Showing posts with label comedy movies for teenagers. Show all posts
Showing posts with label comedy movies for teenagers. Show all posts

Battle Beyond the Stars (Roger Corman's Cult Classics) (30th Anniversary Special Edition) (1980)

Battle Beyond the StarsWould you believe a spaceship with breasts? There's one in this 1980 Roger Corman space opera! The spaceship has a female computer personality named Nell and a decidedly feminine shape, which includes two enormous breast-like mounds on its underside. Since there is no nudity in this movie, which is unusual in a Corman film, he had to get the breasts in somewhere, so model designer/builder/art director James Cameron put them on the space craft! Very amusing indeed! Cameron went on to design bigger and better things, like the Titanic.

Battle Beyond the Stars was the biggest-budgeted movie Corman had ever made up to that time, about 2 million dollars, and his money is up there on the screen, with good sets, good props, good special effects, and a good cast. In typical Corman fashion everything except the cast was used over and over again in other space sagas he made. Waste not, want not! is his credo, and he boasts that he's never lost a dime on any of his movies. I believe it.

The plot of this movie was stolen shamelessly from Akira Kurosawa's classic Seven Samurai, so if you liked that Japanese epic and its American remake, The Magnificent Seven, you should like Battle Beyond the Stars, too. It just goes to show that if you have to steal a story, you might as well steal a great one!

The cast includes Richard Thomas, just out of his John-Boy of The Waltons role, as a poor man's Luke Skywalker recruiting mercenaries George Peppard, Robert Vaughn, Marta Kristen, and Sybil Danning, among others, to fight the evil conqueror Sador, played by John Saxon, always a good villain.

Never one to miss a trend, or start one, Corman cashed in on the phenomenal success of Star Wars with Battle Beyond the Stars. It's a fun film and I recommend this DVD widescreen edition. There's interesting commentaries by Gale Anne Hurd, John Sayles and Roger Corman, movie trailers, biographies, trivia game, scene index -but the usual Corman filmography booklet is absent here.

Roger Corman is known for being the low budget king of B-Movies. Although I am not much a fan of Corman's flash in the pan micro-budget movies this one has a certain charm that can only be brought together through some talented people behind him. Mind you this is still a low budget B-movie and it shows. Still the young at heart will appreciate enough of this film to put a smile on their face.

First off, as mentioned before, the plot is nothing new. While a lot of people would say he is ripping off Star Wars that is really not the case (although he probably is banking on the popularity of the space opera). As a matter of fact Corman, in his infinite desire to copy successful themes based Battle Beyond the Stars on the The Magnificent Seven. Which of course was copied by John Sturges in his western classic from Akira Kurosawa's masterpiece The Seven Samurai. So technically Corman didn't copy anything that wasn't already copied. Still a good plot is a good plot no matter where it came from and putting it in a science fiction setting only makes the movie that much more interesting.

What makes this story work so well is that Corman "gets" what Magnificent Seven (and Seven Samurai for that matter) were doing... at least to a point. These movies were less about the brave warriors protecting a community from evil raiders and more about the various personalities of said warriors. Battle Beyond the stars takes that to different level with the different warriors coming from different planets and cultures. While most of the character development is a little more than two dimensional the amount of various characters really make up for it. From there you have a usual space opera fare. Spaceships roaring and blowing each other up to majestic music. Villains wearing black and acting ruthless. Heroes giving pretty speeches. Nothing as noteworthy as the character interactions.

There is actually a surprising amount of well-known talent in the cast. It makes me wonder how Corman got them all on such a tight budget. We're talking people like Richard Thomas (of Waltons fame), Morgan Woodward (How the West Was Won), and Robert Vaughn (in practically the same role he played on Magnificent Seven). I would say the acting is actually quite good for the short amount of time they had to shoot the film. Special effects are on the low side, but not all that cheesy. Set designs weren't bad at all. I actually enjoyed the backdrops. The spaceship designs are really cool too, thanks to future mega-Director James Cameron. Even though there is no exciting motion control flying like Star Wars, at least the spaceships themselves were very creative. The music is an instant classic and is done by James Horner, another star in his field (he has composed music for A Beautiful Mind, The Perfect Storm, Titanic and more).

Okay enough waxing over the cool stuff. This is still a B-movie and it does have some bad drawbacks. The bad thing about the plot (and forgive me if I spoil it for anybody) is that essentially all the heroes that were rounded up to save the planet end up getting picked off one by one until only the main star is left. I hate it when movies do that... so stereotypical. You can tell a lot of the space battle scenes are the same clips from footage earlier in the film. Yeah I know... budget constraints, but it's still cheesy. The extras they have on set end up not really looking like they know what they are doing. Also some of the scenes that try and portray action and excitement end up falling a little flat. So yeah... it's still a B-movie.

We are finally getting this B-Movie gem on Blu-Ray, and since Shout Factory is releasing as part of their B-Movie release bonanza there is reason to be excited. So far Shout Factory has put out some pretty impressive looking Blu-Rays of movies you wouldn't think would ever look so good in high definition without major studio intervention. My expectations are pretty high that BBtS will look and sound better than ever. First off they announced a brand new 5.1 DTS Master audio track. Also the two commentaries from the old DVD release will be present. From there you are going to get some extra features I never seen before. Here's the breakdown:

Aforementioned Audio Commentary One with Production Manager Gale Anne Hurd and another with Directory Roger Corman and Writer John Sayles

Space Opera on a Shoestring A documentary on technical and post production of the movie with interviews from Aaron Lipstadt, Alec Gillis, Alex Hajdu, Allan Holzman, R.J. Kizer, Robert & Dennis Skotak, Thom Shouse and Tony Randel. Sorry... no James Cameron.

The Man Who Would Be Shad Brand new interview with actor Richard Thomas.

Promotional Trailers, TV commercials, Radio Spots.

In my humble opinion I believe this movie should be considered required viewing for those hardcore sci-fi fans. It's too much a strong part of the genre's heritage to pass up. That being said this is not Oscar winner by any stretch of the imagination. While it's cheap and cheesy in many, many ways it's also refined in ways you don't see in many other B-movies. The Blu-Ray (and upcoming 30th Anniversary DVD release) will have never before seen features and undoubtedly a cleaned up look. If you can forgive the fact the film has all the trappings of an ultra low budget movie and see the fact that they did a LOT with that budget then set yourself up for a treat.

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Great memories accompany this movie for me, thankfully the producers of this DVD have honored this production with a jam-packed feature full of special features. I was not even a teenager when this movie was released back in 1980 yet a group of friends and I made the pilgrimage to a local cinema to see it. With an interesting set of diverse characters the movie plays as a science fiction version of the Seven Samurai. A "Magnificent Seven in Space" as it were, it even features Robert Vaughn of that 60s gem. The real pleasure of the DVD however is the wealth of special features. We not only have one optional audio commentary, but two very informative pieces. There are preview trailers for other Corman productions such as "Piranha". We even get a trivia game. I certainly recommend this movie.

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Actually, I don't disagree with most of the comments. The extras are great (especially the commentary, although Gale Anne Hurd has a tendency, at least in the beginning, to drop little nuggets of information without any context), and it's great to have this film in widescreen HOWEVER, whomever was raving about the transfer need to wipe the dust off of their TV! It's not that it's bad, it's too good. So good that you can see every scratch and fleck of dust on whatever lousy 21-year-old print they used to master this puppy. If they were going to put in the time to make this disc, at least they could have struck a new print for the transfer.

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In 1980, legendary low budget producer Roger Corman produced the most expensive film ($2M) of his career, a special-effects-heavy space opera in the vein of STAR WARS. That sci-fi epic, BATTLE BEYOND THE STARS, has just been re-released in a 30th Anniversary Special Edition (actually, shouldn't that be 31st Anniversary?) by Shout! Factory on both DVD and Blu-ray disc.

The planet of Akir is a desert world "with one green spot." Its inhabitants are peaceful farmers, who live by the nonviolent code of The Varda. Unfortunately, this makes them a tempting target for intergalactic despot Sador (John Saxon, ENTER THE DRAGON, QUEEN OF BLOOD), who strives for immortality by replacing his worn-out limbs and organs with transplanted replacements culled from beings like the humanoid Akira. He gives them an ultimatum submit to his rule or be destroyed then gives them time to ponder his "offer" while he scoots off to destroy a planet that has chosen to defy him. Desperate, the people of Akir send farmboy Shad (Richard Thomas, THE WALTONS, STEPHEN KING'S "IT") off in their only functioning starship, the sentient and decidedly female Nell, to buy weapons and recruit mercenaries to help them stand against Sador and his mutant armies. Shad scours the star system and ultimately returns with seven (give or take) alien defenders, but even with these valiant souls, the odds are not in their favor...

An unabashed mash-up of George Lucas' STAR WARS and Akira Kurosawa's THE SEVEN SAMURAI/Robert Sturges' THE MAGNIFICENT SEVEN, this satisfying and exciting space opera is graced with a witty, intelligent screenplay by John Sayles (PIRANHA, LONE STAR), a game cast comprised of veteran character actors and TV stars (Jeff Corey, Sam Jaffe, Robert Vaughn, George Peppard, Morgan Woodward, Marta Kristen, Sybil Danning, et al), and remarkably accomplished miniature spaceship effects by a talented crew of enthusiastic young technicians, including James Cameron and the Skotak brothers. Wrapped up in a sweeping, Jerry Goldsmith-inspired musical score by James Horner, BATTLE BEYOND THE STARS is probably the best of the STAR WARS imitators and in some ways, it's maybe a little better.

Director Jimmy T. Murakami keeps things moving at a brisk pace, and with his talented cast maintains a breezy, tongue-in-cheek tone that doesn't preclude moments of genuine heart and occasional pathos. Sayles' script is intentionally funny, with lots of amusing wordplay and sly innuendo. Everyone in the cast hits exactly the right notes to sell their comic book characters and the comfortingly familiar story. Standouts include George Peppard's (THE A-TEAM, DAMNATION ALLEY) space trucker, Cowboy; statuesque Sybil Danning's (CHAINED HEAT) stunning and sexy Valkyrie warrior, St. Exmin; and Robert Vaughn (HUSTLE, THE MAN FROM U.N.C.L.E.) as Gelt, a professional killer somewhat modeled after the character that Vaughn played in the original MAGNIFICENT SEVEN.

The special effects are a triumph of Old School/pre-CGI craftsmanship, with a variety of unique spaceship designs (especially Cameron's Nell), detailed tabletop miniature landscapes and plenty of fiery explosions. Corman, appalled at the prices quoted to him by established FX houses, ended up setting up his own special effects unit for the production, and then re-used/recyled the space shots from this movie over and over for the next couple of decades (along with Horner's score)!

The Shout! Factory Blu-ray "Roger Corman's Cult Classics" presentation of BATTLE BEYOND THE STARS is, in every way, a quantum leap over the original DVD release from Corman's own New Concorde label. That edition was non-anamorphic and sourced from a battered print that looked like it had been stored in a ditch behind his office for 25 years. This newly-remastered (from the internegative) 1080p, 1.78:1 anamorphic widescreen transfer still possesses a few random specks and scratches, but is otherwise remarkably clean and clear. Contrast and color balance are notably improved, and details are sharp and well-defined in most shots. Some of the special effects sequences are of noticeably lesser quality, but that's inherent in the FX technology of the time. Overall, it's a very impressive presentation of a 31-year old genre film. Audio options include a new 5.1 DTS-HD Master Audio track and Dolby Digital 2.0 stereo. Bonus material includes the two fine commentary tracks from the original DVD release one by Corman and screenwriter John Sayles, and the other by Production Manager Gale Ann Hurd. There's a new behind-the-scenes/retrospective documentary, a video interview with star Richard Thomas, a handful of still galleries, and the original trailer, TV spot and radio ads.

For fans of 70s early 80s sci-fi (and traditional special effects), BATTLE BEYOND THE STARS is essential viewing. Smart, funny and bright, with a great cast, this cosmic adventure is endlessly entertaining. If you're already a fan of this flick, the new Shout! Factory special edition (especially the HD Blu-ray) is likely to be the definitive presentation for the forseeable future. I would have liked a few more bonus features, but it's a terrific package overall, and highly recommended.

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Some Like It Hot (1959)

Some Like It HotTo correct the technical info above, this DVD (both the special edition and movie-only edition) DOES HAVE an English monophonic soundtrack that was originally used in the film. Also included is a Dolby Digital 5.1 track, but one wonders if a dialog-heavy film like this should really need a surround soundtrack. Dialogs in both the mono and the 5.1 tracks sound perfectly clear and understable. The surround sound only comes into use during the occasional music and gunfight sequences. I do applaud the inclusion of the original mono track, which quite a few recent DVDs of older movies do not provide in the hope of enticing new DVD owners with 5.1 audio.

The video transfer looks great -images are sharp, levels of black look realistic (you can clearly see and feel the velvety texture of a black robe Monroe wears), signs of wear and tear are virtually non-existent. The picture aspect ratio is 1.66:1, which is not the 1:85:1 ratio used for the original US theatrical release and for all previous US letterboxed laserdisc releases. The 1.66:1 ratio adds a little picture to the top, but doesn't really affect the composition. The video is also non-anamorphic, so the resolution is not as high on a widescreen TV as it would be with an anamorphic DVD. There is also no English optional subtitles, but there are yellow optional French and Spanish ones.

I would have gladly paid a higher price if they had included better supplementary material on the Special Edition DVD, such as the audio commentary and home movies that were put on the Criterion laserdisc made in the early 90s. The extras on the Special Edition DVD include a lively but superficial 30-minute new interview with Tony Curtis reminiscing about the film, a rather uninteresting 12-minute interview with the actresses who played the girl band members, a segment called "Virtual Hall of Memories" that is essentially a still gallery, and trailers of 7 Wilder films including SOME LIKE IT HOT; all the trailers are in poor video condition. The most interesting extra is a reproduction of a pressbook for the film, but the pictures are blurry and the smaller text is illegible. I am disappointed that we never get to hear from Jack Lemmon or Billy Wilder, both still alive, on this DVD. These extras are not impressive, so one may consider buying the movie-only edition for a cheaper price.

Billy Wilder's most popular comedy finally receives the deluxe treatment it deserves. MGM previously released this classic comedy in a nonanamorphic widescreen version a couple of years back. While that edition looked pretty decent this anamorphic transfer puts any previous editions (including my much favored laserdisc edition) to shame. Wilder's comedy operates as a spoof of gangster films and a comedy about gender roles. Jerry (the late Jack Lemmon) and Joe (Tony Curtis) are two musicians on the lam when they witness the St. Valentine's Day Massacre. With Spats Columobo (George Raft) and his men looking for the duo they go undercover as musicians cross dressing and joining an all female band headed for a gig in Florida. Becoming a woman allows Joe/Josephine to spent time with Sugar (Marilyn Monroe) the latest woman that catches Joe's fancy. Jerry/Daphne on the other hand finds himself romanced by a rich man (Joe E. Brown) who won't take the hint as Jerry tries to blow off his advances.

And you thought the 50's were tame. One of Wilder's richest 50's comedies "Some Like It Hot" continues to be very funny inverting our expectations constantly and playing with the roles that Jerry and Joe take on with their new identities. Joe's eyes open the most as before he was a pretty ruthless womanizer. Becoming a woman puts him in the crosshairs of every male insight and he's on the receiving end of all the smirks, comments and passes that he would have used with Sugar before his change. Wilder mixes social commentary so deftly with comedy (like Hitchcock's work with suspense and social commentary) that at his best--and he's at his best here--it reminds us how entertaining a movie can be without being heavy handed. It's also filled with some marvelous in jokes (for example Colombo played by George Raft observes a thug flipping a coin and comments, "Where did you pick up that cheap trick?" Raft of course did the exact thing in one of his signature roles in "Scarface" from 1932).

A great movie looks even better in this sharp looking transfer. The black and white imagery of the film looks gorgeous. Originally Marilyn Monroe lobbied to have the film shot in color which Billy Wilder felt wouldn't work for this comedy (he persuaded her to agree to shoot in black and white when he showed her make up tests for Jack Lemmon and Tony Curtis in color where their make up as women made them look slightly green) while the film certainly would have looked great in color the sumptuous cinematography by Charles Lang ("The Magnificent Seven", "Wait Until Dark") looks extremely good in this wonderful looking transfer. Detail is quite good and blacks are solid with a nice array of different textures evident in the transfer. Audio is presented in the original mono and sounds fine.

For those that are into such things the special features here are a huge improvement over the previous edition. We get a commentary track compiled from comments by the late Jack Lemmon, Tony Curtis and I.A.L. Diamond's son (working with the comedy writers Lowell Ganz and Babaloo Mandel--honestly I could have thought of better writers to pair with Diamond's son). While the insights aren't exactly a revelation it is an enjoyable commentary track.

We also get two terrific documentaries on the making of the film. The first features a mixture of new and older interviews from the cast and crew. The second documentary "The Legacy of `Some Like it Hot'" is packed with trivia about the making of the film, Wilder & Monroe's relationship on the set and the difficult time Wilder had making the film with his leading lady including footage shot in the 80's of Wilder and Diamond.

Finally we get "Memories from the Sweet Sues" featurette with members of the women who played in the band, an interview with Tony Curtis entitled "Nostalgic Look Back" where Curtis reveals that actor/voice artist Paul Frees did much of his voice as Josephine because he had difficulty reaching the high voice. We also get the imaginatively titled but unimpressive "Virtual Hall of Memories 3-D Tour" The original pressbook appears on the DVD as well and we get reproductions of various lobby cards. Finally we get previews and the original theatrical trailer.

Far more impressive than the lackluster previous DVD releases "Some Like It Hot" looks solid in this re-release although the film could look a bit more vibrant. The featurettes are, for the most part, very good and the compiled commentary track adds loads of trivia (some of which is duplicated in the featurettes) about the making of the film. I do wish that a film historian such as UCLA professor Howard Suber had been involved in some way to help provide context for the movie but that's just personal preference. A fine release that could have been great with a wee bit more effort on the part of Sony/MGM.

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In 1929 during the St. Valentines Day massacre, two traveling musicians, witness one of the hits initiated by the mob. The only way the duo can think of to avoid being discovered is to join an all female band playing in Florida as women. Joe is looking forward to the gig, so that he can spend more time with Sugar while Jerry is horrified to find himself fighting off the advances of a rich suitor. Joe the consummate womanizer finally gets to see what it is like to be on the other side of the coin to see what he has been dishing out for years.

Many see this as a ground breaking movie especially for the 1950's with the theme of cross dressing and gender roles, but I just enjoyed Tony Curtis and Jack Lemmon giving some of the best comedic performances of their careers, and Marilyn Monroe shining her brightest. It is laugh out loud funny, and a movie you will watch over and over again.

Read Best Reviews of Some Like It Hot (1959) Here

SOME LIKE IT HOT is a classic for many reasons. The film may seem a little dated to some viewers but what keeps it forever great and irresistible are the superb performances by Tony Curtis, Jack Lemmon and Marilyn Monroe. Filming it in black and white helped greatly to believe the two men being accepted as women. And it also helped make Marilyn stand out even more with her effervescent and transcendent beauty. But when looking at a blu ray version of a film that has seen much life on dvd a buyer must know if double dipping is really worth it. Especially where SOME LIKE IT HOT came out with a superb dvd transfer years ago.

To put it simply, the film honestly looks and sounds great on blu ray and is a vast improvement over even its best dvd transfer. There is much clarity improvement in the video and the crispness in detail is vivid. Facial closeups are particular standouts. The black and white ratio is perfect and the film has not been overly enhanced or tried to be cleaned up as blu rays often are. The intended grainess is still there which adds character to the film. But seeing Tony and Jack in their female getup with the picture so clear is amazing and nothing can surpass how Marilyn comes across in this blu ray version. When she first walks by the train and the steam comes out you know what picture perfection you are in for. And every time her face appears, be it out of a train sleeping bunk or just entering a scene you can see every feature and fine detail of her face in all its glory. The picture takes on its own life when she is singing I WANNA BE LOVED BY YOU. Just the spotlight highlighting her face whenever she sings is your proof of the blu ray improvement. The sensual gift and aura that was Marilyn Monroe takes full advantage of the blu ray.

And the audio is a huge improvement. The audio now is in a DTS Master 5.1 and the sound will come out all your speakers gloriously. And again the highlights are Marilyn's songs. Sadly the extras here are exactly the same as on the last dvd release. Luckily the retail price of this film is not high. Tony Curtis, Jack Lemmon and particularly Marilyn give career highlight performances and it is amazing to believe the difficulties they had filming due to Marilyn's insecurities. With this film you get a fun farce with endearing performances that stand the test of time. And the blu ray is a must if you are a fan of the film or anyone in it. Highly recommended.

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With its pseudo-homoerotic undercurrents, I sometimes wonder how this film got past the 50's-era censors. No matter. Writer-director Billy Wilder, and leads Tony Curtis, Jack Lemmon, and Marilyn Monroe dazzle with their comic genius.

You can watch this movie over and over and it always seems fresh. Perhaps it's the realization that Monroe and her alter ego Sugar Kane are far more intelligent than they first appear. Seeing gold-digger-with-a-cause Sugar and faux oil magnate Joe (Curtis) manipulating each other is a hoot. Or perhaps it's Jerry's (Lemmon) gender crisis when he realizes that being a woman, even in a man's world, does have some perks to go along with the headaches.

In any case, the fun lies in seeing three tangles of lies and deceit growing ever bigger and out of control, like a comic Gordian knot, only to be cut at the last second with what's perhaps the funniest yet most anti-climactic punchline in film history. Between the sight gags, the slapstick, and the witty banter, you can't help but feel good watching this movie. There's really nothing bad to say about it; even the draggy parts are far more entertaining than what passes for comedy in most movies.

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Armed and Dangerous (1986)

Armed and DangerousLike many of the action comedies of the time this one delivers an entertaining story with John Candy's wacky humor. Candy and Levy star as the protagonists who are forced to join a security agency when all other options fail. Revolving around a plot involving corruption and crooked cops Candy and Levy aim to get to the bottom of all that is wrong while [complicating matters] frequently. I really laughed a lot at this film. Candy and Levy make a great team and offer up some very hysterical scenes. Levy's attempts at being a defense attorney, Candy fishing at a pier, and the two crashing a ball thrown for the chief of police all seem like harmless events but these two always know how to screw them all up. If you are a fan of the SCTV or SNL crews then you definately have to see this movie. It is lesser known but very funny.

John Candy is Frank Dooley, a cop unjustly fired from his job. Candy decides to become a Security Guard for Guard Dog Security. He is teamed with second-rate former prosecutor Norman Kane.

On the job they find themselves mixed up in a plot with shady, mob-run Union reps led by Robert Loggia as the mob boss. They try to tell their story to a young Meg Ryan, daughter of the security company boss but she doesn't beleive them. Soon they find themselves accused of murder and on the run from the cops and the mobsters.

Levy and Candy, two ex-SCTV alums have a good chemistry together in a kind of modern day laurel and hardy stlye. Not an uproarious movie but some funny parts, the best being when the pair hide out from the cops in a LA sex shop and Candy dresses in drag to escape the cops.

A fun movie. Not a gem but some good bits.

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When an Honest Cop (John Candy) was framed for stealing and Ex-Lawyer (Eugene Levy), they become together Private Security Guards but when a Conspiracy that is happining at the Private Security Guards. The Ex-Cop and the Ex-Lawyer are going to solve the case together, if they like it or not.

Directed by Mark L. Lester (Class of 1984 and 1999, Commando) shows a great fun of Comedy and Action. Candy and Levy are great together, the supporting cast are:Robert Loggia, Kenneth McMillian, Meg Ryan, Jonathan Banks, Brion James and Steve Ralisback (In a Cameo). DVD has an sharp anamorphic Widescreen (1.85:1) transfer (also in Pan & Scan) with the Original:Dolby Stereo 2.0 Surround Sound. This was a box office disappointment in 1986 but it does way better on Video. John Candy and Brion James died years later after this fun. This is a fun cop comedy. Grade:A-.

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I read some of my fellow viewer's comments; I have to say you people need to lightenup somewhat. This is not meant to be a sketch from the Royal Shakespeare Company. It is simple, corny, but fun! The scenario has already been written above, but I think Levy's banter with Candy, especially in the Peep show booth is hilarious. Also in the courthouse as Candy knocks Levy to the ground. "Thanks a lot, made my day." Great stuff! So, if you want to be entertained by pure stupid fun, go ahead, watch and enjoy yourself. This is a funny movie and not meant to impress pseudo-critics, of whom far too many adorn these pages.

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This is just one of John Candy's very entertaining movies. I highly recommend it.

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Knucklehead (2010)

KnuckleheadIgnore the reviewer who mentioned "Jackass" in his review. This is not a bunch of idiots daring each other to do stupid things, it's a family movie. Paul Wight plays Walter, a 7 foot tall orphan who has never left the orphanage, also a gentle giant who wouldn't hurt a fly. The orphanages kitchen burns down, and in order to save the orphanage, they have to raise money in a week to replace the kitchen. So a trainer discovers Walter, and takes him on a road trip to train him to be a fighter and attempt to win a martial arts contest to get the money.

Sure, the plot sounds pretty thin, but as does most light-hearted family comedies of this type. You will see the typical love interest, fart gags and corny jokes that go into the making of these kinds of films. It's a decent movie, better then you might expect, but just do not expect it to be a Steve Austin action movie or a Glen Jacobs (Kane) horror movie it is far from either. Take note when you see the PG-13 rating, and not M or R, so do not expect "JACKASS" to appear and start clubbing each other in the nads to win over some mindless teenagers idea of what funny is. And do not expect Paul Wight to bring out a Show Stoppa either... however, he does bring out the Show Ploppa!

Paul "Big Show" Wight plays Walter Kronk, a 32 year old orphan who's looks like a giant but it really just a child at heart & accidently sets fire to the kitchen in the orphanage causing thousands of dollars of damage that will result in the place being shut down in a week if they don't get the money to begin repairs. Elsewhere is a man named Eddie Sullivan (Mark Feuerstein) who's a mixed martial arts promoter who owes a heavy debt to Memphis Earl (Dennis Farina) & is trying to find a new fighter to win a tournament to get the money he needs to pay off the debt. After meeting Walter, Eddie convinces the head nun Sister Francesca (Wendy Malick) that Walter could make the money as a MMA fighter in a tournament out in New Orleans & send him off on the road, for the first time in his life, with her assistant & Walter's friend Mary (Melora Hardin) as a chaperone. From there they get attempt to build his reputation via the internet by fighting in the most unusual situations such as churches, backyard at a children's party, a bear at a carnival, and frat houses while running into issues of their own such as transportation issues, Eddie & Mary facing their past, Walter seeing this as his only opportunity to be a hero, and Memphis Earl & his fighter Redrum (Lester Speight) trying to stop them at all cost.

Anyone who's seen Big Show on WWE television or the now famous Saturday Night Live episode back in 2000 knows that Show is funny doing the "Chris Farley" method in that he's a big softhearted guy who's just very clumsy & doesn't realise just how big he is at times leading to a lot of physical humor. Doing this led to show having some very funny moments like breaking the bed in the hotel room, walking into a ceiling fan (I can relate to that one), using a small bathroom on a bus, and riding in a motorcycle sidecar with sparks coming off the back. As I stated earlier, this comedy relies more on physical humor more than punchlines & jokes as the acting wasn't much but I was still entertained at the end of the day. In the end, this was WWE Studios first attempt at a comedy film & the movie did it's job in that I laughed & was entertained for the most part so this is definately worth checking out for a viewing.

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This was a gift for our whole family for Christmas. My boys love WWE and found that seeing "Big Show" in a comedy was great! It was funny and entertaining!

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A delightful surprise. The movie was entertaining and funny. It did not try to be anything more than fun entertainment. I am not sure why it went DVD only as it was as good as any comedy of late at theaters. The storyline is easy to follow and the development of the story and its direction is easy to identity with. It is a cute movie with minimal foul language. You do not have to be embarasses if you watch it with your kids. The cast and supporting cast is quality actors and Big Show does a good job in his role.

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In an interview, Big Show admited, "This is not 'Gone with the Wind.'" So you have to go into this film in advance knowing it's poor quality. However, he didn't let fans know that in this flick, you get to see his gluteus maximus twice. You may have to use the slow-down button on your remote control, but it's definitely there. When seeing Big Show wrestle, if you've ever said, "I wonder what he looks like naked?", then this film will give you some idea of that. If you love you some big men, then you should see this flick despite its obvious shortcomings.

Derriere aside, yes, this is predictable and silly, as anyone could assume. The characters crash a bus in a field and they just walk away from it. No farmer ever takes them to task for destroying his land. The explosion never sets the whole field on fire. A boy doesn't know a fire is going on while playing a video game. Yes, young people can be focused, but a person at any age would say, "Why do I smell smoke?!" Big Show's character is supposed to be unsophisticated, yet when the subject of family jewels comes up, he is all of a sudden able to make double entrendres and witty repartee. Of course, there's a predictable love story line here too. There are some stolen bits from the 1980s film "Annie" here too, if you think about it.

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Last Dance (1996)

Last DanceI stumbled across this movie on television recently and was mesmerized by Sharon Stone's performance. Her looks were down-played for her role of death row inmate and what showed through was luminous acting and touching vulnerability. Her character, bred from white trash and convicted of a brutal double murder, brought a new insight into the circumstances surrounding violent crime and the reform found in prison. This movie made me doubt my firm stance in support of capital punishment (and that's not easy to do). Rob Morrow is both sensitive and powerful as the rich kid attorney that finds something to fight for in his defence of this woman. Overall, a moving and tragic movie not to be missed, and definitely notable among other death row dramas for its gender reversal and the new perspective that brings.

OK, I haven't seen dead man walking, so I'm not as mad as most people who think this is a rip-off of that movie. The movie isn't lame, it isn't very powerfull either, but it still makes a sad compelling movie. Rick chooses his first case, that of Cindy, who was convicted of a double murder. After she, not having close relatives but a brother whose also locked up, isn't intersted of being saved, he thru showing her compassion and caring, she finally realizes that there's so many things for her to do, she didn't want to die, but she didn't want to be locked up in there forever, but after that, she just doesn't want to die. So, I liked the movie, I was surprised by the ending, because it seemed that rick had done so much, but really, it just seemed that way since you get so involved in seeing how he tries so hard to save her. It shows you how some people can really change, and the dilema of having less than 30 days to save someone you've gotten so involved with.

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Last Dance DVD

Last Dance is a movie starring Sharon Stone and Rob Morrow. Stone is a prisoner sitting on death row facing execution with a new attorney (Morrow) trying to defend her, get a stay or something? Stone gives a commanding performance right down to the prison "tat" on her hand.

If you like Sharon Stone, you'll like this movie.

Recommended for fans of Sharon Stone and Rob Morrow.

Read Best Reviews of Last Dance (1996) Here

Yes, released on the heels of Dead Man Walking, it suffered in comparison. But it does have strong performances by Sharon Stone and Rob Morrow. Other good actors grace the cast list too. It's nice to see Chicago Hope alum Jayne Brook in something else--wish she'd had more to do. Randy Quaid and Peter Gallagher could have been used to better effect. The gender switch makes the prison movie cliches a bit more tolerable.

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I watched this as a recommendation from my girlfriend. It is not something I would watch too often. I felt sad all day after watching it lol.

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50/50 (2011)

50/50This might just be my new favorite film.

I went to see this, primarily, because I've always loved the previous works of both Joseph Gordon-Levitt as well as Seth Rogen. The premise, a young man is diagnosed with a rare form of cancer and tries to cope with it through humor, was appealing too. On a small sidenote: I'm from Vancouver and the majority of the movie was filmed there, so that was a pleasant surprise.

Adam is 27 years old and is shocked when he is diagnosed with a rare form of cancer on his spinal cord. He relies on his hilarious best friend, Kyle (Seth Rogen); his unreliable girlfriend, Rachel (Bryce Dallas Howard); and his overbearing mother, Diane (Angelica Houston), while he struggles with chemotherapy, doctor's appointments and losing all his hair. His interactions with each of these characters are ultimately hilarious, even when they aren't intended to be. Along the way his doctor sends him to a therapist named Katherine (Anna Kendrick), who is wet behind the ears but wants to specialize in helping cancer patients cope with their diagnoses.

Kyle is a very genuine character who wants to do everything he can to help Adam, although he stumbles along the way. He also takes advantage of Adam's situation as a way to meet girls, much to Adam's chagrin. He makes light of the situation whenever the chance arises, but shows himself to be a very sincere friend at every opportunity. Seth Rogen, actually playing the role he embodied in the real life story this movie is based on, is perfect as the somewhat dimwitted, but loveable best friend.

Rachel is the villain, if there is one. She is a typical flighty young woman who is torn between feeling guilty about Adam's condition and feeling freaked out and trapped by it. The audience can't help but dislike her from the get-go, which ultimately grows into loathing. Bryce Dallas Howard does really well in this role.

Diane is the kind of mom that almost everyone can relate to, whether as their own mother or one of a friend or loved one. She throws herself off the emotional cliff as soon as Adam tells her about this cancer, doing her utmost to support him, even when he keeps her at arms' length.

Katherine, the love interest, is a young woman who genuinely wants to connect with her patients, but who is, at the same time, insecure about her lack of professional experience. She connects with Adam (despite his initial reluctance) and ends up struggling with going above and beyond the appropriate protocol as a therapist.

Last, but never least, Adam: Adam is the everyman. He is hopeful, idealistic and passionate about his job as a radio broadcaster. He is committed to his girlfriend, whom he adores, despite her aloof behavior. He has a tight relationship with his best friend. He loves his mother, but avoids her at all costs because of her smothering behavior. His sudden cancer diagnosis throws his life into a tailspin, but he spends the majority of the movie trying to remain calm and rational about it. He makes friends with his fellow chemotherapy patients, he allows his best friend to use his cancer diagnosis as a way to garner the sympathy of pretty girls, he (reluctantly) follows his insensitive doctor's advice to talk to a therapist about his cancer. As one thing after another seems to go wrong we see him unravel and I think Joseph Gordon-Levitt's performance was downright inspirational. He teeters back and forth between denial, anger, despair, pain, fear and humor. Although this role might not be typical Oscar fare, I think a nomination was definitely earned.

The story of 50/50 is based on the real life experience of the writer, Will Reiser. He was diagnosed with spinal cancer at the age of 26 while he was working on Da Ali G show with Seth Rogen. Rogen, much like the character of Kyle, supported Reiser and tried to help him cope through the use of humor. Fortunately, Reiser beat cancer and is alive today to tell the story he went through. Although this movie is a comedy it has an equal number of dramatic moments and is incredibly touching. You'll be struggling not to cry at moments. Making cancer funny is a tricky thing and could easily crash and burn in offending audiences, but Reiser pulls it off beautifully. You won't feel guilty laughing at humorous moments and you'll still empathize with the characters and each of their individual challenges.

I will definitely be picking this up on blu-ray as soon as it's released. Go check it out.

I can tell that this was inspired by the true story of screenwriter Will Reiser. He has got every detail down so perfectly that it would either be that or that the man was sharing an esp channel with cancer patients. His protagonist is diagnosed with spinal cancer. This is 27 year old Adam, played by Joseph Gordon-Levitt. He discovers his is a rare form of spinal cancer with 50-50 odds of surviving it. It has not yet metastasized so they will try to shrink it with chemo first and then operate.

Seth Rogen plays his crude, loud, yet amazingly supportive best friend. Touchingly he even sneak reads on the side a book about going through cancer with someone. He provides the perfect foil for Adam.

Adam makes and loses relationships along the treatment way, which is also very normal. Some people are just better at coping with grave illness than others' are and if one has never had to move beyond a certain level of commitment to people, it can be neigh unto impossible to cope with it.

One of the best turns of the whole film is the role of his smothering but loving mother. I kept saying to myself, why does the actress playing the Jewish mother so brilliantly look so familiar? I then almost fell off the sofa as I realized that it was Angelica Huston (who was raised by her loud, boisterous Irish father so is not a Jewish mother at all in real life). Huston, however, not too long ago lost her long time spouse under similar catastrophic illness circumstances so I can see why she was a natural for the role.

Adam even manages to connect with one of his medical workers played by Anna Kendrick. She brings a lot of humor to the role as he is but her third patient. She is interning as a therapist on the way to her PhD in psychology. What she lacks in polish, she makes up with sincerity and compassion.

I am a cancer patient and this film is totally authentic. It is not depressing. This is a trial in this character's life and you see him go through this trial. You live your life while you have cancer. It is another life event which sometimes ends in your death. You don't suddenly become another person with cancer. You are the same person facing a terribly difficult ordeal, which may be terminal. But then again, there is always one life event which always ends up bringing one's death. On that the odds are 100%.

Buy 50/50 (2011) Now

Striking the right balance and tone has got to be an incredibly difficult thing to do when you are centering a comedic picture around a serious topic such as cancer. I suppose that's why we see so few cancer comedies--it just isn't a particularly amusing topic. On TV, Showtime has a Laura Linney helmed program called "The Big C" which addresses cancer as its principle theme. That program, however, (despite being beloved by many, so send me your hate mail) has the deck stacked with wacky caricatures and unbelievable situations that make it almost unbearably over-the-top. Maybe that's why "50/50" was an incredible surprise! It's easy to see why its perfectly measured screenplay has won numerous year-end accolades because the story deftly juggles the hilarious with the heartfelt. This is comedy that comes from a very real place with exceedingly believable characters, and yet--it is also surprisingly hard-edged and never devolves into sentimental treacle. In a word, the film's tone is perfect. With its smart screenplay and a wondrous lead performance from Joseph Gordon-Levitt, "50/50" is easily one of my favorite films of 2011.

Gordon-Levitt plays a relatively uptight professional whose life is upended when he is diagnosed with a particularly nasty strain of cancer in his back. Reeling from the news, he tries to carry on as normal as possible. But outside influences and those who care about him soon start breaking down some of the carefully erected barriers he's hid behind his whole life. Seth Rogan as his obnoxious best friend, Anjelica Huston as his somewhat estranged mother, Anna Kendrick as his hospital therapist, Bryce Dallas Howard as his girlfriend, and Philip Baker Hall and Matt Frewer as his chemotherapy partners round out one of the most effective ensembles of the year. Of course, when you're facing death--you figure out how precious life is and who is always going to be by your side. From a plotting standpoint, "50/50" may follow a somewhat expected course--but it is distinguished in the details and the performances. As Rogan pushes Gordon-Levitt to leverage his disease for moments of debauchery, the scenes expertly mix the disturbing with the hilarious with the real.

If you're looking for just another lightweight sex comedy, this might be a little heavy. But any emotional investment is earned and worth it. I laughed out loud frequently AND experienced many instances where I was genuinely moved. But the movie and its great screenplay (inspired by writer and Rogan's pal Will Reiser's real story) never turns into a maudlin weepy. It may be one of the least manipulative films to deal with a fatal disease that I've seen in years, and I mean that as a huge compliment. There are certain actors that I will follow on faith, and through the years Joseph Gordon-Levitt has become one of those people. He has managed his career with precision, bouncing between indie and mainstream fare as well as lead and supporting roles. I always appreciate a young actor who is willing to take chances, to pick roles and movies that they're passionate about or that might challenge them. Gordon-Levitt rose to the top of his generation with an eclectic bounty of great performances in oddball films (Brick, Mysterious Skin, The Lookout) and, in my opinion, recently served up Oscar caliber work in "(500) Days of Summer" and stole every scene he was in during "Inception." "50/50" is a worthy addition to his resume. I absolutely loved it! KGHarris, 12/11.

Read Best Reviews of 50/50 (2011) Here

As someone who has had and survived cancer in there 20's....was dumped when diagnosed....and found out who really is and will always be there for me and love me, this movie truly hit home. Yes it's a comedy, but I also wept like a baby. This movie is well made, great acting, and brings you through a real roller coaster of emotions. I loved this movie....loved.

Want 50/50 (2011) Discount?

Striking the right balance and tone has got to be an incredibly difficult thing to do when you are centering a comedic picture around a serious topic such as cancer. I suppose that's why we see so few cancer comedies--it just isn't a particularly amusing topic. On TV, Showtime has a Laura Linney helmed program called "The Big C" which addresses cancer as its principle theme. That program, however, (despite being beloved by many, so send me your hate mail) has the deck stacked with wacky caricatures and unbelievable situations that make it almost unbearably over-the-top. Maybe that's why "50/50" was an incredible surprise! It's easy to see why its perfectly measured screenplay has won numerous year-end accolades because the story deftly juggles the hilarious with the heartfelt. This is comedy that comes from a very real place with exceedingly believable characters, and yet--it is also surprisingly hard-edged and never devolves into sentimental treacle. In a word, the film's tone is perfect. With its smart screenplay and a wondrous lead performance from Joseph Gordon-Levitt, "50/50" is easily one of my favorite films of 2011.

Gordon-Levitt plays a relatively uptight professional whose life is upended when he is diagnosed with a particularly nasty strain of cancer in his back. Reeling from the news, he tries to carry on as normal as possible. But outside influences and those who care about him soon start breaking down some of the carefully erected barriers he's hid behind his whole life. Seth Rogan as his obnoxious best friend, Anjelica Huston as his somewhat estranged mother, Anna Kendrick as his hospital therapist, Bryce Dallas Howard as his girlfriend, and Philip Baker Hall and Matt Frewer as his chemotherapy partners round out one of the most effective ensembles of the year. Of course, when you're facing death--you figure out how precious life is and who is always going to be by your side. From a plotting standpoint, "50/50" may follow a somewhat expected course--but it is distinguished in the details and the performances. As Rogan pushes Gordon-Levitt to leverage his disease for moments of debauchery, the scenes expertly mix the disturbing with the hilarious with the real.

If you're looking for just another lightweight sex comedy, this might be a little heavy. But any emotional investment is earned and worth it. I laughed out loud frequently AND experienced many instances where I was genuinely moved. But the movie and its great screenplay (inspired by writer and Rogan's pal Will Reiser's real story) never turns into a maudlin weepy. It may be one of the least manipulative films to deal with a fatal disease that I've seen in years, and I mean that as a huge compliment. There are certain actors that I will follow on faith, and through the years Joseph Gordon-Levitt has become one of those people. He has managed his career with precision, bouncing between indie and mainstream fare as well as lead and supporting roles. I always appreciate a young actor who is willing to take chances, to pick roles and movies that they're passionate about or that might challenge them. Gordon-Levitt rose to the top of his generation with an eclectic bounty of great performances in oddball films (Brick, Mysterious Skin, The Lookout) and, in my opinion, recently served up Oscar caliber work in "(500) Days of Summer" and stole every scene he was in during "Inception." "50/50" is a worthy addition to his resume. I absolutely loved it! KGHarris, 12/11.

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Night of the Creeps (Director's Cut) (1986)

Night of the Creeps1986 was a pretty good year for horror films. There were stellar, undeniable classic releases like ALIENS and The Fly. Gore soaked goodies such as From Beyond and Demons. And then there was a severely underrated gem called Night of the Creeps.

A skin crawling tale about parasitic alien slugs accidentally unleashed from a cryogenic state of suspended animation, wrecking havoc on a college campus by way of invading the student bodies bodies through the mouth, effectively turning them into kill-happy zombies. The infesting parasites incubate in the brain long enough to spawn another generation. When the alien slugs are born, the host's top pops!

This is a endearing homage to everything from 50's B-movies, George Andrew Romero's zombies, silly teen/early twentysomething movies, slasher flicks and much more, wonderfully directed by Fred Dekker.

If you enjoy watching college frat boy wannabes screaming like banshees, a cool, catch phrase spewing detective settle old vendettas with an ax wielding reanimated corpse, gratuitous scenes of slugs violently and graphically erupting from peoples heads, and a little T&A to arouse your eyes...well this movie's for you. I know it's certainly for me. I've seen it so many times(lost the exact count)and it never losses it's appeal. The biggest draw in this movie is unquestionably venerable character actor Tom Atkins performance of a lifetime as Detective Cameron. Trust me you will hang on every word Atkins utters.

If you have not yet viewed this cult fave stop for a moment and give this one the chance to creep up on 'ya!

"In the words of Detective Cameron..."Thrill Me!" And for 23-years, this film has continued to thrill fans and has literally become a film that has achieved cult status. Director Frank Dekker gets his wish for a release of a Director's Cut with his original intended ending and fans of the film are treated to a reunion by the original cast 23-years later and also a tribute to the career of Tom Atkins. Definitely an enjoyable DVD release and a great tribute to one of the more hilarious comedy horror films ever created. Highly recommended!"

In 1986, a horror/zombie film called "Night of the Creeps" became a cult hit among fans due to the film's comedic nature but also how it pays homage to the horror genre.

The film is written and directed by Fred Dekker ("The Monster Squad", "RoboCop 3', "Enterprise"), produced by Charles Gordon ("Field of Dreams", "Die Hard", "Hitman"), music by Barry De Vorzon ("The Twilight Zone", "Tatoo", "Private Benjamin) and cinematography by Robert C. New ("So Weird", "Blade: The Series").

Although never considered a scary, horror film, "Night of the Creeps" was a film that caught attention for its screenplay, its special effects and its campiness but it was one of those 80's films that continues to be a fan favorite and for many years, many fans have waited for the film to be released on DVD. On Oct. 27th, the film via a director's cut receives a DVD and also a Blu-ray HD treatment and comes with the ending that Fred Dekker originally wanted and also a reunion of the cast 23 years later.

The film kicks off in a space ship where two aliens hunt down one of their own who has stolen an experiment. The alien in pursuit manages to rid of the canister and launches it out into space.

The film then transitions to 1959 where a sorority girl goes out on a date with a guy and the two go out to a make out point. The two are warned by a police officer, a young Ray Cameron (who dated the sorority girl) that a man has escaped from a mental ward and has hacked a few people with an ax. The two ignore the officer but then see a falling star which crashes near them. The guy and the girl drive to the area of where the meteorite may have crashed and the guy leaves the girl in the car. The guy discovers a canister and a slug from the canister jumps into his mouth. Meanwhile, the girl left alone in the car hears reports that the killer is headed towards their direction. While screaming for the guy to get back into the car, she is unaware that the killer is about to slaughter her.

We are then taken to 1986 where two nerdy college students: Chris (played by Jason Lively, "Mancuso, FBI", "Maximum Force", "Monday Morning) and J.C. (played by Steve Marshall, "Night Heat", "Sleeping in a Dream") are walking around the fraternity and sorority section and see a girl across the street that captures his attention. Chris is the silent type while his best friend and roommate J.C. (who has a disability and walks with crutches) is a lively jokester and tries to get the girl's attention for his buddy.

Because Chris is so shy, J.C. manages to introduce the girl named Cynthia (played by Jill Whitlow, "Mask", "Thunder Run", "Twice Dead") to his friend. But she happens to be dating a frat guy and thus, Chris's hopes are dash. Chris comes up with an idea that they should join a frat and when they try, in order to join, they are told to take a body from the science lab and drop it in the front porch of another frat.

When Chris and J.C. go to the lab to retrieve the body and releases it from its incubator, the body (which happens to be the guy who discovered the cannister back in 1959) has awaken. Startled by the body moving, Chris and J.C. run away in fear.

Meanwhile the scientist in charge of maintaining the body is killed by the zombie man and immediately, the zombie walks to the sorority where he went to visit the girl he was dating back in 1959 (the room of the girl is where Cynthia is now staying in). Immediately, the man's head blows up and slugs are released into the public. The slugs tend to possess a person's body, kills them from the inside and takes over their brain where they can breed and make more of their kind and continue the process of finding a body to breed in.

With murders happening on campus, detective Ray Cameron (played by Tom Atkins, "Halloween 3', "The Fog", "Bruiser") remembers back in 1959 of how his girlfriend was hacked into pieces by the axe murderer who was never caught and worries that these killings may be the work of the killer. He has suffered nightmares in which he sees a skeleton or zombie murdering his ex-girlfriend and with news from Chris and J.C. that the body inside the incubator moved, he worries about what is going on.

With zombie infestations now happening, the friendship of Chris and J.C. is tested, and Chris and Cynthia are brought closer together. But will they be able to survive the onslaught of the zombies during the night of the big dance?

It's important to note that "Night of the Creeps" is a Director's Cut version and that it features the original ending that Director Fred Dekker wanted (the reason why it wasn't used was because Dekker who was a new director at the time, showed an incomplete test screening to an audience and execs without the special effects and the audience and execs wanted a new ending). The original theatrical ending is included on the DVD.

VIDEO & AUDIO:

"Night of the Creeps" is featured in 1L85:1 Anamorphic Widescreen. For a 1986 film, I have to say that the picture quality is pretty good and I didn't see any major compressions or massive warping. I can only comment on the DVD version but it doesn't look like Sony Pictures Home Entertainment used any major Digital Noise Reduction in the release, so I wonder how nice the Blu-ray transfer may have been. But for the DVD itself, fans should be happy to know that this 23-year-old film looks good.

As for the audio, the audio is presented in English 5.1 Dolby Digital. I was noticing mainly front and center channel dialogue and the music but nothing that caught my attention via the surrounds. So, I ended up switching the audio to "Stereo on All Channels" on my receiver for a more immersive sound. But for the most part, dialogue was clear and understandable and that 80's new wave electronic music is clear as well.

Subtitles are presented only in English.

SPECIAL FEATURES:

Fans of "Night of the Creeps: Director's Cut" will definitely enjoy the special features included on the DVD. Included are the following:

* Commentary with Writer/Director Fred Dekker An audio commentary with Michael, the DVD producer and Writer/Director Fred Dekker. Dekker gives a more technical insight about the film and how certain cuts were made. Especially certain scenes that Dekker enjoyed.

* Cast commentary (Jasone Lively, Steve Marshall, Jill Whitlow and Tom Atkins) A lively, hilarious and insightful commentary by the four talent of the film. What's even more interesting is to hear the cast see the original Fred Dekker ending for the first time.

* Original Theatrical Ending (:30) The original theatrical ending. Which one do you think is better? It's important to note that the Director's Cut ending was shown on television while those who saw the original theatrical cut, own the VHS and LD saw this ending.

* Deleted Scenes (7:45) Seven deleted scenes: The Girls Meet Johnny, J.C.'s Positive Thinking, Cameron vs. Raimi, Making cookies, Raimi Follows Protocol, Cameron Spies Spanky, Chris Stays Behind

* Birth of the Creeps (10:43) Director Frank Dekker, the Cast and crew talk about Frank Dekker and how the film became a reality.

* Cast of the Creeps (15:56) Featuring a reunion of the cast (Jason Lively, Steve Marshall, Jill Whitlow and Tom Atkins) who talk about their involvement in the film and working with each other.

* Creating the Creeps (10:31) How the special make-up FX was created and interviews with David B. Miller (Special Make-Up FX Supervisor), Howard Berger and Robert Kurtzman (Special Make-Up FX Creator) talk about their involvement of the film, the challenges due to the short pre-production schedule and more.

* Escape of the Creeps (11:35) Charles Gordon (Producer), Michael Knue (Editor) and Director Frank Dekker talk about how the film became a hit with fans. But also why the ending was changed and how they didn't like the ending the execs wanted.

* Legend of the Creeps (10:59) How over 23-years later, the film has a cult following and Director Frank Dekker and the cast talk about why they think the film has done so well with the fans. Fans talk about why they love the film. And how this film is so different from today's horror films.

* Tom Atkins: Man of Action (19:53) A celebration of Tom Atkins career and talking about his film career and tidbits of the talent he worked with in various films. And how fans love to ask him questions about "Night of the Creeps".

* Trivia Track Fans can watch the film via trivia utilizing subtitles.

* Original Theatrical Trailer (1:32) The original theatrical trailer

JUDGMENT CALL:

"Night of the Creeps: Director's Cut" is a film that has become a cult phenomenon. Over 23-years later and fans continue to enjoy this classic zombie/horror film and it hearkens back to the days when horror films were allowed to have its share of humor and not always were created to frighten the viewer. One of the things that I enjoyed about the film is for the fact that it's hilarious, campy but I feel that in this day and age, horror films have become more or less studio cash cows and writers wanting to create the the most horrific and dark film.

Although, I'm not a horror fan by any means, I can easily remember films such as "Poltergeist", "The Monster Squad" or "The Lost Boys" and although not necessarily horror films in today's standards, back in the 80's, they were very entertaining to watch and the films had its share of scary moments. You were allowed to laugh and be entertained but the clever writing knew when to scare the hell out of you. These were films that families brought their kids out to see and a whole family can be frightened together. "Night of the Creeps" was one of those films that can easily be enjoyed by families and a lot of those kids who watched it back then, are now enjoying it today as adults.

"Night of the Creeps" is a film that pays homage to classic horror films and is a part of Frank Dekker's passion for sci-fi and horror films in the past. The film also has that 80's campiness that some have found enjoyable and some may find it not their cup of tea. But it all comes down to the viewer and if one is wanting a comedy horror film, "Night of the Creeps" is definitely one of the best out there.

As for the DVD release of "Night of the Creeps: Director's Cut", I'm sure people will have their say on what their favorite ending will be but for Frank Dekker, he never was a fan of shock endings and although losing the battle to have his original ending featured in the final theatrical cut, Sony Pictures Home Entertainment has given him the thumbs up for a DVD release featuring his original intended ending for the film. Also, I found the reunion by the cast and crew to be wonderful and also fun and enjoyable to not just listen to the commentary but also to see them goof around during the interview portion of the special features. Also, Tom Atkins fans will definitely enjoy a tribute to his career and an interview where Atkins discusses his films and the talents that he has worked with. So, I have no doubt in my mind that fans will find this DVD release to be entertaining and fun to watch. It's a solid DVD release!

Overall, if you are a big fan of this film, I highly recommend "Night of the Creeps: Director's Cut" on DVD or Blu-ray. And yes, you will definitely be "thrilled".

Buy Night of the Creeps (Director's Cut) (1986) Now

An under-appreciated gem of campy sci-fi-tinged horror, this directional debut from director Fred Dekker has everything from a busload of frat-guy zombies to an undead killer puppy to an amusing death by lawnmower rampage that foreshadows Peter Jackson's over-the-top finale to Dead Alive. Virtually unnoticed during its brief theatrical run, this wildly entertaining horror-comedy achieved a cult status following its home-video release. This low-budget effort throws alien monsters, axe-wielding killers, flesh-eating zombies, nudity, and drunken fraternity pranks into a blender, spiced with witty one-liners and references to dozens of horror classics.

The result is a satisfying treat that will tickle the tastebuds of horror fans. The film's nominal protagonists are a pair of randy fraternity pledges who open a can of worms when they steal a corpse from the campus medical facility and release a horde of space-leeches, which proceed to infest the bodies of everyone in sight. The host bodies subsequently become homicidal zombies with a penchant for popping in on unsuspecting sorority girls. The town's only hope seems to be a hard-boiled ex-cop who has uncovered the secret link between the zombie invasion and a 30-year-old axe-murder case... and who's also several sandwiches shy of a picnic. Dekker keeps things moving at a brisk pace thanks to some outrageous set-pieces ,some of which happen so quickly they'll have viewers reaching for the pause button, and clever dialogue, particularly for Atkins ("Girls, the good news is your dates are here; the bad news is, they're dead"), who dives into his crusty character with relish

Not only does director/screenwriter Dekker keep things moving along nicely by offering some exciting and bloody thrills, but he also makes some interesting choices with the portrayal of his main characters as well. In addition to offering a social misfit protagonist who remains uninterested in the usual college party scene, the inclusion of a handicapped sidekick who isn't defined by his disability shows a director unafraid to offer real, identifiably human characters; a refreshing change of pace compared to the all-too-perfect teens that populated horror films throughout the following decade. Along with character names that offer sly nods to numerous famous horror directors, Dekker also includes a beyond hard-boiled police detective hilariously cocksure swagger provides much of the film's effective gallows humor. Sure Dekker includes such college horror film mainstays as the obligatory love interest and the spoiled jock who gets his rocks off humiliating the nerds, but once he turns up the heat during the final act, cinematic clichés take a backseat to fast-paced zombie head-bursting fun.

Now that i've widely spoke my mind, i must turn the table in a violent fashion and speak this out loud, to the top of my lungs: 11 years for the DVD release of one of the funniest, most entertaining campy B-flicks of the 80`s? An extended director's cut in Blu-ray only covers 50% of the misery we've suffered over the years, trying to get a decent version of this deliriously entertaining classic.

BLU-RAY edition of "night of the creepsDirector's cut".

Intro: The sound/video quality is very decent with bright colors and compressing, and good depth for the only audio channel. Below blu-ray standards because there is not much to enhance after all, this is a great work considering the fact that this movie never had an official dvd release untill October 2009 and was available only on VHS since 1987. The movie is restored at the best possible from the original tapes. Grainy on big tv sets, must look great on 21 to 26" tv sets.

The director's cut feature is the adding of the original ending Fred Dekkar planned for this movie, instead of what he calls a popular "cheap scare" for the current horror B-movies back in the middle 80's.

Features:

1-Commentary with writer / director Fred Dekkar:

2-Cast commentary.

3-Original theatrical ending: Less effective and corny in my opinion, glad he put the original ending the company didn't wanted for reasons you will know.

4-Deleted scenes: Little gems that should have been included, specially the phone conversations alerting dead bodies.

5-Five Featurettes: Birth / Cast / Creating / Escape / Legend of the Creeps: These featurettes are very recent interviews with the director, cast and crew and the promotion of the 2009 director's cut. Because of the very little amount of behind-the-scenes footage (only a few pictures), these featurettes are almost entirely based on conversations.

6-Tom Atkins, man of action: An interview with actor Tom Atkins.

7-Trivia Track.

8-Original theatrical trailer.

9-Previews: Blu-ray and 4 special editions of other releases.

10-English language and subtitles.

11-BD live

The Blu-ray Menu features are very simple and not exactly according to the movie's gory humor: Just a bar with a blood stain as an indicator and the sound of what could be a blade. Never the less, this is a very satisfactory edition for fans who waited 20 years for this classic. The 80's feel of the movie is priceless.

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While Sony Pictures has given "Night of the Creeps" fans a lot to cheer about, they still managed to skimp on the DVD disc packaging, disc & cover artwork and disc features. The DVD case is flimsy and cheap looking and it's missing portions of the plastic on each side. In my opinion the final artwork cover chosen isn't as nice as the Blu-ray edition and this cover artwork doesn't do the film justice. Sony Pictures should have just used the original VHS cover artwork instead. As for disc artwork, well they're just isn't any. The disc is as plain as can be with just the title printed on it and personally I expected a much better effort from Sony Pictures. As for disc features, where are the chapter stops?

Well enough of the bad, now for the good. The widescreen picture is absolutely fantastic and Sony did a great job with the transfer. The 5.1 Dolby Digital sound is really good, but I preferred the stereo mix much better. The bonus features more than make up for the cheap disc packaging and lack of disc artwork from Sony Pictures and fans will enjoy what they see and hear from Dekker and the gang.

The year is 1959 and a young man spots a mysterious canister after it has crashed nearby, he leaves his date alone in the car while he sets out to investigate the crash site. After opening the canister the young man is infected with a mutant slug creature which transforms him into a zombie; now the real nightmare begins!

The mutant slug creatures contained in the canister were never meant to be released but one of the aliens during a battle on the spacecraft ejected the canister and it fell to earth. Luckily for the rest of the town the infected young man turned zombie has been captured and he has been cryogenically frozen in the basement of Corman University where he is being studied and monitored by a scientist played by veteran character actor David Paymer.

Everything has been quiet in the basement of Corman University for years until two students J.C. (Steve Marshall) and Chris Romero (Jason Lively) accidentally stumble across the frozen body in 1986 while trying to pull off a school prank and they unknowingly unleash the slugs on the University campus. Now that the terror has started up again it's up to J.C. , Chris , Cindy and everyone's favorite cop of course Detective Ray Cameron to save the day. Thrill Me!

Bonus Features plus 60 Minutes of Behind-the-Scenes material Include:

"Birth of Creeps" featuring Dekker talking about the origins of the project

"Cast of the Creeps" featuring Jason Lively, Tom Atkins, Steve Marshall and Jill Whitlow

"Creating The Creeps" featuring interviews with SFX creators David B. Miller and Robert Kurtzman

A special Tom Atkins centric piece called "Tom Atkins: Man of Action"

"Escape of the Creeps" a detailed look at the post-production.

Deleted scenes

Fred Dekker solo commentary

Cast commentary featuring Atkins, Whitlow, Marshall and Lively

The original theatrical ending

Trivia Track

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It all starts out with a beautiful black & white prologue at Corman (nudge nudge) University in 1959. Some "creeps" (disgusting little things) come to Earth and attack a young man (they get in through your mouth, turn you into a zombie and plant other "creepers" that shot out of the mouth to infect people). He is caught and frozen solid and (for some reason) kept at the university. Then, in 1986, two friends Chris Romero (nudge, nudge)(Jason Lively) and J.C. (Steve Marshall) unwittingly revive him. He wakes up and attacks the university. Soon, it's overrun by the things--it's up Chris, J.C., Cynthia Cronenberg (nudge nudge) and Detective Cameron (nudge nudge) to battle them.

As you can see this movie doesn't take itself seriously for one moment. Heck, there's even a cameo from Dick Miller! And it IS very funny (especially some of J.C.'s lines). But it doesn't shy away from blood and gore--there's PLENTY of that. And it is creepy (sorry) more than once. They even break one of the rules of horror films--POSSIBLE SPOILER AHEAD--a sympathetic character (I won't say who) dies and it's actually one of the film's more unpleasant moments (you don't see it but you HEAR it). As 83 minutes it doesn't overstay it's welcome and ends with an all out massacre (I'm REALLY surprised--and pleased--that this got an R rating). There are some gaps in the plot (things happen way too quickly and characters just automatically correctly guess what's going on) but this is a small quibble.

I saw this back on video in 1986 after Fangoria magazine raved about it. I loved it--then it disappeared. I never even saw it again until today! Here's another great movie awaiting rediscovery. From what I heard Sony owns the rights--hopefully we'll see the DVD someday.

A fun, scary, gory movie. A 10 all the way! "The good news is that your dates are here. The bad news is they're dead!"

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Harold & Kumar (Harold & Kumar Go to White Castle / Harold & Kumar Escape from Guantanamo Bay / A V

Harold & KumarMy husband loves the Harold and Kumar movies, so when I saw that there was a Blu-ray edition out with a collectible metal case, I was thrilled! He had them on DVD and is slowly swapping his movies from DVD to Blu-ray. I bought this for him for Christmas and it he loved it! My only problem is that the metal case was slightly dented... but that probably happened during shipping.

i love this movies harold and kumar are so funny and this box set is great. so happy i found it

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Hysterical to say the least. The 2 stoners are back for more adventure. I met Kal Penn a long time ago but he was so cool it's not even funny. So I guess you could say I have a connection with the Harold and Kumar series. I enjoyed every minute of it.

Plus the hot girls in it didn't hurt LOL

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This blu ray bundle features all three harold and kumar movies (harold and kumar go to White Castle extreme unrated, escape from Guantanamo bay unrated edition, and a very harold and kumar Christmas extra dope edition). Bundle includes some air fresheners as well and some White Castle coffee table coasters.

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The air fresheners make me want to go to white castle and bring waffle bot with me. Blueray is nice though.

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Woochi: The Demon Slayer (2009)

Woochi: The Demon SlayerLong ago there were demons locked in the heavens guarded by a person playing a magic flute. The demons escaped and came to earth in human form, the flute likewise came to earth. The demons are in human form looking for the flute. Meanwhile there are two rival Tao groups after the flute wanting to contain the demons.

The story becomes complex. One "self taught" Tao Master in Jeon Woo-chi (Dong-won Kang) who likes to play tricks and seeks fame against the basic Tao code. There is also a woman who doesn't like needle work, and a man who acts as Woo-Chi's horse, but is really a dog. There are three Shinsuns who work for the opposing Tao master. Oh yeah, there is a bronze sword too.

The film contains magic and illusion. It freely mixes the two. It takes place 500 years in the past and the present. It has magician battles, gravity defying moves, CG monster effects, and some humor. The modern Woo-Chi assumes the clothes of the "King of Pop."

The English translation sounded like a bad spaghetti western. The deleted scenes are in Korean with subtitles available. Like many eastern films, it is easy to lose yourself in the characters and story so you must pay attention. This film isn't for everyone.

Parental Guide: No f-bombs, sex, or nudity. soft 4 stars

There are Asian films that do not surprise me at all as to why and how they became so successful in their native country. However, there are those that do make me wonder why they became successful in the first place. I do understand just how sometimes the transition of a film from one country to another is not that successful, since several factors can become lost in translation. Well, I guess this may be the case for "Woochi the Demon Slayer" (aka. Jeon Woo Chi: The Taoist Wizard), I can see how it can be one of those crowd-pleasing affair that usually makes a good box-office return in Korea. Despite the fact that it is the kind of movie I would usually like (magic, special effects and ancient legend), I found Woochi to be a little too uneven, and would've used a lot of smoothing over its screenplay.

Mixing up Korean folklore and Mozart's "The Magic Flute", "Woochi" is a film that injects martial arts, a different turn for its devices, and adds a lot of special effects to drive its story. The film begins in the past where magic and evil spirits are set in a place of power, there lies a magical flute that could control the beasts. Lost in time, the flute has fallen into the hands of one of the evil ones and in the guise of humans, the beasts have been released to wreak havoc upon the world. Now, 500 years in the past, the flute is sought after by many as it can change the balance of power. Among those who seek the flute is Jun Woochi (Kang Dong-Won), who has been tasked by his master (Baek Yoon-Sik) to recover the flute. Woochi is such a trickster that he got the attention of another mystic, Hwadan (Kim Yoon-Seok) and his three Taoist wizards. This sets forth a series of events that ends with Woochi being blamed for his master's murder and the lost of the flute.

Now in the present, Woochi has been awakened along with his companion, the dog-horse-human Chorang-Yi (Yoo Hae-jin) to try to combat the chaos being brought forth by the beast-spirits in exchange for their freedom from the Taoist scrolls. What begins as a hunt for goblins and spirits in the guise of humans, has become more of Woochi trying to get used to this strange new world. He also meets a woman (Im Soo-Jung) with a familiar face from his past, as his new adventure begins...

The screenplay of "Woochi" makes a good move in creating a story that happens in between two different timelines, that even part of it happens within a painting. I do appreciate the efforts written in by Choi Dong-hoon (who also directs), as it deals with Woochi's origins up till the 47 minute mark. To try and reach out to its viewers, it tries to explain a lot and sets its groundwork, but the efforts feel a little impenetrable as two timelines collide in its screenplay. Choi Dong-hoon did an exceptional job with "Tazza The High Rollers" and "The Big Swindle", here he tries to depart the crime drama genre, and instead does a film that relies on fantasy elements and special effects to dictate the flow of the screenplay. The result is a little incoherent for my tastes (sure, it worked in his other movies), and while it does have that quirky, goofy allure that can appeal to its viewers, much of the film made little sense. It is intentionally cartoonish as it transitions from one scene to another. It jumps around with very little development of the devices in its plot, and the viewer is left to take in its quirky charm and forget coherency in its script. Think of it as an anime feature on steroids.

It is also filled with outrageous character performances and decent stunt work. When the film does get going with the action sequences, it does get going. The choreography has that hyper-stylish editing that have become the staple for Korean fantasy films. People fly around (with the impressive wire work) as the camera work goes in and out of the fights. The editing is pretty good and the set designs are impressive. The battles utilize the effects to its maximum impact. Martial arts and magic are always good things to watch, and "Woochi" is no different. Though a little too stylish for my tastes, and the fights did have the right intensity for its tempo. I do have to say that while most of the CGI were good, there were times that they looked rather soft and you could tell that they were fake. There is one ugly giant Rat-like creature that fights like a human, another who seems like a grotesque looking Easter bunny, but they were all for show, and the "how" and "why" of how these ghouls appear as such were never developed in the script.

Now, despite its flaws, the film does manage to entertain. The quirky and goofy humor did make me snicker quite a few times. Yoo Hae-jin and Kang Dong-Won connected in their roles and their antics can be funny. The three Taoist wizards also gave some good bits of humor, and Yeom Jeong Ah and Im Soo-jung served their purpose. Actress Kim Hyo-jin also makes a welcome cameo. Baek Yoon-Sik also managed to become a good baddie, despite the fact that he was a little too underwritten. The performances were a little crazy to balance out with its tone and cartoonish flow.

The best way to describe "Woochi The Demon Slayer" is a breezy, comical and frenzied entertainment that one needs to surrender to its outrageous execution and forget absorbing the details of the plot. It is a little hard to follow, but it is rather unique. Outlandish action, comedy and oddball characters are helped along by its manic editing and good special effects. If you pay too much attention to the script then you will see a lot of holes, so the best way to approach it would be to just accept it for what it is. Think of it as a trip to a "Fun House" where logic barely makes sense, and allow your senses to take you for a ride. Timid Recommendation to fans of Korean cinema and a RENTAL to everyone else. [3 ½ Out of 5 Stars]

Picture Quality and Audio: Fantastic picture transfer and DTS-HD sound. It also comes with an English dubbed version as well the original Korean language with excellent subtitles.

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A friend had introduced me to the movie and I absolutely loved it but couldn't find it again for some time. At that point I was ready to give up until I found out that Shout factory was releasing an official US Version. It was worth the wait and I pre-ordered to get it right as it came out. If you don't want to pay over $20 for the movie plus S&H then I suggest going to an exchange where I've seen it as low as $10 or less. I personally enjoyed the movie and watch it over and over and it helps that the main actor reminds me of Micky Yoochun too but I'd still watch it if he didn't.

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The American version is CUT shorter than the original. The Korean release is 135 minutes, this cut from Shout Factory is only 115 minutes. The info on Amazon is not correct. I almost made the mistake of purchasing it.

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Four Lions (2010)

Four LionsOne of those films that took me by complete surprise, `Four Lions' is a pitch perfect `dark comedy' that delivers one laugh after another with an unexpected touch of poignancy that elevates the material to create something special.

`Four Lions' details the haphazard terrorist plot conceived by five dimwitted Jihadi suicide bombers. Mainly focusing on three conflicting personalities (Omar, Waj and Barry), `Four Lions' takes a stab at the root (or roots) of terrorism; exposing the allegiance and trivial stupidity that steeps itself in the act. Omar and Barry butt heads from the start. Both are leaders (self-proclaimed as they may be) and both expect a degree of servitude. Omar is arrogant, considering himself superior in intellect (and most likely he is), while Barry is abrasive and condescending in his own right; using his brutish demeanor to demand a faux respect. Waj is more of a simpleton; completely confused by his own allegiance. He wants to believe in something but he can't commit his heart to their actions. Instead, he becomes a pawn; taken advantage of by the more dominant personalities. By focusing on these three characters, `Four Lions' shows the polar sides of terrorism; the way that influence can overtake both and strong and the weak. As these characters devise their plot against oppression, they struggle to explain themselves and thus struggle to convince themselves that what they are doing is really the right thing to do.

As an intellectual piece, `Four Lions' is far smarter and deeper than one may expect. It is a blatant farce, an unapologetic comedy and yet it is laced with such stark realism. That said, it is the comedic shamelessness that really makes this film so incredible. The script is one of the best I've seen put to use on the big screen in a long while. The sharpness of the dialog is perfectly complimented by the visual antics. The explosions never lack in comedic weight, and the one-liners delivered are side-splittingly hysterical.

"I'm not confused brother! I just took picture of my face, and it's deffo not my confused face."

The repartee between the actors is also borderline genius. Everyone totally gets their respective roles and they go `no holds bar', attacking the characters without hesitation. Best in show props go directly to Nigel Lindsay, who layers Barry's ignorance with such undeniable wit. He's pitch perfect in every scene.

In the end, I can't recommend this movie enough. It is controversial, sure, but it understands how to approach the subject so as not to `cross the line' while simultaneously `crossing it'. Taking jabs at both sides of the `war on terrorism', `Four Lions' feels real and authentic despite the outlandish nature of the whole thing. It's preposterous, but on the other hand it's so crazy it just might be true!

Chris Morris co-wrote and directed a very dark, shockingly wicked, tour de force about four inept British would-be suicide bomber jihadists. This ferocious farce grabbed me immediately. Terrorism can be as much about idiots as ideology. Here's a brilliant film that does not flinch or blink in the face of the horrific reality of our times. Can urgent truth be funny? Yes. Time called it "The blackest, ballsiest political comedy since DR. STRANGELOVE." Can mockery and ridicule dilute hate? Maybe. Maybe not. But laughter sure can. Is Allah laughing?

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I was mostly bewildered the first time through this film. The Northern English dialects, often intermixed with other non-English foreign accents and naturalistic speech made the movie all but incomprehensible. Parochial cultural references (Not TJ but TK Maxx, Rubber Dinghy Rapids, Mr. Bean), British slang (slags) and a sprinkling of Arabic (kuffars, wasalaam) also hindered understanding until I got around to looking these things up. However you can find the English subtitles on the Web. The subtitles were faithful to the dialogue but you'll probably have to adjust the synchronization. All that extra effort will pay off. FOUR LIONS is very funny and the comedic acting and timing are superb. The two exceptions were Hassan and Omar's wife, who showed in their facial expressions that they were in on the gags.

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Note: Paragraph 2 is a synopsis, and only paragraph 5 that contains spoilers.

Four Lions is a daring little comedy with balls of iron. Using terrorism as a source of comedy maybe one of the hardest methods to make people ponder about this important issue. Especially the way that Director Chris Morris pursues the subject, one often fears that the topic may be used as the butt of jokes, and form a debased comedy. I have no clue how Morris does it, but he never crosses the moral/ethical line of GLORIZING the terror or demeaning the victims.

This comedy is based on a group of extremist Muslims who decide to demonstrate in the face of all this consumerism and corruption of the West, the beauty of their religion by commiting horrible deeds-that in their eyes are nothing but noble. Take note that they are from Sheffield, England. Four of the men are identifiably Muslim, but one stands out like a nerd on the football team. He is a white convert to Islam, and the most radical, impatient, and extreme of the pack-trying to convince them to attack a Mosque. Two members, Omar and Waj, get sent to a terrorist training camp with disastrous result-keep watching after the credits to understand the extent of their tragic contribution. After returning, all five, which includes the new recruit Hassan, decide to find a target to express their rage.

These are not organized or trained newbie terrorists. They act independently on their dogma, and hilarity ensues. They are also quite well rounded, unlike the terrorist picture many of us may imagine: isolated people lacking in friends, and lovable family. Omar, for example, has a son, wife, and quite a large group of friends-many which are British. They have no detailed philosophy besides the idea that this consumer Western society is corrupt, and needs to be punished. There is almost no discussion of Bin Laden, Al Qaeda, or any terrorist organization. However, They strive to be Jihadists, and ascend to Heaven. It's that simple in their eyes. No discussion of their victims ever take place, and for good reason. These characters are simplistic in their desires, so even a superficial thought of their victims innocence may thwart their plans.

Chris Morris reportedly has done years of research for this film, predating the 7/7 London Bombings. Unfortunately, we don't see the fruits of his research directly on screen. If his research finds its way in to the final cut of this film, it must be very subliminal because I could not see any evidence that this was deeply researched. Due to his research which included collecting personal account from countless different sources, it seems that Morris at parts is unable to shed light on the emotional aspects. Truths that are self-evident to him are not necessarily evident to us, and certain aspects require more emotional investment.

Many examples of such emotionally ambivalent scenes are spread throughout the film, however they are most evident during the scenes involving Omar's family. Of Course, Omar's son does not know about his father's true intents, but he is teaching his son the moral reason for his task through Disney's Lion King. After their overseas debacle, he explains to him that Simba must lie for now until he can accomplish his true goal. These intimate scenes are done well, as we begin to realize that these men are not hopeless young teens without futures. One of the most out of place scenes occurs after Omar deserts his fellow brothers, disappointed and depressed about their plans. His wife's word about his plans, and eventual demise, are so cold heartedly encouraging that we suddenly recall this is a piece of fiction. She seems to be actually encouraging and advocating his plan, clearly aware that its execution will leave her without a husband, and her son a father. Before this scene we saw these two adults use a water gun to force a friend out of their house. They may share the same ideas about the "depravity" of Western culture, but they are a loving couple. Morris, in this scene, makes the woman out to be absolutely heartless about her husband, and maybe ready to get rid of him by granting his services to the Lord in Heaven. This scene is made all the more preposterous by the inclusion of their son in this conversation. Another complaint maybe that the wife is simply a foil character with nothing worthwhile to express. As said before, Morris has done much research on this topic, and maybe the families of terrorists are as "open-minded" as this, willing to give up their husbands, and parents in the Lord's service. Even if this is the case, Morris needs to stray from his facts, and show more compassion in these scenes, or progress to this line of though gradually, not spontaneously.

Four Lions also suffers from a smug sense of profundity. It often feels that the film believes besides laughs it is giving us an earnest and deeply insightful view about terrorism. Whenever Morris decides to make his work more insightful, the comedy suffers drastically. True, we are talking about people blowing themselves and others up by explosives, yet a truly comedic tone fits this successful premise well. The film's serious moments are so far and in between that they never make the impact that he desires. A prime example is the concluding scene when Omar wants to make Waj, one of the co-conspirators, to give himself up. When this fails, Omar marches in to a pharmacy completing his mission. This serious scene steals from the comedy of the four men running around for twenty minutes in preposterous costumes ranging from Honey Munster to an ostrich. After this, a somber songs begins that is truly not in the spirit of the film. I believe Morris believed he had made a serious statement, like the one at the beginning and conclusion of American Beauty. Four Lions loses it's touch, and becomes somewhat disjointed from its black comedy elements when it choses to take such a drastically different route.

Despite all this criticism, I found Four Lions to more insightful and original than most current comedies distributed in the last few years. Morris of course does not succeed in all his goals, but miraculously saves himself from much criticism that his Brass Eye series received in the last decade. He looks at the issue at a very specific angle which makes the comedy, despite the subject, extremely funny. His characters are somewhat stupid and carless which are necessary elements for a film on such a bleak subject. If only the bomber's of 7/7, and hijackers of 9/11, were as independent and clueless as these men are, the victims of their actions would be miniscule in number.

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*** THIS REVIEW IS FOR THE BLU RAY VERSION ***

Five twenty-something lads from Sheffield wanting to be Afghan terrorists on British soil is not exactly an easy sell for a film even for the most liberal minded of viewers. This is the kind of material that walks a thin line between black humour and the need to tell the truth no matter how offensive or uncomfortable it may be. But "Four Lions" 'so' works. Written and Directed by CHRIS MORRIS his debut is an edgy risk-taking movie and absolutely chockers full of laugh-out loud moments and for all the right reasons...

It goes like this the constantly babbling, but worldly naïve Waj is easily influenced by the disillusioned but far more radical Omar (Kayvan Novak and Riz Ahmed). Both 'brothers' want to do 'God's will' which they believe is to become Mujahideen soldiers and start their own Islamic Jihad somewhere in affluent materialistic England. They essentially want to blow something up. Helping them away from Western materialism and Chicken McNuggets is the self-appointed cleric Barry (a fantastically funny turn by a scene-stealing Nigel Lindsay). Barry rabbits on about 'surveillance protocols', eats SIM cards and once planted a 'twin towers' cake in a local mosque to incite the faithful. Rolling under garage doors like an SAS commando and sidling up to people's porches likes he's Jason Bourne Barry is convinced that a passing mother and child is a cop and the American Feds are watching him on satellites in space. Barry is the worst and most boorish of the five. A converted white man and bearded radical, he is full of nice things to say about open-mindedness like "...we've got women talking back bruv! We've got people playing stringed instruments!" Barry orders silver nitrate from Amazon and wants to "Boom! Fast track to final days! Proper war!"

Thrown into this pool of misguided idiots is the slow and permanently bewildered Faisal (Adeel Akhtar) a hapless bomb-maker who stashes thousands of bottles of hair peroxide in his lock-up. Fassal wants to attach detonator devices to crows and fly them into Government buildings (hence the poster). Last but not least is Hassan (Arsher Ali) an on-the-fence believer who wants to go 'proper' Afghan. Hassan talks the lingo about 'a new purpose in life' but Omar suspects that maybe he doesn't have the balls to actually do the dirty deed. None of them do. It's all a big game to the other four and Omar will need to make it 'real' this time. Plots are hatched in the bedsit above the men's shop Bolby Tailoring, rocket launchers go off backwards and Omar's microwave oven gets sacrificed in the name of the 'cause'. And on the mayhem goes to the London Marathon of 2010 where they're dressed as chickens with something more than lean cuisine beneath their feathers. But of course it stops being funny very, very fast when the consequences and repercussions of what they're doing becomes all too real...and they get more than hurt...

How do you deal with extremism humour is one weapon Chaplin knew this. But part of this script's genius is to go deeper into the monster's psyche to show us how 'religion' seriously screws with a person's moral compass especially if that belief system has an 'our way is the only way' core mentality. There is also the lure of power the power of a gun how it gets you noticed even respected. And of course that's amplified if you're prepared to have a bomb strapped to you and seek martyrdom.

The danger in all this is that despite the film's best intentions Muslims are tarred with a terrorist brush but the writing is smart enough to address this and even deal with racism among their own ranks by slagging both off with real skill. Subtle touches include Omar receiving an e-mail at work (he's a security guard) telling that his trip to the Pakistan is in 2 days time (spy talk for a training camp). He tells his boss he's attending a 'shotgun wedding' and if you look real close you'll see that the e-mail address is hilaryclinton055.

Housed in a fetching book package, the BLU RAY picture quality varies from very good on the indoor sequences (bedrooms, cafes and sheds) to crystal clear and superlative on the outdoors shots (Afghanistan hills, London streets). As the dialogue is all Sheffield in Northern England and comes at you fast and furious, the lone ENGLISH SUBTITLE will probably be more than handy for overseas viewers. The extras include DELETED SCENES and 2 featurettes. The deleted scenes are short, but wickedly funny, while the 2 featurettes are unrelated to the film itself, but act as background to the project. First is a real-life documentary called "Lost Boys" which follows 4 Pakistani lads in a car as they drive around their hometown of Nelson in Lancashire. They talk of fights, racism and persecution nothing to do every night. You can just see how they're ripe for recruitment. The 2nd is even stranger an interview with Ahmad who is a white lad accused of Muslim extremism and arrested under the Terrorist Act. He shows paintings that express what he feels about Islam (deeply loves it). Neither feature makes judgements but they do give you insights into why stuff happens...

To sum up with our media and politicians locked into a sort of sickening and stifling political-correctness of late material like "Four Lions" is refreshing to say the least and even a bit brave. And the fact that you're laughing so much for three quarters of the movie, but hurting with sadness at the end is testament to its heart. It elevates "Four Lions" above clever froth into the realm of something that stays with you and makes you think and reassess...

I loved this film. And Film 4, Wild Bunch and Optimum Releasing and all associated with "Four Lions" are to be praised to the nines for it.

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