Showing posts with label comedy movies bollywood. Show all posts
Showing posts with label comedy movies bollywood. Show all posts

Arthur (Movie-Only Edition) (2011)

ArthurWhenever a remake is released, comparisons to the original are inevitable. Most people tend to go for the original and remakes are rarely as well liked. The 2011 "Arthur" is a good movie though.

Brand is a comedic actor with unique talents but they fit this role like a glove. He is onscreen virtually every minute and it is on his shoulders this movie rests. His "Arthur" is a more a fun loving playboy than Dudley Moore's sloppy drunk and that is a good thing. No one could top John Gielgud's Oscar winning peformance as Hobson but Helen Mirren does a good job nonetheless. The rest of the movie is well cast although in the original, the father of Arthur's poor lover got off some of the funniest lines of the movie and here, he is mostly invisible.

I don't know that this is a better or worse movie than the 1981 original but it is an enjoyable film. Brand is funny and believable and his charms are just right for this version of "Arthur".

Short attention span summary:

1. Russell Brand does the best that he can do to fill Dudley Moore's shoes. No longer a loveable slushy drunk, Arthur's now a wild boy child, throwing money around doing his best to ease the recession (and possibly share a few std's along the way).

2. Helen Mirren gets caught between the moon and New York City as she lovingly rolls her eyes at his antics and then makes it all better with a stern look and a snappy comment.

3. Greta Gerwig plays his first real love interest (not counting Helen Mirren's character,Hobson), an aspiring writer of children's books by night and an illegal tour guide by day. Her character, Naomi, turns his heart around, and next thing you know, he's closing down the town (or at least Grand Central Station)

4. His fiancée Susan (Jennifer Garner), her dad (Nick Nolte) and his mom (Geraldine James) compete fiercely for the "most unlikeable" award. I know it's crazy, but it's true.

5. Bottom line is that this is an "okay" movie, barely nodding to its predecessor with one short burst of the melody of the original theme song, but at the end of it, you'll wake up way across town and find it's not still with you.

Amanda Richards, July 8, 2011

Buy Arthur (Movie-Only Edition) (2011) Now

The world was not clamoring for an update of the Oscar-winning "Arthur" (1981), but Warner Bros. didn't listen. Russell Brand delivers zero laughs in the Dudley Moore role, with Helen Mirren a decidedly bizarre choice to fill the shoes of John Gielgud. Sitcom director Jason Winer gives the 2011 version a predictable made-for-TV veneer. Best that you can do . . . is avoid.

Read Best Reviews of Arthur (Movie-Only Edition) (2011) Here

We are huge fans of the original films! Remakes dont usually live up to your expectations but this was a cute film the whole family can enjoy.

Want Arthur (Movie-Only Edition) (2011) Discount?

Loved it! You need to have a bit of a dark sense of humor to find this movie hilarious.. I am a huge fan of russel brand so his performance in this movie didn't surprise me one bit. He's a genius in my book. Loved all the characters.. They all tied the movie together brilliantly. It's sort of a chick flick in its own twisted way, so I wouldn't recommend it to guys who don't care for chick flicks. I am very interested in seeing the original version of this movie.

Save 79% Off

The Informant! (2009)

The Informant!In 1992 Mark Whitacre, the President of Bio-Product division of ADM (powerful Fortune 500 company), became the highest ranking executive EVER to turn whistle blower. For three years he helped the FBI gather evidence of a multinational conspiracy to control the price of lysine. As a result, US government collected hundreds of millions of dollars in fines from ADM and foreign corporations, followed by prison sentences for three executives. These are events in real life as well as the movie. However, according to the opening credits, the film is not intended as a documentary and does depart from real life facts... The final, cheeky line of the prologue: "So there!", gives us a hint that, though the topic and the consequences suffered by many in this story are somber, what we are about to see is meant to amuse and entertain, as well as educate...

As promised, the chuckles do come often, but their source is not your typical one liners. Matt Damon is Whitacre, an inspired choice for the role. His plump, mustachioed and toupeed character comes across so harmless and ordinary you never question why his actions go undetected; even as his concealed recording equipment loudly malfunctions during a covert multinational executive meeting! You laugh at the bewilderment of FBI agents and the DA's office as they are led by the nose by Whitacre's increasingly outlandish antics. One could say "The Informant!" has the educational quality of an Aesop's fable: blinded by their desire to swallow a tasty morsel (ADM), the agents cross their fingers and fail to run even the most basic checks on their informant; checks that would immediately reveal inconsistencies in his stories (such as the true nature of his parentage, for example).

The film is not perfect. Based on the way it was being advertised, I expected something in the same category as "The Pink Panther". In reality, one would not be wrong to describe it as a combination of "A Beautiful Mind", "The Insider", and "The Duck Soup" (Marx Brothers). Sadly, "The Informant!" never quite becomes as touching, thrilling and funny as those films were, respectively. The makers allow it to drag on a bit in the second half as Whitacre's behaviour becomes absurd. The logical explanation for it all arrives only after our initial keen interest has already begun to dissipate. I also hear some grumblings about the film's muted lighting. Since most of the action takes place in offices and hotels, I believe the lighting is true to reality. Anyone who has spent at least one work day in a cubicle, understands how oppressive that atmosphere can be. Despite these possible faults, Whitacre's story and Damon's performance make "The Informant!" worthy of at least one theater trip. Depending on your personal approach, you will see a funny thriller or... a thrilling comedy. Either way, expect to be entertained!

PS: BRAVO! to the filmmakers for sticking to a relatively modest budget ($21 mil)! I am sick of paying to see worthless films with budgets that could bankrupt the economy of a small country.

Having grown up just a few miles from where the events of THE INFORMANT! took place (though I was just a kid at the time), I may be rather partial to the film; after all, Matt Damon and much of the supporting cast has the personality down pat, with a few aside-jokes that definitely capture the atmosphere of East-Central Illinois. But you don't have to be from here to appreciate the film's humor; you just have to be patient.

Why? Because THE INFORMANT is a slow burner. It's the story of Mark Whitacre, who decides to blow the lid on some illegal doings at the corn-processing plant where he works. Whitacre, however, is anything but the ideal witness--but it takes about two-thirds of the movie to find that out. Kudus to Joel McHale and Scott Bakula as the FBI agents in charge of Whitacre's case, and Soderbergh for actually making a movie of this; and a tip-of-the-hat to Matt Damon, who turns in a nuanced performance. But the character doesn't really build until the third act, which is the when the movie turns from humor to poignancy, and we realize the real tale here.

The thing is, it's just hard to forgive THE INFORMANT its slow build-up. Real hard. It's worth the effort; a lot of the humor is subtle, and the film progressively gets darker, until you realize this isn't a feel-good comedy after all. But it takes so long getting there, a large part of the audience is bound to stop caring. Thus, THE INFORMANT! is for patient fans of comedy (of which there are painfully few today). If nothing else, see it for Damon's spot-on performance; he and Bakula especially are taking this film and running with it, for better or worse (mainly better).

Buy The Informant! (2009) Now

Intro: This is a review of the movie as an experience. Look elsewhere if you want an overview of the story, or how well the movie reflects actual events and people.

For those who would be satisfied with a movie that was simply a collection of goofy and absurdist scenes, I expect that the pacing here is much to slow to be satisfying, although in the second half it becomes noticeably less slow.

For those expecting more, the basic problem here is with how the lead character Mark Whitacre (Matt Damon) is portrayed. It is immediately reminiscent of the William H Macy character in Fargo: A doofus in over his head who is flailing about. However, in Fargo there was a progression to that state--here it starts at that point and doesn't change much.

Even without the Fargo baggage, the Whitacre character is too big a goof to be sympathetic or funny. My first impression was that he was an incompetent bottom level manager. When he was identified as a top manager, I couldn't help but think of him as a fraud, thereby undermining everything that was to come. In addition to his being a fraud within the movie, it was a fraud on the audience: Such a personality would never have gotten a PhD (from Cornell), much less risen so high in a major corporation (most people forced to work with such a person would be screaming and throwing things at him before the end of the first day).

The core of the movie's story is the revelation of a series of deceptions and lies. The typical dramatic treatment, whether serious or humorous, is akin to a roller-coaster: It elevates your confidence that you know what is happening, then suddenly puts you into free fall, adding twists and turns to increase your disorientation. You start to climb out of that, only to be hit by additional drops. This movie has no such drama: It just goes gently and slowly round and round, the tone being closer to enumerating the lies than to revealing them. Perhaps Whitacre was intended to be played by an improvisational comic who was expected to fill in such texture?

As a movie, the significant story elements should have been _seen_ and not merely commented on by characters. For example, Whitacre is presented as being maniac-depressive (bipolar), but we never _see_ that roller-coaster of emotions--the portrayal is very flat. At the very end, statements of various characters provide some evidence of this (Nigerian scam, compulsive over-consumption). Additionally, when part of the story is whether his underlying mental problems were triggered or exacerbated by his role as an informant, how could they not show this, but simply comment on it at the end?

The script has characters _saying_ that Whitacre is brilliant, but I remember only a couple of scenes where he _appeared_ even mildly clever.

We are _told_ that even after all the revelations of Whitacre's crimes and lying that some of the Feds (FBI and prosecutors) strongly advocated clemency for him, but from the movie, I couldn't guess why. And during the extended investigation, there is no sense of the passage of time--other than dates being flashed on the screen. Nor do we _see_ the stresses on Whitacre: The script trivializes his risks and sacrifices by consigning them to asides in the disconnected goofy scenes that constitute this movie.

This movie seems to have been intended to be both funny and interesting, but is neither.

Read Best Reviews of The Informant! (2009) Here

My daughter and I went to see The Informant, staring Matt Damon. We loved it. It was very entertaining. I have to say that we got a lot more out of it because we listened to the episode on NPR's This American Life about Mark Whitacre, the real-life character upon which this movie was based. The movie is not as detailed as the story, for obvious reasons.

The Informant's Executive Producer is George Clooney. Directed by Steven Soderbergh, The movie version of this true story manages to put a somewhat humorous spin on a very serious subject corporate corruption. Matt Damon does such a great job acting here, that you never really think of the character as Damon acting. He even gained a bunch of weight to get a middle aged spread for the role, a common thing for actors to do these days. The rest of the cast was excellent as well, including Scott Bakula and even the Smothers Brothers!

Imagine a corporate executive (Whitacre) who goes to the FBI (because his wife says she will if he doesn't) to turn in his colleagues at Archer Daniels Midland Company for price fixing. Whitacre becomes an informant for several years working magic for the FBI, completely fooling those who work in his company as well as business associates from around the world. But of course there's a twist. Whitacre is not being completely honest with the FBI, his wife or himself. Despite all this he is a brilliant and totally likeable guy.

You'll walk away from this movie saying to yourself, "OMG, this is a true story, and Mark Whitacre is a real person, a sociopath who has no trouble lying to the FBI!" You'll also be thinking about how much we don't know about the companies America relies upon for food and other essentials and just how corrupt corporations can be. Oh yeah, and you'll be pondering just how it is that a man's wife can bear to stand by him through a lifetime of lying and cheating.

So either read the book or listen to the NPR This American Life episode about it, and then go and see the movie. It will make you think a lot about corporate America, the stocks you buy and your hard-working corporate executive friends. Do you really know who they are?

FYI Children under 14 will likely not be too interested in this movie, unless of course they are fascinated by corruption or American business.

Want The Informant! (2009) Discount?

Ever in the mood for some decidedly offbeat entertainment? Sure; we all are, from time to time. How many shoot-'em-ups and car chases and rom-coms can we take to begin with? For an eccentric changeup I recommend the quirky THE INFORMANT!, a (slightly) dark comedy about an "Aw shucks" nerd who helps bring down an international price-fixing cabal (on food derivatives, for cryin' out loud). Based on a true story, this movie quietly entertains while giving the viewer a sound dose of corn pone (pun intended).

THE INFORMANT! is carried delightfully on the pudgy shoulders of Matt Damon, playing ADM junior exec Mark Whitacre. Good ol' Mark looks like someone you would rub elbows with at an ice cream social, and his sophomoric view of the corporate world is matched only by his cluelessness. Cooperating with the FBI (he gets wired) he gathers evidence to put his coworkers away. . .then expects his employer to reward him for his efforts. And Damon does all of this with a quirky, "gee willickers!" delivery that had me in stitches; as the movie grows even darker--with Whitacre growing ever more delusional--the jaw-dropping, disbelieving looks of his FBI cohorts (Scott Bakula and Joel McHale) are priceless. Four stars instead of five, due to needless meandering; THE INFORMANT! indeed proves that quirky can be good for you.

--D. Mikels, Author, The Reckoning

Save 37% Off

Pierre Etaix (Criterion Collection) (1971)

Pierre EtaixPassionate music lover since he was a child and of circus world and influenced by the silent screen comedy artists he love Langdon, Keaton, Laurel & Hardygreat french comedy master Pierre Etaix started his cinematic career in a brief cameo scene of Robert Bresson's Pickpocket and at the side of also comedy genius Jacques Tati. Painter, professional clown he shared stage with Charlie Rivel in the Medrano, joined Tati at the Olympia, on his show "Jour de fete", became a popular comedian on his country working first in famous salas like "Le cheval d'or" and then with his wife Annie Fratellini as comedy couple and graphic artist he drew between others the film posters of Tati's Mon Oncle and Les vacances de Monsieur Hulot he jumped into film direction and the filming of his own stuff joining Jean-Claude Carriere whom Etaix considers his script writing teacher in the short film Rupture(1961),co-directed with Carriere himself. Tagged sometimes as the french Buster Keaton one of his most beloved and admirated comedy artists with Stan Laurel and Charlie Rivel -probably for his precise "mise-en-scene", exquisite and very calculated sight-gags and his way of acting Etaix joins in his films slapstick, classic circus routines and acrobatic bits with sophisticated comedy in films plenty of surreal visual invention. His movies also shine for his great taste for the coreographic visual gag and the funny, very creative use of sound and music. This DVD/Blu-Ray collection as the previous french edition collects all the flicks of Etaix as director five feature films and three shorts: Rupture, Happy anniversary and his episode bit and tribute to Hulot "En pleine forme", added originaly by Etaix, with the other 4 comedy sketches, to his first montage for the 1966's premiere of "As long as you're healthy", and later delated for the 1971 re-release. After a long legal battle (20 years) at the side of his friend and usual film collaborator great french scriptwriter Jean-Claude Carriere for the recovery and exhibition of his films, Pierre Etaix extraordinary films has been shown again at the film theaters and finally edited in DVD in what has been in only few years a metheoric resurrection and recognition of the art of this true comedy genius. A wonderful chance to see in wonderfuly restored copies his absolute feature films masterworks: Le soupirant his feature film debut as director with a plot that reminds in some parts to Buster Keaton's Seven chances -, and YoYo Etaix's personal favorite and a very beautiful tribute to circus world -, so as his great films Le grand amour that contains a delightful dreamy scene in which Etaix's bed goes out of his bedroom taking off down the road, stopping to pick up a gorgeous nightied hitchhiker and passing other beds stopped for repairs, having accidents... -, the episodes movie "As long as you're healthy" that contains between other brilliant comedy sketches a bedtime Hammer style vampire story and Pays de cocaigne, a satyrical candid camera documentary shot after the events of May 68 and focused on french people vacations that was surprisingly punished by the critics, stopping during many years Pierre Etaix's film career.

Passionate music lover since he was a child and of circus world and influenced by the silent screen comedy artists he love Langdon, Keaton, Laurel & Hardygreat french comedy master Pierre Etaix started his cinematic career in a brief cameo scene of Robert Bresson's Pickpocket and at the side of also comedy genius Jacques Tati. Painter, professional clown he shared stage with Charlie Rivel in the Medrano, joined Tati at the Olympia, on his show "Jour de fete", became a popular comedian on his country working first in famous salas like "Le cheval d'or" and then with his wife Annie Fratellini as comedy couple and graphic artist he drew between others the film posters of Tati's Mon Oncle and Les vacances de Monsieur Hulot he jumped into film direction and the filming of his own stuff joining Jean-Claude Carriere whom Etaix considers his script writing teacher in the short film Rupture(1961),co-directed with Carriere himself. Tagged sometimes as the french Buster Keaton one of his most beloved and admirated comedy artists with Stan Laurel and Charlie Rivel -probably for his precise "mise-en-scene", exquisite and very calculated sight-gags and his way of acting Etaix joins in his films slapstick, classic circus routines and acrobatic bits with sophisticated comedy in films plenty of surreal visual invention. His movies also shine for his great taste for the coreographic visual gag and the funny, very creative use of sound and music. This DVD collection as the previous french edition collects all the flicks of Etaix as director five feature films and three shorts: Rupture, Happy anniversary and his episode bit and tribute to Hulot "En pleine forme", added originaly by Etaix, with the other 4 comedy sketches, to his first montage for the 1966's premiere of "As long as you're healthy", and later delated for the 1971 re-release. After a long legal battle (20 years) at the side of his friend and usual film collaborator great french scriptwriter Jean-Claude Carriere for the recovery and exhibition of his films, Pierre Etaix extraordinary films has been shown again at the film theaters and finally edited in DVD in what has been in only few years a metheoric resurrection and recognition of the art of this true comedy genius. A wonderful chance to see in wonderfuly restored copies his absolute feature films masterworks: Le soupirant his feature film debut as director with a plot that reminds in some parts to Buster Keaton's Seven chances -, and YoYo Etaix's personal favorite and a very beautiful tribute to circus world -, so as his great films Le grand amour that contains a delightful dreamy scene in which Etaix's bed goes out of his bedroom taking off down the road, stopping to pick up a gorgeous nightied hitchhiker and passing other beds stopped for repairs, having accidents... -, the episodes movie "As long as you're healthy" that contains between other brilliant comedy sketches a bedtime Hammer style vampire story and Pays de cocaigne, a satyrical candid camera documentary shot after the events of May 68 and focused on french people vacations that was surprisingly punished by the critics, stopping during many years Pierre Etaix's film career.

Buy Pierre Etaix (Criterion Collection) (1971) Now

Criterion has done it again...I want to personally thank Criterion for taking the time and effort to remastering and releasing the films of Pierre Etaix to the public. Like his mentor Jacques Tati, Etaix is a comic genius whose humor is rooted in the classic comedians of the silent era (Buster Keaton, Chaplin, Harold Lloyd). Also like these comedians, Etaix uses humor to comment upon modern society (or what was considered modern at the time he was working). My personal favorite film out of this collection is Le Grand Amour, which takes the cinema trope of the troubled marriage, and brings it to a brilliantly surreal level. This is, without a doubt, the blu-ray release of the year!

Read Best Reviews of Pierre Etaix (Criterion Collection) (1971) Here

A previous reviewer heaped praise on Criterion for "remastering and releasing" Etaix's films to the public. I don't disagree with that sentiment, though it should be limited to releasing the films to the US public. Criterion isn't in the job of remastering, and this was done for the Etaix films by Etaix himself in 2010, with financial support from the Groupama Gan Foundation, and Technicolor Foundation for Cinema Heritage. We have these versions here, with new subtitles and various features.

Again, this isn't to slight Criterion. If it wasn't for them, it's difficult to think of another publisher that would purchase the US rights to these films. Praise all around, then.

Want Pierre Etaix (Criterion Collection) (1971) Discount?

I saw The Suitor 50 years ago, and was delighted with the beauty of the film, a series of carefully crafted images that told a simple story with a quiet surface but great underlying emotion. Etaix managed an uneasy balancing act of telling a comedic story without making his protagonist a clown.

Now, with the re-release of all his films, I find that Etaix was literally a clown at one time, and brought that background to film. So far, I've watched The Suitor, Yoyo (in which Etaix' background is a major aspect of the plot a rich kid who runs off to join the circus) and two highly inventive short films. All are beautifully filmed on low budgets, but the Blu-Ray restoration helps show the highly polished works that they are.

I would recommend these films to anyone who enjoys Jacques Tati (Etaix's mentor) or Bill Forsyth movies. They are in that quiet spirit, but evoke hearty laughter.

Save 27% Off

Bernie (2011)

BernieLet me state upfront that I knew literally next to nothing about the movie's plot when I went to see it recently at my indie-movie theatre here in Cincinnati. I had heard good things about it, and that was good enough for me to check it out. Well, I was in for quite a surprise.

"Bernie" (95 min.) brings the story of Bernie Tiede (played by Jack Black) as a funeral director (excuse me, "assistant" funeral director) in Carthage, TX. Bernie is the most likeable guy you'll ever meet. He is involved in the community like no-one else before, and the small town just things the world of him. At one of the funerals, Bernie meets widow Marjorie Nugent (played by Shirley McLaine), and they strike a friendship. Marjorie is viewed by everyone as a b*tch, but the two of them get along just great. Things take a turn for the worse as Marjorie becomes more and more possesive of Bernie, and it all builds up to a confrontation between the two, and Bernie shoots her. I won't tell more of the plot, so that you can experience for yourself what happens after that. Several comments: I didn't realize until the credits rolled that (i) this is based on true mid-90s events in Carthage, and (ii) the movie intersects with interviews from people from Carthage, which it turned out are not actors but the actual folks from Chartage who witnessed the whole thing.

I must mention the excellent work from Jack Black as Bernie (has he ever been better than in this movie?), but even more so the eye-popping performance by Shirley McLaine as Marjorie, which really blew me away. Matthew McConaughey certainly deserves an honorable mention in his role as the local District Attorney, MILES away from his usual stuff. In all, I cannot emphasize enough how pleasantly surprised I was by this movie, it just flashed by in no time, and kept my interest throughout. "Bernie" is HIGHLY RECOMMENDED!

Bernie is the new masterpiece by Richard Linklater. The fact that he could turn such a difficult premise to such a successful black comedy/drama is remarkable. This may be one of the greatest works on small-town America in this decade. Though Bernie may not have the breadth of a work like Fargo, it does magic in how it tells its story.

Really, the most fascinating thing about Bernie is the way the story is told. Rather than give us a linear story, Bernie story is mostly retold by the residents of Carthage, TX who were witnessed to the gruesome events that occurred in this innocent town. This style can backfire gloriously if these characters are too animated, but Linklater strikes the right tone. With a Texan accent and some Southern innocence, these characters all suit the benefits the main story line. He seamlessly alternates between the world of the main characters and residents. This is very competent screenwriting as Linklater only uses his main characters when they are necessary, and allows the residents of Carthage to do the main storytelling. This is a welcome retreat from heavy-set narration of many Hollywood movies, especially some master filmmakers like Woody Allen.

The movie is amazing because it centers on a murder that is hard to condemn like a CSI episode and the intent not dissimilar to Dostoevsky's Crime and Punishment. What makes the crime difficult to assess is that most of what the audience knows from Bernie is from the residents of Carthage, TX. We do not know Bernie as well as they do, and have to assume that their judgments are sound and not simplistic or based on a façade generated by Bernie himself. The film has been the subject of controversy by the way it portrays the murder, but if it were completely accurate to the conditions of the crime, the audience would not have such ambiguous feelings about the crime committed. In that case, Bernie would become another lunatic who murdered an innocent. What Linklater does is much more than that.

Buy Bernie (2011) Now

This is a great movie! We (people who know Bernie and or lived in Carthage) thought that there was no way that a movie could be made about a murder and be funny....But with the cast and the bizarre "this can't be true" storyline, it blew me away. I am going to see it in Carthage on Sunday with my mom and her sister, my aunt, who is in the movie. If you are a Jack Black fan...then this is a "must see".

Read Best Reviews of Bernie (2011) Here

I wish I'd known nothing about this film when I sat down to watch it. Unfortunately, nearly every review gives away a key detail of the plot -usually in the first sentence -and so although the movie wasn't ruined (hardly), I know that it lacked as much impact as it could have provided. I know this because I watched it with two people from whom I had deliberately withheld the key detail, and their response to the film -although just as deeply pleased as mine -had a far sharper edge of interest. They had been waiting to see what might happen. I was waiting for what I knew would happen.

If this is the only review of the film you read, then read none others, because you should go in fresh. I will tell you this much: the film is a cross between a mockumentary and an homage to the true tale of a personable mortician/funeral director named Bernie. A Methodist with a tender voice and a precise sort of careful charm, Bernie's affable and off-beat ways woo most of the citizens of the town of Carthage, Texas, including its most notable curmudgeon, an older woman named Marjorie Nugent, known as much for her wealth as for her sweet-as-a-porcupine demeanor. The unlikely friendship that blossoms between those two -as well as its ultimate dissolution and effect on the town -provides the heart of this absorbing, beautifully acted crime drama/dark comedy.

The movie's action is interspersed with interviews from citizens of the town, all of whom are so rich in character and colloquialisms that my friends and I could not decide if they were actors or the real deal. It turns out that they are, indeed, real citizens from the town, people who really knew Bernie, and this just adds to the film's sweetly sad charm. Driving the whole thing, however, is the seamlessly stunning performance of Jack Black, who inhabits the titular character with a quietly accomplished gravitas. One part funny, one part dark, and two parts grim philosophical inquiry, this movie resonates on enough levels to belie its own rich veins of humor and pathos. There are a lot of reasons to watch this film, the biggest one being that it's just that good.

Want Bernie (2011) Discount?

Before Bernie,I have never been a fan of the over the top performances of Jack Black. I would not have gone to see the movie had it not been a true story from my part of the country. I highly suggest you do a little research before you see it. Jack Black should win an Academy Award for his performance. Can't wait to get my dvd and watch it again! Don't miss Bernie!

Save 24% Off

Trust (1990)

TrustThe film has never looked better, it sounds great too. I wish there was more in terms of extra features, but that is only because what is there is so good. Do Simple Men next, please!

FINALLY!!!!! Finally this masterpiece is available not only on DVD, but BLU-RAY as well!

Trust is an EXCELLENT film. This is the one this is the first "independent" film that got me HOOKED on indie films. I don't like ALL of Hal's stuff, but this one this one is one of my favorite movies of all time! I'm THRILLED to get it on Blu-ray and I just know all of his fans are thrilled as well!!!!

Buy Trust (1990) Now

Hal Hartley fans have been waiting for years for this to be officially released! For many years it has only been available in bootleg versions, unless you had an old VHS copy banging around from the good ol' days. The film looks fantastic on Blu-Ray, and the short documentary reflecting on the experience of making the film is very interesting. If for nothing else, watch the extra to be reminded of how amazing Adrienne Shelley was and imagine the creativity that she still had to give before her murder in 2006.

This film should be seen by anyone who likes indie films with clever dialogue, understated performances and a cadence that only Hal Hartley can create. If you enjoy it the first time, you will go back to it again and again, year after year.

Read Best Reviews of Trust (1990) Here

Trust was a revelation when it came out. It lifts your spirits with its clean and sober, funny and sweet style. The movie allows the viewer to cast their own feelings into the scene because the acting is delivered with that neutral affect that became a signature of Hartley. It's a unique gift to Indie film. So glad it's out on Blue Ray. My Adrienne Shelly crush began here. She was so totally funny and endearing on-screen like no one I'd ever seen. Oh, and ridiculously sexy. All the acting is first class, but Shelly won our hearts. (BTW (...).adrienneshellyfoundation.org)

Want Trust (1990) Discount?

Quick and in great condition. I've waited so long for this film to be released on anything post-vcr. I am grateful they made the last part of that wait short.

Save 17% Off

Charade (The Criterion Collection) (1963)

CharadeAnybody else out there own three copies of Charade on DVD?

It's a great movie, yeah, but not worth three copies. Well, maybe the lesson was worth three copies. The first one took me by surprise. Front Row Features put it out. Nice looking jewel case with the word LETTERBOX EDITION across the top. I had to have it. Couldn't wait to watch it. It was the worst piece of crap I'd ever seen shoveled onto DVD. Faded colors. Blurry pictures. Horrid sound that kept breaking up. It was worse than my ten-year-old VHS copy. I was mortified. Then someone told me there was a copy out there by a company called Criterion Collection, but the price was $40.00. No way, I thought, am I paying that much for a movie.

Next copy I bought was put out by Diamond Entertainment. I'll give them their due. They did a fairly good job of cleaning up whatever print they used. The picture is pretty good; color still slightly washed out, some flickering that's annoying. The sound has been repaired. So what you get is about a C+ to a low Bfor this DVD. I like Diamond. And compared to the road kill that Front Row Features served up, the Diamond Entertainment version is a seven-course meal in the finest restaurant.

At last, I couldn't stand it any longer. I went for the Criterion Collection version. I know, I know. Three copies. But the Front Row Features DVD will be thrown into the trash; I won't even subject a stranger at a garage sale to that basement torture trash. The Diamond Entertainment version, which is not a bad copy, just not the best, I'll hand over to my brother as a free-bee gift. He likes the movie, as well, and is even less likely than I to put out the cash.

But then there's the Criterion Collection version. This IS the SEVEN COURSE MEAL AT THE FINEST RESTAURANT, topped off with the finest drinks and entertainment, and a check at the end that says ON THE HOUSE! Everything great anyone has said about the Criterion Collection DVD of Charade is true. It's beautiful. The sound is perfect. The color heavenly. There are no age spots what so ever, no dropouts, none of the flickering that indicates the film was damaged and had to be spliced. It's a beautiful widescreen transfer from a 33mm interpositive. I'd never seen the original trailer for this film till I bought this DVD; it's funny, it's charming, it gets you primed for the movie. There is an Audio Commentary with director Stanley Donen and screenwriter Peter Stone. And some great career highlights on Peter Stone's career.

It took me three times to get it right (and that won't happen again, at least with DVDs), but get it right I did. Don't ever buy the Front Row Features version; if you already have it, burn it. NOW. If you can't afford the Criterion version, go ahead and get the Diamond Entertainment version; as always, they do a good job for a low price. But if you want the absolute best presentation of this movie, if you want to see the movie as it has not been seen since it was in the theater almost 40 years ago, find the Criterion Collection DVD. You will not be disappointed.

This is an exceptional DVD transfer of an exceptional movie. Criterion has done a magnificent job of restoring Charade to its colorful glory. The film is presented in its original 1.85:1 aspect ratio. The print is clear, crisp, and beautiful to behold. You feel as if you can reach out and touch the actors.

And what actors! The film features the dashing older version of Cary Grant and the youthful gamine Audrey Hepburn, with enough chemistry between them to ignite a fireworks factory. The plot is a convoluted and flimsy trifle about cold war spy shenanigans, with cases of mistaken identity and episodes of grave danger for Miss Audrey. But Cary, the classic good guy in cad's clothing, is there to save the day. In addition to which he provides chaste romance that sizzles beneath the civility.

Audio commentary is provided by director Stanley Donen and screenwriter Peter Stone. While interesting and funny in spots, it does drag a bit over the length of the film. It may be better to check it out when you find something in the film that you would like to hear dissected. Otherwise, you'd be better to stick with the delightful, corny dialogue spoken in the dulcet tones of Cary and Audrey. The soundtrack music is to also to be savored, done up in classic '60s spy movie style by the movie maestro Henry Mancini.

If you have nothing to do on a rainy day and own a DVD player, this is the movie you want to have on hand to pop in the machine and deliver you from care. It's a keeper (and it comes in a keeper case!).

Buy Charade (The Criterion Collection) (1963) Now

I got this DVD for Christmas and I wasn't disappointed. Stanley Donen, director of musicals such as "Singin' In The Rain" starring Gene Kelly, brought together Cary Grant and Audrey Hepburn (who looks luminous, as always) in this wonderfully-written story about a Parisian widow (Hepburn) who is being pursued by three dangerous men (two of which are played by George Kennedy an excellent "heavy" and James Coburn at his most menacing) who want to find out about a large sum of money her dead husband supposedly had. Grant is the helpful stranger but eventually you begin to wonder: is he working with these men? Does he want the money for himself? Or is he really the handsome, older man Audrey finds herself falling in love with?

Enhanced by a lush score by the late Henry Mancini, photographed beautifully in Paris and containing first-rate acting and deliciously wicked dialogue by writer Peter Stone, "Charade" is a film that should be in every serious DVD collection. Grant is older but better, like fine wine, and Ms. Hepburn ... well there have been millions of words used to describe her and I can't add to them other than to say the world lost a marvelous talent at her death.

You'll enjoy "Charade" for a long, long time.

Read Best Reviews of Charade (The Criterion Collection) (1963) Here

There are a lot of different releases of this movie on DVD, some of poor quality. If you can afford it, the Criterion Collection release (make sure it's the anamorphic one, not the earlier letterboxed version) is the best, in that it has a fine widescreen transfer and a commentary by the director.

But if you're a normal human, the one to get happens to be almost the cheapest one to get used (as I write this), and isn't too expensive new either. It's the version on side B of The Truth About Charlie. That version comes from Universal, the studio that produced Charade, and is a clean anamorphic widescreen transfer with fairly good color and sharpness. It's got a few specks at the beginning but is good after the credits. No extras, except for that other movie on side A. (I haven't seen The Truth about Charlie, but it's apparently a mediocre update of Charade.)

I've also looked at the Madacy release, and it's just OK, a nonanamorphic widescreen transfer, grainier than the Universal Studios transfer that comes with The Truth About Charlie. It comes with a fun extended trailer. Also included is a poor transfer of another movie that happens to be named Charade, but otherwise has nothing to do with this one. (That other Charade has James Mason in it, but I haven't watched it through yet to know if it's any good.) I've heard the Madacy release is as good as any of the "off-brand" ones.

All of the the versions have mono sound.

The film itself is delightful, cleverly constructed and scripted, with some fine actors hamming it up in supporting roles to go with Grant and Hepburn. Good for for both suspense and romantic comedy. Even better the second time. But there are plenty of other reviews with plenty to say about the film (click the Criterion or Madacy link to see over 200 more).

Want Charade (The Criterion Collection) (1963) Discount?

I've struck out twice now in buying Charade. Both purchases were grainy and hardly what I would consider "restored". This particular edition is just okay, it is an upgrade from earlier copies but not exceptional by today's standard of visual clarity.

To second Sanpete's earlier suggestions, if you can afford it definitely buy the anamorphic Criterion Collection release, and if you're looking for high quality without the high price, go for the double-billed The Truth About Charlie dvd which includes Charade. Just make a note to never actually watching The Truth About Charlie.

To summarize, this particular copy of Charade is mediocre in quality, albeit the deceptively stellar cover-art.

Save 29% Off

Wild Child

Wild ChildThis film is full of cheesy goodness. If you are looking for a young chick flick with with a dash of romance, this one is a great choice.

This movie has been done before... A LOT. What sets this film apart is the stellar cast. It is the last movie made by Natasha Richardson and casting Alex Pettyfer as the love interest doesn't hurt. The lead is played by Emma Roberts (the daughter of actor Eric Roberts and Julia Robert's niece), who obviously has taken some pointers from family members. She shines in this role as a snotty rich kid who transforms into the young woman she was meant to be. She got caught up in the fast lane of California living after her mother passed and when her dad has had enough, she gets carted off to her mom's old boarding school in England! There is an obvious clash of cultures as she has to find her way in a foreign school with it's own caste system. Enter the mean girls and a handsome son of a headmistress and there's your plot. You know how it ends but getting there is pure fun!

We all know what is going to happen but isn't that half the reason we watch this kind of movie? As a viewer, you are not looking at this dvd as an option and thinking -I want to watch award winning cinema! You know you are getting a lighthearted teen romp. You'll discover a young woman finding herself, real friends and love as she searches for meaning in her life. The belief that anyone can be transformed is a powerful message even if it is told in silly ways. So sit back, grab a bowl of popcorn with extra butter and enjoy a fun movie.

I saw this movie when I was in Britain last summer. Emma's character wasn't as wild as the title may suggest but there were a lot unexpected twists in this movie that made it more than your regular romcom. I highly recommend this movie and I will definitely buy this.

Buy Wild Child Now

I first rented this movie to see what it was all about and right after I watched it I knew that I had to own it. It is entertaining from the very first scene!

Read Best Reviews of Wild Child Here

I had my doubts about this movie, but I knew I had to buy it after watching only 20 minutes. I found the portrayal of American California girls very interesting. I am from Indiana, and I admit, several things that Poppy (the main character) and her friends did line up with prejudices that I've developed through American media. So, seeing that was amusing, but made me wonder if Europeans thought all Americans acted that way (because we do not). I know not all Californians do, either.

I could not stop laughing, and these were laughs, not chuckles. I LOVED seeing Poppy's hand sanitizer. I had bought my own bottle a few days before watching the movie.

There was not a single character that I did not like. Though, Alex Pettyfer's hair could be improved. ;) I like his style in "I Am Number 4" better, but I digress. The actors were beyond amazing, and consequently, I loved the characters. I loved their hair, accents, clothes, facial expressions, everything. The movie was a true delight, and I'm planning to watch it with my Mom. ^_^

ALSO: I am a Christian, and I personally loved the way the headmistress handled Poppy's case. Too many times in Church we encounter wild child Poppys, and we condemn them. We yell at them, order them to clean their act up, show disgust to them, etcetera. Then, we usually chase them out of the Church because they're just too wild. I think Christians should watch this movie because of the valuable lesson in it: Call out the good in people.

Poppy acted the way she did because she was hurting inside. She missed her mother. Many times in real life, people commit negative, hurtful deeds because they are hurting inside. As Christians, we are called to do what Christ did, which was HEAL them and NEVER condemn them. If you heal the wound, the behavior changes automatically. But if you try to "fix" behavior without healing the wound, well, that is as silly as trying to "fix" the speakers without turning the radio to an actual radio station. The behavior is not the problem. It's the manifestation of the problem.

NDN

Want Wild Child Discount?

I loved the movie but as far as watching it I kept having to refresh it because it kept getting stuck.

Save 33% Off