Showing posts with label download movies. Show all posts
Showing posts with label download movies. Show all posts

Witless Protection (2008)

Witless ProtectionAfter reading the other 4 reviews here, I probably wouldn't have rented this movie. However, I really liked Larry's two previous movies, especially Delta Farce, so I gave this one a quick spin around the block. Besides, any movie that the critics hate, I usually like anyway. I must say that this movie is a little more funny that Delta Farce. It is well-casted and had some great, funny moments. The humor surrounding the FBI agents was pretty good (i.e., an agents whose last name is Orange, so "Agent Orange") and it was great to see Yaphett Kotto after not seeing him in a movie for more than 5 years. Also, seeing Eric Roberts roam around in a jacket with the large letters "PMS" was pretty fair, too. I think you really need to be in a certain mood when taking in a new movie. I started watching this movie thinking it would be terrible, yet came out laughing and wanting to go immediately to the nearest video store to buy it. You just gotta have fun with this one!

larry the cable plays a cop that is clues about how to protect a person in the witness protection program. larry shows his comedy abality in this movie. jennie does not need to be a brounett in this moovie. it is worth sending the money on this movie if you are a fan of larry the cable guy. if you are unsure of if you want to purchase the movie i would rent this movie first. i was usure about this movie and that i went out and rented this movie first and then decided that the movie was funny enough to go out and buy this movie because i a fan of larry's.

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An excellent cast (Larry the cable guy, Yaphett Cotto,

Jen McCarthy, more) seem to be having a great time in

this very non-p.c. movie with some great one-liners.

'This makes as much sense as Michael Jackson at a day-

care centre'. 'This sits heavy. Heavier than Michael

Moore after a 'Vegas buffet.' '...Went down faster than

a bottle of vodka @ Courtney Love's house..' You get the

idea. Snappy, crude and fast-paced. The best is yet to

come from Larry. Trust me, I've done over 900+ reviews!

Read Best Reviews of Witless Protection (2008) Here

All the other reviewers have mentioned parts of the "plot". I am just telling you that this is funny and not particularly malignant. If you are looking for an intellectually stimulating movie, this is definitely not it. If you are looking for a little brainless comedy, this is it. It is one big laugh and although it doesn't always make a lot of sense, I laughed through most of this movie. I strongly reccomend this as a pleasant interlude from the difficulties of life.

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My husband and I have seen several of Larry the Cable Guy's comedy routines and find him funny so when we saw this for sale for $4 (yes, brand new!) at the store we thought we should give it a try. It was a shocker to see Jenny McCarthey with a very small roll but kind of glad since she did a really bad job with her hick accent and all she did was walk around in a mini skirt and cut off shirts. Anyway, the script was really bad. There were some funny moments, but for the most part there were just corny jokes constantly that didn't get a laugh out of my husband or I. Surely this movie will be left in our album to collect dust and never see the light of day again. If you are a huge fan or Larry, you may enjoy it but it has total B movie (and maybe even C) written all over it.

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The Graduate (Two-Disc Blu-ray/DVD Combo in DVD Packaging) (1967)

The GraduateThe Graduate is a great film and I grow to love it more with each viewing. Everything is nearly perfect about it. The script, Mike Nichols' direction, the performances of Dustin Hoffman, Anne Bancroft and Katherine Ross, the music of Simon and Garfunkel. It's funny yet dramatic, moving and profound all at the same time. A very enjoyable film all around. Dustin Hoffman has rarely been better than in The Graduate, although he has certainly given many other fine performances (Midnight Cowboy, Rain Man, Kramer Vs. Kramer). However, even more than those pictures, Hoffman will always be remembered for The Graduate and his portrayal of an awkward young man trying to get a hold on his life.

Also worth noting in particular is the direction of Mike Nichols. He truly gives the film a unique visual style to make it an experience rather than just a comedy/drama. Note the opening credits with Hoffman on an airport moving sidewalk set to the tune of Simon and Garfunkel's "The Sound of Silence". Nichols' uses cuts very interestingly in several scenes such as the scene where Benjamin jumps up on his raft in the pool, and lands in bed with Mrs. Robinson. He also uses zooms to great effect throughout the film. Nichols' Best Director Oscar for this film was well-deserved. I think that Hoffman's performance should have won also, as well as the screenplay by Calder Willingham and Buck Henry.

One other thing that I must mention is that The Graduate absolutely must been seen in its original aspect ratio! If you're not watching a widescreen version, then you're not watching The Graduate. The film was shot in the Panavision process with an aspect ratio of 2.35:1. Mike Nichols makes wonderful use of the 2.35:1 frame, so the film will be absolutely botched in pan and scan. If you watch The Graduate in full-screen pan and scan, you're really, really missing out. The visual impact of the film will be irreparably damaged.

The DVD is adequate, but this film deserves much better. The disc is labeled a special edition, but it's really too skimpy to be that. At very least you're getting a widescreen version of the film. However, the transfer is not enhanced for 16:9 televisions. What we need is a fully remastered 16:9 transfer which would be immensely beneficial. The picture quality is fair, but could be so much better. It's really stunning what difference a brand new remastered 16:9 transfer can make for an older film like this. Just look at the new DVD of One Flew Over The Cuckoo's Nest. The film also deserves better supplemental materials. A better documentary and a commentary by the filmmakers would be great. A seperate commentary by Dustin Hoffman would be even better. I'm convinced that someday The Graduate will receive a worthy DVD edition, and I will wait until then to purchase it.

Looks like MGM finally is giving "The Graduate" a grownup DVD.

The Mike Nichols film has suffered through the DVD era so far, represented by a series of double-dip issues that perpetuated the same sorry source materials: grainy picture, grating audio -the typical first-generation DVD blahs.

Here comes "The Graduate: 40th Anniversary Edition," due Sept. 11. Fox's specs show 2.35:1 widescreen with DTS and Dolby Surround. This appears to be in true widescreen. (The previous DVDs' version apparently was created by throwing letterboxing atop the full-screen version. Seems the guy who was so big on plastics got into the home video business.)

Check out the new extras:

* Commentary by Dustin Hoffman and Katherine Ross

* Commentary by director Nichols and Steven Soderbergh

* Retrospective documentary that interviews "Graduate" write Buck Henry, producer Lawrence Turman, Richard Roeper and some random others.

* "Coming of Age: The Making of The Graduate" featurette

* "Would You Like Me To Seduce You: The Seduction Scene Revisited" featurette

Along with some odds and ends ported over from the older discs.

Disc 2 has a pleasant surprise: Simon & Garfunkle's soundtrack, in CD form.

I'll be revisiting the film for Hoffman's sonic boom of a breakout performance; the "Mrs. Robinson" song and seduction scene; and Ross' beautifully naturalistic presence. Koo-koo-ka-choo.

Buy The Graduate (Two-Disc Blu-ray/DVD Combo in DVD Packaging) (1967) Now

They re-release the Graduate on DVD in 2005 only to distribute the EXACT SAME product only without a very attractive interface and special features, but with the same crappy picture and sound quality!

I give the film "The Graduate" from 1967 as many stars as any ratings measure can grant, but this DVD is a very poor represntation that is disrespectful of the genuine classic piece of cinematic art and cultural revolutionary comedy-piece that this movie was and always will be!

It's a shame. The picture is still grainy and the "widescreen" is still a full-screen image with black bars at top & bottom and NOT a true 16X9 formatted image for widescreen televisions! This true masterpiece of film demands nothing short of the best optimization that current-day technology can (and should) provide! Anything less is completely unacceptable! I'm sorry, but this is a travesy. The Graduate deserves the most pristine image and sound quality that the DVD format can give and viewers should demand nothing short of that high-standard of excellence.

The sound is in a lousy mono and the picture is fuzzy at times, desaturated, grainy, noisy, and compressed too much. The producers of this DVD obviously aren't die-hard fans and did a half-a** job here. Most fans of this film would gladly pay a few extra dollars for a better version, so why go cheap on such a great classic is beyond me?!? That's just a moronic business decision of a cheap corporation that doesn't know art from a hole in the ground, always cutting corners to salvage every penny. For shame!

I wish the Criterion Collection would remaster the Graduate and finally do it right! Amen.

Read Best Reviews of The Graduate (Two-Disc Blu-ray/DVD Combo in DVD Packaging) (1967) Here

The previous reviews posted here are all based on what the reviewers HOPED would be on the new 40th Anniversary and raised some questions. I can answer most of the concerns having watched the DVD this week.

As for how important this film is, let's just say it defined a generation in the 1970s. And nearly anyone in either high school or college (or a recent "graduate" entering the working world) when the film was released can quote verbatim important lines and whole scenes. Try "Are you trying to seduce me Mrs. Robinson?" or even the mention of one word ""Plastics!". I have only watched the film (on VHS) once since my original viewing on the big screen forty years ago. Of course I remember many of the great moments (the finale at the church, for one) and the Simon & Garfunkel soundtrack. (Dave Grusin wrote the incidental music.). I did not see the "25th Anniversary" reissue. So much of the supplemental material was new to me.

First off the transfer is great! It must have been remastered. And yes, it's in Wide Screen. It HAS to be. The hardest video to pan and scan was always this film as Director Mike Nichols spaced his characters at the far sides of the screen. I watched this on an 25 year old 26 in TV and it was still perfect.

Okay, now the bonus features. It's a 2 "disc" set because one disc is a CD of FOUR songs from the film. So it's really more of a CD single.", That's fine with me, but most of us have the music in our collection.

There are TWO commentary tracks: One is Hoffman and Ross talking. Since Ross doesn't even appear in the film until almost half way through, she has little to say for a while. And there are long periods where Hoffman says nothing so you get to hear the soundtrack dialogue at that point. The second commentary is with Director Mike Nichols and Director Stephen Soderburgh. It more that SS is interviewing Nichols. And Nichols is very outgoing here. Where I found a small problem is that the conversation often does not match what is on the screen. During the "Seduction" scene I expected to hear details about the set up. But Nichols was talking about Screen Tests or something else. I have not made it all the way through the commentaries. Too much other good stuff here.

There is a NEW 25-minute documentary: "Students of the Graduate" which has interviews with young directors who learned techniques from Nichols direction. The Directors of "Little Miss Sunshine" were ones I remember. It's interesting. There is a short 8-minute one on "the Seduction" as well. This appears to be new.

The other featurettes are from the 25th Anniversary release. One is obvious as it's title is "The Graduate at 25". You can see from the excerpted scenes how poor the 25th Anniversary print was. And what I found MOST interesting was a "One on One" featurette with Dustin Hoffman which runs 22 minutes. It was recorded for the 25th similar comments appear in the "Graduate at 25" feature but Hoffman tells GREAT stories and I was on the floor laughing!

ONE of the tywo screen tests that Ross did with Charles Grodin is included in the "at 25" featurette but the announced "two screen tests with introduction" are not on the final DVD. NEITHER is the "Coming of Age: The Making of the Graduate" one.

So there is lots to watch here and moments to remember. I, for one, loved this set and the special featurettes which rarely, though sometimes, repeat themselves briefing out things you missed and make you want to playback some scenes.

This should be a hot release for September!

Steve Ramm

"Anything Phonographic"

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This movie was groundbreaking when released, and it is now a classic. The screenplay by Buck Henry is great, Mike Nichols did an outstanding job directing, and all the key parts were cast and acted perfectly. The great Simon & Garfunkel music helped to make the film what it became. AFI ranked it #7 on its list of the top 100 American movies, and I agree. I think it is that good. I saw it on TV when I was teenager, and have rented it or seen it on TV several times since then. It has always been one of my favorite films. I even read the novel by Charles Webb (to which the movie stayed pretty close).

Unfortunately, this DVD does not do it justice. The main problem is the audio. The sound track is just ever so slightly out of sync with the picture throughout the entire film. In one scene, when Benjamin's mother confronts him about his nocturnal activities, the problem is extremely noticeable. The sound is mixed badly throughout, especially during the second half of the film, when Benjamin starts seeing Elaine (Katherine Ross). Crucial dialog is drowned out by sound effects. By the end, you have to crank up the volume on your TV to wake-up-the-neighbors levels just to hear what the characters are saying. This is inexcusable. I also note, from an earlier review, that the laserdisk version had a director's commentary, so why doesn't the DVD?

Some day, they'll put out a good DVD version of the movie, until then we'll have to be content with VHS and Turner Classic Movies.

Leatherheads (2008)

Leatherheads George Clooney and Renee Zellweger star in this off-beat romantic comedy. Clooney plays Jimmy "Dodge" Connelly, an aging star in the seemingly collapsing sport of football. Zellweger plays Lexie Littleton, a positive woman, determined to make good in the man's world of reporting. Sparks fly when Dodge's scheme to resurrect football attracts Lexie, who quickly realizes that there is a dirty little secret being swept under the rug.

I really liked Renee Zellweger's portrayal of Lexie Littleton, a hard-headed, outspoken woman who is nobody's fool it was very reminiscent of the tough women of yesteryear's Hollywood (check out Rosalind Russell's portrayal of a tough woman reporter in the 1940 film, His Girl Friday). George Clooney pulls off another good everyman role, bringing his charm and charisma to the role. I liked the way that Clooney and Zellweger bounced off each other both too independent to simply surrender to the other.

I really liked this off-beat romantic movie, which really is a blast from the past of Golden Age Hollywood. I don't hesitate to give this charming movie 5 stars!

(Review of Leatherheads)

This isn't going to be a long review. You don't have to like football to enjoy this movie, although I really do. From the first scene with a cow (that's all I'm going to say), you know this movie is going to be silly fun. It's in the spirit of John Cleese movies (the funny bantering) and O Brother where Art Thou? I didn't expect a lot of this movie when we put it in and I was happily surprised to find myself laughing though the whole movie!

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Most of the movie is snappy comedy and old-time romance. The football scenes toward the end drag but overall a fun movie to watch and enjoy.

The early 1920's is when Leatherheads takes place. Leatherheads title comes from the helmets they wore at the time hardly protecting the player's heads, but much about football has changed since then. Professional football was laughable. It showed the early team playing in a farm field with a cow chewing grass and looking mildly irritated her field was full of crazy men running back and forth. Few fans were around.

Dodge Connelly (George Clooney) is an older player (45 years old) and does not want his team, the Duluth Bulldogs, to fold like other teams are across the United States. College football is doing better than the weak professional teams. Dodge latches onto a top player Carter Ruthford (John Kasinski) who is also a national hero of the First World War. Carter is young, smart and is talked into playing for the Bulldogs for $5,000 of the gate receipts. He brings in the fans, the reporters and money. The Bulldogs are on a gravy train with him he helps pack in the fans and get bigger professional stadium.

Lexie Littleton (Renee Zellweger) is the cute Chicago Newspaper reporter (also the romantic interest of Dodge and Carter) who wants a "big" story to make her editor of a newspaper. She is ambitious, full of moxie and knows how to handle herself in a man's world of sports. The drama starts when Carter falls for her and confesses that his heroics in capturing a group of German Soldiers was sheer luck (although I thought he should still get credit). She has some guilt but prints the story and then the movie gets complicated and a little off kilter. The story line gets a bit goofy and off the point.

However the movie meanders, it was fun and enjoyable Dodge and Lexie are played in the spirit of the 1930's romantic comedies and many laughs throughout.

Read Best Reviews of Leatherheads (2008) Here

Dodge Connolly, a charming, brash football hero, is determined to guide his team from bar brawls to packed stadiums. But after the players lose their sponsor and the entire league faces certain collapse, Dodge convinces a college football star to join his ragtag ranks. The captain hopes his latest move will help the struggling sport finally capture the country's attention. Welcome to the team Carter Rutherford, America's favorite son. A golden-boy war hero who single-handedly forced multiple German soldiers to surrender in WWI, Carter has dashing good looks and unparalleled speed on the field. This new champ is almost too good to be true, and Lexie Littleton aims to prove that's the case. A cub journalist playing in the big leagues, Lexie is a spitfire newswoman who suspects there are holes in Carter's war story. But while she digs, the two teammates start to become serious off-field rivals for her fickle affections. As the new game of pro-football becomes less like the freewheeling sport he knew and loved, Dodge must both fight to keep his guys together and to get the girl of his dreams. Finding that love and football have a surprisingly similar playbook, however, he has one maneuver he will save just for the fourth quarter. The plot is not deep but flowed well. This is a light-hearted movie. And it was pulled off very well. Acting by Clooney, Zellweger, and others captured the spirit of the era, including humor, dress, and scenery. Very good directing by Clooney. Likable movie.

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LEATHERHEADS gets a wide range of reviews. I have to offer the highest honors. FIVE stars for the fun in Leatherheads. It's simply a FUN flick.

Of course there is the fantastic acting by great stars, George Clooney and Renee Zellweger. Clooney also directs this picture. Both stars get two-hands-clapping for their very realistic performances. Believable people having FUN with their jobs. Clooney as a struggling football player during the beginning days of pro football, and Zellweger as a sexy reporter (in sexy period costumes) working her way to the editor's desk. A Tribune story search of a college football star, who is also a war hero, who is going pro, will be the lead to the paper's plan of blowing the lid off the truth behind the hero's war event.

Of course with 'good-lookers' like Clooney and Zellweger, romance becomes a factor as well. You'll enjoy the banter between these 2 characters. It's FUNNY. FUN! It all takes place in delightful period scenes from the 30s/40s hotels to time-dated football fields.

For action there is bar room brawls, football (without rules), and a fist duel between the football stars, both desiring the great legged girl (Zellweger, she's HOT) from Chicago. Also see "hunk" Clooney with lipstick. Something for everyone. FUN.

The funny, special play of the day, at the end of the movie is worth a star itself. And add another for all the great photos, each telling another story, in the ending credits. Be sure you don't turn off the TV till you've seen them all. Great FUN. Just a FUN DVD event for the family. PG-13 as it includes a few nasty words.

So this is one for the viewers liking comedy, &/or romance, football, action, drama, and FUN. Pop two bags of microwave popcorn and enjoy.

Being a rather late review on this movie, please leave me a helpful vote so I can find out if anyone reads this.

Better: add a comment.

Make it FUN.

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50 First Dates / Click (2010)

50 First Dates / ClickLove 50 First Dates. one of my favorite movies! Click is another great one. Funny!! As always, the music is great.

My hubby loves Adam Sandler movies, so I added these to his Valentine's Day gift basket. I'm sure we'll see them over and over and over again!

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the movies were a gift and they seem to be happy with the quality and choice of selection. Thank you

Read Best Reviews of 50 First Dates / Click (2010) Here

The Frighteners (1996)

The FrightenersJust before doing "Lord of the Rings," director Peter Jackson (who can be seen in a cameo as "Man with Piercings") made an off-kilter horror/comedy movie called "The Frighteners," the tale of the undead and the guy who makes a living off of them. Though "Frighteners" was barely in theaters at all, this cult flick is funny, creepy, well-acted and wonderfully directed.

Frank Bannister (Michael J. Fox) has seen spirits and apparitions ever since the car crash that killed his wife. Now he operates an amateur "ghostbusting" operation that is supposed to exorcise ghosts from people's houses -the problem is that the ghosts who haunt those houses are in league with him (Chi McBride as the opinioated afro-ed Cyrus, Jim Fyfe as the nerdy Stuart, and most of John Astin as what is left of The Judge).

Frank's business certainly isn't hurt by the fact that for years after a serial killer's murderous spree, people have died mysteriously of heart attacks. Then Frank starts seeing fiery numbers emblazoned on the foreheads of people who will die, including the husband of doctor Lucy Lynskey (Trini Alvarado). As if trying to stop a specter of death weren't hard enough, crazed FBI agent Milton Dammers (Jeffrey Combs) believes that Frank is the one murdering people. But the evil specter is still killing -and Lucy is the next victim.

Peter Jackson once said that he has a "moronic" sense of humor, and it shows up in all its glory here -from bug spray dissolving a ghost's face to a piece of talking oily sludge to a drill sargeant ghost with submachine guns, this is weird and absolutely hilarious. It's the perfect blend of comedy and horror.

But he's also good during the more serious moments, such as Bannister's flashbacks to his wife's death, or the eerie sight of homicidal young lovers dancing with a gun. The opening shot is pure Jackson, with the camera swooping through a window, past fluttering curtains, and though a hole in the attic floor to a screaming woman below.

Jackson also takes the opportunity to poke a bit of fun at more conventional ghost movies: the big Gothic house, crazy old lady, ghost in '70s clothes, and Fox's hilarious turn as a ghostbuster. Nothing horrific is sacred. "There ain't nothing worse than a bunch of pissed-off brothers... that's ALREADY DEAD!" Cyrus yells at one point.

Does it have a flaw? Yes -the opening scene doesn't seem to make much sense later on in the movie. But Jackson makes up for that with a surprisingly tight, coherent plot, and a satisfying finale that makes more sense than most other horror movies do.

The cast is brilliant, whether it's the twitchy, wild-eyed FBI agent, or the three weird ghosts. Michael J. Fox does an excellent job as Frank, with the right combination of cockiness and pathos, while Alvarado is solid as the idealistic young doctor. But the scenes are reallystolen by Dee Wallace-Stone and freaky-eyed Jake Busey, as homicidal young lovers.

"Frighteners" might not make you believe in ghosts, but it will make you laugh, shiver, and maybe even shed a tear or two. Wildly funny, weird, gross, and sometimes really peculiar, this is Jackson's splatter-gore at its best.

Practically bashed by critics everywhere when released in 1996, the Frighteners can be appreciated today as an underrated gem. After crafting a landmark gorefest with Dead Alive and scoring a hit among critics with Heavenly Creatures, future Lord of the Rings trilogy director Peter Jackson directed this wildly inventive and surprisingly innovative film starring Michael J. Fox as a psychic investigator who, with the help of three ghost pals, runs a phony ghost busting business. Soon enough, people are getting picked off by Death himself, and it's up to Fox to find out what's really going on. So much is going on in the Frighteners that it's easy for the film to become incoherent, but it's exciting visuals and special effects, along with the performance of Fox and the energetic direction of Jackson, make this film a surprise gem that should be (and very well may be) a cult classic. The rest of the cast includes R. Lee Ermy, Jake Busey, and genre stalwart Jeffrey "Re-Animator" Combs.

Buy The Frighteners (1996) Now

Just before doing "Lord of the Rings," director Peter Jackson (who can be seen in a cameo as "Man with Piercings") made an off-kilter horror/comedy movie called "The Frighteners," the tale of the undead and the guy who makes a living off of them. Though "Frighteners" was barely in theaters at all, this cult flick is funny, creepy, well-acted and wonderfully directed.

Frank Bannister (Michael J. Fox) has seen spirits and apparitions ever since the car crash that killed his wife. Now he operates an amateur "ghostbusting" operation that is supposed to exorcise ghosts from people's houses -the problem is that the ghosts who haunt those houses are in league with him (Chi McBride as the opinioated afro-ed Cyrus, Jim Fyfe as the nerdy Stuart, and most of John Astin as what is left of The Judge).

Frank's business certainly isn't hurt by the fact that for years after a serial killer's murderous spree, people have died mysteriously of heart attacks. Then Frank starts seeing fiery numbers emblazoned on the foreheads of people who will die, including the husband of doctor Lucy Lynskey (Trini Alvarado). As if trying to stop a specter of death weren't hard enough, crazed FBI agent Milton Dammers (Jeffrey Combs) believes that Frank is the one murdering people. But the evil specter is still killing -and Lucy is the next victim.

Peter Jackson once said that he has a "moronic" sense of humor, and it shows up in all its glory here -from bug spray dissolving a ghost's face to a piece of talking oily sludge to a drill sargeant ghost with submachine guns, this is weird and absolutely hilarious. It's the perfect blend of comedy and horror.

But he's also good during the more serious moments, such as Bannister's flashbacks to his wife's death, or the eerie sight of homicidal young lovers dancing with a gun. The opening shot is pure Jackson, with the camera swooping through a window, past fluttering curtains, and though a hole in the attic floor to a screaming woman below.

Jackson also takes the opportunity to poke a bit of fun at more conventional ghost movies: the big Gothic house, crazy old lady, ghost in '70s clothes, and Fox's hilarious turn as a ghostbuster. Nothing horrific is sacred. "There ain't nothing worse than a bunch of pissed-off brothers... that's ALREADY DEAD!" Cyrus yells at one point.

Does it have a flaw? Yes -the opening scene doesn't seem to make much sense later on in the movie. But Jackson makes up for that with a surprisingly tight, coherent plot, and a satisfying finale that makes more sense than most other horror movies do.

The cast is brilliant, whether it's the twitchy, wild-eyed FBI agent, or the three weird ghosts. Michael J. Fox does an excellent job as Frank, with the right combination of cockiness and pathos, while Alvarado is solid as the idealistic young doctor. But the scenes are reallystolen by Dee Wallace-Stone and freaky-eyed Jake Busey, as homicidal young lovers.

"Frighteners" might not make you believe in ghosts, but it will make you laugh, shiver, and maybe even shed a tear or two. Wildly funny, weird, gross, and sometimes really peculiar, this is Jackson's splatter-gore at its best.

Read Best Reviews of The Frighteners (1996) Here

I caught this movie on TV, and it was entertaining enough for me to sit through the whole film. I would have liked to give it a 3.6 stars if I could. I think it has a spark of something which makes it a little better than average, but I hesitate to call it excellent (4 stars). Since I knew nothing about this film, I was quite amazed to find people categorize it as a horror-comedy when I later looked it up here on Amazon.

I am an easily terrified person, so I generally stayed away from horror or gory movies. I remember when I finally gathered enough courage to watch "The Shining" because it is said to be such a classic, I had to turn my head away every time I sensed something potentially scary coming up. In the end, my total viewing time of that movie was less than 5 minutes. I suppose this explains how much I can stomach a horror movie. When I watched this movie, the word "scary" never came into my mind. I though it was fun, the special effect nice, and it was nice to see Michael J Fox again after a long while (although I wished his character wasn't so headstrong, as usual). The plot could have been a little more unpredictable. But it was fun, entertaining, but no horror movie.

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Originally, this film was supposed to have had a Halloween 1996 release date, but Universal, in its infinite wisdom, elected to shift the release date into the summer probably because of the awesome special effects. Unfortunately, the summer of '96 was dominated by ID4 and its city-destroying effects, which left the ghosts of Peter Jackson's The Frighteners spinning in the dust. I didn't think much of the film then.

I remained aloof until one night two or three years ago; I was up late, just flipping through the channels, when I just happened to run across this film. I recognized it, and seeing as nothing else was on, decided to give it a chance. Needless to say, I enjoyed it. It had quirky humor blended with horrific dark elements; the blending is done in such a clever way that it never completely loses either element, yet the tension is ratcheted up by shifting from more humor in the beginning to more horror towards the end. The film really walks a fine line, and it does so beautifully.

Being so impressed, I had to have it on DVD, and within a few weeks of that late night viewing, I had the original DVD release. Happy as I was to have the film, I was somewhat dissappointed by the lack of special features and, knowing it was from Peter Jackson the man behind LOTR and the bevy of supplemental materials those films had on their DVD releases somewhat surprised. I figured it must have been due to the film's poor box office, and assumed a more comprehensive release was out of the question.

I am pleased to say I was wrong, and this new Director's Cut DVD edition is the answer to any desires I might have had for a better release. A full 14 minutes has been restored to the movie, there's a full-length commentary by Jackson, storyboards, a trailer...but, by far, the best thing about this disc is the 3 hour and 45 minute documentary on the second side. It is the most comprehensive special feature I have ever seen, and considering I managed to watch it all in one sitting, it's also one of the most enjoyable. It's very in-depth and virtually any question one might have had about the making of the film is sure to be answered within. Regardless of the other features, the upgrade to this disc is worth it for the documentary alone.

I whole-heartedly recommend a purchase.

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Detention (2012)

DetentionThere's a lot packed into the run-time of this movie, in fact, so much it probably bears watching more than once to catch everything as it zips by. The basic storyline seems to be that this supposed movie character, Cinderhella, is killing teens, but there's a lot more to the film than just that. Screwed-up teenage relationships, a jealous ex-boyfriend jock who was mutated by a meteorite as a child, a high-school mascot (a stuffed grizzly bear) that has been modified into a time machine, time travel back to 1992, etc. The humor is often gross but a lot of it is deadpan, which makes it even better, in my opinion. This is refreshingly goofy & bizarre, and is a good slam-dunk of overpriveleged teens & high school clique antics, but it's also a lot more than that. I enjoyed the first "Scream" (but not necessarily its sequels) but this is not quite so obvious as that film. Well worth seeing, not perfect but pretty damn close. May be a future cult classic. 4 out of 5.

This is a fast paced "Student Bodies" meets "Scott Pilgrim" type of movie. The humor comes at you quick and you must pay attention. It is a teen slasher spoof film, but also tosses in a few aspects of other films. There are clues as to what is going on, but don't worry about trying to catch them and figure out the film, just enjoy the scenes.

Some lines that come too mind:

"Pregnant teens are never funny." A clear slap at "Juno."

"I only eat baby animals."

"Pain don't hurt."

"Where did you learn to make a snuff porno? Lady Gaga?"

"Gnawing through boyfriends like an unfed piranha."

"This human conversation thing isn't working. Let's do texting."

The production incorporates numerous obscure 1980's references, some of which are explained. The film is done in a modern quirky "Scott Pilgrim..." style, but knowledge of 1980s movies is helpful in order to enjoy the feature.

There is a slasher at school. Meanwhile Ione (Spencer Locke), the cute air headed blond likes under achiever cool guy Clapton Davis (Josh Hutcherson). She has given up her jock boyfriend Billy Nolan (Parker Bagley)for him. He wants to beat up Clapton over her, and he is willing to fight for her because she is deep and likes Sting. Meanwhile Riley Jones (Shanley Caswell) has a crush on Clapton and becomes a third wheel.

PARENTAL GUIDE: F-bombs, brief sex and brief nudity.

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Ever since Mel Brooks first began making fun of movie genres it seems that form of comedy has taken hold. What started out hilarious though ended up becoming stale and some truly bad examples were made (think of the movies made by the group behind EPIC MOVIE). Rare gems came out like SCARY MOVIE that then slacked off as well. So when a parody of a genre comes out that offers something original and whacky, I'm ready to give it a watch. With DETENTION I'm glad I did.

The movie begins with a form that hasn't been used before that works well here. The characters now and then talk to the fourth wall, the audience, and guide them through things happening in the film. It opens with the most popular girl in school (and of course the bitchiest) telling us all about her high school and the kids there while she gets ready for her day. This is one of those girls seen on SWEET 16 who complains about not getting the correct car on her birthday. She mentions the release of a new horror film with a killer known as Cinderhella who then promptly shows up and dispatches of our narrator setting the stage for the killer on the lose.

The kids at school of course do nothing but talk about her death as we introduce them here. Riley is the odd girl out, the different girl who talks about being a vegetarian and supports other groups yet isn't on the popular list of school kids. Her best friend Taylor is though. Taylor's boyfriend (the guy Riley wanted to ask out) Clapton Davis is a neer do well teen complete with skateboard and loved by all...except the school jock who wants to do nothing more than pound Clapton into the ground.

As the film progresses we get glimpses of the killer here and there, several in failed attempts on the lives of our main characters. We also get tons of laughter inspiring moments that are too many to count and too fast to catalog. Yes, this film moves at a frighteningly fast pace but not so much that it can't be enjoyed. And the film doesn't leave itself in the horror genre alone, skipping along occasionally into sci fi alien invasion or time travel storylines that tie into the main one as well.

When the group finally makes it to their actual detention during the high school prom, things happen that are completely off the wall and absurd. And yet it totally works. A killer in the room with them and they never see the murder happen? A student who's been in detention for decades and yet never ages? The reveal of how it all began years ago? Yep, it works here.

There really isn't a true category to place this film in. It's more original than most and offers so much at that rapid pace that you might find yourself clutching the remote so you can pause to finish laughing while the next joke or set up is being offered. I wasn't sure what to expect from this film but was pleasantly surprised as it played out. I was left wanting more and finding myself hoping that those behind it are given a bigger budget and the chance to make more movies. Anything they can come up with will far outrank the EPIC MOVIE group who still lay claim to what little they did on SCARY MOVIE.

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I watched this picture because of the critic Steve Shaviro, who said that it (and The Cabin in the Woods) represented between them the "future of horror"--no wait, maybe the "future of cinema," some grand claim, exactly the kind I have a hankering for, and I enjoyed Cabin in the Woods a helluva lot, so I went in thinking, maybe this will be one of those sorts of movies the kind I like, that rip through genre like so many jungle fronds in a machete movie. And so it was, on a rather different scale than Joss Whedon. Whedon is a humanist, whereas I get the picture that Joseph Kahn, who directed this highly entertaining horror comedy, is no such thing, despite the sentimental flourishes with which his movie concludes (sappy voice over that says, basically, "but underneath it all we're just people, and we all need love.")

Kahn made two epic videos with the pop singer slash actress Kylie Minogue. In one, the charity single by "Helping Haiti," he blended shocking real-life footage of hurricane devastation in Haiti, with hideous footage or pop stars from Rod Stewart to Westlife and beyond, all lip synching the old R.E.M. classic "Everybody Hurts." For Kylie's 11th solo album, APHRODITE, Kahn turned the first single, "All the Lovers" into a giant orgy of models, male and female, stripping to pristine white underwear in the middle of downtown LA in front of the Gehry Disney Concert Hall, to worship a giant goddess Kylie. Made in the immediate aftermath of DETENTION, you can see Kahn trying to work out ideas he didn't manage to articulate during its filming. Josh Hutcherson, the executive producer of the film, plays the hero part, but he's sort of a sad sack, and he's named after a pair of heritage rock artists (in joke?) In general the acting's not great in DETENTION, but who cares? In CABIN IN THE WOODS, the whole movie slides by on the Whedonesque charm of the actors and the witty dialogue, and here the dialogue and the acting is just one jab after another, like an attack of fire ants. If like me you thought of abandoning Detention before the second murder, my advice is, keep up with it if you can, because you will be amply rewarded throughout. The characters start making sense, they become sort of lovable, even the awful ones and though I never did figure out why the boy had to wear a TV on his wrist growing up, I enjoyed myself immensely and, if this is the future of cinema, it's in safe hands.

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You might want to stoke up on caffeine and prop your eyelids open before watching this because it moves at a hundred miles an hour with little let-up.

Here's the scoop. Someone dressed up as "Cinderhella" from a horror movie franchise is killing kids from Grizzly Lake High School. Meanwhile some smaller dramas with some of the students play out. Riley Jones and Clapton Davis have been good friends since forever. She's a bit peeved because he wants to go to the prom with Ione who is vapid beyond the meaning of the word. Meanwhile, Billy Nolan, who is part fly, (yes, you read that right) wants to beat up Clapton because he also wants to go to the prom with Ione. Oh, and there is a time machine inside the stuffed bear in the school hall.

This is a fast, wild ride. The dialogue is replete with now and wow padder. There are a lot of clever pop culture references from both 'now' and the 90s and they come at you relentlessly. The story isn't quite as involved as it might seem at first glance because the pace throws you off. Once you settle into that the viewing gets a bit easier. There are, though, a couple of bizarre zingers (one late in the third act) that are so far out of left field, you might just be thinking WTF!?

The principle actors, Josh Hutcherson, Shanley Caswell, Spencer Locke, et al, do a decent job. The production values are as good as they need to be to get this done. What's really happening here is the script. Writer/director Joseph Kahn's previous work has been entirely in music videos which is probably why he felt the need to cram so much into each moving minute. But, as I said earlier, you really need to pay attention. A 'time slip' element enters the plot in the third act and, if you blink, you'll be lost.

I liked this a lot. I found it very entertaining and better than it had to be given the content. If being cinematically slapped around for 93 minutes is your poison, this should be right up your alley.

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ef: A Tale of Melodies - Complete Collection (2012)

ef: A Tale of Melodies - Complete CollectionEf a tale of melodies is more complicated than the first season and very tragic. I'd call it a mix of inhumane and beautiful. I won't spoil the ending, but its good at the best (Clannad After Story still beats them all), especially for a psychological thriller like this. If you havn't watched ef a tale of memories yet, I'd give that a go first or else you won't understand anything that's happening in a tale of melodies. I actually played a fan translation of the visual novel before I watched this season and there are many differences included in the series than what is seen in the game. Most of the cast from Clannad is here playing the English dub, there's EVERY textless opening and ending clip as the bonus features, DVD credits and Sentai previews, advertising Clannad After Story (even though that was released last year), A-Channel and four others. The music in this anime is very deep and beautiful and fits perfectly in tragic scenes. The art is breathtaking and has a unique style of seeing illusionary characteristics that only a particular character is aware of. For example, Kuze sees himself wearing masks all the time, Mizuki is seen with a red string of fate on her hand, she's seen in sky colors like the first season and Yuko has a bunch of Renassance art behind her (make sense?). For those of you looking for a good, solid romance/high school drama/psychological anime, this one hits the target. You won't be disappointed. Just be mentally prepared for the thrill ride this 12 episode series will bring you through. Some things are just hard to accept, but like I said, this series ends very beautifully.

Sailor Channel

This Second Part of the series, The first story takes place in the past. Himura Yuu meets a girl, Amamiya Yuuko who seems to know him, but he doesn't know her. However, he soon remembers that she was a girl whom he knew from long ago. Yuuko then tells him something which he never knew. He was her first love since then, and her first love has not ended yet. The second story takes place in the present, just after the events of ef a Tale of Memories. Shuuichi Kuze meets the cousin of Aso Renji, Hayama Mizuki and spends a lot of time with her. Unknown to Mizuki, Kuze had contracted a fatal illness and has little time left to live. Kuze had decided to break all romantic ties, but things go bad when Mizuki tells him that she loves him. Is great series, part 2 just got better can't wait to watch it again ^^

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I read the visual novel and enjoyed it quite a bit, so I got this and the first season and after watching both they stay true to the spirit of the novel. There are certain things changed that make it so you don't instantly know everything that is going to happen, and the stories are tied up together better in the anime than in the novel, but otherwise it stays very true to the original novel. I must complain that two of the episodes are kind of bad at one part (you'll know when you see it) but if you're a fan of the visual novels you should definitely not second guess yourself when it comes to supporting the creators and getting yourself a nice no click-version of the novel. Awesome awesome, and more awesome; although if the dubs are terrible but you probably already knew that

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This is the second "season" of an anime that is based off of a visual novel. If you haven't seen ef ~ A Tale of Memories: Complete Collection [Blu-ray], the first season of this show, you should consider watching it first. I have seen many different animes during my time as a fan, and most of them have been of the romance and drama genre. This review will not contain any spoilers, but I will address a few of the plot issues I had while watching the series.

Some people have labeled this show as a masterpiece, but I must disagree. I've watched hundreds of animes centering on Romance and Drama so I do think my opinion is well aged and seasoned with many different sources of inspiration. The main problem I have with this entire season is the forced drama. Please understand that I am not suggesting that drama created by the author is a bad thing. I understand that is what writing a story is. However, I take issue with what I would consider poor writing without essential build up or reasoning for events to take place.

In a perfect world, I would hope that any story revolving around romance would focus primarily on the characters. Romance is a story about people and their interactions with others, it's not something that can be explained to an audience in one scene. The setting, background information, and supporting characters are all important, but they should never replace the characters as the focal point of the story. In Melodies, we are hit with two different plots that essentially force us to care about something that we don't have any connection to. I don't want to go into detail due to my concern for creating spoilers, but for half of the shows focus there is close to no build up or information for why something is going to happen. You are hit over the head with it and then forced to accept it as a truth. Instead of a gradual and well rounded story its almost as if you were to turn the page and find yourself in a completely different setting with completely different characters.

It's unnerving how little the audience was considered.

All of that being said, from a technical aspect the show is by no means a push over. The art style, music, and characters are all reasonably solid and make for an enjoyable watch. However, this is a very drama heavy series and I would be tempted to say it has nothing to do with Memories other than introducing supporting characters. (Hey, they had to let the audience connect to the show somehow... because it sure wasn't going to be the story.) If you're watching this because you really enjoyed Memories and want to see more of the characters and their interactions, this is NOT the show for you.

If you're more into mature and adult themed shows and really enjoy dark themes, this will be an excellent series for you. Keep in mind I would only offer this as a recommendation to those who can get over the pacing of the story and how far removed it is from the prequel. Some may enjoy this series, but unfortunately it was not for me.

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This is the 2nd season of ef series. It focuses on some of the supporting characters of the 1st season. Kuze and Mizuki have been spending time together and become romantically involved. Kuze is suffering from a fatal heart disease and doesn't have much time left. Himura and Yuko's past is also the other part of the story. Both stories are very tragic and emotional, especially the one between Himura and Yuko. I finally understand why he was so melancholic in season 1. He's a strong person. I never liked Kuze very much in the 1st season, but he makes a major personality improvement from being with Mizuki in this season. He's not such a bad guy after all.

This anime is great. The animation is top quality, the music is beautiful and the characters are compelling. The story of these four characters is amazing. The love they share is a beautiful thing. Even though it is mostly a sad story it's very uplifting as well. This is one of the most well written animes I've seen, and I own over 200 different series. I really hope you check this one out and enjoy it as much as I do. If you like Clannad, Kanon, Air, or Angel Beats, you will like ef as well. If you haven't seen the others I've mentioned; they are a must have as well.

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Peace Love & Misunderstanding (1000)

Peace Love & MisunderstandingI NEVER write reviews; however; after watching this film I felt it absolutely necessarily to do so. "Peace, Love & Misunderstanding" is now in my top three favorite movies. The characters are well-developed and brilliantly acted. Jane Fonda shines--as always. Elizabeth Olsen is a powerhouse in the making--and Jeffery Dean Morgan is just an absolute pleasure to watch. The film chronicles the difficulties of bridging gaps between generations, and social beliefs systems. The true lesson is how to let go of the past in order to start the future...just a beautiful movie.

Thoroughly enjoyable film, which is no surprise considering the cast. Great characters, beautiful locations, and a totally uplifting story. I thought all three leading female roles (Fonda, Keener, and Olsen) played their parts beautifully. Have never seen Nat Wolff (Jake) in anything before and found his character to bring much color and humor to the story.

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Perhaps I am a little bias, but I think this is a really great movie. The characters are funny, interesting, and entertaining. The views of the land and the wildlife are terrific! A good portion of Peace, Love & Misunderstanding was filmed next door to where I live. It has captured all the beauty of the land. I feel lucky to have been able to observe a lot of this movie in the making (including "howling at the moon") and to see Jane Fonda in person. It has given me many wonderful memories!

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Wow great acting. Jane Fonda was AMAZING. Loved the little stories and relationship trials. Loved seeing upstate NY, wanted to go there. Young'un Chace Crawford is WAY cute. The singing duo between Keener and Morgan was awesome. Beautiful film. Gift worthy.

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This film is heart warming and well worth it just to see the performances. Jane Fonda is in top form. There are also great turns by Catherine Keener, Jeffery Dean Moran and the always excellent Kyle MacLachlan. This was also the first film that the up and coming Elizabeth Olsen made, you see why she is making such a name for herself.

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Legally Blonde 2: Red, White & Blonde (2003)

Legally Blonde 2: Red, White & BlondeThe strong message is what made this sequel work so well for me. I will admit that its energy feels a little weaker than the first, but that still doesn't mean it's not funny, touching, and highly enjoyable. As an animal lover, I couldn't help but be affected by it. The scene where we witness Bruiser's mom in the lab really got to me. It was depressing and heartbreaking to watch. The fact that I strongly believe in and support the cause our heroine, Elle (Witherspoon), is fighting for, made this movie that much more enjoyable for me. Real animal lovers should easily be able to relate and root for Elle. This movie is just so positive and inspiring. There's so many things I feel so strongly about, and Legally Blonde 2 made me want to get up and try to make a difference. If this movie could reach at least one person in each audience the way it reached me, then it did its job and will have been a success. If only more movies had good messages like this one.

I'm not saying everyone is going to feel the same way or be able to relate as well as I could, but hopefully it will be able to inspire quite a few. I'd actually recommend letting some younger kids see it. Maybe, just maybe, it can help make a difference. With such an honest main character who's not afraid to stand up for what she believes in, I certainly see it doing more good than harm. Yes, it's basically a fluff movie, but it also goes a little deeper than that. The more serious tone in some scenes worked well for me, and I found them quite effective for this kind of movie.

I remember a lot of people saying that the highlight of the first movie was Elle's Harvard video. However, while I thought it was funny and pretty amusing, I didn't love it as much as most seemed to. I personally thought the slides showed at the office for Bruiser in this sequel were much funnier, not to mention cuter.

Reese Witherspoon delivered another fun performance as Elle. This actress never fails to amuse me. She carried the first one completely on her shoulders. This time around though, the adorable dog playing Bruiser managed to steal pretty much every scene he was in. I think he should get a Best Supporting Actor nomination ;), but unfortunately, he'll likely be snubbed. The rest of the supporting players were all fine and enjoyable, especially Bob Newhart as Sidney and Jennifer Coolidge as Paulette. But none of them could compete with their four legged co-star.

This nice, friendly movie made me want to stand up and cheer. It had a good message and stood for something I believe in. I found it funny and very entertaining. It left me with a smile on my face and feeling inspired to make a difference. A solid and harmless feel-good movie.

Grade: 8/10 (B+)

I LOVED the first Legally Blonde movie. While it wasn't realistic, it was fun and a real joy to watch. I figured the second one would be decent too, but I was disappointed. Don't get me wrong, I think Reese Witherspoon is fantastic and she did a great job I just thought the storyline was a little overboard. Personally, I wish the story had focused less on the dog, because while seeing the dog dressed up in pink is funny, it gets old when they try to plot the entire movie around it! Even so, the movie had some really funny parts (though I wish there had been more Luke Wilson!) and was worth seeing at least once. :)

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The only thing i have to say is that if you didn't like this movie, you must be a brunette!! It's absolutely hilarious! It definately is as good as the first! A must see!!

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I honestly could not believe how pitifully bad this film was. The first one was actually pretty funny; but this one was painful. To add injury to insult, the movie ends abruptly! At the end you are left wondering if they ran out of film in the camera, couldn't decide how to finish, or just felt like they had tortured the moviegoers long enough and might as well call it quits. Don't go see this one in the theater. It's not worth the [money].

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Elle Woods is shocked to learn that her dog's mother is being held prisoner at an animal testing facility. Since she wants the dog to attend her upcoming wedding, she immediately sets out to get her freed and heads down to Washington DC to make Congress pass a bill to ban animal testing, thereby freeing the dog.

Having been a fan of the original, I went into this movie with high hopes. Boy, was I disappointed. The first movie presented Elle as a smart person when it was something she was interested in who had to grow and mature to reach a new goal. We could sympathize with her and root for her, especially as we saw her heart of gold come through. Here, she just appears clueless, blindly going from plot point to plot point. The movie also presents a very pessimistic view of our government. Yet Elle is still able to proceed through in an oblivious manner. The movie might have been more fun if the supporting characters from the first movie had come back, but they are basically reduced to expanded cameos. Furthermore, the movie goes overboard in its PC agenda. Basically, it's unbelievable.

The laughs are few and far between in this far inferior sequel. Do yourself a favor and stick with the original.

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Shallow Hal (2001)

Shallow HalBeing that I am a heavyset person myself, I was able to put that fact aside and appreciate this movie for what it really is. Truthfully, I didn't find this movie funny but I did find a strong message. This movie goes to show that size doesn't have anything to do with the person on the inside. Gwyneth Paltrow's character Rosemary goes to show how underneath all that excess flesh that there is still a person. I think "Shallow Hal" is a movie that helps demolish discrimination against heavyset people. This movie didn't only give examples of heavyset people but of people who were skinny and just not physically attractive to that of one's expectations. Hal is a very shallow character and he is an example of all those people who discriminate against heavyset men and women and people who are not attractive. Like Hal in the movie, people can change and widen their horizons for something more beautiful. "Shallow Hal" is less of a comedy and more of a motivational, moving story about life. I think this is a family friendly movie, something that kids would like as long as the situation is explained to them. Let this movie touch you on several different levels and check it out.

Okay, I sheepishly confess that I watched this DVD expecting to see some patented Farrelly brothers humor: crude, insensitive, and in-your-face. WOW, was I surprised.

This movie is definitely humorous (we laughed out loud at times) but when it's over, you come away with a heightened sense of sensitivity for those people society categorizes as "ugly", "fat" or "undesirable." And if you're not careful, you may just approach life a bit differently once you've watched this excellent movie.

Hal (portrayed wonderfully by Jack Black), and his best friend Mauricio (Jason Alexander) are a couple of obnoxious, shallow guys who make no apologies for their fixation on dating ONLY young, beautiful women. This is tough for both of them, as neither one is particularly good-looking. But, they drive on doggedly in their pursuit of women who are consistently "out of their league."

Everything changes when Hal is stuck in an elevator with a self-motivational guru, who gives Hal a "gift". In fact, Hal is hypnotized; now, he sees a person's inner beauty, not their outward physical appearance. Unattractive or obese women look like supermodels to Hal; and when he approaches them, genuinely attracted to their true beauty, they respond. After years of being unable to connect with beautiful women, suddenly Hal has an unprecedented run of success...only, the women are really not physically attractive, and this is evident to Mauricio, and everyone else...except Hal. In short order, Hal hooks up with Rosemary (Gwyneth Paltrow), who is smart, funny, caring, and to Hal, stunningly beautiful. One problem: to the rest of the world, Rosemary is a 350-pound behemoth who breaks restaurant furniture simply by sitting on it.

Rosemary and Hal fall madly in love, and it turns out that Rosemary's father is the CEO of Hal's investment company. Taken by Hal's sincerity, and his insightful ideas for improvements to the firm, Rosemary's father promotes Hal to his right-hand man. Everything is going wonderfully for Hal and Rosemary...that is, until Mauricio decides to "rescue" Hal by breaking the hypnosis. What will happen now that Hal can see the REAL Rosemary?

This is a great movie, and can even be watched and appreciated by preteen children. The sexual situations are mild, and there is little or no foul language or nudity. Gwyneth Paltrow, and especially Jack Black, give excellent acting performances. Make it a point to watch and enjoy this DVD. It just might change your life, and make you wish we could ALL see only the "inner beauty" of others. Our world today is much too preoccupied with physical appearance, and other shallow concepts that don't truly matter in the grand scheme of things.

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First published Stanford Daily, Nov 2001.

The Farrelly brothers have done it again. From the makers of such outré comedies as "There's Something About Mary" and "Me, Myself and Irene" comes "Shallow Hal," a comedy with a conscience. Known for movies that feature imperfect men lusting after gorgeous girls with a few laughs thrown in for good measure, the brothers delve a bit deeper this time, seeking to convince us that fat is fun. Jack Black (the crazy music store employee in "High Fidelity") is Hal, a shallow male (if you'll pardon the redundancy) of modest looks, besotted with breasts and waiflike figures. He prefers a girl with just one large breast to one with half a brain. Needless to say, in the true Farrelly tradition, Hal is a loser when it comes to girls.

Hal's messiah is Tony Robbins, the self-help guru who achieves the impossible and makes him see inner beauty. Ergo, Hal moves in a haze, stripping fat women of the excess padding, glossing over manly moustaches etc., to visualize them as the epitome of pulchritude. One such beneficiary of Hal's x-ray vision is Rosemary (Gwyneth Paltrow), who trades her corsets from "Shakespeare in Love" and "Emma" for a fat suit. Despite being well over 300 pounds and gluttonously devouring any source of fat within range, Hal can only see her as the nubile nymphet of his dreams. His consternation at being in a minority of one in his admiration is palpable. Eventually the blinkers fall off, courtesy his shallower pal, the meddling Mauricio (Jason Alexander). The crux of the film lies in how Hal confronts the fat in his femme fatale.

Black's virtuoso performance as Hal makes us squirm. Rosemary, with the fat suit, is ponderously poignant. She shames us with her starkly evident low self-esteem and tame acceptance of stereotypical notions of what passes off as beauty. If only her character had more flesh than fat, the full range of emotions that obese people experience could have been hung out to dry. By resorting to stilted portrayals in black and white of fat people being angelic do-gooders while ugly non-fat people (the ones in this film, barring Jill, can't be called slim), are shallow shysters, the many shades of gray in between are ignored.

Paltrow took a stroll in a New York hotel with the fat suit on, and has been quoted as saying that "...no one was making eye contact with me, or would even look in my direction. No one wanted to connect with me. It was a profound, very sad and startling experience." Some of that sadness is revealed in her portrayal of Rosemary. However, it would however, be a safer bet that UFOs would land at Stanford than to hope that Hollywood would make us laugh and cry in the same movie.

Paltrow looks as radiant as ever. Rather strangely, she reminds one of Phoebe (of "Friends" fame) when she attempts to be goofy. Jack Black has the makings of a star. His Hal is a flawed bungler who is redeemed solely by an inner core of middle-American harmlessness. Rene Kirby as Walt is a casting coup. His joie de vivre is at the heart of the movie's message. Kirby, an ex-IBM employee, was discovered by the Farrellys in a bar in Burlington, as he plodded along on all fours (owing to spina bifida). The character was specifically written for him. Jason Alexander, chubbier than ever, does not disappoint as Mauricio.

The Farrellys have been known for at least one memorable cinematic moment in their movies most notable of course, Ben Stiller's nuts and bolt coming in the way of his zipper, and Cameron Diaz's organic hair gel in "There's Something About Mary." This one has a twist in the tail. Eminently enjoyable.

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First of all, let me state this: I am myself overweight not obese, but overweight. One of my best friends is morbidly overweight. I found the film, hilarious on several occasions and so did she. I will admit, that she also found it flat for the most part. I won't say it was completely flat, but the film could have been funnier though when it was funny, I thought I would pass out.

Is it offensive to overweight people? Let's look at this in the light it is presented... Jack Black and Jason Alexander's characters are the narrators (so to speak) of the story. Neither one of these guys is in shape and that is key to the story. They are losers who are both trying to prove to the other that they are studs with the ladies, when in truth neither of them can get a date.

In a casting coup, Tony Robbins, the self help guru, sort of brainwashes Jack into only seeing women for who they are inside instead of on the outside. This is something that we should all do, but very very few of actually do. From there forward, Jack only sees women for the beauty within them. The fact that most of the beautiful women he sees are in fact physically unattractive in one way or another, is a point that is actually rather delicately handled. It is a telling point of the filmmakers that one woman that he sees as an old crone, is in reality a gorgeous woman. So what's the point of this? I think the filmmakers actually wanted to show that just because a person is beautiful on the outside, they can be ugly on the inside. Conversely, an unattractive person on the outside can be equally or moreso unattractive on the inside (this is a point that could have been brought out but was not).

Does the film pander to the idea that fat people are jolly, etc.? Yeah. Does it presume that unattractive people are more beautiful on the inside? Yeah.

Is the film politically correct? Who cares! We have all become so overly sensitive that we're a nation of big cry babies. I hope that I am evolved enough that if I countenance something that I don't like I can ignore it and move on. Who's the fool if I let something get under my skin? It's me. My folks taught me to "consider the source" when I was offended by something or someone.

So, if you think you will be offended by this film then don't watch it. No one is holding a gun to your head.

But if you do watch it and get offended then get a thicker skin I can promise you there are going to be many more offensive things in life than this film. In short grow up and get over it!

It's a funny film watch it.

Want Shallow Hal (2001) Discount?

This movie has a feel-good message, making it enjoyable enough for three stars. It says that we all deserve to be loved even if we're not physically attractive (in what it considers the "conventional" sense). But will it really change anything of what it deems mere "convention"? Will Gwyneth Paltrow go on being an advocate for the inner beauty of obese people and others "conventionally" unattractive? I kind of think not. Her performance here is significant and may display genuine talent. But most likely her future roles will reflect a sense of glamour in slimness as much as ever, meaning nothing was really changed by the movie. Similarly, will Jack Black, after his similarly impressive performance be any more inclined than before to accept an obese woman as a girlfriend? I similarly doubt that. For all its feel-good message, SHALLOW HAL builds us up for a let-down when we realize its lack of realism. Many of us will go on with our inner beauty as underappreciated as ever because of outer appearances, and will still find hard to swallow that suggestion that prevalent standards of beauty run no deeper than convention.

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