A whiter shade of pale" and Puccini's "Nessun Dorma" from "Turandot" was a stroke of genius. This film is an ode to the power of talent; it is about greatness and curse of the gift, not about love to the woman. The best scene of the film and I'd say one of the best ever made about the Artist's work is Nolte triumphantly painting his masterpiece his love, desire, lust, cries, whispers, tears, and humiliations magically transform with every stroke of his brush into the immortal, triumphant, brilliant work of art. By the time the painting is finished, he would need a new source of inspiration and self-torture, and the cycle will repeat over again. Devilishly clever portrait of an Artist as Not a Young Man. 9.5/10 (4.5/5)

I loved Woody Allen's "Oedipus Wrecks" and I think it is very funny and touching. Looks like Allen has met mothers or grandmothers like Mrs. Millstein in real life and his little gem is his love-hate letter to them. In the end, mom always knows what is best for her little boy. Mae Questel and Julie Kavner (Marge Simpson) were wonderful. Woody's face after his mom "disappears" and the scene when he practically makes love to the chicken drumstick are pure delight; also the commentary that New York is used to everything and readily accepts the crazy situation it is so true. One of the best Allen's films I've seen lately I am very glad that I finally saw it.

Larry David ("Seinfeld", "Curb Your Enthusiasm") plays the Theater Manager. It made me think if Estelle Costanza created by David and Mrs. Millstein (Woody's omnipresent mother) have a lot in common in making the lives of their sons miserable and smothering them with their merciless love? 9/10 (4/5)

Coppola's "Life Without Zoƫ" was much weaker than Scorsese's and Allan's stories and paled in comparison this episode "from the lives of the reach and beautiful" was pretty and cute but you can skip it. 5/10 (2.5/5)

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Stuck (2007)

StuckSTUCK is one of those films that creeps up on you, teases you into thinking a comedy is in the making, then slowly reveals itself as what seems to be an exposé of our current manner of getting through life, of competing in the workplace, and of self absorption to the point of endangering those around us. The fact that the film is based on a true story as adapted by director Stuart Gordon and transformed into a bitingly satirical screenplay by John Strysik increases the impact of this well-crafted little low budget film. Watch it once for the gritty content of the story, then watch it again to appreciate all of the very dark (and very pointed!) humor in what at first appears to be a grisly tale.

Brandi Boski (Mena Suvari) works as a Nurse's Aid in a nursing home of senile elderly patients, giving some of the finest care for those entrusted to her talents. Brandi's compassionate work is noted by the supervisor Peterson (Carolyn Purdy-Gordon) who manages to trick Brandi into an even heavier work schedule by suggesting a raise in position. Excited about her possible promotion Brandi and her working partner Tanya (Rukiya Bernard) celebrate that evening with Brandi's boyfriend/drug supplier Rashid (Russell Hornsby) who gives Brandi a pill of Ecstasy and the mixture of the drug with the alcohol creates a mess of Brandi's mind.

The parallel story involves one jobless Thomas Bardo (Stephen Rea) who lives in a tenement, is evicted because of past due rent, and becomes a street person, treated with cold (but satirical) mechanical responses at the Department of Unemployment. Left to sleep in the park he is befriended by another homeless person, given a shopping cart, and makes his way toward a midnight mission.

Brandi cum altered thought processes drives home, hits Thomas who comes sailing through her windshield badly injured, and out of fear and distress Brandi merely takes the 'stuck' Thomas home to park him in her garage, knowing that her boyfriend Rashid will help her. Thomas is conscious, unable to climb out of the glass of the crushed windshield and begs for help. How the stranded and injured Thomas is treated by the desperate but self-centered Brandi, by the frightened but macho Rashid, and by neighbors who fear intervention because of reporting an incident that would encourage police intervention and threaten their deportation as illegal immigrants results in an ending that shows how 'justice' can prevail!

The cast is first rate especially Rea, Suvari, Hornsby and Bernard. The direction is tight and maintains credible characters in incredible situations and holds the audience attention every moment. This is a fine example of how a low budget film, in the hands of pros, can be more successful that the big budget, less thoughtful movies that crowd our marquis. Grady Harp, November 08

If you'd like to be disgusted, search for the name Chante Mallard. What you'll find is the story of a drug/alcohol intoxicated woman, who hit a man named Gregory Biggs with her car while she was driving home. After the collision she completed her trip, parked in the garage, and proceeded to callously let Biggs bleed-out (officials believe he would have lived if given medical help) while she had sex with her boyfriend and no doubt did whatever else her morally decayed black heart desired.

Since no audience would appreciate simply seeing a man slowly bleed to death while stuck in a car windshield, the makers of this movie took some liberties with the truth. I'm ecstatic they did.

Thomas Bardo (Stephen Rea) is down on his luck. Evicted, jobless, possession-less, he doesn't even have a place to sleep. When police wake him from slumber on a park bench, he's forced to make his way toward a mission.

Meanwhile, Brandi Boski (Mena Suvari miscast because Mallard is an obese black woman) is a soulless, selfish drug-abuser who is getting trashed and partying the night way. (Suvari really manages to pick out character roles that make me despise her) Many other reviewers may view her as "balanced", but since she's a drug-using drunk driver, and is a white girl with corn-rows which never looks good I'm going to go ahead and say that she's incredibly unbalanced and vile.

As if it were a surprise, she's blitzed out of her mind (thanks to X and alcohol), effing with her cell phone, swerving all over, and she blasts Bardo, mangling his legs and lodging him in the windshield. Drunk or not, people with a shred of humanity stop there and help the man. But not this intellectually, morally, and spiritually defective sociopath. Instead, she goes home and has the least appealing non-rape full-frontal nudity, sex scene in cinema history.

Ahh...the resolution. In real life, as I said before, it's boring. This movie, however, provides the resolution that Ted Kennedy sees in his nightmares. Brilliant. I won't ruin it, but the tight directing and believable acting accentuates Bardo's rage against the dying of the light.

Overall, I recommend this for people with mild tempers and no heart conditions.

COMMENTARY

Knowing the case beforehand, I watched the majority with a snarled lip. Such social apathy really brings out my misanthropy. This single instance serves as a harsh critical analysis representative of the insidious cultural decay that has wreaked havoc on the community, family, and morals of our society. It's an overtly sexual, me-first MTV-generation where every child is a precious little snowflake, nobody has respect for family, elders, or authorities, and selfishness all but negates personal accountability. People like Mallard are deserving of a special place in hell, and the fact that there is no doubt at least one person with sympathy for her only reflects society's decay. It's sad that the movie ending isn't the real ending, and that vile scum like Mallard are allowed to live, let alone be given the possibility of parole. With any luck (crossing my fingers), karma will make the rest of her life a horror movie.

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The setup for Stuck seems pretty ridiculous, but it's actually based on a true story. After a night of partying, the young Brandi (Mena Suvari) commits a hit and run on a homeless man (Stephen Rea). Such a tragic mistake, and here's the horrible kicker--the guy is wedged tightly in the windshield of her car! Quite a crazy predicament, and Brandi is of course stricken with panic.

So what does she do? Drives home, drops some more ecstasy and has sex with her boyfriend. Just leaves the poor guy bleeding to death in her garage? Well, I suppose we all deal with stress in different ways.

I can appreciate the dark comedy of this story and realize it might be a statement about the current mindset that seems to be prevalent in our culture. People having a reckless pursuit of personal happiness along with a selfish disregard for responsibility. It also plays other stereotypes out to comical effect.

But the humor eventually goes from being subtle (a cop unaware of the car passing behind him with a bloody passenger on the hood?) to extremely silly (death by a ball point pen?) (ah geez). Oh well.

Overall, this was somewhat entertaining and original. This movie includes profanity, violence, drug use, and nudity. Written and directed by Stuart Gordon.

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So, this is what is life in America? Joking aside, this is a terrific look at the consequences of the "culture of success" permeating the United States. Which is in fact no success at all, but mostly submission to bosses, bureaucracy and money. It is the law of the jungle in "Stuck", but when Stephen Rea, a victim of downsizing, gets stuck in Mena Suvari's windshield he seems still incapable to understand that his society no longer functions, and waits for her to get help. That never comes. I don't see this film as a black comedy but as an indictment, a suspenseful look at the effects of a socially inept landscape in some individuals fighting to maintain their status in the ranks of the low class (they are... stuck!). More insight and this could have been masterful. As it is, it constitutes a very enjoyable action film.

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A relatively low budget but searching and fascinating film. Our 'heroine' is Brandi who is presented as an attractive and caring young woman who works in a nursing home, sensitively taking care of elderly and senile people many of whom can no longer control their bodily functions. Not surprisingly, her somewhat smarmy supervisor tells Brandi that she is 'under consideration' to become the supervisor of other nursing assistants.

Next scene, however, shows her in a rather seedy cub where she meets and passinately kisses a guy who looks like he's a pimp and drug pusher. High on alcohol and drugs, Brandi leaves the club only to cell phone her pimp-looking 'friend', inviting him to come over. Brandi is clearly not attentive to her driving and hits a newly-homeless man who becomes stuck halfway in her shattered windshield.

Rather than stop and call 911, the cops or both--she incredibly drives into her garage with the moaning man still stuck in her windshied. 'You should have watched where you were walking.' She complains to her helpless victim, and goes into her house to call her pimp-looking friend for help.

The rest of the movie you've just got to see. It turns out that cute little Brandi is just about as selfish and self-centered as a human being could possibly be. She allows herself to be seduced by her pimp-drug pusher with the suffering, probably dying, victim only a few feet away. Later she yells at the bloodied man impaled in her windshield, 'Why did you do this to me?' and hits him in the head with a 2 X 4.

This movie is a scathing indictment of the 'ME' generation. Obviously Brandi is an extreme example of a generational model, but sometimes extremes make the point better than averages. Brandi is a good nursing assistant because such an occupation meets her talents and advances her cause. Brandi, at the very same time, is ruthless and completely uncaring about anyone or anything that disrupts the flow of her life.

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