Showing posts with label comedy marathi movies. Show all posts
Showing posts with label comedy marathi movies. Show all posts

The Perfect Host (2011)

The Perfect HostI think I am still in shock over this one. David Hyde Pierce is astounding in this very unorthodox role of madness. This movie is so psychotically delicious, it borders on "The Twilight Zone" meets "Sybil". I found myself laughing out of total fear of the incredulousness and depravity of the host. I did NOT see the ending coming or even imagine it to end the way it did. The movie works on several levels, from the civility of human compassion to the intrinsically evil darkness of insanity. This movie is a must see for those looking for just plain "bizarre". This one had me thinking about it several days after watching it and when a movie does that to me, then my appetite for wanting 'something different in a movie' is complete. Get ready for one heck of an emotional roller coaster ride. Mr. Pierce, WOW.

This movie will never, ever play anywhere near me, so I was pretty excited to see that Amazon had it available for download at the same time it is being released in the theatre.

It did not disappoint. It's a very character-driven suspense story. Even if you figure out the first couple twists, you won't guess them all. This movie does not contain a lot of graphic violence; very important if you are like me and don't have a high tolerance for that.

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I am not a fan of Strange movies but The Perfect Host with it's surprising twist and ending which you could have not seen coming seems to be a must watch just for the story alone and why Looks can be deceiving,a Victim turns the tables and it is one long strange and at times amusingly funny but yet sad situation after another.I highly recommend it,In the End,it is the most enjoyable and not sickening at all.

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This movie is awesome! My husband and I had high expectations for this movie and they were greatly exceeded. Anyone who enjoys a good black comedy should definitely see this one!

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Films with a twist are a strange animal, aren't they? Certain filmmakers have made a career out of it like Christopher Nolan and M. Night Shyamalan while films like Oldboy and The Usual Suspects completely rely on a twist to give everything a bit of a deeper meaning. But when does it become too much? If a film has more than one twist is it overkill? What about the ones with several? Getting tangled up in swerve after swerve probably isn't a good idea. That's one of the reasons most people hated Basic. Maybe it's a guilty pleasure of mine, but I almost always enjoy a movie with a good twist or two in it. And frankly, The Perfect Host is unlike anything the films it may share traits with.

Everything seems like an open and shut case as the movie begins. John Taylor (Clayne Crawford) just robbed a bank and is looking for a sanctuary of sorts to take cover in until the heat blows over. He stumbles onto the home of Warwick Wilson (David Hyde Pierce), which happens to be a rather extravagant home. Warwick is preparing for a dinner party and eventually lets John in after John convinces him that he's a friend of a friend. Push comes to shove and suddenly Warwick is up to speed and John now has the upper hand. But things aren't always what they seem and it just so happens that John walked right into Warwick's trap. The night only gets stranger and stranger for John as Warwick's insanity takes center stage.

The movie is mainly a cat and mouse game between John and Warwick. John Taylor initially comes off as a selfish, despicable lowlife but there's actually a pretty interesting back story to him. Warwick's story is just as interesting. He's classy, quirky, and charming in an awkward kind of way. He has this Jack Torrance quality to him that draws you to his character. His antics are what make the film as good as it is. It'd be like injecting Rubber's outlandish qualities into the first half of The Human Centipede before the actual human centipede comes into play. The Perfect Host is a dark, humorous, and spellbinding journey.

The music also compliments the visuals so well. The quieter and more orchestral sounding pieces not only match the class that Warwick is trying to project, but also make his darker intentions put you a bit more on edge. Not that anything is relatively terrifying in The Perfect Host, but everything is so outlandish that you're not entirely sure what to expect. The music tends to get more over the top to match Warwick's spiral into madness, which is a superb quality for a film like this to have.

The Perfect Host may be a bit overwhelming to some. The way the film is constantly twisting and turning in directions you don't expect may come off as a little tiresome, but it is really fantastic if you're a fan of unpredictability. Things you've thought you've figured out unravel to reveal you only knew part of the story. It's as if The Perfect Host has a never-ending amount of layers that's driven by the rather incredible performance of David Hyde Pierce and the equally impressive Clayne Crawford. The Perfect Host won't be for everyone, but to the ones it does speak to is some of the finest bat$#%! insanity to ever be filmed.

The DVD is mostly bare bones when it comes to special features. We get a Making of featurette featuring writer and director Nick Tomnay. The feature is about eleven minutes long and features Tomnay talking about the film spliced with scenes of the film. There is some interesting stuff in there like how The Perfect Host was originally a short, black and white flim that was shot in 2000, only taking 17 days to shoot the film, and Clayne Crawford putting a rock in his shoe to keep his limp up throughout the film. Tomnay also tells us how David Hyde Pierce came aboard and discusses how important the music is to the film. Then there's the four and a half minute featurette HDNet: A Look at The Perfect Host. This is mostly just a highlight reel from the film along with David Hyde Pierce talking about it. Throw in the theatrical trailer and that wraps up the special features.

The Perfect Host is rated R for language, some violent content and brief sexual material. It's presented in English 5.1 Dolby Digital sound with optional Spanish subtitles and has a widescreen aspect ratio of 1.78:1. It's approximately 93 minutes long and should be available in both retail stores and most online retailers now.

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Airport (Blu-ray + DVD + Digital Copy) (1970)

AirportThis first of the big airplane disaster movies features an outstanding cast, a host of distinctive characters, and a widely interesting web of subplots. While all things lead to disaster in the air, there is a much greater human component to Airport than what you will see in the disaster movies of today. Perhaps the human drama does not play out to perfection on one or two occasions, yet it all kept my rapt fascination even as I wondered why disaster had not yet struck an hour and a half into the film (which lasts for two hours and seventeen minutes). Airport (1970) picked up ten Academy Award nominations, including best picture, Helen Hayes walked away from it with her second Oscar, and a host of sequels followed in its wake, so obviously it did many things right.

The first half of the film actually seems like some kind of 1970s TV pilot. Mel Bakersfield (Burt Lancaster) is the airport manager working himself to death in order to keep the place running smoothly, campaigning when he can for expansion and modernization. His brother-in-law pilot Vernon Demerest (Dean Martin) assumes the role of Bakersfield's antagonist, criticizing airport measures for keeping the runways operational and the flights on schedule, especially on nights such as the one in question, when a major snowstorm is wreaking havoc on the ground as well as in the air. Bakersfield is locked in an unhappy marriage with a regal yet noxious social gadfly, facing the fact that the woman he now cares about may be leaving her job at the airport for a better opportunity elsewhere. Demerest has some kind of marriage of convenience to Bakerfield's sister, and he is carrying on with a lovely and suddenly pregnant stewardess (they still called them stewardesses back in 1970) played by the engaging Jacqueline Bisset. Then you have the heavy of the group, Joe Patroni (George "If it's an airplane movie, I'm in it" Kennedy), the only man for the job of getting an airplane stuck in the snow out of the way of the main landing strip. Helen Hayes plays a delightfully entertaining serial stowaway, and while she is naturally fantastic in her role, the size and importance of her part would not seem to merit the Best Actress award she received for her performance. About the time you start looking for Aaron Spelling's name to come up in the closing credits, we are finally introduced to a nervous fellow putting together an attache case of explosives. He is presented in the most sentimental of lights, and one can't help but feel sorry for him and for the rash decision he has made, nor can one do anything but curse the otherwise forgettable character who plays the dumbest airplane passenger in history.

Eventually, the plane takes off for Rome with both the stowaway and the bomber on board; soon thereafter, puzzle pieces begin to fall into place, and the pilots, aware of the danger, try to turn around and head for home. Their safe return faces two major obstacles: the bomber on board and the stuck airplane jutting out on the only landing strip they can safely attempt to land on through the roaring blizzard. Don't expect a lot of special effects or outrageous acts of unrealistic heroics (although there is a priest who delivers a most unorthodox and intensely satisfying blessing to the aforementioned dumbest airplane passenger on earth). What happens is presented very well, but the real drama lies in the characters' relationships. I am a huge Dean Martin fan, and I thought the man delivered a terrific dramatic performance in this movie, standing equally beside the likes of the legendary Lancaster, Bisset, and Hayes. The story may seem to develop slowly for those used to or expecting quick and impressive action and special effects, but this movie follows the old creed that there can be no real tragedy unless the audience knows and cares about the characters.

I'm going to do something I thought I'd never do; give GoodTimes Video an A+ for this DVD. They took a step into the 20th century for their Thirtieth Anniversary DVD release of Airport.

I held onto my old Airport VHS tape well after I stepped up to DVDs, because no one had released a widescreen DVD of the classic disaster film. GoodTimes had earlier released a DVD of Airport, but it was in standard aspect ration, so I passed on it. Then last week, there it was, Airport, WIDESCREEN, it said. And when I picked it up to look at the features on the back, I couldn't believe my eyes. GoodTimes not only released it in widescreen, but in anamorphic widescreen, AND in Dolby surround. And the price is more than perfect.

You get no extras, just the movie. But it's beautiful, and it's the original, shown for the first time as it was on the big screen in perhaps thirty years.

If you love classic films, then this movie is probably on your list of must-haves. This is not a perfect film, but it works. From Dean Martin's better than average performance, to Helen Hayes' Oscar winning portrayal of a fiesty trickster that sneaks onto planes. By today's standards the plot may seem to move slowly, but if you view it in it's 70's context, it's actually more like a roller coaster ride that takes off at a slow glide, tops a hill, and flies down the other side into a fairly tense climax. Don't be afraid of this DVD. For ten bucks you could get a real crappy DVD. But in this case, you strike gold.

Let's hope this is a new and lasting trend for GoodTimes DVDs. Low prices, good movies. GoodTimes.

Buy Airport (Blu-ray + DVD + Digital Copy) (1970) Now

Airport is surprisingly faithful to Arthur Hailey's book, with regards to the screenplay. Jacqueline Bisset is perfectly cast as a stewardess, as is Helen Hayes as the stowaway passenger. Van Heflin and Maureen Stapleton share many poignant moments, and a little seen Barbara Hale rounds out the shining stars very well. While I have seen this movie called "slow and plodding", you actually get quite involved with all the characters and know about their motivation before the crucial scene in the air where it all comes to pass. Of course, this huge success at box office has been let down by a... DVD release it's in Pan & Scan. Why anyone would do this on a DVD is beyond me. Also, it's lacking a lot of extra features that a film of this calibre should have on a DVD. Regardless, the film is an awesome piece of entertainment, faithful to the novel (without the "boring parts") and is supurbly acted by a stellar cast. It deserved to be the runaway worldwide success it was.

Read Best Reviews of Airport (Blu-ray + DVD + Digital Copy) (1970) Here

I'll admit it: Airport is a guilty pleasure of mine. It's a classic disaster film, spiritual father to all from the Poseidon Adventure to the present day. We learn the stories of the people aboard a bomb-laden Rome bound flight, and those on the ground fighting a blizzard and blocked runway to get them home. Characters are a little thin, a little soap-opera-y, but better than many modern films. Helen Hayes in particular, is terrific in her Oscar winning role. The DVD is of mixed quality, a nice presentation of an un-remastered copy of the film. Some dirt and scratches are evident, but color and sharpness are fairly good. Screen aspect shifts, usually cropped pan & scan, but occasionally letter-boxed to preserve some wider shots. Film length is misstated on the box, at 136 minutes, not the 91 listed. Recommended for all disaster fans.

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It's not every day you see a movie that shows Dean Martin as more of an actor than you remembered, and Helen Hayes as rather less of one, but "Airport" is like that. It's a rich, plotty plum pudding of a film that features dozens of performances from actors at every level of competence. Interestingly enough, it all works. Martin is quite credible and good as an airline pilot, even when the dialogue he's given is contrived and movie-ish. Hayes is a little over-the-top in her acclaimed performance as a little-old-lady stowaway; it's nothing Spring Byington couldn't have done just as well, and cheaper. What the heck, Hayes had reached the point in her career where she could do as she pleased.

Other people in the film? The late Jean Seberg is in it, looking amazingly like Kim Novak in a Hitchcock filmcomplete with grey Edith Head suit and a crush on an older man, played dully by Burt Lancaster. Barbara Hale ("Della Street" in the old "Perry Mason" series) is great as an earth mother married to Dean Martin; watch for her little scene toward the end of the movie when she realises her marriage is over. Van Heflin is painfully accurate in his portrayal of a demented loser who wants to suicide-bomb a 707 so his wife will have his flight insurance as compensation for the horrible life she's had as his spouse. And as the wife, Maureen Stapleton is absolutely wonderful. She's uncomprehending, incoherent, and agonisingly aware by turns; everytime she's on-screen, nothing else matters.

Other roles involve Jacqueline Bisset as a stewardessnot the highest and best use of her talentand yes, that's Gary Collins as a navigator. George Kennedy plays a TWA mechanic who saves the day; I don't like his performance, but Kennedy went on to play the same role in this film's sequels, so he must have been pleasing someone with his work. True film buffs will be delighted by one of the bit playersthe mother of a teen-aged nerd who is on the ill-fated 707 flight. It's none other than Virginia Grey, Joan Crawford's blonde co-worker at the perfume counter in "The Women". And "Airport" features the last screen appearance of the late, great Jessie Royce Landis; she's a rich woman who tries to do a little diamond smuggling. Her accomplice is her poodle, who travels inwhat else?a Louis Vuitton carrier.

The film itself? Well, it's big-time movie-making, circa 1970; everything about it is flossy and expensive and well-done. There is an astounding special effect when the loser sets off a bomb on the plane. It's got enough plot and enough stars for four movies. And in its own way, it's quite good. It'll take your mind off your life for the entire time you're watching it, and what more is a Hollywood epic supposed to do? Chalk this one up as imperfect, but recommended.

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The Wackness (2008)

The WacknessWhat an incredible film. Director Jonathan Levine's attention to detail in making sure that every aspect of the film looks and feels like the 90's really adds to the feel of the film. All of the actors work really well especially Sir Ben Kingsley and Josh Peck, who has a breakout performance in this film, showing that he's got a future in this business. With funny dialogue, nicely shot cinematography, and backed by an incredible soundtrack, The Wackness is definitely a film to see this summer if you loved the 90's.

Yo! Don't be whack!

The award winning film (Sundance Audience Award) "The Wackness" is now out on DVD and it's definitely one of the coolest and more pleasant coming-of-age films to come out in a long while and a DVD with features that embraces that non-traditional style courtesy of writer/director Josh Levine.

"The Wackness" stars well-known legendary award winning actor Ben Kingsley and "Drake & Josh" actor Josh Peck who appears to have shed his young teen Nickelodeon image for the character of 18-year-old Luke Shapiro. Both playing roles so different from what we have seen of them and both delivering an exceptional performance.

The year is 1994, A high school teenager in New York who doesn't have any friends but spends his time selling marijuana using his disguise as a person who sells ice in the park, while saving up all his money.

But all is not cool in the life of Luke, his parents are having some financial problems and in danger of being evicted, his mind is on getting laid and losing his virginity and the only person he can communicate his emotions to is one of his clients, Dr. Jeffrey Squires (Ben Kingsley). He wants some anti-depressants but Squires tells him to embrace his pain and more or less, he needs to find a girlfriend and get laid.

Dr. Squires is not exactly a role model for Josh. He's a product of the 60's, loves doing cocaine and marijuana and somehow, is able to connect with Luke and provides him professional advice for drugs. But like Luke, his life is not at all going that great. His relationship with his wife Kristin is not at all going so great and all they have is their memories of sex and doing drugs. Meanwhile, he notices that his step-daughter Stephanie (Olivia Thirlby, "Juno") is getting closer to Luke. But realizes that it's not love that she has for Luke, it's just a sexual fling.

Luke doesn't have much experience with people, love and thus he discovers himself while hanging out with Stephanie. Dr. Squires as a father doesn't want his stepdaughter to be around a drug dealer but at the same time, as his psychiatrist, he doesn't feel that Stephanie is good for Luke. But after their passionate time together, he develops feelings for Stephanie so strong that when he says the words of "I Love You" to her, Stephanie realizes that this fling has gone so far and ends their romantic fling and all communication with Luke. Around that same time, Dr. Squires wife Kristin decides to leave her husband.

Both men are obviously heartbroken but somehow, they find comfort in talking with each other and thus Luke and Dr. Squires form a friendship that would interestingly introduce Dr. Squires to Luke's world and for Luke, getting the needed therapy from his shrink. So, the story pretty much focuses on a young man (Luke) who is guided by an older man (Dr. Squires) but then the story starts to shift of the younger guy guiding an older man.

VIDEO & AUDIO:

The film is featured in anamorphic widescreen ala 2:35:1 ratio. The film is shot in different parts of Tokyo but oviously scenes such as the Twin Towers had to be put into the film. When you do a period piece, especially if it's 1994, with a busy city like New York, unless you have a huge budget, you got make do what with what you have. And thus a lot of the scenes are shot indoors but you do have some outdoor scenes with Luke and Stephanie at the beach or areas where Luke is dealing drugs.

As for audio, you get a English and French 5.1 Dolby Digital track and the film is primarily a dialogue driven film. But audio-wise, what makes this film shine is the fact that it's 1994 and the old school songs, especially the hip-hop songs of that time are what comes blaring out your speakers. Bass and all courtesy of artists such as Notorious B.I.G., a Tribe Called Quest, KRS-One, Nas, Biz Markie, etc.

SPECIAL FEATURES:

The DVD shines in its amount of special features offered. Included are:

* Commentary with Director Jonathan Levine and Actor Josh Peck A very casual and cool commentary and you learn important tidbits about the film. From Ben Kingsley giving advice to Josh, having to work with Mary-Kate in the amount of hours they had to work with her and how hard it was for Josh Peck to do his lovemaking scene with Olivia Thirlby. Levine and Peck have cool and fun commentary talking about blunts, the music, it's typically a commentary that is like hanging out with friends. Especially at the end when they talk about hanging out after the commentary and playing XBOX 360, you don't hear that on director's commentary, so it's all good.

* Keeping it Real: A Day in the Life of Writer/Director Jonathan Levine For this eight minute feature, Jonathan Levine is traveling around the country and London to promote "The Wackness" at film festivals and interviews at radio stations. Jonathan is joined by the cast and his girlfriend, production designer Annie Spitz and his brother and his girlfriend.

* Time in a Bottle: Behind the Scenes of The Wackness An 18-minute featurette featuring behind-the-scenes on the making of the film. Levine explains that the film is not 100% autobiographical and a screenplay that was based on an idea he had during filmschool. Also, featuring Levine's staff and how they were able to get that 1994 setting.

* The Luke Shapiro Show Episode 1 & 2 These are five minute short episodes that were created for cable access featuring Luke Shapiro and his doorman Miguel. The first featuring Luke, Miguel (on keyboards) and his super Tony. The second featuring Luke, Miguel (on keyboards) and a dancer.

* Deleted Scenes This scene features four deleted/extended scenes from the film. The total amount of deleted scenes is about five minutes long featuring "Luke Works in Cap and Gown", "Extended Squires Vacation", "Squires in Stephanie's Room" and "Dad's Walkman Scheme".

* The Wackness Trailers Featuring all five theatrical and teaser trailers

I have to say that "The Wackness" is a pretty cool coming-of-age film and yes, there have been many of these type of movies but a definitely, unique film. Having the film set in 1994, having the main character as a drug dealer, having his psychiatrist as one of his clients and also a hardcore drug user and just how everything just comes together is quite enjoyable.

But the performances by Ben Kingsley and Josh Peck was well done. Two roles by talents that I would never see coming. Ben Kingsley in so many serious roles in "Ghandi", "Schindler's List", "Rules of Engagement" to name a few and then Josh Peck who stars in the Nickelodeon teen show "Drake & Josh", these two taking on roles so different and to see them drinking alcohol and doing/dealing drugs, definitely it's quite a bit of a surprise. But the unique thing is that these two talents had tremendous chemistry and everything worked out quite well.

And there are also a good number of talent in this film. Olivia Thirlby did a great job as Squire's daughter Stephanie and Luke's love interest. Did a great job playing a sexual teen and then you have Mary-Kate Olsen as a pothead who just makes out with Ben Kingsley. Famke Janssen as Dr. Squires sexy wife, Method Man playing the character "Percy" as Luke's supplier and much more.

There are just these small moments in the film, from mannerisms to the small things that a character does, it really makes this film seem quite realistic and make it all work. Of course, the early 90's nostalgia and the music plays a big part in the film. When Luke and Olivia are making love, R. Kelly playing on the boom box to Luke playing Zelda on his NES, these small things are what many people who grew up at the time and listened to the music can related to. So, definitely a nice touch!

And the DVD, just makes you love the film even more with cool commentary, the featurettes and more. It's not all business-like and professional. You have Levine and Peck quite casual and as I mentioned in the commentary section, it's like hanging out with a few friends and just everyone having a good time.

Now granted, perhaps I may be a bit biased having grown up with the pop culture of the 90's and hearing the songs and the style from those years boosting my appreciation for the film but for an indie film, I have to admit that the overall presentation was quite non-traditional. Again, there are a bunch of "coming-of-age" films out there but this one was really thinking outside of the box and instead of getting a "revenge of the nerd" happy-feel good storyline, each of these characters have flaws but it's all about discovering one's self.

All in all, a solid DVD with a lot of humor, a lot of soul and all out fun!

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I have been waiting my whole lifetime for a movie like this... Everyone who I've shown it to has absolutely loved it, and yet I don't know why critics kind of swept it under the rug when it created so much uproar at the 2008 Sundance Film Festivals.

I think everyone should go into this movie not knowing what it's about. It's honestly not because I'm lazy and don't want to explain it to you, but I notice that in my opinion that when you heighten the expectations for someone who hasn't seen the movie, it makes the movie seem not as good as it really is.

Watch the clips Amazon supplied and that's all you need to know... It's a movie about how adults shouldn't be embarrassed to take advice from the younger generation, because it's not about age IT'S ABOUT KNOWLEDGE. And guess what? Sometimes they can be right.

It's a movie about not being afraid to live life; don't hide from it or bottle your problems. Don't look at the bad side of things, look at the good things. People say that's easier said than done, but the trick is to PRETEND!!!

When something bad happens you need to embrace your fears and embrace the pain that comes with it. If you run away from life with drugs (and by now everyone should know that includes prescription drugs) and not face your problems, you eventually just start to experience all the downs in life.

If what you choose is to embrace your pain, learn from it, and have the courage to not to be afraid to take chances & risks in your life-WELL THAT'S WHAT LIFE IS ALL ABOUT.

If it weren't for the pain in life, the joy wouldn't be so good. It's like the spoiled kid everyone went to school with, they got everything they wanted their entire lives and in the end nothing in the world can ever make them happy.

If you were even SOMEWHAT interested in Eternal Sunshine of the Spotless Mind, American Beauty, Donnie Darko, I guarantee you WILL love The Wackness. Even if you didn't like these movies.....

WATCH THE WACKNESS!!!

Read Best Reviews of The Wackness (2008) Here

I haven't heard much about this movie besides seeing the name on Peck's list of films on wikipedia. Of course I judged the title thinking that the film would be some lame attempt of a superbad type comedy but man was I wrong. The wackness is actually quite easy to explain and although it contains a young man with an occupation that isn't known for such a lifestyle I feel a lot of teens can sort of relate to it. Luke Shapiro (Josh Peck) is a 17 year old just a day from graduation. He's an incredibly lonely drug dealer that is basically dieing inside from not living the life of having fun and being dumb. The film takes him on a small hip hop packed and smoke filled adventure to live some sort of a teenage life before the summers over. He eventually finds a friend in his psychiatrist Dr. Squires (Ben Kingsley) but it takes time for them to realize how important they are to each other.

I've grown up watching Peck on Nick although he played great characters in those films he was mostly the side man and fell under the radar until he started getting a little older. My point is that I think this guy is a pretty good dramatic actor, better than his comedic roles he played on Nick. The acting was solid especially the slightly self destructive pot smoking Ben Kingsley, loved the cast. The story itself was a kind of crazy, I mean I believe that drug dealers are usually depicted as these people that get love and hate but not a lot of loneliness or at least not the high school type guys. I love how they put that spin on it because somehow everyone is linked by this. Peck's character shares what a lot of us had or even have, that big chunk of life you felt like you missed or are about to miss and all that experience and life just falls into your lap at one time.

I mean overall I loved the movie, I think the insane but realistic characters even though the weed thing sends it over a bit but it pulls it to be a super cool movie. It also has one of the sickest soundtracks of all time. I love the fact that the movie didn't try and make cliche's or make fun of hip hop. It felt like it was truly paying homage to the music, another thing that helps ease through the times. If you're a fan of good movies period I know you'll love this film. It was hard to find anything to take away from it but it's definitely a must see.

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I just finished watching this movie...gotta say it was on point.

The older man learns from the young man and vice versa. The two were almost the same but at different points in life.

The older man searches for his youth and love from his wife knowing that he will never find it again, while the young man wants to gain love and a place to fit in but cannot find it.

They are the same as both are trying to run away from similar issues, such as the older man not getting what he needs from his marriage and the young man not getting what he needs from his parents. The moral: life is too short to worry about things that get you down. Don't let lifes roadblocks keep you from happiness as these issues are only short, albeit, painful moments that we (men and women) all will go through.

You probably will not understand unless you see the movie. Josh Peck and Ben Kingsley give outstanding performances. If you are on the fence about buying it give it a rent...however...it is worth the buy!

Those who thought this was wack (thats wack not wacked)...missed the whole point.

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Kiss Kiss Bang Bang (2006)

Kiss Kiss Bang BangHarry's a burglar in New York who, to escape arrest, winds up auditioning for a part in a Joel Silver like film that's destined for Colin Farrell. He's whisked away to the phony world of LA, where every girl named "Jill" spells it "Jylle." At a fabulous cocktail party he meets Harlan Dexter, once a B-movie actor and now a very rich enterpreneur whose daughter has only recently returned from a long sojourn to Paris. Harry also meets his high school sweetheart, a girl who never gave him a toss back then, but now she's seeing him with new eyes. The two of them share an appreciation for the pulp novels of the 1950s and 1960s featuring a Mike Hammer type PI called "Jonny Gossamer."

KISS KISS BANG BANG is a lot of fun. Walking into the theater you don't expect such a rambunctious, talky, endlessly yakking movie. You have to be on your toes, narratologically speaking, the entire time, and don't try leaing your seat to use the restroom, you'll have missed probably the entire point of the movie. Does even Shane Black know the story he's written, and why the three women who meet their maker got so confused that neither the police, the detectives, nor the gang that killed them seem to be able to piece them apart, like the old shell game.

The movie is stunning to look at besides. The credits are impeccable; we've seen numerous movie credits designed to resemble the old time look of the Bond films, but this one, in rusty shades of orange and black, is stylish and exciting. In general the designers of the movie deserve awards. The use of the hotel Standard is brilliant

Downey Jr and Kilmer are both pretty entertaining, but the excitement here is the performance of Michelle Monaghan as Harmony Faith Lane (a name that, oddly enough, strings together the names of two of Buffy's betes noires).

As Harmony Miss Monaghan, a Denise Richards lookalike, shows a talent that can stand right up next to the fast talking dames of the thirties like Rosalind Russell or Carole Lombard, and plus she has a genuine American beauty tht makes it believable she could come from somewhere central, like Indiana. You root for her to succeed, even when she shows the more disagreeable sides to her personality.

I can imagine some people disliking the movie and its constant air of being in love with itself, and yet when the dust is cleared we are always searching for an American cinema with wit and flair, and here it is in this giant, heaping portion, and you would be a fool to turn away such bounty on account of its presumption. I hope it does well enough to merit numerous sequels, as THE THIN MAN did. It's on that level if you ask my opinion.

PS, what happened to Shannyn Sossamon? Seems like just yesterday she was Hollywood's it girl, enjoying leading lady parts in such films as A KNIGHT'S TALE or THE RULES OF ATTRACTION. Here she plays, get this, "Pink Hair Girl"? Are they trying to punish her for being beautiful and talented, or what?

Robert Downey Jr. has not been as quick-witted and riotously funny since he played in Chaplin. He and Val Kilmer turn out to be a comedy team as good as those in Mel Brooks' early movies. There are scenes that cause uproarious laughter in the theater. Like when Downey sticks his severed finger into the ice bucket and the dog eats it. Or when Kilmer's cell phone plays "I will survive" when it rings. Michelle Monaghan plays Downey's old childhood friend, Harmony. They meet again in L.A. and team up with Kilmer to solve a murder. The trio charm the audience and keeps the laughter at a high volume. And finally, Downey's asides to the audience in his role as Narator are hilarious. From stopping the film to explain something, to changing the typical noir ending by bringing back all the dead characters plus Elvis and Abe Lincoln. It was two hours of razor-sharp dialogue and brilliant comedy. Don't miss this one.

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"Kiss Kiss Bang Bang" is so full of energy and forward propulsion that it often trips over its own frenzied notions and plot machinations. This is screenwriter ("Lethal Weapon") Shane Black's first film as director and he is very keen on making the most of this opportunity: the 3rd wall is smashed and cleared away, the story is told both in flash backs and in flash forwards and Robert Downey Jr. as Harry Lockhart narrates in deadpan fashion that manages to be extremely witty and droll on the one hand and banal and silly at others.

"KKBB" opens with an explosion of activity in which Harry a petty thief, while in the process of a robbery and running from the police, accidentally bursts into a room in which actors are being auditioned for a movie dealing with private eyes. He is thrust into service as an auditionee and is asked to screen test...moving closer to actually nabbing the movie role. And so it goes: one incredible and often hilarious plot twist after another.

Downey, always a charming performer and who may be a bit too old for this part, in that he is supposed to be the same age as the smart, funny and adorable Michelle Monaghan who plays his childhood friend, Harmony Faith Lane...a great name, by-the-way. But be that as it may, the interplay between Monaghan and Downey as well as that with Val Kilmer as Gay Perry, a gay P.I. (I kid you not) is priceless: all are operating on the very highest level of their performing careers.

Not every thing works in "Kiss Kiss Bang Bang" but at least Black, by way of his throw in everything but the kitchen-sink style of directing, exhibits the cojones to play with the conventions of the detective story/thriller movie and make it work...most of the time: you must often risk the ridiculous in order to achieve the sublime is a lesson that Black has seemed to have learned very well.

Read Best Reviews of Kiss Kiss Bang Bang (2006) Here

Once you realize this movie isn't a porno, it's actually pretty good. Yeah, I was disappointed at first, but instead of hunting down the red light district I actually decided to stay. Besides, porn is accessible 24/7, but a movie this funny only comes around once in a while.

The plot revolves around Harry Lockhart played by Robert Downey Jr., a petty thief turned aspiring actor who soon finds himself in the midst of an old fashioned film noir plot. Val Kilmer plays Gay Perry, a private detective who is hired to show Harry the ropes for his potential new role. When someone from Harry's past shows...actually, the plot is really just a MacGuffin for the two actors to spout off clever lines at one another, and the movie itself seems keenly aware of this. In fact, Robert Downey's character narrates the film complete with fourth wall shattering comments (such as referencing the audiences in Times Square). His narration could have come off as annoying, but thanks to the strong script and funny delivery it works perfectly.

The entire film is really just an excuse for these two actors to play off of each other, and they do a fantastic job. Val Kilmer and Robert Downey Jr. can be two of the most frustrating actors. Sometimes they can seem so self-conscious that it's painful, and other times they can turn in a role that singlehandedly makes the movie (Val Kilmer in Tombstone for example). Here they're at the top of their game. They play off of each other perfectly. If you like smart sardonic humour, then you'll like this movie.

It's so difficult these days to find a good comedy that this movie felt refreshing. It feels like it has been over a decade since I've actually laughed out loud in a movie theatre. Most comedies are run by the Will Ferrell rule of comedy: if you yell it's automatically funnier. It's nice to know that someone out there thinks that a clever script can be funny too. (This is not a complete knock to Will Ferrell--he can be funny in the right role).

The qualities of this film don't stop at the humor. There's also some great send-up of film noir. For a noir fan like myself, this was merely icing on the cake. Not only does the film pay tribute to old fashion noir, but takes an opportunity to subvert it whenever it gets the chance. Film noir cliches are raised so they can be turned on their head.

Hopefully this film will get the audience it deserves when it comes out on DVD. It's easily one of the years funniest movies, and it's not even a straight up comedy.

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I don't know, how do you not love a movie that includes lines like this one, about women in Los Angeles:

"I swear to God, it's like somebody took America by the East Coast, and shook it, and all the normal girls managed to hang on."

And that's what Kiss Kiss Bang Bang is like: Relentlessly clever dialogue, witty screenplay, extremely self-aware without crossing the line into being eye-glazing about it.

Essentially an update of a second-tier LA-based noir film, the film moves so quickly and is so funny that many audiences may not catch that they're watching a film that could have once starred Alan Ladd or Humphrey Bogart. There's the beaten-to-a-pulp detective in over his head, the rich movers and shakers who can crush him at will, the dream girl who's alternately sexually available and loathes him, dead bodies that get moved around, seemingly on their own and lots more standard bits.

Toss in Robert Downey, Jr. doing his best work in years, Val Kilmer, funny again for the first time in decades and the new-to-me-but-ought-to-be-a-star Michelle Monaghan, and you've got a solid, solid cast capable of making the clever script pop. Heck, there's even some footage from a truly awful 1980s Corbin Bernsen action movie, which isn't something you see every day.

It's hard to figure how this got overlooked in theaters, but no fans of buddy movies (the film is written and directed by the creator of the first -and vastly superior to the sequels -Lethal Weapon movie), Downey or Kilmer should miss this.

Sensationally great fun.

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Ocean's Eleven (2008)

Ocean's Eleven"Ocean's Eleven" is a Ferrari of a movie: cool, stylish, and classy. And if, like a Ferrari, it doesn't always work, that's OK who will complain when it's so stylish?

The premise is lifted right out of the 1960 Rat Pack original: Danny Ocean (George Clooney, suave as hell) is released from prison, and plots to steal over $163 million from the vault of a Las Vegas casino during a heavyweight fight. He recruits his old buddy Rusty Ryan (Brad Pitt), and they put together a dream team of crooks, each of whom has a specialty. There's a computer geek, a demolition expert, a con man, a pickpocket, and so on.

And, of course, there's Danny's ex-wife, Tess (Julia Roberts), who's now involved with the manager (Andy Garcia) of the casino Danny intends to rob. So, Danny's not only after money he wants his girl back as well. But she's having nothing of it, as evidenced by this neat dialogue piece:

Danny: "I've paid my debt to society."

Tess: "Funny, I haven't gotten my check yet."

Dialogue like that is one of the great pleasures of this movie; watching it delivered by the likes of Clooney, Roberts, Pitt and the stellar supporting cast (Matt Damon, Don Cheadle, Carl Reiner, Elliott Gould, et al) is the other.

And, in fairness, it's a good thing that the dialogue and acting is so good, because as a pure caper flick, "Ocean's Eleven" is, to be charitable, a little thin. In the best caper movies ("The Heist" comes to mind), the theft itself is the star of the movie the intracicies, the backup plans, the intrigue. In "Ocean's Eleven," we're expected to believe that a casino with over $150 million in its vault wouldn't have a backup power generator, or that the vault's security system wouldn't have a motion sensor.

But criticisms like that are akin to nitpicking that red Ferrari 575 because it has a small trunk the point isn't realism, it's style, and like a Ferrari, "Ocean's Eleven" has it in droves.

Below is a review of this product: 4 Film Favorites Ocean's Collection. Amazon may display this review on the page of another version of this product, for which this review may not apply. After reading this review, please click on the link so that you can be assured that the product this review applies to is the same one you thought it was for.

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### ABOUT THE 4 FILM FAVORITES SERIES ###

Warner Brothers/New Line's "4 Film Favorites" is a line of two-disc sets consisting of four films that are part of a series/franchise or center around a common theme. Each disc is dual-sided, with the contents of each side being a bit-for-bit copy (a "disc image") of a previous DVD release. Usually the very first DVD release of a film is used as the master for each side, which could be either single-layer or dual-layer. If the DVD master that is used first came out at the infancy of DVD production (the late 1990s), there may be little to no extras, and even a poor film transfer when compared to a later re-release. Also, if that original release was a two-disc set, or a dual-sided disc (see: Lethal Weapon 4), only Disc 1 or Side A will be used. The "4 Film Favorites" line is priced with the budget-conscience consumer in mind, with Target having the lowest price at 9.99 each (occasionally on sale for 8.99). Other stores will inevitably be priced higher, though I don't recommend paying more than ten dollars for each two-disc set.

### ABOUT THE OCEAN'S COLLECTION ###

OCEAN'S 11

* Year: 1960

* Runtime: 2:07:17

* Video Format: 16:9 Widescreen

* DVD Production Date: September 10, 2001

* Region: 1

* Layers: 2

* Audio Languages: English, French

* Subtitle Languages: English, Spanish, French

* Extras: Commentary by Frank Sinatra Jr. and Angie Dickinson, Interactive Las Vegas Then and Now Map Casino Vignettes, The Tonight Show Starring Johnny Carson Excerpt Featuring Guest Host Frank Sinatra and Angie Dickinson, Cast & Crew Filmographies (Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, Angie Dickinson), 2 Theatrical Trailers.

* Easter Eggs: (1) On the Special Features menu, press LEFT to highlight a poker chip on the pile. Press Enter to view a clip about the Las Vegas Gambling Museum. (2) On the "Map Of Vegas" menu, watch The Sands casino video. After viewing the video, select it again to see a different video showing the implosion of the casino in November 1996.

OCEAN'S ELEVEN

* Year: 2001

* Runtime: 1:56:27

* Video Format: 16:9 Widescreen

* DVD Production Date: March 7, 2002

* Region: 1

* Layers: 2

* Audio Languages: English, French

* Subtitle Languages: English, Spanish, French

* Extras: Commentary by Matt Damon and Andy Garcia and Brad Pitt, Commentary by director Steven Soderbergh and screenwriter Ted Griffin, "The Making Of Ocean's Eleven" Featurette, "The Look Of The Con" Featurette, Cast Filmographies (George Clooney, Matt Damon, Andy Garcia, Brad Pitt, Julia Roberts), 3 Theatrical Trailers, "Are You In Or Out?" DVD-ROM Game.

OCEAN'S TWELVE

* Year: 2004

* Runtime: 2:05:10

* Video Format: 16:9 Widescreen

* DVD Production Date: February 8, 2005

* Region: 1

* Layers: 2

* Audio Languages: English

* Subtitle Languages: English, Spanish, French

* Extras: Theatrical Trailer.

OCEAN'S THIRTEEN

* Year: 2007

* Runtime: 2:01:59

* Video Format: 16:9 Widescreen

* DVD Production Date: August 29, 2007

* Region: 1

* Layers: 2

* Audio Languages: English, Spanish, French

* Subtitle Languages: English, Spanish, French

* Extras: Additional Scenes, "Vegas: An Opulent Illusion" Featurette, "Jerry Weintraub Walk And Talk: The Producer Takes Us On A Casino Set Tour" Featurette.

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This package is an exceptional deal. You get all four Ocean films for less much less than the price of a single copy of Ocean's 11 on Blu-Ray! What more could you ask for?

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I've got to admit, half the fun of this movie is the star-gazing. George Clooney is great as a convict recently released from jail, Brad Pitt is Mr. Suave as his right-hand man, and Julia Roberts plays the icy ex-wife beautifully. Throw in Matt Damon as a pick-pocket and Andy Garcia as a casino mogul and you've got the gist of this movie's star power.

The plot is pretty simple: Danny Ocean (Clooney) organizes a group of eleven highly skilled criminals to simultaneously rob three of Vegas' biggest casinos. Their plans are over the top and outrageous-and you can't help but smile watching them put into action. There are also some really memorable touches in the movie: including Brad Pitt teaching Shane West and Topher Grace how to play poker. This movie kind of serves as a who's-who in Hollywood. "Oceans" probably won't spark any deep conversations or teach you any life lessons, but it's fun watching the celebrities interact onscreen. If you want something deep and thought-provoking, this probably isn't your movie. But if you want to watch something purely for entertainment, this is a great and fun film.

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Yeah, it's impossible, it's ridiculous, it's contrived, but you gotta love the acting and the chemistry between the actors. Only Julia Roberts' role was maybe a mismatch, and that's difficult for me to say as she's one of my favorites.

The 1960's original version with Frank Sinatra and the infamous Rat Pack was fun, too, but this contemporary one makes full use of all the modern cinema techniques that make action/adventure films such fun to watch.

The whole setup (a plan to rob several Las Vegan casinos owned by a guy who has `taken possession' of Danny Ocean's ex-wife) is convoluted and sometimes difficult to follow and frankly, rather than hit replay and try to figure it all out, I'd just advise suspending disbelief and going with the flow.

It's a hoot.

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Bulletproof Monk (Two-Disc Blu-ray/DVD Combo) (2003)

Bulletproof MonkHaving recently read the Bulletproof Monk comic, on which this film is based, and been less than thrilled with it, I was kind of reluctant to see the film. On the one hand, the source material reeked. On the other hand, Chow Yun-Fat is an action-film God....Finally curiousity won out, and I decided to give Bulletproof Monk a shot. (Get it? Bulletproof...? Shot...? Never mind....)

The film mercifully departs from the Comic almost immediately, and boy, was I glad! Yun-Fat plays the nameless Monk, who is not so much bulletproof as able to dodge bullets (Think Keanu in The Matrix...). He's charged with protecting an ancient scroll that can bring about the end of the world. As the film opens (In the 1940's), his monastary is beseiged by Nazi's seeking the scroll. After the Monk escapes with the scroll, we flash forward 60 Years, as the un-aged Monk meets up with a young pickpocket (Seann William Scott). The Monk decides to train him in the Monkly Arts, and before you know it, that pesky Nazi is back, menacing our Monk from his wheelchair. (Yeah, it's goofy, but it's a lot of fun.) Throw in the gorgeous James King as a butt kickin' Kung-Fu girl, and you've got the recipe for a good time. The villains are villainous, the Heroes are heroic, the action is cool, and the one-liners fly fast and furious. Yun-Fat is delightfully droll as the Monk, delivering ancient wisdom with a sly smirk on his face. One small quibble: I'm glad the filmmakers decided to scrap the Comic's storyline, but it's too bad they couldn't stay closer the book's all-Asian cast of characters. (No offense to Scott and King, both of whom were great in their roles....It'd just be nice to see Hollywood be a little more colorblind in their casting choices.)

Chow Yun-Fat plays a nameless monk in charge of protecting a sacred scroll possessing mystical powers so great that who ever reads the scroll would be endowed with the ability to turn the world into a paradise or a living hell. Now, my first thought was if this dang thing poses such a potential danger to the world, why not just destroy it? Well, another reviewer stated that the reason it was so closely protected and not destroyed, as spelled out in the movie, was that the human race just wasn't ready for such power at this time.

Anyway, Chow is the latest in a long line of protectors, and each protector has the responsibility for a period of 60 years, and then they pass on the responsibility to another chosen one. Why 60 years? Who knows? I guess just because it's in the script. Also know that whoever is chosen as protector of the scroll is endowed with special powers, one being that the protector doesn't suffer the effects of time. The reasoning for that is as the protector protects the scroll, so shall the scroll protect the protector. So now Chow's 60 year term as guardian comes to its' end, he's looking for the next protector, who comes in the form of Kar (Sean William Scott), a petty thief and pickpocket who lives in a movie theater and learned martial arts by imitating old kung fu movies. Oh yeah, for like the last 60 years Chow has been pursued by a crazed Nazi intent on stealing the scroll, taking the power, and cleansing the Earth of so called inferior races.

Jaime King plays Jade, Kar's love interest. As I watched the movie, it seemed to me that her character had no real reason for being in the movie other than giving the male viewers an attractive woman to look at, but by the end, we are enlightened to the importance of her role in the outcome of the storyline. I thought her connection to the other characters in the movie was paper thin, but hey, whatever...the actress I most enjoyed watching was Victoria Smurfit. She played Nina, the grand daughter to the psycho Nazi and is helping him to acquire the sacred scroll. She is truly easy on the eyes and seemed to make the most of what little screen time she had. The movie, based on a comic book, plays out that way, keeping things pretty simple with lots of action, some humor, a smidgen of romance, and a little philosophical nonsense thrown in for good measure. Suspension of disbelief is required throughout the movie, but I kinda enjoy this film, as it reminded me of some of those old Hong Kong chop socky movies.

As far as extras go, there are some deleted scenes, an alternate ending, some 'making of' stuff and the usual trailers. I would be hard pressed for anyone to run out and buy this movie, but if you're looking for a fun way to kill an hour and a half, this works pretty well.

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Ok people, lets get some things strait here. I'm reading these reviews and find myself confused. I keep reading things like the characters aren't developed enough or there isn't enough philosophical value or that the acting isn't good enough. WHAT KIND OF MOVIE DID YOU EXPECT TO SEE?? This is an action film based on a comic book which meens the action will be over the top, characters will be silly, acting won't be the best, and the story won't make the film nominated for best film of the year, but that is exactly what I wanted to see when I walked into the theater. This movie isn't Crouching Tiger. It's a movie with a unbeliavable plot, which in its way was good to me, and very cool, gravity-defying martial arts scens. If you lik that you'll like this movie.

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No matrix, but then at times the Matrix isn't even itself. Bullet proof Monk is good but not great. The action is ok, the dialogue isn't bad and the plot was a good idea that just needs some work in spots. Such as Sean William Scott's love interest, she was kinda cool, but i'm afraid I didn't quite sympthasize with her point of views. That and they killed of one of the main characters just a little too quickly, and then took to long on another.I know this sounds like I can't make up my mind, but they needed an equalizer for the deaths of the bad guys.

A decent action thriller with enough romance for the girls, and machoism for the guys. That, everybody comes away from the film feeling as the good guys got the decent reward, even if it seemed to obvious of an outcome.

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Tibetan Buddhism is a pure betrayal of Buddhism, of Buddha himself. It dares go beyond Buddha's teaching and reinvent a divinity of some kind where Buddha had taught there could not be any God anywhere. The great force that leads the universe in the eternal cycle from birth to rebirth via decay and death is transmuted into some kind of prophecy about some kind of truth to keep against human greed in order to save the world, and that truth is entrusted to one person who remains beyond aging, will not decay in other words, for as long as he will carry this trust and responsibility. When the time has come he will have to transmit his responsibility to the newly elected person who fulfills the three prophecies and the guardian will finally age and take a vacation leaving the burden to the new warden. Buddha would be ashamed of such primitive beliefs if he could witness such naïve sagas. And the film goes slightly beyond by deciding that the new warden will be double and will be a man and a woman, a heterosexual couple in one word, Hollywood trying to save Tibetan Buddhism from the righteous accusation of being deeply and profoundly and exclusively sexist, that is to say anti-women, or at least closed to women. It also takes advantage of the film to move Tibet to New York, to add a little bit of Nazism in all that, and to entrust the serious mission to two Caucasian non-Tibetan "goyim" instead of one good old Asian, Tibetan if possible, Buddhist monk. But that is only a film. True. But what a laughable fable. Luckily there are the spectacular fights and contortions and acrobatics to save the whole fairy tale from too much shallowness.

Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines