Showing posts with label free films to watch. Show all posts
Showing posts with label free films to watch. Show all posts

New Year's Eve (+UltraViolet Digital Copy) (2011)

New Year's EveI Loved Valentine's Day and so when I heard about this one I was very excited to go see it and it has some of my favorite actresses and actors in it. Of course people will call this film predictable and cheesy just like all the romantic built movies, but honestly there is not one romantic type of movie that is not predictable. Of course you know what's going to happen at the end since it's called a romantic movie. I personally loved this movie, it had a lot of laughs and a couple parts where I got teary eyed. The movie has well put together characters and a very good plot. The ending just like Valentine's Day where it brought characters throughout the movie together some predictable and some were the complete opposite of predictable. I Love this movie and recommend it to anyone who likes romantic comedies or likes Valentine's Day. Who cares what the critics say they are wrong most of the time. Go to enjoy the movie, not to critique it.

I was skeptical about seeing this film because of the numerous negative reviews it received. However, I have to say that this film was excellent. I personally do not like the comparisons to Valentine's Day because I thought that was a horrible movie. New Year's Eve was poignant and introspective. Although, some parts may be cheesy, and yes, it takes awhile for all the storylines to develop, I laughed out loud throughout the whole movie. So I recommend that you give a shot, if you were on the fence like me. I hope that you are pleasantly surprised.

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Although the critics slammed "New Year's Eve" as one of the worst movies of the year, the audiences felt differently rather enjoying it. I kind of liked it. Nice fluff. It's an ensemble cast set up just like in "Valentine's Day" except this one is on "New Year's Eve". Some of the pairings include, Sarah Jessica Parker & Abigail Breslin who play Mother and Daughter offering one of the more bouncier & interesting pairings in the film. Josh Duhamel searches diligently for his soul mate he met & lost one year ago. Jessica Biel & Seth Meyers play husband and wife in one of the more unnecessary subplots in the film. Robert DeNiro & Halle Berry manage to bring deep emotion into the lackluster words printed on the script thus making it believable. Katherine Heigl & Sofia Vergara give us light comic relief in their bits.

Despite the critics attacks on the film they do manage to praise one tiny element within each of their scathing reviews. They loved the Michelle Pfieffer Zac Efron sequences, more or less calling it the film's saving grace. I agree. I could've watched the entire movie with just them and be fine. If only the entire movie could've surfaced around their characters. They were the only actors that actually developed and fleshed out the roles they were playing as much as they could. It ended up being the surprising charm behind the film and thus allowing me to give it one more star necessary just for them.

Most of us have guilty pleasures and we want to escape the stresses, depressions and feelings of isolation in our lives and simply escape into a fantasy. "New Year's Eve" can accomplish that.

The film is a completely unrealistic and contrived world, yet it's bright, fun and full of love. There are many out there exhausted with fighting our day to day battles and watching another overblown shoot 'em up movie with no point. If you get depressed over the holiday season or are completely stressed out and over it all and everyone in it, then I would recommend watching "New Year's Eve" as it is an uplifter despite it being like a gigantic Hallmark card.

Read Best Reviews of New Year's Eve (+UltraViolet Digital Copy) (2011) Here

I mean--I enjoy a good romance, I enjoy a good comedy; HECK, I even enjoy a good holiday movie. But above all, I enjoy a character with a purpose and a story with meaning--and let's not kid ourselves, it has to feel plausible.

This movie had very little depth, and most times, seemed so superficial. Allow me to elaborate: Two couples competing to have the first baby in the new year; a teenager who disobeys her mother to run about Times Square with her crush, a man who has been waiting AN ENTIRE YEAR to re-meet some lady with whom he shared a moment on NYE 2011, a bitter guy who hates NYE for really no good reason; and so on and so forth. Seriously, is this how deep our lives get? Something about this is just too bothersome to me. Maybe it was the lack of diversity insofar as to whom this movie was targeted--a very middle class to upper middle class, American audience. Maybe it was because the Ball dropping in Times Square supposedly set the tone for the hopes and dreams of not only everyone in the country but in the world. It's commercial. It's materialistic. It's disingenuously saccharine. But above all, it's 1-dimensional. Don't get me wrong, there were some good moments for me--usually the scenes involving Hilary Swank. But overall, this movie needs to retire with the New Year.

But as the title suggests, some people like this sappy, gimmicky stuff. And that's ok. I've given "Valentine's Day" a chance. I gave this a chance. No more. I'll stick to "Love Actually."

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Movie was really weak.There wasn't much substance. I found myself bored at times.

The movie is not worth the time to watch it.

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Bad Teacher (Two-Disc Blu-ray/DVD Combo) (2011)

Bad TeacherA reluctant teacher loses her wealthy fiancé' and thus has to return to the job she hates. Desiring breast implants, she pursues the bonus awarded to the teacher whose class has the highest test scores. Along the way she is pursed by a gym teacher, tries to connect with a rich substitute, and finds a rival in a fellow teacher, the funniest and most well-developed character in the film. This is a movie that I found funny and refreshing, in that it is not laced with vulgarities and profanity throughout. This is a movie that provides laughs while not seeking the lowest common denominator. A pleasant surprise.

BAD TEACHER is a mixed bag. [Possible SPOILERS AHEAD]

It features a talented cast, particularly the always-deft Cameron Diaz, that certainly know how to play comedy, and it contains several laugh-out-loud moments, but the film is, ultimately, defeated by its very premise.

There is not one likable character in the entire film.

Diaz plays Elizabeth Halsey, a ruthless, wildly inappropriate middle school teacher who doesn't give a damn about her students or colleagues, and "teaches" by showing her class movies while she sleeps off the previous night's drunk.

Why wasn't this woman was fired months ago?

After her wealthy fiancé and his mother dump her, Elizabeth is out to snag another rich husband and she sets her sights on a new substitute teacher (Justin Timberlake) who comes from money. Unfortunately for her, Justin is more attracted to Elizabeth's chief rival (Lucy Punch), a triangle that leads to a "war" between the two women...neither of which we, as an audience, are rooting for.

Certainly there are moments in this picture that one cannot help but laugh at Elizabeth's outrageous remarks, but these awkward laughs are akin to the somewhat incredulous guffaws we give Larry David and his inappropriate actions on CURB YOUR ENTHUSIASM.

Elizabeth may "soften" late in the picture, but she certainly doesn't change and nothing in the screenplay by Gene Stupnitsky & Lee Eisenberg really justifies her "winning" at the film's end.

Phyllis Smith, John Michael Higgins and Jason Segel co-star in the movie, directed by Jake Kasdan.

Extras on the DVD, which contains both the theatrical and unrated versions of the movie, include deleted scenes, outtakes and two "Behind the Scenes" featurettes.

From Sony Pictures Home Entertainment.

© Michael B. Druxman

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First off, a teacher smoking pot is not funny. It just.... isn't. I know it was meant to get one of the film's biggest laughs. But it's just.... not funny.

And secondly, I love raunchy movies as much as the next guy. Knocked Up and The Hangover are two of my favs. But this movie is far from that, it's just mean spirited. Cameron Diaz plays plays a very unlikeable lead. In short, she is a home wrecker, a liar, and a blackmailer.

Her pessimism towards a little boy is particularly unsettling. She shatters the hopes and dreams of one of her 6th grade students by telling him that he will never be able to get a girl to like him, because he isn't good enough. That is easily the low point of the film. And she also ruins the life and career of another teacher, by framing her for something she didn't do. Which again is not funny, it's just plain horrible.

The overall "moral" of the movie is that it does not matter matter if you have big boobs or not. You can get everything you want by being a nasty, manipulating, gold-digging whore.

There is no way possible way to spoil anything because the movie spoils itself within the first ten minutes. It is saturated with negativity, and tasteless humor.

Bad Teacher gives off an overall bad vibe, sends a horrible message, and delivers very few laughs. If you are looking for a just desserts film where the underdog triumphs, and the bad teacher learns from her mistakes, you wont find it here. This is not a movie I want to see again.

Read Best Reviews of Bad Teacher (Two-Disc Blu-ray/DVD Combo) (2011) Here

I really, really wanted to like this film even a little bit as I paid top dollar to see it in the theater, but it was so 'bad' that I felt compelled to warn off others. "Bad Teacher" is simply one of those films that could have been better, but because it was so bad, it would be tough to know where to start fixing it.

Cameron Diaz plays a character with no depth (not surprising or even a negative for this genre of films...), no like-ability and yes, she's a bad teacher too thus the name of the film. Supporting cast including Justin Timberlake as a cute, rich, but nerdy co-teacher, are good enough, but you keep hoping for better and never get it. The story too is so simple, it really doesn't allow any of the characters to be built into much more than sketches of ideas versus characters you want to either loathe or cheer for in the end.

One scene where Diaz's character redeems herself is cute, but the film neither offered up enough of those moments or really funny ones to make this viewer even slightly happy. I stuck it out and watched the whole thing, but while a fan of stupid comedies and the actors in the film, if this was the only choice I had for something to watch I'd read a book.

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SO, I have seen plenty of movies and even the worst ones have some redeeming values...but not this one! This is above and beyond the WORST movie I have ever seen! Surprising too, because based on the cast, I was expecting this movie to be a lot better. The story is terribly written, really trashy and the acting is not much better. To be honest, I am not a prude(I mean Caddyshack is my fav movie of all time), but to me, this movie was vulgar in a way that was not even funny.

The only actors who made this movie watchable were Jason Segel and Lucy Punch who actually delivered some funny lines. I was so happy once this movie was over, that I did not have to watch one more second of it. If you like comedy and good movies, you're gonna be sorely disappointed by this stinker!

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Bus Stop (1956)

Bus StopThis review refers to the 20th Century Fox(Diamond Collection)DVD edition of "Bus Stop"

Bo can hog tie a calf, and ride a bronco better and faster than anyone around. But he is naive in the ways of the world. When he takes his first bus trip to the city to dazzle em at a rodeo, he's in for the ride of his life. His mentor Virge, tells him it's time he found a gal of his own. Bo likes this idea, but he doesn't want any ol' gal, it's got to be an angel. He'll know her when he sees her! And what's more he'll simply rope her and haul her back with him. Well, things get complicated for this simple guy, when he spots his angel. She is Cherie. A "Chanteuse" with plans of her own. Cherie has direction in her life. The direction being from "River Gulch" to "Hollywood", where she will have "options". She is trying desperatly to shed her "hillbilly" image. A Montana cattle ranch was not part of the plan. Once these two meet though, Cherie has no choice in the matter(or does she?), and is literally swept off her feet by Bo.She finds herself on a bus ride that may change her life. Can the naive rancher and and the saloon singer with a past find love? Find out in this very touching story.

Marilyn Monroe will capture your heart(once again) as Cherie. She shines in this role of a more dramatic nature.She treats us to "That Old Black Magic", and although, Cherie's talent as a songstress is not going to win her any awards, it doesn't matter. Like Bo, we are just dazzled by what we see!

Don Murray is introduced as Bo. He's absolutely wonderful as the innocent cowboy. Directed by Joshua Logan, it also stars such greats as Arthur O'connell, Eileen Heckart, Betty Field, and look for a very young Hope Lange. The are some charming musical numbers as well.

This film from 1956,has been restored and looks fabulous. It is presented in anamorphic widescreen(1.85:1) with wonderful color and a beautifully clear picture. The sound may be listented to in 4.0 Surround or stereo, and is terriffic as well. It may be viewed in French(mono) and has Spanish and English subtitles. There's a theatrical trailer, some stills, and a great demonstration of how the restoration compares with previous transfers. If you can't get enough of Marilyn, you may want to consider buying this in the "Diamond Collection" set. Besides this one, it includes, "How To Marry A Millionaire", Gentlemen Prefer Blondes", "There's No Business Like Show Business","The Seven Year Itch" and a great documentary about Marilyn's last months "The Final Days". All of these DVDs are excellent as well.

"Bus Stop" is dramatic, funny and poignant. It will leave you with a smile on your face for some time afterwards.

Spend some time with Marilyn....and enjoy...Laurie

Many critics now say that it's a crime that Marilyn Monroe was never nominated for an Academy Award. Her not being nominated for her performance in "Bus Stop" is proof.

Today, we often see actors starring in movies that require them to speak with a certain accent, and their accents come-and-go during the movie. You wont find that here. Marilyn's hillbilly accent remains throughout the film, and it's a very realistic one. Initially, Marilyn's costume was an expensive getup created by the studio, but she herself went to a second-hand shop and found an outfit that she believed her character would actually wear. And, she agreed that she should wear the white, chalky make-up that she does in the film, as her character is one who sleeps during the day (never sees sunlight) and works at night.

Marilyn displays a wide range of emotions in this film--happiness, sexiness, sadness, excitement, and downright anger--and we feel every one of them. I dont think any other actress could have done a better job in the role.

The entire cast is excellent as well. The role of "Grace" is a scene-stealer!

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We've got to admit that this kind of material belongs to the theater.However the casting of DON MURRAY in a real far out character and MARILYN MONROE as a dancer works surprizingly well.The saloon scene with MARILYN singing the 1942 MERCER classic THAT OLD BLACK MAGIC is fun.The fighting match in the snow is a real audience rouser.Perhaps one can say that the character that MURRAY plays seems rather unappealing and rather unbelievable.To resume the story simply, it's a youngman from the country who becomes a man when he discovers sex the first time he sees CHERIE.

Read Best Reviews of Bus Stop (1956) Here

Marilyn is undoubtedly at her best in this great motion picture. One correction to other comments BUS STOP is full 2.35:1 Cinemascope, not 1.85:1. Be assured that those prone closeups are seen in their full glory and Marilyn's performance of "That Old Black Magic" is SUPPOSED to be bad. It remains gloriously awful and one of THE great movie scenes.

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The story is corny, but that's what makes it so funny. Marilyn over plays the character as a lot of little things happen around her that aren't really part of the story, but would be typical in a similar situation; like for example when Marilyn is trying to change clothes in the bus full of sleeping passenger. She contends with the little boy who is set to watch by placing her hand on the top of his head and turning it to the side. At the time the bus driver almost runs off the road and turns the bus over trying to get a peek too. Marilyn is just too perfect at being Marilyn!

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Life (1999)

LifeYes, this movie has plenty of funny moments, but there is a very real and sometimes rather touching story that takes precedence over everything that happens. You can't get through the most serious of situations without the palliative of laughter now and again, and Life actually does tell a serious story. Eddie Murphy proves once again that he is a great actor, and Martin Lawrence was surprisingly good as the more serious of two men sentenced to life in prison for a murder they didn't commit. One night in 1932, fate brought Rayford Gibson (Murphy), a smooth-talking hustler with big dreams, and Claude Banks (Lawrence) a respectable fellow about to start a good job, together in a New York nightclub. For entirely different reasons, both guys have to face the displeasure of the club owner's wrath; and so it is that Gibson and Banks end up going on a bootlegging run to Mississippi. One dead man later, and both men are sentenced to life in prison for murder. Since Banks blames Gibson for getting him into all this mess, there relationship varies in quality as the years go by, but gradually a real friendship develops between them. They try to escape several times but end up spending basically their whole lives in prison. Along the way, we meet with several sub-plots involving some of their fellow inmates, but the movie never strays far from the lives of Gibson and Banks. The passage of time is marked by clips of historical events, and some excellent makeup works makes both men look old and worn out as they advance into their senior years.

This is not a prison story of hopelessness, however. While no pardon ever comes their way, justice has a way of willing out eventually, and the final ten minutes of the film are just terrific. Since the story does take place in Mississippi in 1932 and beyond, race plays a major part in the film, but it does not define the movie by any means. There are a number of funny scenes, especially those involving pie and cornbread, and Eddie Murphy will definitely make you laugh Martin Lawrence sort of plays the heavy here to Murphy's periodic antics. Some familiar faces pop up in the movie: Rick James plays the New York club owner, Bernie Mac has a relatively minor role, and Heavy D plays a small but important part. Wyclef Jean contributes an original score for the film. The whole cast is excellent, and a very good script keeps the film on pace and lively.

This isn't Stir Crazy; there are plenty of laughs, but I wouldn't call this a comedy Life the movie is funny in the way life itself can sometimes be laughter can get us through the hard times, but it doesn't hide the fact that the hard times are there. This movie really deserves more attention than it has received; with its serious underlying quality, it ranks among Eddie Murphy's most impressive films.

Definitely a wonderful movie, Life, brings to the screen the story of two New Yorkers, during Prohibition and the Great Depression, as they make their way to a small rural town in Mississippi, in order to stock up on some moonshine, which in turn is to be delivered to a NYC speakeasy.

The setting is the early 30's, specifically 1932, and it is a film about human relations, hope and second chances, but most importantly about how trust, friendship, endurance, and inner strength, can lead out of situations, which might seem bleak or desperate at first glance.

On the negative side, the only setback was the scene with the baby. They could have found another way to show the strong sense of solidarity that had developed.

Needless to say, Eddie Murphy, Martin Lawrence and the rest of the cast have truly outdone themselves with their performances, which are outstanding to say the least!

The film combines drama and humor, making it one of the best of its kind, and one that can be watched over and over again.

Life is sure to provide for an evening's entertainment.

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Both Murphy and Lawrence are quite fine in this warm and funny drama about a lifelong friendship behind the bars of a Southern prison camp during the depression. The make-up as they slowly age was deservedly Oscar-nommed. Both prove here they are fine actors as well as fine comedians. This is not an extraordinary work but it is quite competent and entertaining. Worth a watch.

Read Best Reviews of Life (1999) Here

This movie is perhaps Eddie Murphy and Martin Lawrence's Sistine Chapel. That is a bold statement but this movie is so funny and such a good, well made movie. There are endless funny moments in this movie. I might be being biased because I love timeline movies a lot (ex. FORREST GUMP). This movie will also make you cry from sadness and laughter. I laughed out loud many times and (ALMOST) cried from emotion.

The movie has an all-star cast as well which can sometimes be disastrous (ex.NOTHING BUT TROUBLE). It hits every angle possible and could not have been done any better for what it was. And that is one great, funny movie that is one of my all-time favorites.

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This movie is one of the best films I've ever seen. It has its funny, even hilarious moments but it's not a comedy, by a longshot. It's one of the best, most heartwrenching dramas, and was all the more pleasant for being completely unexpected.

The plot concerns two men, who were framed for a crime they didn't commit, and their lives in jail after they are sent to prison for life. It does a wonderful job of subtly showing the racial tensions and interplays in the time period and also showing the changes that come about later on in the time and how it affects their lives in the prison.

Get this movie. You won't be disappointed.

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General Education (2012)

General EducationThe movie was okay and had some funny scenes, but at best, it was just okay. I should have waited until it came on public TV.

Hollywood likes to openly proclaim that it embraces American values, but, if GENERAL EDUCATION is any indication, I'm not entirely certain Tinseltown even recognizes what sentiments average Americans embrace any longer. Granted, children are always going to have some `secrets' they hold out on their parents, but why glamorize it? Also, parents are always going to want something better for their children, but do they seriously force them to pursue dreams that'll more likely drive their kids into bankruptcy instead of having a life of personal fulfillment? I could go on, but methinks I don't want to spoil too much of this political claptrap in the first paragraph!

(Note: the following review will contain minor spoilers necessary for the discussion of characters and plot. If you're the kind of reader who prefers a review spoiler-free, then skip down to the last two paragraphs for my final words. However, if you're entirely accepting of some hints at things to come, then read on.)

Levi Collins (played by Chris Sheffield) appears to have a bright future. He's just "won" an athletic scholarship for tennis that should give him the `full ride' for tuition, but, as luck would have it, he has one problem: he hasn't yet successfully graduated from high school!

And therein lies the central problem of GENERAL EDUCATION: very little of what we're shown makes any sense. Only a few minutes after being granted a full scholarship by a sexually suggestive college recruiter (???), we're told Levi has to "compete" in a tournament and "win" in order to obtain it. Despite the fact that the script assures us that Levi is a tennis pro even descended from other tennis pros in his family history we're never shown him playing AT THE LEVEL of a tennis pro. In fact, we're only shown him repeatedly losing.

As the film unfolds, we learn that this is what accounts for "plot development" because Levi's father (and town mayor), Rich Collins (comedy veteran Larry Miller), is the only one who's pushing for his son to become a tennis star. Levi has no interest in it which is good since he can't play it or, rather, plays fairly poorly nor does he have any aspirations for college except for the fact that he knows he wants to attend Arizona State University, a choice apparently not to his father's liking.

Somehow, the audience is supposed to find all of this "funny."

To further complicate his family life, mom Gale (woefully miscast Janeane Garofalo) is taken to speaking in slight sarcasm while repeated swilling glasses of wine. At one point, Levi along with his older brother and younger sister find Mommie Dearest modestly incapacitated (think `drunk') while fully clothed in the bathtub late in the day after a grueling evening of drinking. Weakly, she waxes on about the troubles of raising children who will all grow up and leave home someday like she's the only parent who ever suffered from such a revelation.

And again, somehow, the audience is supposed to find all of this "funny."

However, back to Levi's antics. See, he's forced to lie to his parents about graduating from high school for which he's wistfully forgiven because it's all their fault, after all. In order to get his diploma, he'll suffer through a ten-day summer school program in Earth Sciences. Eighty percent of his grade for the class is the presentation of a class project, and, on a whim, Levi decides to convert his new car into `hybrid' that'll run on vegetable oil. The main problem with this `project' is that he never does any of the work! His brother also a failed tennis pro is suddenly revealed to have world class automotive skills and installs the already invented filter into the engine and ... voila! Passing grade! Plus, a happy ending!

And still, miraculously, writer/director Tom Morris expects audiences to find all this scathingly "funny."

There's so much wrong in the presentation of GENERAL EDUCATION that I won't trouble readers with the lion's share. What I truly found relevant was the fact that this appears to largely have been an independent production outside the standard Hollywood studio system but, under Morris's direction, it all kinda/sorta stinks like a failed Disney Channel Saturday Night Movie. None of the right sentiments are baked into the cake indeed, many of the jokes come off as half-cocked puns that even Disney stars quite possibly wouldn't be caught dead performing and, instead, we're treated up to the slightly veiled "it takes a village to get a kid to pass high school" formula. Before all is said and done, Dad's at fault, Mom's at fault, the school's at fault, the law's at fault, society's at fault, but rest assured the kids are alright.

Poorly conceived and woodenly acted, EDUCATION has a few moments of mirth that play out honestly. I can't help thinking that those were the accidents here and not what Morris and his cast and crew intended.

GENERAL EDUCATION is produced by Pelican House Productions. DVD distribution is being handled through Well Go USA Entertainment. As for the technical aspects, the sights and sounds are acceptable though nothing grand the sound mix was a bit off (I had to crank up the center speaker volume in order to hear the actors' dialogue) in the opening sequences, but it seemed to even out about twenty minutes in. The disc comes with a respectable assortment of bonus features an audio commentary, outtakes, making-of short, and the original theatrical trailer but I didn't invest any time with them as the overly maudlin quality of the picture turned me a bit sour in the conclusion.

SLIGHTLY RECOMMENDED but with some strong reservations. There's part of me that wants to recommend GENERAL EDUCATION to families because, in many respects, it's clearly intentioned as a light-hearted romp about a boy, his family, and his misadventures. Still, there's another part of me that sees the film for what it is: a slightly veiled attempt to discredit traditional American family values and supplant them with some Liberal / Progressive hogwash hoping no one will notice. As it is, there are far too many weird secondary subplots (many of which come get introduced and then brushed away from some genuinely bad comic writing) that spoil whatever good intentions the filmmakers may've been able to muster.

In the interests of fairness, I'm pleased to disclose that the fine folks at Well Go USA Entertainment provided me with a DVD screener of GENERAL EDUCATION for the expressed purposes of completing this review.

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Tom Morris has worked on quite a few films as a camera operator and has even written and directed several short films. But this time Morris joins writers Elliot Feld and Jaz Kalkat as co-writer and director of the coming-of-age comedy "General Education".

The film would star veterans Larry Miller ("Pretty Woman", "10 Things I Hate About You", "Kiss Kiss Bang Bang"), Janeane Garofalo ("24″, "Mystery Men", "Ratatouille") and feature Chris Sheffield ("Transformers: Dark Side of the Moon", "The Rookie"), Maiara Walsh ("Switched at Birth", "Cory in the House", "Desperate Housewives", "Mean Girls 2″), Skylan Brooks ("Seven Pounds", "Our Family Wedding") and Elaine Hendrix ("The Parent Trap", "90210″, "Superstar").

VIDEO:

"General Education" is presented in 1080p High Definition (2:34:1). Outdoor scenes are quite vibrant showcasing wonderful contrast while indoor scenes were good. For the most part, "General Education" does look very good on Blu-ray!

AUDIO & SUBTITLES:

"General Education" is presented in English 5.1 DTS-HD MA. The soundtrack is primarily dialogue and music driven. But there is probably a few scenes where the surround channels and LFE are used (scenes with fireworks). But for the most part, dialogue and music are crystal clear and primarily front and center channel driven.

SPECIAL FEATURES

"General Education" comes with the following special features:

Audio Commentary Featuring audio commentary by Tom Morris and the co-writers and producers of the film: Jaz Kalkat, Kevin Liang, Elliot Feld and sound editor Tim Hoogenakker.

Outtakes (5:39) Outtakes from "General Education".

Making Of Featuring interviews with the cast about their characters and the crew about the making of "General Education".

Trailer (1:44) The theatrical trailer for "General Education".

JUDGMENT CALL:

"High Hopes" is a coming-of-age film that doesn't really break any new ground. There were a few times in which I thought the film would go one way or try to be clever with its storyline but instead, the film turned out to be quite banal and average.

It's a standard story about a guy who wants to graduate but his parents are pushing him to be something that he doesn't want to be.

Part of the problem of the film is that the writers play things too safe. How is Levi really being affected? I suppose the film could have been dark and had him becoming a drug addict, alcoholic or something terrible but I suppose that we have seen those type of films before.

But there are a few things that left me scratching my head of "why?". Why do some of the characters look like they came from a bad '80s film? Why is a 13-year-old Charles (portrayed by Skylan Brooks) walking around with no shoes on? Yes, he outgrew them but what is up having a young Black male in a film and his family can't purchase him shoes? Why have him shoeless to begin with? It makes no sense. You find out that Brian Collins has quit his professional tennis career because he finds out that his girlfriend is dating a big Black man. And why did the man have to hit Brian with a baseball bat? Makes no sense!

The nervous breakdown suffered by Gale Collins (by Janeane Garofalo), didn't seem natural. She's a mother who cares for her children, who are growing older and avoiding her. But not once do we see her going off about how she feels. She's just found laying in the bathtub. There was no build-up for that moment. Which would have been quite fascinating as it was probably the most reserved performance by Garofalo since her appearance on "24″.

You bring in Levi's friends which could have been fascinating in a "Superbad" kind of way as Levi's friend including Andy (portrayed by Harvey Guillen) was funny. But the film steers clear of them and focuses on Levi's relationship with the girl he likes and learning about how his brother wants to choose his own destiny. But you have Levi hanging out with Shady Nick (portrayed by Seth Cassell) who seems like a jock of the '80s and is a 20-year-old in high school. Once again, it doesn't make any sense and it would have been better suited to play the strengths of the comedic sides of Andy who was much more fascinating and funny that the character of Shady Nick.

But as much as I question the film for its use of characters and overall storyline, for what it is, you get a safe coming-of-age film. I just wish that the writers took a bit more risk because the storyline for "General Education" could have been a bit more serious or even darker. And even if it was too be all about the comedy, the film could have utilized characters much better.

But with that being said, for filmmaker and writer Tom Morris, a jack-of-all trades when it comes to his involvement with films and co-writers Elliot Feld and Jaz Kalkat, this is a good start and definitely a film that these guys received great experience and I'm sure we'll see something much better from them next time because of this film.

Overall, "General Education" is a teen comedy/coming-of-age film that plays it a bit too safe with its characters and its overall plot. It's an average film, not terrible, nor great but you can't help but feel that it could have been much better

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I don't laugh out loud much at films, but this one had me busting up in a couple of places. Good clean fun with just a bit of edge, If you like coming of age movies, this is a win!

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GREAT MOVIE! A great coming of age/family story with lots of quircky comedy! The cast and crew did a great job putting this together!

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Better Off Dead (1985)

Better Off DeadIt's finally here, and although it doesn't cost $2.00, it's better than nothing (if you caught that reference, you're a fan and will buy it now).

I won't go into plot and such you already know about the movie's merits (or can find them online easily). This review will concern the region 1 (USA) DVD release that came out 7/16/02 at long last! retail around $20-25 USD.

One note: I had trouble finding this on release day the local "big box" boys all told me they had "a copy on order or something"... I guess they didn't anticipate a big demand for this wildy funny 1985 cult comedy.

DVD Special Features: Widescreen enhanced for 16:9, English Subtitle Option, Dolby Digital & "English Stereo" (whatever that means). No foreign language tracks, outtakes or even a trailer. No stills of the cast or bios.... nada. Zip. Zero.

Initial Impressions: This DVD is truly a bare-bones production from start to finish. I actually thought the audio track was absent at first, due to the lack of any sound at all until the movie proper starts. And of course you can't skip over the annoying studio splash or the stern warning not to copy it. At least there's no ads or previews in front like some.

Menu Options: The menu page is a static photo with three options Play, Setup and Scene Selection. Setup lets you pick from "Subtitle: English or None". That's it. No other setup options... it looks like you could change Audio Indicator to other foreign languages, but that option does not highlight. Maybe they forgot to add foreign language tracks or the coder forgot to link up to the function.

Video: I played this on two different TV/DVD setups one highend and one old/low end. The Widescreen refused to work on my lowend set, but worked fine on the new DVD player. However, both sets showed the film to be overly bright and rather soft, especially in outdoor scenes. Even inside, there were no good strong blacks to be seen. The print itself seemed rather clean, with no spots or distortions immediately visible. Overall, it looked like a moderate home-transfer job of a videotape via a DVD burner... barely better than my vhs. Such a shame.

Audio: Nothing special, just good old Dolby. Not that surround would do much with this movie, but still.. blah.

Extras: none. I suspect if they could have had "less than none" they would have. Truly a poor showing for this classic comedy.

Summary: Although "gotta have it" fans like myself are happy to have a DVD at last, this shoddy transfer and lack of features makes me a bit ticked at whomever decided to jam it to us fans and charge "normal" dvd prices. It would have been much more accurately priced as a budget dvd in the 12.99 range after all this time... surely the production costs have been paid for many times over.

Other: The VHS (20th Cent.Fox) edition indicates 98 minutes, the DVD says 97 minutes... reason not apparent. Also, the keepcase coverart is truly dreadfulwhomever created this case cover needs some more photoshop lessons pronto!

5 stars for the original movie, 3 stars for this lackluster DVD edition.

As the years go by, I find myself growing more and more convinced that the '80s were the last true golden age for that often-maligned genre, the teen sex comedy. Whereas now Hollywood shells out a small fortune to finance a Britney Spears soundtrack for films starring young men who make Frankie Avalon look complex (and featuring actresses who seem to have copied Annette Funnicello's bust but none of her own admitedly simple charm), the '80s were usually made with low budgets, up-and-coming young actors who at least seemed to be having fun, scripts that were too joyfully crude to ever be considered truly offensive, and directors who seem to have vanished at the decade's in. My own personal favorite amongst these directors was "Savage" Steve Holland (Is that a perfect '80s name or what?) who defined the entire decade with just two films -One Crazy Summer and especially Better Off Dead. Both of these films display Holland's crazed, gloriously strange wit, his penchant for casting Curtis Armstrong as a high school students (despite the fact that Armstrong appeared to be in his 30s at the time), his fondness for the random nonsensical cartoon, and especially his early foresight to make John Cusack his favored star.

In Better Off Dead, Cusack plays a likeable but nerdy high school schlub. Of course, all teen films claim to be about likeable schlubs but Cusack was one of the few actors who was actually believable as being both likeable and socially unpopular. He's dumped by his girlfriend, decides to beat her new boyfriend in a ski competition, attempts suicide a few times -in a bit that everyone seems to hold as their personal favorite -has to deal with a homicidal paper boy who wants his two dollars. Its a crazed plot and Holland doesn't waste much time trying to make it all coherent. Instead, he uses the plot as an excuse to pile on more and more strange sight gags and bizarre characters. In short, rather than pretending his story is some sort of grand artistic statement (like the current crop of youth films), Holland creates his own demented world -a world where high school students are sent into almost religious ecstacy when their math teacer assigns them 200 pages of homework (their sincerely joyful reaction is my own personal favorite of the film's many out-there moments) and even a cartoon comes to life and asks permission to date Cusack's ex. Its a world where one of my favorite, unjustly unknown actresses of that era -the sweetly pretty Diana Franklin -shows up as a French exchange student who offers Cusack a chance at true romance if only he can survive a "fencing" match with an even more nerdy suitor. Its a world where a Japanese exchange student does a perfect imitation of Howard Cosell. In short, its a world that could only have been created in the freedom-loving days of the 1980s and John Cusack becomes the perfect everyman to lead us through that world. There are so many hilarious lines in Better off Dead and it seems everyone has their own personal favorite ("Its a shame people be throwing out a perfectly good white boy like that" comes up a lot though Armstrong shouting "Can you imagine the street value of this" as he snorts up a line of white snow is my own choice). What is truly amazing is that for a film that was dismissed when it originally opened, Better off Dead seems to have become the personal "cult" film of just about everyone who went to high school during the 1980s.

Cusack is one of the best actors working today but, for many of his long-time fans, his recent work has been a bit disappointing. Since renouncing the whole teen film thing, some of Cusack's performances have -on occasion -seemed to be a case of an actor taking himself too seriously. Even if the films did little for his career, Cusack seemed to, at least, be having fun in films like Better off Dead -a quality that sometimes appears to missing from his "mature" work. Of course, everyone in Better Off Dead seems to be having fun. Its a fun, genuinely goon natured film and this is why -despite being dismissed by snobs over the years -it retains such a strong following. Whenever I see a commercial for yet another film featuring Freddie Prinze, Jr. doing his "soulful" thing while the Backstreet Boys parade in the background, I think of Better Off Dead and its missing director. Come back, Savage Steve and -whatever you have to do -bring John Cusack with you. We all deserve to have a little fun again.

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I don't know what people were expecting to see or hear with Better Off Dead on blu-ray. High definition does not translate to a miraculous transformation. It simply allows you to experience more closely what the source elements have to offer. In the case of Better Off Dead, it had a very low budget and was made very quickly. The filmmakers weren't concerned with how great the shots could be artistically, since it's a screwball comedy for teenagers. The low quality 80's film stock that was used wasn't great with detail, depth, or color, and was quite unstable. The film's soundtrack, which was originally in mono, was created with basic sound effects and design, because that's all the budget allowed for. The film will never look amazing no matter how much restoration is done to it and it'll never sound amazing unless an entirely new sound mix with new sound effects is created. It is a product of its low budget source limitations and unless you accept that fact, you will be greatly disappointed.

On the positive side, the print is clean and full of natural film grain. It's the best I've ever seen it look. The sound is exactly as it has always been, thin, lifeless and limited in range, though dialogue is always intelligible. The downside of this release is there are no special features. No retrospective, or appreciation, or commentary. I'm not surprised considering how limited the fan base is for the film.

This is the best presentation of Better Off Dead to date and I'm sure it could never be much better than it is on blu-ray. Adjust your expectations accordingly.

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First off I have seen this movie quiet a few times, and it is a great flick, but when they made the DVD I had to have it. Well I am sorely disappointed in the quality of the sound. It doesn't have either Dolby Digital or DTS. I have movies that have both, ad sound great. This sounds like a muffled person.

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First off, you have to see this movie. Although it would get awards for being extremely cheezy... it's quite humorous. If you want a movie review, read the excellent posts by Jeffrey Ellis or Joshua Lai.

Second, my low rating is based on the actual DVD. I waited, and waited, and waited for this movie to come out on DVD. Considering DVDs have been around more than 5 years already, I'm truly amazed that companies still put out VHS quality works in DVD format. I could have sworn I was watching a videotape (on my HD monitor with progressive scan player). Unless you are a Better Off Dead nut like myself, wait until the studio releases a Collector's edition or Special editor before spending your money on this DVD.

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