Showing posts with label comedy movies hindi list. Show all posts
Showing posts with label comedy movies hindi list. Show all posts

Slap Shot (1977)

Slap ShotSlap Shot is a great hockey comedy. It's a hilarious, vulgar, completely wild joyride through the trials of a failing 70's steelmill-town based, utterly amateur hockey team. Failing, that is, until their players resort to pure violence in an attempt to keep their franchise alive.

Paul Newman plays the womanizing player/coach who, after a series of embarassing losses (including one to a visitng team's center who's flat drunk) needs to work with a 3 brother gang of misfits, who all look alike and have an incredibly aggressive style of playing.

Chaos insues when Newman's character decides to finally play these "goons" with his other teammates, and he watches as the fan base increases when they proceed to physically demolish without any love for the game the opposing teammates in an series of hysterical scenes that combine the best in hockey photography with hilariously explicit dialouge and violence. The shot of the goon's nonchalanty skating past the visitor's box and smacking each of them in the head with their sticks is classic.

This action scenes in this movie is everything you wished your NFL highlight tapes to be. The DVD itself is excellent quality, including the true film soundtrack (copyright limitation prevented some of the songs from appearing on the VHS and cable versions).

Extra bonus features are pretty nonexistent just some scene selections and generic Actor Profiles that were prelevant in the first generation of DVDs created a couple years ago but the quality and entertainment value of the movie more than makes up for these shortcomings.

Ask hardcore hockey fans (the kind that are familiar with the Montreal Maroons or that understand that present-day hockey is virtually figure-skating compared to the seventies) what their favorite sports movie is, or ask hockey pros what their favorite sports movie is; probably more than half the time, you'll hear "Slap Shot". Some "serious" sports films suffer from self-importance or a lack of realism; try watching a good war documentary for actual life-and-death situations. Thankfully, "Slap Shot" doesn't take itself terribly seriously yet still manages to paint an accurate, believable picture.

Sure, the humor is rude and crude, but necessary to paint a somewhat accurate picture of `70's minor league hockey (surely these guys weren't discussing Plato or speaking in blue-blood accents). It may be offensive to uninitiated people (e.g. people who don't watch hockey or team sports in general), but the humor is oft-hilarious for hockey fans.

Paul Newman plays crafty, alternately obnoxious and charming player-coach Reg Dunlop, leader of the mediocre minor league Charlestown Chiefs (though in reality the movie was filmed in Johnstown, PA). Fearful that the team is going to fold (now that the big mill in town is closing), Reg concocts a scheme in which he'll find a way to make the team better and profitable in the hopes that the yet-unknown owner will opt to sell the team rather than disband it.

What eventually generates interest and success in the team is their change to a rough-and-tumble style of play, mercilessly beating on opponents (a la the typical style of play for many `70's teams), largely thanks to the infusion of the three Hanson brothers (who in real life actually were minor-league bruisers), who also provide much of the humor in the film. Michael Ontkean plays Ned Braden, the Ivy Leaguer who is a skilled scorer and naturally is unhappy with the fight-first direction of the team. His dysfunctional relationship with his young alcoholic wife serves as a subplot and also reminds Reg of his own unhappy marriage, largely due to his hockey life.

The film is full of fantastically funny moments: Reg's disbelief upon seeing the Hanson's for the first time ("They brought their f**kin' toys with `em!"), the players being forced to do a fashion show that goes awry when one of the players strips, the great Strother Martin as the cheapskate conniving general manager, the French-Canadian goaltender having hallucinations after being pummeled with shots, the Hansons starting a fight before the national anthem even starts, etc.

This is definitely one of the best sports films ever made (both in terms of comedy, and strangely, realism); don't expect anything highbrow, though, "THIS IS HOCKEY!" as the Chiefs rug-adorned announcer yells as the Chiefs are mercilessly pummeling their opponents.

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I have just received (and watched) the DVD version of "Slap Shot", and I thank the powers that be for restoring the original sound track to the movie. The generic music that was released on VHS took the heart out of the movie. With the restoration, and the excellent digital quality of the movie, my favorite film is complete. Now, a full 5 stars only because I can't give it 10.

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Think about all the movies that were made during the 1970's whose storylines actually occurred during that same time. It'll probably take you a long time to come up with a relatively short list. Next, think of how many of those movies still get shown (albeit in an edited format) in regular rotation on network, local, or cable TV. There really aren't many of them, are there? "Jaws", "Saturday Night Fever", and the James Bond movies that Ted Turner runs during his semi-annual "Bond Marathons"...and that's pretty much it. Except, of course, for the timeless gem that IS "Slap Shot". This movie really has everything...violence (presented in a format that most people outside of Canada and the Northeastern US weren't used to seeing at the time), profanity (even Wayne Gretzky admitted in his autobiography that he tends to "turn the air a little blue" during games), drunkenness (by players and fans both on and off the ice), Canadian accents ("Two points, eh!"), bad hair ("WHY DO YOU WEAR THAT RUG?"), REALLY BAAAD clothes (they had to have raided the set of the last "Superfly" movie for some of those duds), bad cars (Reggie's Pontiac LeMans...who ever came up with the notion that vinyl tops were EVER cool?), a '70's soundtrack (thankfully and blissfuly restored to the DVD) that would do Quentin Tarantino proud, and of course SEX (yes, that's Ralphie's mom from "A Christmas Story" in bed with Paul Newman, topless, discussing her lesbian affairs. That's enough to curdle the blood and land a kid in therapy for years). At the time this movie was made, violence in hockey at all levels had reached epidemic proportions. At the top levels, superstar Bobby Hull staged a personal one-game strike in the WHA against the level of violence that was being permitted, and the Philadelphia Flyers had made it to three straight NHL Stanley Cup Finals (winning twice) while playing the most physically abusive style of hockey in memory (has anyone besides me noticed how closely Tim McCracken's Syracuse team uniforms at the end of the movie resemble the Flyers' outfits at that time?)...and of course in the lower league levels of the pro game there was far less scrutiny and things were only magnified as players anxious to do anything for a big-league call-up would in fact do things very similar to those captured in this movie. Yeah, okay, but what's all that really mean? Nothing of consequence. This is an entertaining movie, pure and simple. Hockey season isn't really hockey season until you get together with some friends, wrap your mitts 'round a few brews and watch this movie as it starts to get cold outside. For those of us living outside the NHL's (very limited) influence from the time the Atlanta Flames (look for their logo in the movie on an advertisement poster) left up until the NHL started to expand again in the early 1990's, this WAS pro hockey. The 1980 Miracle On Ice Olympic team was something diferent...somehow other-worldly in comparison...but the two are mutually exclusive outside of NHL markets as being the lasting impression of a fantastic sport. On a personal note, in 1994 the Atlanta Knights (now sadly defunct) were winning the International Hockey League's (ALSO sadly defunct) Turner Cup Championship in their home arena, The Omni (yes, this is gone, too). Richard Adler, Knights VP, had hired this guy "Claude the Happy Trumpeter" (from Quebec, I think) to wear a Knights jersey, blow his horn, and lead cheers during the Playoffs. Early in the 2nd period of the clinching game, he announces himself with a fanfare, runs down the aisle to the plexiglass, throws himself up against it...and crashes through to the ice below, knocking himself out. The game was delayed about twenty minutes as they collected him off the ice and replaced the panel he'd shattered (he was okay...he came back near the end of the game wearing a neckbrace; it was hilarious). All I could think of, other than trying to keep from spilling my beer and pissing myself with laughter, was that the whole thing was just so utterly "Slap Shot"-esque...and that somewhere Up There, Strother Martin had to be smiling.

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it truly is considered one of the greatest sports movies of all time. LOL!!!

Slap Shot is about the Charleston Chiefs of the American Federal Hockey League, a minor league Hockey system. The Chiefs are in financial debt and rumors are that the team is about to be sold, attendence is bad, and the mill is about to close for good.

so Paul Newman, coach/player comes up with the perfect way to draw people and interest in the team, put on a show. He starts by saying things about one of the goalies wife, and this leads to the first awsome brawl of the game.

with the addition of the Hanson brothers, the movie gets awsome. the hanson brothers play so brutal, you'd be glad they were on your team. they hit, hook, spear, slash, and beat the crap out of opposing teams, which starts to lead to a fan following and a booster club.

Newman turns one of the soft spoken players into Killer, a blood mess like one of the fellas called him. he puts a bounty on the opposing coach, and starts a rumor that the team is about to be bought out by a florida retirement group.

they make it all the way to the title game, and then that's where i really don't understand it. they get into a huge fight, and the one guy that won't fight cause he wants to play it straight, starts to skate around undressing, leading to the opposing team hitting the ref getting disqualified. i don't really understand that whole part, but other than that, the movie is awsome.

it really captures the realness that these minor league hockey teams go through, like helping out with fashion shows.

Slap Shot is a great movie, i hope they another hockey movie in the near future as great as slap shot.

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Little Johnny the Movie

Little Johnny the MovieIt is simply a fun watching an animation of school kids mimicking the adults while smart ass Johnny commented the events well reflecting a brutal meaningless surrounding existence in picturesque Australia changed not much since an original B&W 1967 year anime version.

Today, probably, such a kid ought to be referred to a psychologist with all the records following him upon a life spin and parents could a little to do.

Funny movie but only watch on PC as it is in south pacific format!!! Tried the Blue Ray and the regular DVD.... Called customer service and they said it was American format, but no good!!

Tried my three DVD and one blue ray only played on computer!!!! Sucks!!

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Best funny movie. I will watch again and again. I love the little Johnny jokes. When is part 2 comming out?

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It's so rare that I give a movie a one star review, but this was easily one of the worst movies I have ever seen... little needs to be said about it except that basically every one of the jokes is recycled from old Little Johnny jokes, so if you've heard them, you've seen the movie, the animation is awful, looks as if it was made in the '70s, and the plot is barely there.

I try not to be a cynic, but when you watch a movie without a fraction of originality, it's hard not to be. Even the attempts at being "offensively funny" with the minorities portrayed fall so flat on their face that you can't even feel offended.

If you have never heard a joke in your life, then this may give you a laugh or two... other than that, this movie is impossible to recommend on any level.

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its so easy to use. all i do say is if your from any other country please rememeber to use the your country dollars. it makes life easy. thank you amazon

Austin Powers: The Spy Who Shagged Me (2011)

Austin Powers: The Spy Who Shagged MeFor those of you who thought another Austin Powers movie would become nothing more than a forgotten sequel, I have two words for you: Fat Bastard. The Introduction of another character played by Mike Myers only makes this sequel better. You must remember that Jay Roach and company are working with whatever they please; as long as Mike Myers goes along with it. And as long as Mike likes it, it'll be good.

In this laughable comedy, we are introduced to more new and great characters such as: Mini-me (played by Verne Troyer), Felicity Shagwell (Heather Graham), and a younger version of Number 2 played by Rob Lowe. There are so many laughs in the movie I don't even know where to begin. How about Mustafa's reappearance or maybe Fat Bastard trying to eat Mini-me. They just never stop. Again, we have a similar storyline along with a similar ending: 30...29...28... you get the idea. I have a feeling that Mike's not done quite yet in producing laughs. I'm really looking forward to Austin Powers 3. It'll be smashing, baby!

Anyway, that's enough of that. If you liked the first Austin Powers movie you'll definitly like this one. Heck, you might even enjoy it more. Otherwise, if you didn't like the first movie you won't like this one either. Give it a shot, it's worth it.

One more thing, make sure you watch to the very very end of the credits to find out what actually happens to Mustafa. It's too good to miss.

The rating of PG-13 is almost an under-rate! The content in this movie is quite adult oriented, but yet a great laugh. Even though there are many spin-off's of the first movie (ex. shh and zip it), this movie gets better the more you watch it. You can't just watch it once because I too didn't like it at first, but the more you watch the more you pick up the humor! VERY entertaining! Buy this movie!

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Outstanding sequel... Mike Meyers' characters are incredibly funny. The "Ausin Powers:SHSM" deleted scenes on the DVD were the reson I purchased my DVD player. The jokes piggy back the first movie while maintaining originality and humor.

True fans of Mike Meyers and the SNL alumni will thoroughly enjoy this movie. However, the fly-by-night, listens to top-40 music fan may be dissappointed in the similarities between this and the first movie.

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You must have been living under a rock for the last three or so years if you are not familiar with Austin Powers and Doctor Evil and their abundance of instantly recognisable catchphrases. The sequel to the very popular Austin Powers: International Man Of Mystery takes the ideas from the first film and turns them on its head. Instead of having two people from the sixties living in the nineties, we send Austin and Dr. Evil (who have now acclimatised to the nineties) back to the late 1960s. Love it or loathe it, The Spy Who Shagged me is one of the funniest films ever made. The DVD is also very good, with an excellent audio and visual digital transfer. The extra features are spectacular, with hilarious directors commentary, deleted scenes that you wonder why they were dropped from the final film and a huge range of other treats. A SPECIAL HIDDEN MENU which is accessed by going to the 'special features' menu and leaveing it for about 2 mins then a special Dr Evil symbol appears click on it for some extra hidden features Even the animated menus are brilliant. The Spy Who Shagged Me is a DVD that should be everybody's collection.

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Not up to the standard of the first film (too much is simply repeated from the first film). However, still very funny.

The best bit of this DVD is the plethora of extra fetures, with some very good out-takes. Also, the quality of the picture is amongst the best I have in my DVD collection and the sound is excellent (although it does not really get the chance to shine like, say, the Matrix).

Overall, an excellent package for an above average to very good film.

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The Telephone Book (Blu-ray + DVD Combo) (1971)

The Telephone Book"The Telephone Book" is about a girl who falls in love with the world's greatest obscene phone caller. Because of horrors in distribution this movie from 1971 has never received it's due as a great comedy. The movie features Barry Morse (Space:1999), Roger C. Carmel (Harry Mudd on Star Trek) and William Hickey (Prizzi's Honor) in supporting roles. But the major star is announcer Norman Rose as the obscene phone caller. At the time of the shooting, Rose was the voice of Ma Bell. Sara Kennedy is perfect as Alice, the girl hunting around Manhattan for the voice of her erotic dreams. Nelson Lyon was the father of Judd Apatow and Todd Phillips.

Vinegar Syndrome truly surprised me this time. They're getting well known for releasing Blu-ray / DVD combo packs that are filled to the brim with bonus material for hard to find films. They're becoming the standard for releasing these films in widescreen looking better than any of them should have a right to, but they surprised me by releasing a film that could be considered to have underground cult status, and had me laughing all the way through. "The Telephone Book" is their best release yet, and a film you need to own.

The comedy stars Sarah Kennedy as Alice who looks and sounds like a blonde Betty Boop. Alice has fallen in love with the world's best obscene phone caller "John Smith" (played brilliantly by Norman Rose). John has dared Alice to try and find him by giving her two clues; his name and that his number is in the Manhattan telephone book. You should see how many John Smiths there are in the Manhattan telephone book! Not to be dissuaded, Alice agrees.

As she starts her search, she heads to a studio where she was told to go by one of the Smiths in the phone book. She finds herself in the middle of an audition with "Har-Poon", an out of work stag movie actor whose real name just happens to be John Smith as well. He is having an orgy audition so that he can star and direct his own comeback. As Alice gets ready to settle in to the audition, the real John Smith calls and tells her that she is not at the right place. This is where rational thinking would tell you to wonder how he knew she was there. Well, rational thought doesn't really have a place in this movie, so just go with the flow and enjoy the laughs. And speaking of laughs, there is so much sexual innuendo going on throughout the film that you really have to pay attention, or you'll miss some of the jokes.

Now, some of the funniest parts of the movie come between Alice's adventures. They are pseudo documentary style confessions of three or four men who used to be obscene phone callers. They have since changed their ways, and are now leading normal lives. The problem is that in every case, their normal lives are more screwed up than they ever were when they were simply making obscene phone calls. You'd think this would play out as padding for the running time, but that isn't the case at all, and I found myself wishing they had found a way to fit one or two more guys in there to share their "normal" lives.

When Alice is taking the subway home, she meets a pervert who decides he will give her pay phone money to try and find John in exchange for her telling him her most exciting sexual escapade. Hilarity ensues as she tells him a story involving a minister, soap and water, and a week long erection. Needless to say, she gets more money than even she was hoping to get. After being robbed, and then seduced by a lesbian, John's call comes to the rescue telling her to go home. Does she meet her John Smith? How do they relate? What will they discuss? Will there be amazing sex? I will give you one hint. The last ten minutes of this movie are absolutely amazing! This is a very under-appreciated art house film that deserves a much wider audience.

Of course Vinegar Syndrome has spared no expense in putting out the highest quality package possible. Widescreen black and white presentation. Only a couple of drop outs in the first few minutes of the movie take away from the overall excellent sound. For the extras, we have an audio commentary with producer Merv Bloch, a reissue trailer, the original trailer, a still gallery and radio spots. There is no reason to wait. Buy this now, and enjoy the laughs.

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The Last Rites Of Ransom Pride (2009)

The Last Rites Of Ransom PrideEvery so often, a director takes a genre and rips it inside and out to create a vision which is totally his own but has respect for the works which already preceded it. Jodorowsky did it with 'EL TOPO', David Lynch with 'BLUE VELVET' , Quentin Tarantino with 'RESERVOIR DOGS' all come to mind. What director/screenwriter Tiller Russell has done is a variation on the revenge western but with touches of Salvador Dali and Sam Peckinpah. A lone woman gunslinger goes to Mexico to claim the body of her dead lover who was involved with a shooting of a priest who was the brother of a powerful shamanistic witch who runs the town and has a bone to pick with the lone woman. If it seems complicated , wait till you experience the other story which co-mingles with it. Add a pair of killer siamese twins and a gun toting midget and you have the genesis of a cult classic in the midst. A great cast which includes Kris Kristopherson, the brilliant Dwight Yoakam, and creepy Cote De Pablo (Ziva from the TV series NCIS)in an extraordinary performance as an ageless Mexican Bruja round out the mix but the scene stealer is Lizzy Caplan as Juliette Flowers, the gunslinger girlfriend. Recommended to lovers of bizarre cinema and those wishing to have a fresh view of the western genre, "THE LAST RITES OF RANSOM PRIDE' is a true masterpiece and probably will not be truly appreciated for many years to come.

That is a recurring quote from Mr Pride (deceased but you probably got that from the title). This is a violent western from director Tillen Russell, who has been more famous for his TV and documentary work. He has gone for a full throttle action fest that starts as it means to go on, with a bad gun deal going wrong. The perpetrator is Ransom Pride, and in the subsequent shootout he kills a Priest, and this is Mexico which takes a dim view of that sort of behaviour; even though he has been shot and killed, the sister of the Priest who comes across as a Shaman / Witch, won't let the body be buried. Not sure if the Catholic Church would agree with her, but I guess she is not up for a theological debate.

Enter Juliette Flowers (Lizzy Caplan) who was Ransom's love interest and she has promised to bury him with his momma. But she will have to deal with Pappa, the Rev Early Pride, (Dwight Yokam) who is an ex gunfighter who has seen the Lord, become a preacher and developed a dysfunctional alcohol dependency along the way. Ms Flowers strikes a deal with the grieving sister but it involves Ransoms brother Champ (Jon Foster -`Terminator 3'). So the intrepid pair set off to reclaim the body. Meanwhile Rev Pride takes out a bounty on Flowers' head as he considers her to be nuthin betta than a whore!

Thus the scene is set for a blood infused western that is shot and framed with great care, it oozes style like a Vogue Special and that goes for the costumes too. The music is spot on in that it adds to the mod instead of creating it as is the sad case for many a film. There are even stylised sub titles when it goes all Mexican. We have a plethora of characters and stars of yesteryear including Jason Priestly and Kris Kristofferson who I would have liked to have seen more of. We have frontier gallows humour, iconic shots including more than one church without walls and characters from the less mundane side of life including a gun toting dwarf. The one off thing is the deliberate insertion of subliminal shots that get longer air time the further into the film we go. They act as add on's to the on screen action and like mono sodium glutamate in food are really not that necessary here too.

All of that said I really enjoyed it, this has been compared to Blood Meridian by Cormac McCarthy which is a book I love; whilst this is nowhere near as visceral it kept my interest at full tilt for the whole ride. As ever there are some plot twists that stretch credulity a tad and the ending will leave some feeling short changed. Despite all of that it is still a slick, well made and acted western in the modern genre and as such I will gladly like to see more of Mr Russell's work.

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After 1/2 hour of this I gave up. It tries hard to be stylish, with a barely there story. Choppy editing, and just too many shots of sky, rocks, skulls...over and over. Move on, I say, pilgrim.

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The Last Rites of Ransom Pride is a piece of modern-day western film-making which seems out of the Something Weird catalog.

The Film's cast seem familiar to TV and Movie watchers everywhere.... Blade's Kris Krissofferson, Classic 90210's Jason Priestly, NCIS's Cote de Pablo, Game of Thrones's Peter Dinklage, True Blood's Lizzy Caplan, and Dwight Yoakam. With a cast like this you expect good things, what you get is a disjointed darken mess. Don;t blame the cast, blame the script they had to work with

It takes place in 1901, however the look of the film seems early 1940's. This film is shot in a dark hues and shadows that you cannot see who is who unless they speak. Even the sub titles for the Spanish that is spoken seem written over stylish in a font almost like Chinese.

The story is as most simple western's genre is. Juliette Flowers (Caplan) is trying to bring her lover's body home from Mexico for burial. His body is held prisoner by a disfigured Mexican voodoo priestess Bruja (Spanish for witch) played in too much make-up by Cote de Pablo, whose father was killed by Ranson Pride. In this odd trek of a Journey, Juliette and Ranson's brother Champ (Jon Foster) encounters Pride's bereaved father (Yoakam), a bitterly articulate dwarf (Dinklage), and Pride's uncle who is a scripture-quoting killer (Krissoffeson)

Director Tiller Russell, who is know for his documentary filmmking, has shot this film too dark and in shadows. That does not transfer were to a blue-ray or DVD watching. The performances of his actors seem over staged and over done, rather than coming from a real place. When a film seems real, it works..thar is why this does not work at all.

If you like star vehicles, watch this. However if you like westerns, miss this at all costs.

Bennet Pomerantz

AUDIOWORLD

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It was full of eye-candy, and fun to watch... but that's about where it stopped for me. Then again, I wasn't expecting any Academy Awards either. Worth a watch if you like movies that blend a little Tarantino with equal measures of steam punk and spaghetti western added in. Not a bad combo IMO

Smart People (2008)

Smart PeopleDennis Quaid plays an English professor so pompous and self-contained that the unpleasant odor of mothballs must emanate off that tweed jacket he wears. Stuck. Stuck in a past when his wife died and he became a widower. Stuck in a career where he allows no growth for himself. Smart people.

His daughter, a pompous and bombastic smart person, is a brainiac headed to Stanford. Her uncle pretty much defines her as a robotic android. The uncle and adopted brother comes into the story early on. A n'e'r-do-well who enjoys muddling through life, he, too, is one of the "smart people." He uses his intelligence to become the an unintentional nudge for change for the daughter.

Then there's the son, now a student at the same college where his dad doggedly teaches. Dr. Wetherhold most likely uses the same notes prepared the first time he delivered the lecture. Words just billow from him like smoke and not living things to be savored with others--his students. He holds their essays in as much disdain. During the course of the story he positions himself to be named the head of the English department.

The pivotal point of the story is the doctor who treats Lawrence in the emergency room and grounds him from driving for six months (actually in retaliation for a C he assigned one of her essays written ten years earlier when she was his student and originally an English major.)

They go out to eat. After he delivers a 45-minute soliloquy about Victorian literature, she interrupts to tell him what a stuffed windbag he is and leaves.

All these people live in a grim reality of unrequited happiness, acceptance of the status quo, and inertia to change anything. Little by little, life intercedes. There's a miracle that changes everything.

"Smart People" is about smart people, but not as a positive attribute. To take pride in being smart and not extending beyond oneself is the height of selfishness. Some thinkers would say this is good, but the characters in this story don't even know they are lost in a maze of the thick muck of conceit and the supercilious. However, when two smart people collide and a tiny spark flickers, anything can happen.

Smart People is a great dramedy--a mixture of comedy and drama. It goes for the Smart Laugh, not the Big Laugh. Mark Poirier, the son of a MIT professor, wrote a Smart script, and Smart Director Noam Murro very smartly cast some of the smartest actors around: Ellen Page, Thomas Haden Church, Sarah Jessica Parker, and Dennis Quaid. I loved it, because I am also very Smart, but it didn't do as well at the box office or with the critics (except it was the Number One DVD at Netflix for a while) as it deserved. That Smarts.

I think the problem with this movie is that like the characters, Lawrence Wetherhold (Dennis Quaid) and his daughter Vanessa Wetherhold (Ellen Page), it doesn't suffer fools gladly. Thus, for a large portion of the audience, it is over their heads, and they feel like it is condescending, supercilious, and they feel patronized. As Lawrence's adopted brother, Chuck Wetherhold (Thomas Haden Church) says of Vanessa: "You're a monster!"

And that is an understatement. In another scene she says to her father, "Theresa Sternbridge practically runs a soup kitchen and she's always seen posing in photos with crack babies and dying, old, crusty ladies. And do you know why? She scored in the 45th percentile on her SAT. People like you and me don't need to compensate."

Although Chuck sees that Vanessa, and her role model father, are both monsters, in spite or because of their intelligence, he still loves them and tries to help. Did I mention that Chuck is a screw up, down on his luck, and an opportunist who sees a win/win situation for himself when his brother has a seizure and cannot drive. He will have a place to stay, and 3 squares, for driving his brother around--albeit very unreliably.

Though he is not the greatest driver, he really has a lot of intelligence about people. For instance, at a Christmas Dinner, where Vanessa's brother James Wetherhold (Ashton Holmes) complains about the rubbery ham (Vanessa used a recipe downloaded from the Internet written in the archaic French of Louis the XIV, and translated by her, maybe not as well as she thinks (a great example of her over achiever approach to cooking); when former student and now doctor Janet Hartigan (Sarah Jessica Parker) drops in unexpectedly Chuck explains "These children haven't been properly parented in many years. They're practically feral. That's why I was brought in. To keep them from killing each other."

All of the characters have a story arc, where they have an epiphany, and reach a greater awareness; but the Father/Daughter dynamic between the professor and his precocious progeny is perhaps the most complicated. He takes her for granted and is even less involved with his son James, while she idolizes him and emulates his self absorbed and condescending approach to other, less worthy, people.

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Lawrence Wetherhold: I don't think you're very happy Vanessa.

Vanessa Wetherhold: Well, you're not happy. And you're my role model.

=============================

She tries to sabotage his relationship with Janet, but he is more than capable of sabotaging it all by himself. However, with a little help and coaching from brother Chuck, perhaps he will prevail after all.

By the way, fabulous performance by Thomas Haden Church, comparable to his character and performance in Sideways. Chuck was one of my favorite characters.

That Ellen Page really nailed her role goes without saying. Her only danger now is being forever typecast as the wise-beyond-her-years waif. What other young actress could convincingly play someone stressed out about getting a perfect SAT score?

Sarah Jessica Parker was smart and sassy, yet she was also a bit damaged, and had a lesson to learn. Great scene when Janet first meets Chuck.

Dennis Quaid wore a fat suit and had a shuffling walk, like he had something stuffed up inside him. He looked very different than previous roles, and created a quite convincing persona. He really conveyed his utter disregard for those below him on the bell curve of intelligence. He was very annoying, as his role called for that, but gradually, perhaps, he would come around. One sub plot was about him getting a book published, and as you could imagine by the dry academic title, there was little chance of that happening. But when he submitted it under a title suggested by his daughter Vanessa, YOU CAN'T READ!, it finally was accepted.

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Bloomberg: I got to the third section where I noticed a certain marketable tone, the surly smarter-than-thou @$$#0[3 tone.

===================================

Their strategy was that it would be attacked on NPR and three weeks later he'd be interviewed defending it on Charlie Rose. Kind of like when you have a lemon, make lemonade.

Last but not least, Ashton Holmes as James Wetherhold and Camille Mana as Missy Chin, one of Lawrence's students, were both good in their small but pivotal roles. James had good reason to stay away from the toxic environment he called home as much as possible, but when he was there, he made a quiet impact.

This was the first big screen role for Camille Mana, but I recognized her from the UPN sitcom One on One where she played Lisa Sanchez. She is very smart, having graduated from UC Berkeley with a degree in economics after only 6 semesters, and I predict great things for her.

In Smart People she keeps popping up as the thorn in her professor's side, and if he wasn't so self absorbed, perhaps he would remember her name. She and James even hook up, and you almost wish the focus had been on them a bit more. However, they function as a reminder that other people have lives just as interesting if not more so than the self absorbed professor and his equally self absorbed daughter. When James gets a poem published in The New Yorker, Lawrence is surprised to learn that he writes poetry. Perhaps he should listen to what other people have to say once in a while.

I really liked this film because I could relate to the Smart People, and how hard it is for them to be humble. Yes, I too have a reputation for not suffering fools gladly, but after years of isolation, I would suffer them more than gladly. Though I may have an extremely high IQ, there are many different kinds of intelligence, and I wish that I had a little more intelligence about people. Perhaps I can get a high score on an intelligence test, but sometimes I can be a complete idiot.

OTHER NOTABLE ROLES OF SMART PEOPLE CAST MEMBERS

Sex and the City The Movie (Special Edition) (2008) .... Sarah Jessica Parker was Carrie Bradshaw

Juno (Single-Disc Edition) (2007) .... Ellen Page was Juno MacGuff

Spider-Man 3 (2007) .... Thomas Haden Church was Sandman / Flint Marko

An American Crime (2007) .... Ellen Page was Sylvia Likens

What We Do Is Secret (2007) .... Ashton Holmes was Rob Henley

Normal Adolescent Behavior: Havoc 2 (2007) .... Ashton Holmes was Sean

Hard Candy (2005) .... Ellen Page was Hayley Stark

A History of Violence (2005) .... Ashton Holmes was Jack Stall

Sideways (Widescreen Edition) (2004) .... Thomas Haden Church was Jack

Spanglish (2004) .... Thomas Haden Church was Mike the Realtor

Far From Heaven (2002) .... Dennis Quaid was Frank Whitaker

Postcards from the Edge (1990) .... Dennis Quaid was Jack Faulkner

Great Balls of Fire! (1989) .... Dennis Quaid was Jerry Lee Lewis

Girls Just Want to Have Fun (1985) .... Sarah Jessica Parker was Janey Glenn

Footloose (1984) .... Sarah Jessica Parker was Rusty

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Vanessa Wetherhold: You should really make your bed. It sets the tone for the day.

Chuck Wetherhold: But, how do you know what tone I was trying to set?

=========================================

Buy Smart People (2008) Now

I have to get something off my chest: `Smart People' is an acquired taste. If you like indie films that contain absorbing characters and dysfunctional families, then you're going to get into this one. For me I've gone into a lot of intelligent films in the last year and often found something missing. Not entirely different than `Margot at the Wedding,' 'Two Days in Paris,' and `Year of the Dog,' the film's deliberations have enough flair to capture my interest. While the other films were clever, I have to admit, I personally didn't love them. Don't expect `Smart People' to be the next `Little Miss Sunshine' or `The Squid and the Whale (Special Edition)' but its quirkiness can reel one in from the onset.

Dennis Quaid stars as pedantic curmudgeon Dr. Lawrence Wetherhold, a straightforward professor at Carnegie Mellon who has difficulty remembering students' names, but has no trouble mincing words about their papers. On campus his son, Jim (Ashton Holmes) shows that even in close proximity to his father, the emotional distance between them is staggering. In an odd role reversal dad only visit's the dorm when he wants something from him.

At home daughter, Vanessa (Ellen Page) is a type-A personality student; she's gung ho to get A's and is preparing for her ACT exams with a vengeance. A Republican zealot, her character is as sassy as Juno with none of the exuberant lilt. Uptight like her father, she also seldom minces words, but her delivery is deadly blunt and seldom funny. Plenty of opportunities for undercutting humor are given voice through her character.

That leaves us with the plot. When Wetherhold leaves his car illegally parked on campus, it gets towed. When he retrieves it from impounding, he discovers he's not going to get preferential treatment, so he climbs a fence with barbed wire to get his car and briefcase for free. Without succeeding he collapses on the pavement and is sent to Allegheny General. At the hospital, he is treated by Dr. Janet Hartigan (Sarah Jessica Parker), a former student, who informs him he's had a seizure and his headstrong appeal to leave and drive will not take effect when her required report to the DMV restricts him from driving for six months. Vanessa, who is in the thick of exams, doesn't like losing beauty sleep visiting her father in the hospital.

But Larry's long lost adopted brother, Chuck (Thomas Hayden-Church), an infrequent visitor with a history of borrowing money, now offers to be his paid chauffeur. He's a lousy driver to begin with, but Wetherhold doesn't have many choices. Larry especially needs him to shuttle him to see Janet, with whom he's grown smitten, despite the fact she needs to forgive the memory of "the same pompous windbag that made me change majors from English to biology."

Mixing like oil and water, Chuck tries to get officious and sometimes vicious Vanessa to lighten up and enjoy life. Meanwhile, Dr. Janet takes some risks and tries to soften her old professor as he's set in his long-winded, unromantic ways. Mutually beneficial, Vanessa tries to get her father to become head of the English department, so he can afford to send her to Stanford. Brother Jim tries to fit in a life all his own.

Sometimes relying too much on heavy sarcasm, the humor isn't always laugh-out-loud funny, but the casting certainly isn't amiss. I like the way the movie undercuts the arrogance of people with intelligence misplaced. Maybe everything doesn't coalesce in the film just like in real life, but in many ways the movie's cohesiveness keeps it consistent.

A J.P.'s Tossup, Er...Heads: 2.5 *'s Fair. I liked it despite its weaknesses. Sometimes it's not funny and happy to be that way, but I was drawn in by the characters.

For fans of intelligent indie movies with quirky characters and smart dialogue, this is a Bversion of 'The Royal Tenenbaums (The Criterion Collection)' and highly recommended for you.

Read Best Reviews of Smart People (2008) Here

Dr. Lawrence Wetherhold's (Quaid) got an impulse problem. When his car's impounded at Carnegie Mellon, where he teaches Lit, he climbs over the fence to get his briefcase. The resulting brouhaha gets his license suspended for the next six months. He does meet Dr. Janet Hartigan (Parker) whose life was changed by taking Wetherhold's class many years ago--major shifted from English to Medicine.

Enter Chuck (Haden-Church) his adopted brother. Being between very odd jobs, Chuck is the only family member with time to squire Lawrence around.

Lawrence's daughter Vanessa (Page) is studying like mad to get into Stanford with a perfect SAT. Between cramming sessions, she hides romance books from her Dad, who'd probably die of horror if he knew she read them.

James (Holmes) the elder son is already in school and unbeknownst to his Dad, is a poet. His poem got accepted by "The New Yorker" before Lawrence even found out.

Lawrence is interested in the doc, but he can't quite get over the loss a couple of years past, of his wife. Her clothes still fill his closet and clearly her memory still haunts him. Chuck and Vanessa try to work on cleaning up Lawrence's life while nearly messing up their own.

Slowly, the characters in the film begin to deal with their own griefs, mistakes, and begin to come to grips with themselves and each other. They're not the most likable or the best fit, but what family is? They're definitely interesting--and you do see character development in the major players.

Want Smart People (2008) Discount?

A self-absorbed college professor lost sight of the need to be sensitive of other people and their feelings when his wife died. Raising his daughter on his own has been difficult, but she's growing up just like her dad. And no, that is not a good thing. (He has a son, too, but he seems at least relatively well adjusted. So this movie is not about him.) The professor's dead-beat brother moves in with them and tries to give perspective to both the professor and his daughter.

Apparently there is a new formula in small-budget, independent comedies. What do you add to a pretentious lead character to create comedy? Thomas Hayden Church. It worked in Sideways, and it worked again here. He is the down-on-his-luck brother who weasles his way in to free room and board. While staying with his brother and niece he shakes them out of old habits and tries to implore them to take control and live their lives free from societal pressures to be something they do not want to be. Sounds heavy, but it wasn't that bad.

This was Ellen Page's big follow-up to Juno. I don't think this was what people were hoping for. As the professor's daughter she brought all of the attitude of Juno with none of the charm.

Dennis Quaid is our nutty professor, our single father. I like Mr. Quaid. I think that his often-exasperated mannerisms are enjoyable, almost Jack Nicholson-esque at times. I find comfort in his schtick, I guess. He was sometimes frustrating, but otherwise good yet again.

Smart People could have been called "Boring People and the Brother," but that is probably less marketable. This is an okay movie with a good cast. And the overall feel of the movie was saved by Thomas Hayden Church. I don't want to give him a reputation he cannot live up to, but the small resurgence in his career has been worthwhile for me.

Wanderlust (Blu-ray + DVD + Digital Copy + UltraViolet) (2011)

WanderlustI'm looking at all of the negative reviews on here and 90% of them are based on the graphic nature of the film and the fact that it's not for younger audiences... DUH!

The film is rated "R", meaning anyone under 17 needs to be accompanied by an adult to see it in theaters or to purchase it in the store. If you don't want to watch a hilarious movie with shocking obscenity and nudity, go watch something else.

I personally think "Wanderlust" is the perfect film for anyone who's questioned their life's path and I think the movie has some wonderfully understated moral themes about individuality versus group identity.

Jennifer Aniston, Justin Theroux and Paul Rudd are all at their best while they're working together. It's also fun to see three giant movie stars doing a film that was not a sure-fire blockbuster guarantee.

I say, if you're not a prude, see this film; If you are, go see another crappy remake of a fairy-tale or a movie about harmless vampires falling in love.

This film was not marketed at all, and so almost everyone missed it. This is a damn shame because it's the funniest movie I've seen in a while. While it's not as smart or original as Role Models, Wanderlust is probably funnier on a joke-by-joke basis. When David Wain is at his best, his humor comes not at the expense of the characters, but because they're so fun to watch. Wain is at his best here, and anyone who's ever enjoyed any of his stuff needs to own this DVD.

Buy Wanderlust (Blu-ray + DVD + Digital Copy + UltraViolet) (2011) Now

I was reading snippets from numerous critics about this movie after watching it and I was surprised to find several panning it because it wasn't funny. I get the fact that some people could be offended by the language, "sexy talk" and plenty-o-nudity but not funny? Then I remembered how much I hated "Tim and Eric's Billion Dollar Movie."

As I think back a few hours about this movie I would argue that it might be just another comedy if not for the brilliance and comedic genius of Paul Rudd. Yes, Jennifer Aniston seems to get more beautiful as she gets older and yes, she has her moments (including one involving pixilated boobs) but this is Rudd's movie. He plays George and is married to Linda (Aniston). They live in New York City. After several unsuccessful career moves, Linda makes a pitch to HBO to show a documentary she produced about testicular cancer in penguins. Pretty funny concept right there. She's turned down.

George is a successful business executive in the financial sector. As the CEO of his firm is perp-walked away in handcuffs for some form of SEC malfeasance, George loses his job. All of this comes the day after they movie into their brand new micro-loft studio apartment. In route to Atlanta in their aging Honda, where George's brother Rick (co-writer Ken Marino) has promised a job, they stumble upon a bed and breakfast where they hope to stay for the night. Located in northern Georgia, it is actually a commune community where characters of all stripes are in residence. In spite of their differences, George and Linda enjoy their stay but must move on to Atlanta.

After a night or two in Rick and Marisa's (Michaela Watkins) suburban home, they've had enough (Rick is an A-hole and Marisa is always drunk or drugged) and head back to the commune. While, the comedy is a bit uneven at times, Rudd manages to rescue every scene he's in. In one of the funniest bits I've ever seen, George readies himself for a sexual liaison with Eva (Malin Akerman). Even with his wife's blessing, George has second thoughts so tries to pump himself up in front of a mirror. He goes through several minutes of clearly unscripted riffs about how he's going to perform. Using one clichéd macho term after another, I couldn't stop laughing. It continues when he gets to the bedroom and actually confronts Eva. He promises what she is going to experience which goes on until she is no longer interested. I imagine this scene took forever to shoot and how Akerman kept a straight face is amazing itself.

This movie is not for the prudish. It includes full frontal nudity, some of which you really don't want to see (aging nudists running!), crude banter (sexual and otherwise) and some disgusting remnants of childbirth. This is a very funny film.

Read Best Reviews of Wanderlust (Blu-ray + DVD + Digital Copy + UltraViolet) (2011) Here

I don't understand how everyone seemed to hate this movie. It was typical Paul Rudd. If you are a fan of his acting style and comedy you will like this movie. I really enjoyed it and have been wanting to see it again since I seen it in the theater.

Want Wanderlust (Blu-ray + DVD + Digital Copy + UltraViolet) (2011) Discount?

After missing "The State" when it was on the air, I became a fan of David Wain when "Stella" hit Comedy Central in 2005. From there I went back and visited Wet Hot American Summer and Role Models. Wet Hot American Summer is a classic while Role Models is humorous but just slightly better than average overall. Expectations were honestly pretty low for Wanderlust. The trailers were mostly just toilet humor (literally) and what appeared to be your everyday modern couple going to live with a group of hippies. How good could that be? It's probably because expectations were so low that Wanderlust is as great as it turned out to be.

George (Paul Rudd) and Linda (Jennifer Aniston) are moving to New York to follow their dreams. Well, George is reluctantly moving there while Linda follows her dreams. Now they find themselves with a studio apartment (oh excuse me, a "micro-loft") that is incredibly tiny and massively expensive. But things get rough when Linda's hopes get washed down the drain and George loses his job. George's brother Rick (Ken Marino) has a job waiting for George, but they're all the way in Atlanta. Leaving their dreams behind, George and Linda go on a road trip and stop at Elysium before reaching their destination. Elysium is unlike anything George and Linda have ever experienced before as everyone shares everything, is so open with one another, and even believes in free love. As everything that could go wrong does, George and Linda are faced with the decision of continuing to live in the city for the technology and advancements they love or moving to the country, being stripped of that technology, and feeling happier than they can ever remember.

One could argue that Wanderlust uses the same formula over and over involving raunchy jokes and dialogue and featuring the most nudity of any film in your recent memory. That may be the case, but if you're familiar with David Wain's humor then this should come as no surprise. You probably know what you're getting yourself into and you're either a fan of his work or you hate it (but then why would you be seeing this anyway?). Wanderlust is labeled as a comedy and if it makes you laugh, then it's done its job. If anything, this is actually a return to form for both Wain and the majority of the cast of "The State."

The film throws you headfirst into hilarity as the "breaking the apartment in the old fashioned way" scene is kind of a warm-up for what's to come. George's sarcasm is what will more than likely win you over the most while Linda's inability to commit to any sort of career causes her character to be pretty unpredictable. Elysium is a gold mine of eccentric characters; the most noteworthy being Wayne (Joe Lo Truglio) the nudist and Seth (Justin Theroux). Wayne's nude habits will either have you in tears from laughing so hard or cause you to turn away in disgust while Seth's outdated technology references, his ability to loiter around doorways out of sight and selfish tendencies are hilarious in their own right. Paul Rudd's mirror scene is what you'll remember the most though as you'll be laughing for a good two or three minutes straight from that scene alone.

Wanderlust does get pretty outlandish in its second half, but it isn't exactly the most grounded concept to begin with. There are several dream-like sequences that are fantastically surreal. The two that come to mind are Linda's peyote-like trip during the trust circle and George's fly dream. The fly dream is actually one of my favorite scenes in the movie since it's just so bizarre and random yet manages to fit the flow of the movie somehow.

The R-rated comedy does have its shortcomings though. Rick is easily the most annoying character to be featured in any film so far in 2012. You'll breathe a sigh of relief once his story arc is resolved. The other main one is the film's conclusion. It feels a bit generic when all of the raunchiness is dropped for heartfelt speeches and the struggle to do what's right. Everything still comes together in a logical sense, but it's in a way that seems so familiar which is kind of a letdown. The transition just doesn't feel as smooth as it should.

Wanderlust is vulgar, obscene, littered with jiggling unclothed man and lady parts, and downright disgusting at times, but it's laugh out loud funny because of all of these things. The story may be a bit lacking in parts, but your laughter will drown out whatever flaws the movie may have. While Wanderlust may not be for everyone, it certainly soars and caters to those who love this type of comedy.

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