Showing posts with label comedy tamil movies list. Show all posts
Showing posts with label comedy tamil movies list. Show all posts

Airport (Blu-ray + DVD + Digital Copy) (1970)

AirportThis first of the big airplane disaster movies features an outstanding cast, a host of distinctive characters, and a widely interesting web of subplots. While all things lead to disaster in the air, there is a much greater human component to Airport than what you will see in the disaster movies of today. Perhaps the human drama does not play out to perfection on one or two occasions, yet it all kept my rapt fascination even as I wondered why disaster had not yet struck an hour and a half into the film (which lasts for two hours and seventeen minutes). Airport (1970) picked up ten Academy Award nominations, including best picture, Helen Hayes walked away from it with her second Oscar, and a host of sequels followed in its wake, so obviously it did many things right.

The first half of the film actually seems like some kind of 1970s TV pilot. Mel Bakersfield (Burt Lancaster) is the airport manager working himself to death in order to keep the place running smoothly, campaigning when he can for expansion and modernization. His brother-in-law pilot Vernon Demerest (Dean Martin) assumes the role of Bakersfield's antagonist, criticizing airport measures for keeping the runways operational and the flights on schedule, especially on nights such as the one in question, when a major snowstorm is wreaking havoc on the ground as well as in the air. Bakersfield is locked in an unhappy marriage with a regal yet noxious social gadfly, facing the fact that the woman he now cares about may be leaving her job at the airport for a better opportunity elsewhere. Demerest has some kind of marriage of convenience to Bakerfield's sister, and he is carrying on with a lovely and suddenly pregnant stewardess (they still called them stewardesses back in 1970) played by the engaging Jacqueline Bisset. Then you have the heavy of the group, Joe Patroni (George "If it's an airplane movie, I'm in it" Kennedy), the only man for the job of getting an airplane stuck in the snow out of the way of the main landing strip. Helen Hayes plays a delightfully entertaining serial stowaway, and while she is naturally fantastic in her role, the size and importance of her part would not seem to merit the Best Actress award she received for her performance. About the time you start looking for Aaron Spelling's name to come up in the closing credits, we are finally introduced to a nervous fellow putting together an attache case of explosives. He is presented in the most sentimental of lights, and one can't help but feel sorry for him and for the rash decision he has made, nor can one do anything but curse the otherwise forgettable character who plays the dumbest airplane passenger in history.

Eventually, the plane takes off for Rome with both the stowaway and the bomber on board; soon thereafter, puzzle pieces begin to fall into place, and the pilots, aware of the danger, try to turn around and head for home. Their safe return faces two major obstacles: the bomber on board and the stuck airplane jutting out on the only landing strip they can safely attempt to land on through the roaring blizzard. Don't expect a lot of special effects or outrageous acts of unrealistic heroics (although there is a priest who delivers a most unorthodox and intensely satisfying blessing to the aforementioned dumbest airplane passenger on earth). What happens is presented very well, but the real drama lies in the characters' relationships. I am a huge Dean Martin fan, and I thought the man delivered a terrific dramatic performance in this movie, standing equally beside the likes of the legendary Lancaster, Bisset, and Hayes. The story may seem to develop slowly for those used to or expecting quick and impressive action and special effects, but this movie follows the old creed that there can be no real tragedy unless the audience knows and cares about the characters.

I'm going to do something I thought I'd never do; give GoodTimes Video an A+ for this DVD. They took a step into the 20th century for their Thirtieth Anniversary DVD release of Airport.

I held onto my old Airport VHS tape well after I stepped up to DVDs, because no one had released a widescreen DVD of the classic disaster film. GoodTimes had earlier released a DVD of Airport, but it was in standard aspect ration, so I passed on it. Then last week, there it was, Airport, WIDESCREEN, it said. And when I picked it up to look at the features on the back, I couldn't believe my eyes. GoodTimes not only released it in widescreen, but in anamorphic widescreen, AND in Dolby surround. And the price is more than perfect.

You get no extras, just the movie. But it's beautiful, and it's the original, shown for the first time as it was on the big screen in perhaps thirty years.

If you love classic films, then this movie is probably on your list of must-haves. This is not a perfect film, but it works. From Dean Martin's better than average performance, to Helen Hayes' Oscar winning portrayal of a fiesty trickster that sneaks onto planes. By today's standards the plot may seem to move slowly, but if you view it in it's 70's context, it's actually more like a roller coaster ride that takes off at a slow glide, tops a hill, and flies down the other side into a fairly tense climax. Don't be afraid of this DVD. For ten bucks you could get a real crappy DVD. But in this case, you strike gold.

Let's hope this is a new and lasting trend for GoodTimes DVDs. Low prices, good movies. GoodTimes.

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Airport is surprisingly faithful to Arthur Hailey's book, with regards to the screenplay. Jacqueline Bisset is perfectly cast as a stewardess, as is Helen Hayes as the stowaway passenger. Van Heflin and Maureen Stapleton share many poignant moments, and a little seen Barbara Hale rounds out the shining stars very well. While I have seen this movie called "slow and plodding", you actually get quite involved with all the characters and know about their motivation before the crucial scene in the air where it all comes to pass. Of course, this huge success at box office has been let down by a... DVD release it's in Pan & Scan. Why anyone would do this on a DVD is beyond me. Also, it's lacking a lot of extra features that a film of this calibre should have on a DVD. Regardless, the film is an awesome piece of entertainment, faithful to the novel (without the "boring parts") and is supurbly acted by a stellar cast. It deserved to be the runaway worldwide success it was.

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I'll admit it: Airport is a guilty pleasure of mine. It's a classic disaster film, spiritual father to all from the Poseidon Adventure to the present day. We learn the stories of the people aboard a bomb-laden Rome bound flight, and those on the ground fighting a blizzard and blocked runway to get them home. Characters are a little thin, a little soap-opera-y, but better than many modern films. Helen Hayes in particular, is terrific in her Oscar winning role. The DVD is of mixed quality, a nice presentation of an un-remastered copy of the film. Some dirt and scratches are evident, but color and sharpness are fairly good. Screen aspect shifts, usually cropped pan & scan, but occasionally letter-boxed to preserve some wider shots. Film length is misstated on the box, at 136 minutes, not the 91 listed. Recommended for all disaster fans.

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It's not every day you see a movie that shows Dean Martin as more of an actor than you remembered, and Helen Hayes as rather less of one, but "Airport" is like that. It's a rich, plotty plum pudding of a film that features dozens of performances from actors at every level of competence. Interestingly enough, it all works. Martin is quite credible and good as an airline pilot, even when the dialogue he's given is contrived and movie-ish. Hayes is a little over-the-top in her acclaimed performance as a little-old-lady stowaway; it's nothing Spring Byington couldn't have done just as well, and cheaper. What the heck, Hayes had reached the point in her career where she could do as she pleased.

Other people in the film? The late Jean Seberg is in it, looking amazingly like Kim Novak in a Hitchcock filmcomplete with grey Edith Head suit and a crush on an older man, played dully by Burt Lancaster. Barbara Hale ("Della Street" in the old "Perry Mason" series) is great as an earth mother married to Dean Martin; watch for her little scene toward the end of the movie when she realises her marriage is over. Van Heflin is painfully accurate in his portrayal of a demented loser who wants to suicide-bomb a 707 so his wife will have his flight insurance as compensation for the horrible life she's had as his spouse. And as the wife, Maureen Stapleton is absolutely wonderful. She's uncomprehending, incoherent, and agonisingly aware by turns; everytime she's on-screen, nothing else matters.

Other roles involve Jacqueline Bisset as a stewardessnot the highest and best use of her talentand yes, that's Gary Collins as a navigator. George Kennedy plays a TWA mechanic who saves the day; I don't like his performance, but Kennedy went on to play the same role in this film's sequels, so he must have been pleasing someone with his work. True film buffs will be delighted by one of the bit playersthe mother of a teen-aged nerd who is on the ill-fated 707 flight. It's none other than Virginia Grey, Joan Crawford's blonde co-worker at the perfume counter in "The Women". And "Airport" features the last screen appearance of the late, great Jessie Royce Landis; she's a rich woman who tries to do a little diamond smuggling. Her accomplice is her poodle, who travels inwhat else?a Louis Vuitton carrier.

The film itself? Well, it's big-time movie-making, circa 1970; everything about it is flossy and expensive and well-done. There is an astounding special effect when the loser sets off a bomb on the plane. It's got enough plot and enough stars for four movies. And in its own way, it's quite good. It'll take your mind off your life for the entire time you're watching it, and what more is a Hollywood epic supposed to do? Chalk this one up as imperfect, but recommended.

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The Sting (Blu-ray + DVD + Digital Copy) (1973)

The StingI just bought this DVD for my father because this movie IS a classic, no matter what anyone says. But, when it came in the mail, I was surprised to see "Full Screen" on the front of the box. So I did what many of you did NOT do (with the exception of reviewer cammonro dated Sept 2, 2003), I went to the Universal web site and emailed their Home Entertainment division.

From Universal Studios Home Entertainment:

'The Sting' is only available on DVD in the 1.33:1 aspect ratio, which in this case displays the same picture information side-to-side as was seen theatrically. Also, more information is shown top-to-bottom than in the theatrical version because of the way the film was originally shot.

One process used in creating movies for theatrical exhibition is to place 'mattes' over the top and bottom of the 35 mm film frame to alter the aspect ratio to 1.85:1 'Widescreen.' To avoid black letterboxing bars on the top and bottom of the picture when it is displayed on standard television, the original mattes are removed in a process known as 'Open Matte.' (This is not to be confused with 'Pan & Scan,' a completely different process of transferring film to Video and DVD.) 'Open Matte' was used with in the production of 'The Sting.'

SO THERE YOU HAVE IT. For all of you complaining about how this DVD is PAN-AND-SCAN, you are WRONG. And for all of you still waiting for WIDESCREEN, you ALREADY HAVE IT with this DVD if you understand what Universal is saying above; you are actually seeing MORE than what you'd see in the theater version because of the "Open Matte" process Universal used, NOT pan-and-scan.

If anyone begs to differ with these facts, argue with the source, Universal.

Please stop whining about this DVD's aspect ratio. It's not "full-screen." It's widescreen with the original top and bottom sections restored.

According to film historian David P. Hayes, THE STING was filmed in 4:3 (equivalent to "full-screen") ratio because director George Roy Hill wanted it to look like an old movie. The studio (and/or the exhibitors) apparently had second thoughts about it, though, so theatrically-released prints had the top and bottom sections blocked ("matted") to fit the widescreen format.

What you see on this DVD is not "pan and scan" (with missing left and right content), but the original format with the top and bottom restored.

(...)

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Honestly i've seen better HD DVD's but still this one is remastered like crazy,its a hell of alot clearer than the original dvd release and its amazing to see what they can do with movies such as old as this one. I mean 1973 this movie comes out and after watching the HD DVD you would think it was a new release. All in all to keep this short this is an amazing film and you should pick it up on HD DVD right now!

Read Best Reviews of The Sting (Blu-ray + DVD + Digital Copy) (1973) Here

The most successful "sting" occurs when a victim never realizes that she or he has been "stung." In this Academy Award winning best film, that would be Doyle Lonnegan (Robert Shaw), a mobster/gambler in Chicago in the 1930s who is bilked out of hundreds of thousands of dollars by Henry Gondorff (Paul Newman) and his associates who include Johnny Hooker (Robert Redford). Credit George Roy Hill with brilliant direction of an especially talented cast. The musical score is eminently appropriate, devised by Marvin Hamlisch based on the works of Scott Joplin. A great deal of real or apparent blood is shed as elaborate preparations for the sting are completed. Most of the characters are not who and what they seem. We know what Gondorff and Newman are up to, of course, which adds to the fun. But there is a twist near the end of the film which fooled me. The narrative is seamless. The pace is expeditious but unhurried. In all respects, this is a thoroughly entertaining film but also one which at least suggests some darker regions of human nature. Those who enjoy it may wish to check out The Grifters (1990) which also has a bittersweet flavor at times. For broader humor, I suggest Dirty Rotten Scoundrels (1988).

NOTE: My comments are limited entirely to the film itself. Although the image and sound are clearer than in the VHS format, the supplementary features are unworthy of this Academy Award winning best film.

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The acting is wonderful, the suprises are unpredictable, and overall, this is one of the most original movies I've ever seen in my life. There can be no duplicates. And evey time i watch this movie, some how I notice about five things I've never seen before, like it changes every time. And no, I'm not an old movie collector or total classic lover, actually, I'm only sixteen. But this is easily one of my favorite movies in history. My favorite scene is with the card playing on the train.

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Harvey (Blu-ray + DVD + Digital Copy) (1950)

HarveyElwood P. Dowd is happy to share a drink with anybody he meets, and he likes to give them his card and invite them to have dinner at his home. His charm is disarming. People will tell their troubles over a drink, he says. Then he introduces them to his friend, Harvey, and Harvey is sooo much bigger than anything they've got... Harvey is an invisible (usually), six-foot tall white rabbit. Harvey is also too big for Elwood's society-conscious sister, Veta, and her unattached daughter, Myrtle Mae, to cope with. Veta makes a mistake, however, when she tries to get Elwood committed to a sanatorium.

Jimmy Stewart is superb as Elwood P. Dowd, but Josephine Hull steals the show as his totally flustered sister. She is, quite simply, at her wits' end. This is one of only two movies that I know of that feature Hull (the other is "Arsenic and Old Lace"). Both are personal favorites, and Hull is excellent in both. The rest of the cast is also outstanding in this adaptation from a classic Broadway play. Many moments are hilarious, some are touching, and it all adds up to a terrific movie. This witty romp will be welcome in almost anyone's video library.

"Harvey" a play written by Mary Chase began its long run on Broadway in 1944 and won the Pultizer Prize for best original American play in the same year. Harvey ran for another 4 years for a total of 1775 appearances. In 1950 Universal Studios acquired the film rights for a whopping $750,000 and signed Jimmy Stewart as the fun loving inebriate Elwood P. Dowd wealthy aire to the Dowd estate.

Summary; Harvey is a whimsical story about a fun loving inebriate millionaire Elwood P. Dowd (Stewart he is perfectly cast in an Oscar Nomination Role for Best Actor) & his very large white invisible rabbit (6 foot 8 inches), Harvey. Through his eccentric behavior with his friend Harvey, aggravates & is a constant embarressment to his family, especially his sister Vera Louise (Josephine Hull she came from the original Broadway cast in an Oscar Winning performance Best Supporting Actress). Vera tries everyway to have Elwood addmitted to a mental hospital. A wonderous journey & many funny turn of events occur. And how everyones lives are effected by this unusual pair.

The DVD is a Black & White Full Screen (before WideScreen) presentation. The video transfer is outstanding. The extras/bonus materials include a 1990 Jimmy Stewart "Special introduction with photographic montage", production notes, mini bios & trailer. A great family film. Enjoy.

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"Well, I've wrestled with reality for 35 years, doctor, and I'm happy to state I finally won out over it." That cheerful comment sets the tone for "Harvey," a movie about a lovable guy whose way of dealing with the harshness of reality is simple: Make his own.

Veta Louise Simmons (Josephine Hull) hopes to arrange a wonderful marriage for daughter Myrtle May (Victoria Horne) in the upper echelons of society. There's one problem: her wealthy brother Elwood P. Dowd (James Stewart) has an imaginary pal, a six-foot-three rabbit called Harvey. After Elwood accidently wrecks a party by introducing Harvey to everyone, Veta decides to have him committed.

Unfortunately, when Veta takes Elwood to the sanatorium, the staff come to think that the fluttery socialite is crazy, and is trying to get her sunny brother out of the way. So they lock her up, and let him go. After that mistake is straightened out, the psychiatric staff and Elwood's long-suffering family try to find him.... and Harvey.

If we ever saw Elwood P. Dowd ("Here, let me give you one of my cards") in a car, the bumper sticker would probably say, "Reality is highly overrated." The big theme of the movie is that reality can be harsh, and that it's not necessarily a bad thing to lapse out of it into the fantasies of our own minds. If Elwood isn't dangerous and is otherwise normal, who cares if he has an imaginary friend?

Is Harvey real? The film leaves that up to our imaginations. And in the end, it doesn't matter if Harvey is a figment of Elwood's imagination, or a friendly spirit. It's the effect he has on Elwood that is important. His presence makes Elwood happy and relaxed, and Elwood makes others happy and relaxed -even the hard-boiled head of the psychiatric ward, who lies down on his own couch and tells his secrets to Elwood.

This actually isn't too screwballish a comedy -sure, there's the running joke where Elwood politely introduces Harvey to people he meets. And the scene where Veta is committed is hilarious. But it's more of a heartwarmer than a comedy, from Elwood softening the lead shrink to Myrtle May finding love with a lovable blue-collar worker from the sanatorium.

James Stewart gives a wonderfully dreamy performance, slightly smelling of booze and flowers -his Elwood P. Dowd is mild-mannered, sweet, gallant, courteous, and oh-so-pleasant. And he's learned the value of just enjoying the little things in life, like a flower, a beer or a talk with a friend. And Josephine Hull brings up a brilliant performance as his frazzled sister, with several other good actors rounding off the supporting cast.

Who is crazier -the happy man with the imaginary rabbit, or the people who want him to be 100% sane and less happy? You make the call. With a sweet, surreal story and a flawless cast "Harvey" is one of those rare movies that does an unspecifiable number on your heartstrings.

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Harvey is one of my favorite black and white classic movies.

Jimmy Stewart is Elwood P. Dowd, an ever so tipsy gentleman, that introduces his friend, Harvey, to almost everyone he meets.

Harvey happens to be a six foot invisible rabbit, a pooka! A pooka, according to Irish folklore, is a mischievous spirit, especially one that takes on the form of an animal. In this instance the pooka is a rabbit, one that only Elwood P. Dowd can see. A pooka can enter through locked doors and windows and is said to be here and there, there and here, everywhere and anywhere.

Elwood P. lives with his easily flustered sister, Veta Louise, superbly played by Josphine Hull, and her daughter, Myrtle Mae (Victoria Horne). Myrtle Mae desperately wants to get married and, Uncle Elwood, because of Harvey, stands in the way. Elwood will do anything to keep Veta Louise happy even if it means being sent to a sanitarium. This is where everything literally goes crazy!

Poor Veta Louise is mistaken as the one being commited! Enter in the man of Myrtle Mae's dreams in the form of Wilson, a male nurse played by Jesse White, the first Maytag repairman. Myrtle Mae's romance with Wilson gets off to a rocky start when he is the one who must forcefully keep Veta Louise locked in the sanitarium. Every time she sees him she screams and says, "Stay away from that man, Myrtle Mae, and keep him away from me"!

Complicating matters further at the sanitarium, is the relationship, or lack of one, between Dr. Sanderson, (Charles Drake) and Nurse Kelly, (Peggy Dow). They are in charge when the mixup happens and find themselves having to find Elwood P. and bring him back.

Dr. Chumley, played by the talented Cecil Kellaway, is the head of the sanitarium. He encounters Elwood P. Dowd and Harvey and soon develops a bond with Harvey. Dr. Chumley wants Harvey to stay with him and Elwood, who wants what's best for Harvey, reluctantly leaves without his best friend.

The bewildered, impatient taxi driver, played by talented Wallace Ford, (I know you will recognize him) drives the family back and forth to the sanitarium. He and Veta Louise's friend and, not so secret admirer, Judge Gaffney, played by the scraggly voiced William Lynn, add wonderful color to the story. If you have never seen this movie, now in DVD, you will be in for a treat! ~ Mrs. B.

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"I've wrestled with reality for 35 years, Doctor, and I'm happy to state I finally won out over it."

Jimmy Stewart, in one of his personal favorite film and stage roles, portrays Elwood P. Dowd, a gentle philosopher and harmless alcoholic who, after his mother's death, befriends an imaginary or is he? 6'3.5" white rabbit; a "Pooka" who goes by the name of Harvey. Unfortunately, it seems that Harvey is invisible to everyone but Elwood. Elwood wanders through life perfectly happy, harming no one, but alienating his family and many of the townspeople with his "friend".

Josephine Hull, (who won a Best Supporting Actress Oscar for her role in the film; she also played the part on stage) portrays his sister Veta Louise Simmons, and she steals the film, IMO; her facial expressions and gestures are priceless (she also played one of the aunts in "Arsenic and Old Lace", 1944).

The pacing is fast and furious, and the dialogue alternately hilarious and touching in this whimsical, bittersweet tale of illusions and realities. Jimmy Stewart found himself personally identified with the role for many years, much to his delight, remarking in interviews how strangers would sometimes stop him in the street and seriously ask him if Harvey were with him, only to be kindly told, "No, he's at home today, with a slight cold" or some other humoring excuse for the lack of his invisible friend.

Of course the movie is dated and implausible today in several respects; however it still holds a gentle, childlike appeal that transcends time. It's a great, simply-told "feel-good" movie to start off the holiday season.

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Cry-Baby

Cry-BabyI'm really excited to see this great film finally make its debut on dvd; it's been a long wait.

John Waters has proven himself time and time again as America's avatar of bad taste and all things tacky, but he sidelined his more base urges for a greater good over a decade ago. Starting with Hairspray, Waters essentially re-created the American musical, and honed that to perfection with the castly underappreciated Cry-Baby. But it's not just a musical it's also a heartfelt valentine to a simpler time, his beloved Baltimore of the late 1950's.

Depp stars as "Cry-Baby" Walker, a juvenile delinquent from the wrong side of the tracks who spends his time hanging with his gang and singing that evil rock n' roll music. He and his way of life are constantly threatened by the town 'Squares' who are both threatened and repelled by Cry-Baby and those like him.

Naturally, he falls for a Square girl and all hell breaks loose. That part of it is a simple story, and I won't waste time rehashing or giving it away here. No, what really stands out about this film is its gleeful embrace of 'white-trash culture,' its loving tribute to the great juvenile delinquent movies of the 50's and 60's, and its rambunctious energy.

As usual, Waters peppers the film with eclectic casting; Susan Tyrell, Iggy Pop, Ricki Lake, Mink Stole, Joe Dalessandro, Willem Dafoe, David Nelson (son of Ozzie), Traci Lords and Patty Hearst (yes, that Patty Hearst) are just a few of the many talents that form this wonderful ensemble cast. And of course, it's another one of Depp's great iconoclastic roles that have helped define him as one of the great idiosyncratic actors of our time.

So grab yourself an RC Cola, a Moon Pie, and put yer teeth up on the windowsill while y'all enjoy this trashy good time. You'll thank me for it and if y'all don't like it, I'll eat me a bug.

There are two movies that people who don't know John Waters and the types of films he normally makes always love. Cry Baby and Hairspray contain both John Water's sense of humor and style, but don't necessarily dig into the depths of depravity (like eating dog poo) some of his more subversive films do. I'm not a John Waters aficionado yet, but what I've noticed in his films is that they normally center around two opposite sides that will eventually come crashing into one another. From Hairspray to A Dirty Shame, the films do a great job of putting two sides in direct opposition to each other and then letting the fur fly.

Cry Baby is no different. In this case, the Drapes and the Squares square off (pun not-intended) with Johnny Depp's Wade and Amy Locane's Allison at the center. Basically a love story that draws on the same dichotomous split seen in Romeo and Juliet, you have the poor and rowdy meet the rich and on the surface proper. What follows is a funny and zany ride as the two sides end up colliding in a winner-take-all car chase.

The writing is sharp as is the directing. What I admire about Waters the most is his ability to create vivid characters with personality. Sometimes he relies heavily on stereotypes, but each character is his or her own. You won't ever confuse them. They stay sharp, even when the acting isn't exactly stellar. The acting, like a majority of John Water's films, is spotty. Its done in an over-the-top sort of way that you can't help but laugh at. It reminds you that this isn't real and that you shouldn't take it seriously. Water's employs not only great upcoming talent (like Depp) but also people like Hatchet Face who haven't been seen much in film since. All do a great job playing their roles; however, not all of them are good actors.

Once you look past this minor speed bump, the ride is hillarious. It, along with Hairspray, is probably the most accessible of John Water's films. It maintains his sharp satirical writing and funny dialogue, but keeps the humor bawdy but not excessive.

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cry baby what a great film! I am 16 and i have been watching Cry baby since i was 8 years old on a battered and worn out version on VHS. The film makes me feel really happy, the songs are unforgetable and the characters are just real funny especially Johnny Depp. I have mailed the director about releasing the film on DVD and i cant wait for it to happen. I am sure lots of people will buy. So "please Mr Jailer" give us Cry baby on DVD

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I saw the movie Cry Baby with all of its scenes included on IFC years ago. They did a John Waters back to back marathon. I'm glad I had taped it because since then I have never seen the movie with those seens included. For instance, you don't see Johnny getting chased by the policeman on the way to the charm school. These parts are cut out to save time. If you ever get the chance to see it with ALL of the scenes, watch it! It's better, I think. And the part where Traci Lord's character tells exchange student Inga about American boys is great. It's better with the extra scenes. Once you see it, you'll see what I mean.

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CryBaby is a clever satire with everything that a movie should have. Let's face it, every girl wants to be fought over by two hot guys (especially if one is Johnny Depp). The script is witty, the songs are amazing, and the acting is outstanding. I could watch this movie every day for the rest of my life without getting sick of it. I find myself singing the catchy songs around the house. CryBaby takes an ordinary storyline of the good girl falling for the bad boy, and spices it up with music, dancing, and interesting sub-plots. The contrast between the "squares" and the "drapes" (the good girls and boys and the rebels) is hysterical; everything in the movie is hysterical. CryBaby is destined to become a classic.

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The Mysteries of Pittsburgh (2007)

The Mysteries of PittsburghFor those who find it difficult to appreciate the adaptation format of film making from a famous novel, THE MYSTERIES OF PITTSBURGH as now released on DVD should help explain the naysayers' opinions. In a very valuable session of conversations among Michael Chabon and Rawson Marshall Thurber (screenwriter and director) and the producer and cast, the transition of this complex novel into a very altered story is comfortably explained and the person most happy with the result seems to be the originator Michael Chabon!

That being said this film stands well on its own terms. June and July in hot Pittsburgh generate mysteries among a variety of people, especially the young college graduate Art Bechstein (Jon Foster) who while working in a bookstore wastes time with a fling with the supervisor Phlox (Mena Suvari) with disinterested post grad classes dealing with becoming a broker and having monthly dinners with his mobster father Joe Bechstein (Nick Nolte), until he encounters an odd couple: bisexual biker and thief Cleveland (Peter Sarsgaard) and his female consort, the violinist Jane Bellwether (Sienna Miller). The bizarre interactions among these characters drive Art to make many decisions and discoveries including his falling in love with both Cleveland and Jane. The summer winds down with Art finally discovering his own identity despite the clouds of mystery that have surrounded his life. It is a piece of life as lived by disparate characters whose direction in life seems at odds with the natural flow of finding happiness and success. But then the question is asked what is happiness and what is success if not survival?

For this viewer the explanation by the makers of this film was interesting enough to encourage a repeat watching of the movie. A good movie not a great movie, but it still tastes strongly of Michael Chabon's genius. It deserves more attention than the critics have given it.....Grady Harp, August 09

I'm sure this was a good novel, and I will read it. However, whoever brought it to the screen made it quite dull and slow. It's also hard to understand why anyone would ever want to be with Peter Saarsgard's obnoxious character at all.

That said, I was glad to see Jon Foster again, having enjoyed his work in The Door in the Floor. Saarsgard is as good as ever, and Sienna Miller was wonderful as the woman caught between these troubled men. Nick Nolte also makes a fine turn as the very unpleasant and controlling father.

Soundtrack recommended too.

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The beginning captivates the viewer and the movies has a decent story. Having said that, it's also worth mentioning that the storyline is hardly Michael Chabon's and why the changes were made (from the book) is unclear, however, as a stand-alone it seems to work (if you ignore that it's a novel adaptation and think of it as a standalone film). It's no the most engaging movie nor is it the worst movie ever. If you haven't read the book or don't mind watching the movie and can refrain from comparing it to the book, there's a good chance that you'll like it.

Read Best Reviews of The Mysteries of Pittsburgh (2007) Here

In 2000, I saw a great movie, Wonder Boys, and immediately bought the book. When I finished the book, I picked up Michael Chabon's other two novels, The Mysteries of Pittsburg and Kavalier & Clay. Since reading Pittsburg in 2000, I have re-read it three times, most recently when I heard the movie was being made. Upon release, I read several reviews trashing this movie. In the movie, Art (Ben Foster) is a recent college grad trying to figure out what to do with his life when he meets Cleveland (Peter Sarsgaard) and Jane (Sienna Miller). The first 15 minutes are pretty annoying with Art delivering tons of exposition in voice overs. Eventually, the voice overs stop, (well, they stop until the end of the movie), and then I didn't hate it as much. The movie is well shot. I really liked the music. They use a great Ryan Adams song, The Rescue Blues. Sienna Miller is stunning and I've been a fan of Jon Foster ever since I saw him in Life As We Know It. The movie is fine, not good, just fine. If I hadn't read Chabon's first three books before seeing this movie, this would not have convinced me to check out the books. Buy Wonder Boys, unquestionably a better movie. It might motivate you to shut your TV off for a while, and read Pittsburgh, Wonder Boys, and/or Kavalier & Clay. This one won't. This flick is not as bad as everyone made it out to be, but not exactly good either. Mediocrity at best, worth a rental. . . a three star rental.

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When i first saw this movie the begging was somewhat slow for me but after getting into the middle it started unfolding and was pretty surprised. Thought this was a decently made film with kind of a sad ending.

If you're looking for a good film to watch with some turns in it then take this one out for a spin.

Glory (Mastered in 4K) (Single-Disc Blu-ray + Ultra Violet Digital Copy) (1989)

Glory This review refers to the Columbia Tristar 1/98 release of the DVD edition of "Glory"....

There are many glowing reviews of "Glory" to be found here. I feel the same way about this wonderful film, and after touching on the story I would like to talk about this DVD release(see above) which is an outstanding quality and excellent value.

"Glory" is an exceptional film. A true story of the Civil War that is both touching and inspirational. It depicts the story of the first black unit from the North to be trained and actually go into battle. Led by their very empathetic but very young Colonel(played brillantly by Matthew Broderick), the 54th Regiment endures many hardships felt not only by being soldiers of this devastating war but as African Americans as well.Their spirit, pride and tears along the way, is projected in this film by these wonderful actors in a way that will make you feel all the anguish and pride that they felt.

The cast includes Morgan Freeman as the Sergeant who is the motivating force behind the soldiers. His performance is stirring. Denzel Washington, awarded Best Supporting Actor by Oscar for his role as the runaway slave looking for a home will move you to tears(or at least put a lump in your throat, which remains throughout), and Andre Braugher's smile and tenacity will grab you and keep you.The cinematography and sound(both also honored by Oscar) are exquisite.Beautifully directed by Edward Zwick it is a war story that is more than action, it is one you won't soon forget.

Often, the different DVD editions wind up on the same product page. You may have found yourself on the page of the "Special Edition" of Glory. That is the 2 disc edition with lots of special features. If these are important to you in a DVD than that is the one you should probably go with. However, if you really love this film, but don't want to spend as much for all the extras, this edition is identified by ASIN:0800177967. It is half the price of the "Special Edition",and is a beautiful transfer as well.You have the choice of viewing it in the original widescreen(1.85:1) or a full screen version. The picture is beautiful, sharp, crisp and clean. Colors spectacular. Depending on your set up the sound options are 5.1(Digital Dolby) or 2-channel surround.I watched it in the 5.1 and was very impressed. All the sounds of the Civil War were clear and distinct. The music wonderful. It may be viewed in Spanish or French and has subtitles in English, Spanish and French also.

Whatever edition you choose, this a a film that is a beautiful addition to your DVD collection.It is one that will be watched again and again. Thank you and enjoy.....Laurie

I first saw this film right after its release on video nearly 16 years ago, and I can say in all honesty that it changed my life. Having grown up with an interest in Civil War history, this film made me realise just how little I actually knew of the period beyond what most people learn in school about this era of American History. So as the credits rolled, I wrote down the names of the books quoted, sought them out at the library, and it wasn't long before I began to realise that this would beg some further research. Taking the bibliography of one of the sources for this film, "One Gallant Rush" by Peter Burchard, I did my utmost to find and read as many of his sources as I could possibly get my hands on.

The result of this research has been that now I wish that the film had been truer to the actual story of what really happened. There are some obviously glaring historical inaccuracies in the film, but if you don't know the actual story as intimately as I do, it does little to detract from the fact that this is a superb film that brought to light one of the less known and more obscure aspects of Civil War history, that blacks fought in rather large numbers for the Union Army and were instrumental in turning the tide in favour of the Union in the war. In the end, nearly 200,000 blacks would fight in blue under the auspices of the United States Bureau of Coloured Troops. The 54th would keep its state regimental designation, but all the rest of the black troops were part of the USCT, the United States Coloured Troops.

Had the filmmakers stuck more rigourously to the actual history of the 54th Massachusetts, it would have been far more dramatic than what the film suggests. The 54th did not spend Christmas 1862 in camp; in point of fact, that regiment hadn't even been raised by that point. Robert Gould Shaw was still very much with the 2nd Massachusetts at that point, the regiment that he belonged to at the time that he was offered command of the 54th, by his father, in proxy for Governor Andrew, who came to visit him in winter camp in Virginia. Shaw at first refused, because he'd fought and bled beside his brethren of the 2nd and felt a strong bond with these men after what they had been through Antietam, Cedar Mountain, Winchester. Shaw had been twice wounded in these engagements, though not badly. He did not wish to leave this regiment and command a coloured troop. He also fought his own personal prejudices over the idea of the Union raising black troops. After some deep thought for a few days, he changed his mind, however, and decided to take this enormous risk of his military career.

The 54th was not made up of escaped slaves as was portrayed in the film. The character of Corporal Thomas Searles (Andre Braugher) is closer to the kind of man who would have fought in the 54th educated, free, literate. Men in this regiment came from as far away as Canada to enlist in the 54th. In fact, the town that sent the single largest number of men to the 54th was not one in Massachusetts, but then considered radical Oberlin, Ohio. John Mercer Langston, whose famous descendent would be the black poet Langston Hughes, recruited for the 54th Massachusetts in Ohio and was responsible for Oberlin sending so many free black men to fight in that regiment. It might have been interesting to show the variety of free black men who volunteered to fight in this regiment and the kinds of professions that they left behind, from farmer to cabinet maker to sailor to teamster and beyond. However, I suppose having characters who were escaped slaves such as Jupiter Sharts (Jihmi Kennedy), Trip (Denzel Washington) and John Rawlins (Morgan Freeman) and contrasting them with Searles made for an interesting story.

The real Robert Gould Shaw was a far more complicated character than the one that Matthew Broderick brought to the screen. I must commend his portrayal, though. He has generally made a reputation for playing either light comic or wise-ass characters, and he showed remarkable depth and pathos in playing this vaguely tragic character. His soulful eyes regularly reflected the horrors of war and he seemed to have that same haunted, far away look that photographs of the real Robert Gould Shaw seem to have, as if all along he knew that he would not survive the war to come home to his loved ones. His uncanny resemblance to the real Shaw also helped and I have to wonder if he was drafted to play the part after the director saw the pictures of the real Shaw or whether he decided to play that part himself as a break from his usual comic work. Either way, I commend his performance and wonder why he hasn't done other dramatic work in the same vein as this film.

This film is a fitting tribute to both the reluctant hero Robert Gould Shaw and to the brave black men who fought under him, fighting prejudice and skepticism with bravery and honour. It is a good thing that this film was made and that this story was resurrected from certain obscurity. It is my hope that history classes in schools are now showing this lesser known side of Civil War history and that not all blacks were slaves awaiting liberation by the Union with 40 acres and a mule. This film, as I mentioned at the beginning of the review, changed my life, and it is my hope that it will change others as well. It is a powerful story well acted by the entire cast with a five hankie ending that will leave a real lump in your throat. If you aren't crying by the time the film closes, you are far harder hearted than I am. I highly recommend seeing this film. It is one I never tire of seeing over and over again.

And just to end this review, I will add some recommended reading if you are interested in following up on this film once you've seen it and want to know more. "Blue Eyed Child of Fortune", ed. by Russell Duncan, is a collection of Colonel Shaw's letters home to loved ones. A fascinating read, to hear Shaw speak with his own voice on his Civil War experiences with both the 2nd Massachusetts and the 54th Massachusetts regiments. Follow that up with Duncan's biography of Shaw, "Where Death and Glory Meet". You might also want to read the book that partly inspired the film, Peter Burchard's "One Gallant Rush". If you want to hear the voices of Shaw's soldiers, read Capt. Luis F. Emilio's regimental memoir of the 54th, "A Brave Black Regiment". A young seaman from New Bedford, Massachusetts, Cpl. James Henry Gooding wrote letters that became the book, "On the Altar of Freedom". He fought in Company C of the 54th, was gravely wounded at the Battle of Olustee, Florida, was captured by the Confederacy, sent to Andersonville, where he died of his wounds. Sgt. George E. Stephens of Company B wrote letters that became the book, "A Voice of Thunder". Stephens would end his war as a 1st Lieutenant, an officer in the 54th. "A Grand Army of Black Men" contains some letters from members of the 54th as well. All of these books are highly recommended reading if you want to get to know the members of this historic regiment through hearing their own voices speak of their experiences.

Buy Glory (Mastered in 4K) (Single-Disc Blu-ray + Ultra Violet Digital Copy) (1989) Now

Here's one of those rare movies that succeeds as both a sweeping, visually sumptuous historical epic AND an intimate, character-driven personal drama. This fact-based account of the first black regiment to fight for the Union in the Civil War is filled with scenes of grand pageantry: the bloody battle at Antietam Creek; the first assembly of the 54th Regiment; the proud parade of the finally-trained and uniformed soldiers; the climactic attack on Fort Wagner. And yet despite these heart-pounding, majestic sequences, the film at no time loses its focus on the individual characters whose stories provide an emotional connection to the action. The performances of the once-in-a-lifetime cast are uniformly superb: Matthew Broderick, Morgan Freeman, and Andre Braugher are all at the top of their game, and Denzel Washington (who deservedly won the Supporting Actor Oscar) is amazing, especially in the scene in which he undergoes a bitterly harsh punishment. The dozens of emotions that flicker across Washington's face in that sequence, wordlessly conveying his character's essence, represent a powerful economy of acting that is rarely achieved in any medium.

Happily, the DVD transfer of this cinematic masterpiece is exceptional. The Oscar-winning Cinematography and Sound are beautifully showcased, putting the viewer right in the middle of the story. (You'll understand Francis Scott Key's line about "the rockets' red glare" on a level you never before imagined!) And James Horner's soaring, elegant musical score is a revelation. This absorbing film makes for a phenomenal DVD experience!

________________________________________

BLU-RAY UPDATE: My original review was based on the first, single-disc DVD edition of "Glory". At the time, I lamented the lack of special bonus features that I felt would have enhanced viewers' understanding and enjoyment of the film. A few years later, a 2 Disc DVD of the film was released, which contained a wealth of bonus materials. I upgraded, and was very happy with the 2 disc edition.

I recently upgraded again, to the 2009 Sony Blu-Ray release, and am happy to report that the film looks and sounds better than ever. Comparing it to the previous Laser-Disc and DVD editions, I can honestly say that the Blu-Ray package is worth the additional expense, if you're as big a fan of the movie as I am. Several of the bonus features from the 2-Disc Special Edition DVD have been retained, and there's also an impressive Virtual Civil War Interactive Battlefield Map exclusive to the Blu-Ray. Very highly recommended!

Read Best Reviews of Glory (Mastered in 4K) (Single-Disc Blu-ray + Ultra Violet Digital Copy) (1989) Here

That line, uttered by an obscure character, a white Union soldier watching the Massachusetts 54th Infantry prepare to assault a heavily-fortified Confederate fort, signifies the acceptance of the Union Army's first all-black regiment. GLORY, director Edward Zwick's Civil War masterpiece, shows us the evolution of the 54th, from a ragtag group of former slaves and freemen--a group under supplied, underpaid, and initially used for manual labor and looting--to an efficient fighting machine.

Like many other reviewers, I was pleasantly surprised by Matthew Broderick's portrayal as Colonel Robert Gould Shaw, the young, idealistic leader of the 54th. Broderick gives this character depth, compassion, credibility, and yes, maturity. And what else can be said about the supporting cast, including Denzel Washington, Morgan Freeman, and Cary Elwes, other than "exceptional?"

GLORY is profound entertainment: gripping, violent, raw, and emotional as the fragile subject of race--of racism--is brought to the forefront. It is a story that is as timeless as it is transcendent.

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In 1989, "GLORY" would become an important movie that introduced many Americans unfamiliar to Civil War history but most of all, to show viewers the impact African Americans had in the role of fighting for the Union.

The film would focus on Col. Robert Gould Shaw, the letters he sent to his family and him leading a group of African American men who volunteered to fight against the Confederate Army. This group is known as the 54th Massachusetts Volunteer Infantry. The film is also adapted from Lincoln Kirstein's book "Lay this Laurel" and Peter Burchard's book "One Gallant Rush".

"GLORY" was directed by Edward Zwick ("DEFIANCE", "Blood Diamond", "The Last Samurai" and "The Siege"), screenplay by Kevin Jarre ("The Mummy"and "Rambo: First Blood Part II"), music by James Horner "Enemy at the Gates", "A Beautiful Mind" and "Troy") and cinematography by Freddie Francis ("Dune", "Clara's Heart" and "Cape Fear").

The film would star major talents Matthew Broderick ("WarGames", "Ferris Bueller's Day Off", "Godzilla" and "Inspector Gadget"), Denzel Washington ("American Gangster", "Training Day", "Man on Fire" and "Remember the Titans"), Morgan Freeman ("The Dark Knight", "Wanted", "Million Dollar Baby" and "Deep Impact"), Cary Elwes ("The Princess Bride", "Twister", "Liar Liar" and "Days of Thunder") and Andre Braugher ("Fantastic Four: Rise of the Silver Surfer", "Poseidon", "Frequency" and "Primal Fear").

The film would receive five Academy Award nominations and win three for "Best Actor in a Supporting Role Denzel Washington", "Best Cinematography Freddie Francis" and "Best Sound Mixing".

"GLORY" is powerful!

VIDEO & AUDIO:

"GLORY" is presented on 1080p High Definition (aspect ratio of 1:85:1). The film manages to capture the haziness of war due to the smoke in the battlefield and the colors are not featured as vibrant as most of the settings are in blues and browns but you will see reds on the flag and the flares, amber colors from the gunfire and the greens of the grass and tress, but I believe that the limit of color was the Director Edward Zwick's purpose. Zwick is director that has made several films to capture the dreariness of war as he did nearly a decade later with "ENEMY AT THE GATES", he manages to capture the look of the battlefield in 1989 with "GLORY".

The film does have quite a bit of grain that comes clear due to its High Definition transfer but I would rather have grain than overly used digital noise reduction that would make the characters look waxy and the picture quality as soft. In fact, one thing you will notice with "GLORY" is you see quite a bit of detail of the actors, their surroundings but also objects such as shovels, rifles, clothing, etc. But overall, the picture quality is solid.

As for the audio, the film is featured in Dolby TrueHD 5.1 (also in French, Portuguese in Dolby True HD 5.1 and Spanish 5.1) and the lossless soundtrack manages to capture the many explosions on the battlefield. But what captures your attention when it comes to sound is James Horner's musical score. The music sets the tone of the film especially during the final battle. Dialogue is clear and very clean and many of the scenes during the battles where artillery, gun fire and people yelling (even those yelling from a far distance) can be heard. There were scenes that do utilize the rear channels effectively and I believe there were some scenes where explosions took advantage of some low frequency booms on the subwoofer. Overall, "GLORY" receives its best audio presentation compared to its original DVD counterpart.

As for subtitles, the film is presented in English, English SDH, French, Portuguese and Spanish.

SPECIAL FEATURES:

"GLORY" comes with the following special features:

* Audio Commentary by Director Edward Zwick Edward Zwick is known for his war films from "GLORY", "Enemy at the Gates" and "The Last Samurai" and one thing that I enjoy about his commentaries is that he really gets into the technical goals and explain the difficult scenes. "GLORY" features just that as he really goes into detail of the filming techniques used on the film. Such as trying to drown out the blue skies with smoke, working with the talent, the staff, James Horner for the music and tidbits such as not having enough money to hire more stuntmen, so the stuntmen trained the extras on several scenes. Also, how challenging it was for Morgan Freeman to have to run countless times especially uphill to having horses that were trained to fall. A very informative commentary.

* Virtual Battlefield Civil War Guide Map This was actually pretty good. By using your remote, you can learn about certain battles from the Civil War with photography and text information. But some have video commentary by Civil War historians which was quite informative.

* The Voices of Glory (11:16) This features letters from the Civil War written by actual soldiers of the 54th Massachusetts Volunteer Infantry and giving a voice to the men who fought in the various battles including the battle at Fort Wagner. Featured in Standard Definition.

* Documentary: The True Story of Glory Continues Narrated by Morgan Freeman (45:18) A documentary featuring the factual information of the soldiers that fought during the war and were members of the 54th Massachusetts Volunteer Infantry with additional detail on Col. Robert Gould Shaw. Also, the coverage on the Civil War re-enactments that are ongoing today and an actual re-burial of soldiers. A documentary that is very informative and you learn about other names that were instrumental during the battle against the Confederate Army at Fort Wagner. Featured in Standard Definition.

* Original Theatrical Making-of Featurette (7:35) Featured in Standard Definition, this is the original featurette with interviews with the talent and Director Edward Zwick. The featurette has a few behind-the-scenes footage from the film.

* Deleted Scenes with Optional Commentary There is commentary by Director Edward Zwick on two scenes. For The Applepicker (3:03), a scene which revolves around Pvt. Trip making his first kill. The second and final deleted scene is one that Zwick calls one of his worst and glad it was cut from the film. The scene is titled "Crisis of Conscience" (2:35) which is a scene involving both Col. Robert Gould Shaw (Matthew Broderick) and Major Cabot Forbes (Cary Elwes).

For those who owned the two-disc special edition DVD release of "GLORY", you may not want to ditch your DVD just yet as the "Picture-in-Picture Video Commentary featuring Ed Zwick, Morgan Freeman & Matthew Broderick" is not included on this Blu-ray disc. Nor are the scene selections on the Blu-ray sporting any motion.

JUDGMENT CALL:

"GLORY" is a powerful war film that shows an epic depiction of the battles that have taken place at that time. Powerful performances from Matthew Broderick, Morgan Freeman, Denzel Washington and Andre Braugher, I was in awe of how epicly enormous this film was from start to finish.

I really enjoyed "GLORY" for its storyline but also being educated about a part of Civil War that many people are probably not familiar with.

In fact, Director Edward Zwick talked about in the commentary of going to Harvard University and living in Boston and never knowing the significance of the Memorial to Robert Gould Shaw and the 54th Massachusetts Volunteer Infantry Regiment on the Boston Common. And how he felt that this film not only was a positive for the people who worked on the film, great for his career but mostly for how significant the film is used by teachers using "Glory" as a tool to teach about the Civil War.

The film definitely made me interested in learning more about the war but also key figures which include Colonel Shaw and American abolitionist Frederick Douglass. But the film also opened my eyes at the time of how soldier placement truly was. This is very interesting because these people stood probably less than a hundred yards from each other before they shot at each other. Where forts had the use of cannonballs and artillery for long distance destruction, foot soldiers were just really close to each other and had to constantly reload their rifles. And watching the final battle and in a way, oncoming military groups were like sitting ducks. The military tactics of the time made me realize why the Civil War had the most number of deaths compared to Americans killed in World War I, II, the Korean War and the Vietnam War combined.

Of course, the film and the actual history have some differences and its important to note that the only major character from the film's regiment that truly existed was Col. Robert Gould Shaw but the challenges that the 54th Massachusetts Volunteer Infantry faced during that time was quite real. The combat role that African-Americans played in Civil War very much real. The factual events, especially details that have come out right after the film was released is documented on "The True Story Continues" documentary which is included on the Blu-ray.

Again, for those who own the 2-disc DVD Special Edition released back in 2007 and wonder if its worth the double dip. For picture and audio quality, my answer is yes but I highly recommend not to get rid of the DVD as the "Picture-in-Picture Video Commentary featuring Ed Zwick, Morgan Freeman & Matthew Broderick" is not included on this Blu-ray release. Personally, I think people would have loved to hear insight from both Freeman and Broderick about working on this film. So, I'm a bit surprised it was not included on this Blu-ray release.

But nevertheless, "GLORY" is still a solid Blu-ray release. The HD transfer definitely gives the viewer more detail and makes the battlefield come alive. It's a powerful film and definitely worth owning and having in your Blu-ray collection.

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Full Monty (1997)

Full MontyPlease note that this is for the two-disc "Fully Exposed" edition:

If you're reading this you're probably already a fan or at least have read other reviews telling you how great the movie is, so I won't clutter the place with more of the same.

But it has to be said that after ten years of being stuck with a DVD that counts "Interactive Menus" as a special feature, I'm beside myself that there's finally some REAL special features to be had.

We get to see some of the history regarding the brass band featured throughout the film, development of the script and production, not to mention two different commentary tracks.

But the real gem, as far as I'm concerned, is the featurette "Translating English to English". It really exposes this bizarre paranoia that the American side of the production had.

Rewinding a bit, I started my Monty obsession with a VHS copy of the movie and always wondered why some of the words didn't match the facial movements of the actors. When the tape wore out I replaced it with the first DVD version, which had an "Original UK audio track" option. Playing that, I realised that they had dubbed some of the words for the US version and that's why it always looked so goofy.

Even funnier, it wasn't the weirder UK expressions like "Chuffing Nora" or "Don't get a benny on". No, they dubbed words like "DIY" into "how-to" and "tw-t" into "git". Tw-t into git?? How is "git" any easier for the supposedly confused American audience to understand?

So the featurette on the subject was just about as funny as the film itself and, for me, that alone was worth buying this version.

Definitely a must-have for any Full Monty fan.

Just about the time you think no one is capable of making a fresh and original comedy anymore, along comes something like The Full Monty, to surprise and delight you with wit and subtlety and insight.

The story of unemployed steel workers in Sheffield, England who decide to put on a male striptease show for one night to make some money is a simple premise that is beautifully realized because of the time the film takes to build our understanding of these men and their different plights and motivations. We come to know and care for them as they come to care for each other. The comedy grows from the characters and their personalities and their different reactions and situations. There is sympathy and sensitivity to their desperation: Gaz (Robert Carlyle), the ex-con hustler, desperate to keep a connection with his son; Gerald (Tom Wilkinson), the manager, desperate to hold onto his middle-class lifestyle; Dave (Mark Addy), chubby and insecure, desperate to hold onto his wife; and so on. Expertly played by these actors, new to American audiences in 1997, but now familiar, the laughter evoked is wry and humane and, in the end, joyful.

The film carefully builds the story with expert comedic setups (the auditions and rehearsals, etc.) of everyday men trying to do something they are seemingly unequipped and ill-prepared to accomplish, with touches of pathos as we see the troubles and strains in their personal lives. All this leads to the Big Night and a grand finale that is funny, heart-warming and beautifully filmed. A terrific little film with a lot on its mind, beneath the humor. Something to do with the dignity of work, of self-respect, and of the touching care one can find amidst people undergoing hard times. A gem.

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I brought "The Full Monty" home one evening when my boyfriend was not feeling well because I thought that a good laugh would cheer him up. His reaction to seeing the video box? "I'm already not feeling well. I don't want to watch a movie about a bunch of male strippers prancing around." And then we put in the movie and couldn't stop laughing.

"The Full Monty" is about so much more than male strippers. The film centers around out-of-work steelworkers trying to cope with life now that their mill is shut down. The movie realistically explores male friendship, men's feelings about failing their wives' expectations, devotion to family, coping with loss,... but in ways that do not become depressing.

The stripper plan comes about because Gaz (Robert Carlyle) needs to come up with money to bring his child support current so that he can continue seeing his son. The father-son relationship is one of the most touching aspects of the movie. Gaz's son, Nate, tags along with Gaz as he tries to put together a Chippendale-style show to catch up on his child support. [As an aside, "The Full Monty" and "A Thousand Clowns" with Jason Robards would be an interesting pair of movies to see together as a starting point for examining what makes a good father.]

The relationships between the dancers that Mark Addy and Carlyle assemble is fun to watch. Tom Wilkison (also seen in "The Patriot", "In the Bedroom", and "Moulin Rouge") is excellent as their former supervisor who turns to dancing to cover his wife's extravagant spending. Addy is equally good as Gaz's chubby friend who is struggling with his marriage: His wife wants him to take a job in a local variety store. He thinks she's having an affair because he's too fat.

To top it off, the soundtrack is awesome!

Read Best Reviews of Full Monty (1997) Here

This classic (albeit very modern) 1997 British film, which I have seen a few times now, is one of my favourites. The storyline is highly original, very funny, and hugely entertaining overall, but it's also heartwarming. The setting is Sheffield, England, world famous for its steel. Sadly Sheffield, like most of the North of England, has had to deal with massive unemployment; in Sheffield's case, it's a result of the collapse of the steel industry. Briefly, the story revolves around six unemployed men, victims of the times, who aspire to "putting on" a one-night-only "full monty" (British slang for "taking it ALL off") strip show to raise some much-needed cash.

The idea is actually the brain-child of one of the men, Gaz (played by Robert Carlyle (The World is Not Enough)), who is in arrears in his maintenance payments for his son (who lives with Gaz's ex-wife and her new boyfriend). Gaz is at risk of losing joint custody and fears he may lose his son altogether. His motivation (and indeed his desperation) in coming up with such an outrageous scheme is, therefore, both plausible and understandable, for the men stand to pocket a nice little sum of money if they can, quite literally, pull it off. The film, which is 95 minutes, also features Tom Wilkinson (Essex Boys), who plays the lads' former boss from the steel factory, and Paul Barber (Denzil from Only Fools and Horses).

In conclusion, I highly recommend this film to fans of British comedy in general, but I think its appeal is broad enough to be enjoyed by anyone looking for a thoroughly enjoyable comedy with a really good storyline. Just one thing: Viewers ought to be prepared for fairly thick Yorkshire accents. This may be a bit of a shock at first for the unfamiliar, but close attention helps and it is well worth the effort. It's a cute story that is superbly acted and very well presented. What's more, it's a film that can be enjoyed time and again.

Very highly recommended!

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In the spirit of full disclosure, most of the films and literature on my "all-time favorite" lists are British, so there is definitely something about our cousins across The Pond that appeal to my sensibilities, although I am not of British descent, but "Monty" is special. Being from the Missouri Ozarks, the Yorkshire accents in the movie couldn't be further from what my ears are accustomed to hearing, but in no way did that interfere with my thorough enjoyment of this film. It is warm, sweet, a bit melancholy, and touching while managing to avoid being sappy...and absolutely hilarious.

The key is the situations in which the characters find themselves that are funny and not so much the characters themselves. The result is believability and dignity of each character, even while they find themselves in very undignified circumstances.

As a side note, The "translator" section in the Special Features is puzzling to me because they translate slang terms with which most Americans are already familiar, i.e., "DIY," "tw-t," etc., but leave out British oddities that are unknown in the USA, such as "chuffing Nora" "kit," and "taking the piss" and some terms that, after repeated viewings, still sound like gobbledygook to the average American. No matter. Everyone I know who has seen the film understood what was going on.

This film is not raunchy, tacky, or vulgar, so do not let the premise put you off. It is a lovely story about human beings discovering their dignity in the midst of very undignified circumstances. Highly, highly recommended.

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Student Bodies and Jekyll & Hyde Together Again (2011)

Student Bodies and Jekyll & Hyde Together AgainIf you grew up with either or both of these hilarious 80's classics, you will want to own this double blu-ray. Yes, it's two discs... one for each film. This is the absolute best these movies have ever looked. There is some grain, but they are presented in widescreen with the proper aspect ratio for this blu-ray presentation. The clarity is almost too good because you see little flaws you may not have noticed way back when in a theater near you... or on late night cable back in the day. If you love either of these campy but well made comedies (very much a product of their time but still TOTALLY AWESOME!!)don't hesitate to pick up this double bill. I love both of these movies as Student Bodies is the greatest parody of 80's slasher films that ever was or will ever be and Mark Blankfield (from TV's FRIDAY'S back in the 80's) was an absolute genius and it's a shame he didn't do more. Jekyll and Hyde... Together Again is a showcase for Mark and the lovely Bess Armstrong as well.

Jekyll and Hyde: Together Again I have gone through a bunch of movies I loved as a teen and decided to view this one again, as it was one of my favorites. Most of the older movies I watched again were not really worth my time, but this one was just as funny, if not more funny. This is not a movie that can be taken even remotely serious. It is funny in a stupid way and stupid in a funny way. If you just want to laugh at complete idiocy, you will love this movie.

Student Bodies Never watched it and don't really care. I gave this 5 stars simply because Jekyll and Hyde was so worth the cost by itself.

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When I received the product I could hear a disk rattling in the case before I opened it. The Jekyll and Hyde diskwas loose but didn't appear scratched so I tried playing it but it didn't work in by bluray dvd player. I then tried it in my computer and my computer recognized it as a movie but said "disk corrupted" and didn't play it. I asked for a return online and Amazons service was great. I returned the old one and got a replacement shipped out. When the replacement arrived the same disk was loose in the case and again it didn't look scratched. I tried to play it but got the same error. I think the problem is in the way the movie is burned for both disks to be messed up.

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Jekyll and Hyde is undoubtedly one of the funniest movies of its time that was grossly overlooked. Now it's a cult classic and deservedly so. If you don't laugh at this one, you're brain dead.

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Jekyll and Hyde is old but still funny. Student Bodies is really bad. I'm wonder why there are in one box.

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Bulletproof Monk (Two-Disc Blu-ray/DVD Combo) (2003)

Bulletproof MonkHaving recently read the Bulletproof Monk comic, on which this film is based, and been less than thrilled with it, I was kind of reluctant to see the film. On the one hand, the source material reeked. On the other hand, Chow Yun-Fat is an action-film God....Finally curiousity won out, and I decided to give Bulletproof Monk a shot. (Get it? Bulletproof...? Shot...? Never mind....)

The film mercifully departs from the Comic almost immediately, and boy, was I glad! Yun-Fat plays the nameless Monk, who is not so much bulletproof as able to dodge bullets (Think Keanu in The Matrix...). He's charged with protecting an ancient scroll that can bring about the end of the world. As the film opens (In the 1940's), his monastary is beseiged by Nazi's seeking the scroll. After the Monk escapes with the scroll, we flash forward 60 Years, as the un-aged Monk meets up with a young pickpocket (Seann William Scott). The Monk decides to train him in the Monkly Arts, and before you know it, that pesky Nazi is back, menacing our Monk from his wheelchair. (Yeah, it's goofy, but it's a lot of fun.) Throw in the gorgeous James King as a butt kickin' Kung-Fu girl, and you've got the recipe for a good time. The villains are villainous, the Heroes are heroic, the action is cool, and the one-liners fly fast and furious. Yun-Fat is delightfully droll as the Monk, delivering ancient wisdom with a sly smirk on his face. One small quibble: I'm glad the filmmakers decided to scrap the Comic's storyline, but it's too bad they couldn't stay closer the book's all-Asian cast of characters. (No offense to Scott and King, both of whom were great in their roles....It'd just be nice to see Hollywood be a little more colorblind in their casting choices.)

Chow Yun-Fat plays a nameless monk in charge of protecting a sacred scroll possessing mystical powers so great that who ever reads the scroll would be endowed with the ability to turn the world into a paradise or a living hell. Now, my first thought was if this dang thing poses such a potential danger to the world, why not just destroy it? Well, another reviewer stated that the reason it was so closely protected and not destroyed, as spelled out in the movie, was that the human race just wasn't ready for such power at this time.

Anyway, Chow is the latest in a long line of protectors, and each protector has the responsibility for a period of 60 years, and then they pass on the responsibility to another chosen one. Why 60 years? Who knows? I guess just because it's in the script. Also know that whoever is chosen as protector of the scroll is endowed with special powers, one being that the protector doesn't suffer the effects of time. The reasoning for that is as the protector protects the scroll, so shall the scroll protect the protector. So now Chow's 60 year term as guardian comes to its' end, he's looking for the next protector, who comes in the form of Kar (Sean William Scott), a petty thief and pickpocket who lives in a movie theater and learned martial arts by imitating old kung fu movies. Oh yeah, for like the last 60 years Chow has been pursued by a crazed Nazi intent on stealing the scroll, taking the power, and cleansing the Earth of so called inferior races.

Jaime King plays Jade, Kar's love interest. As I watched the movie, it seemed to me that her character had no real reason for being in the movie other than giving the male viewers an attractive woman to look at, but by the end, we are enlightened to the importance of her role in the outcome of the storyline. I thought her connection to the other characters in the movie was paper thin, but hey, whatever...the actress I most enjoyed watching was Victoria Smurfit. She played Nina, the grand daughter to the psycho Nazi and is helping him to acquire the sacred scroll. She is truly easy on the eyes and seemed to make the most of what little screen time she had. The movie, based on a comic book, plays out that way, keeping things pretty simple with lots of action, some humor, a smidgen of romance, and a little philosophical nonsense thrown in for good measure. Suspension of disbelief is required throughout the movie, but I kinda enjoy this film, as it reminded me of some of those old Hong Kong chop socky movies.

As far as extras go, there are some deleted scenes, an alternate ending, some 'making of' stuff and the usual trailers. I would be hard pressed for anyone to run out and buy this movie, but if you're looking for a fun way to kill an hour and a half, this works pretty well.

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Ok people, lets get some things strait here. I'm reading these reviews and find myself confused. I keep reading things like the characters aren't developed enough or there isn't enough philosophical value or that the acting isn't good enough. WHAT KIND OF MOVIE DID YOU EXPECT TO SEE?? This is an action film based on a comic book which meens the action will be over the top, characters will be silly, acting won't be the best, and the story won't make the film nominated for best film of the year, but that is exactly what I wanted to see when I walked into the theater. This movie isn't Crouching Tiger. It's a movie with a unbeliavable plot, which in its way was good to me, and very cool, gravity-defying martial arts scens. If you lik that you'll like this movie.

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No matrix, but then at times the Matrix isn't even itself. Bullet proof Monk is good but not great. The action is ok, the dialogue isn't bad and the plot was a good idea that just needs some work in spots. Such as Sean William Scott's love interest, she was kinda cool, but i'm afraid I didn't quite sympthasize with her point of views. That and they killed of one of the main characters just a little too quickly, and then took to long on another.I know this sounds like I can't make up my mind, but they needed an equalizer for the deaths of the bad guys.

A decent action thriller with enough romance for the girls, and machoism for the guys. That, everybody comes away from the film feeling as the good guys got the decent reward, even if it seemed to obvious of an outcome.

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Tibetan Buddhism is a pure betrayal of Buddhism, of Buddha himself. It dares go beyond Buddha's teaching and reinvent a divinity of some kind where Buddha had taught there could not be any God anywhere. The great force that leads the universe in the eternal cycle from birth to rebirth via decay and death is transmuted into some kind of prophecy about some kind of truth to keep against human greed in order to save the world, and that truth is entrusted to one person who remains beyond aging, will not decay in other words, for as long as he will carry this trust and responsibility. When the time has come he will have to transmit his responsibility to the newly elected person who fulfills the three prophecies and the guardian will finally age and take a vacation leaving the burden to the new warden. Buddha would be ashamed of such primitive beliefs if he could witness such naïve sagas. And the film goes slightly beyond by deciding that the new warden will be double and will be a man and a woman, a heterosexual couple in one word, Hollywood trying to save Tibetan Buddhism from the righteous accusation of being deeply and profoundly and exclusively sexist, that is to say anti-women, or at least closed to women. It also takes advantage of the film to move Tibet to New York, to add a little bit of Nazism in all that, and to entrust the serious mission to two Caucasian non-Tibetan "goyim" instead of one good old Asian, Tibetan if possible, Buddhist monk. But that is only a film. True. But what a laughable fable. Luckily there are the spectacular fights and contortions and acrobatics to save the whole fairy tale from too much shallowness.

Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines