Showing posts with label comedy cartoon movies. Show all posts
Showing posts with label comedy cartoon movies. Show all posts

Kambakkht Ishq (Blu Ray) (2009)

Kambakkht IshqWow, just when you thought Bollywood had graduated to a more sophisticated level, crapadoodle like KAMBAKKHT ISHQ comes out to put a stink in the room. The heat on this film had been palpable for months leading up to its theatrical release, what with so much money fed into it, rumors of huge Hollywood stars co-starring, possibly Arnold Schwarzenegger, possibly Beyonce performing an item number and maybe Carmen Electra shooting a promotional music video with Akshay and Kareena... Most of these castles in the air crash and burn. KAMBAKKHT ISHQ (meaning "Wretched Love") is quite horrible and crass and offensive. It actually cheeses me that it made so much money in its opening.

Indian cinema doesn't really delve too much in the area of the sex farce, which is what this movie is at its core. But all the elements that make a successful sex farce are markedly absent. Based on the 2002 Tamil film PAMMAL K. SAMBANDAM, KAMBAKKHT ISHQ doesn't at all go for elegance or subtlety or a light touch, and it's about as appropriate as wearing raggedy flip flops to a funeral. But it's not a funeral but rather a wedding where our two leads meet, and it's antagonistic from jump.

Viraj is a womanizing Hollywood stuntman and a devoted bachelor. Simrita is an aspiring surgeon and she used to model to pay off her medical bills; she doesn't believe in love. When Viraj's brother Lucky gets married, Viraj shows up at the church to chastise him, and I think it's around this time, when hearing the cliched, mind-numbing dialogue, that I started getting a bad feeling about the movie. Simrita then pops up and begins to harangue the bride, warning her friend that love doesn't exist. Viraj and Simrita then start heckling each other. We all know where this is going.

SPOILER in the following paragraph, for those who care about things like SPOILERS:

Integral to the plot is a scene in which a surgeon's watch gets lodged into the patient's stomach during surgery. This leads to a pretty funny running gag, one of the very few stabs at humor which works. Turns out, the watch plays a bhajan (spiritual song) on the hour every hour.

Viraj and Simrita keep bumping into each other, all over Los Angeles and even in Italy, and the battle of the sexes rages on. For a sex farce, by western conventions, it doesn't ever get that risque. By Hindi standards, however, it's pretty naughty. Bollywood's definition of raunch involves scandalous kissing scenes between Akshay and Kareena and perceived nudity and, of course, scads of loose American women. The humor is very crude and tasteless, and that there's an abundance of films of this sort in Indian cinema makes me chafe a little. But slapping women around? Akshay and his stupid sidekick doing blackface? And a nasty cavity search? Really? Those are the laughs you're going for? (Well, okay, the cavity search made me laugh.) The production values are certainly polished, but the screenplay is this steaming pile of bat guano.

There's a lot of mugging for the camera, and Akshay is the biggest perpetrator. Akshay Kumar is a Bollywood superstar and is like a Swiss army knife in that he's proficient in any number of genres. Off the top of my head, KHAKEE is a slick action-packed thriller; NAMASTEY LONDON is an awesome romantic drama; HERA PHERI and MUJHSE SHAADI KAROGI happen to be solid comedies. Except that his last few attempts at wacky comedy have turned Akshay Kumar into a box office flop machine. HEYY BABYY and WELCOME are shifty stuff. Akshay's been aggravating me lately.

Kareena Kapoor was so very good in JAB WE MET. But she's shrill in this one and her character not that likable (not that Akshay is exactly a nice guy himself in this one). And I just smile whenever I see Boman Irani because he's in this one just like he seems to be in every other Bollywood flick, I'm assuming just because he can. The inclusion of big-name Hollywood stars in this flick was something of a coup, and this was highly touted in promoting KAMBAKKHT ISHQ. Sho nuff, we get Brandon Routh, Denise Richards (who isn't here much but is pivotal to the story), and Sylvester Stallone none of whom are exactly A-listers (and no, I don't think Sly is top of the heap anymore). Their appearances make sense in light of the L.A.-based premise as these cats do play themselves. But Stallone's second cameo comes off as far-fetched, unless he really can shove a car two feet away and also rip out a parking meter with his bare hands and single-handedly take on an L.A. street gang. And if you wish to learn how to pronounce the movie title correctly, then by all means stay far away from Sly's attempts to slur it out.

The protagonist is a Hollywood stuntman, so we do get to see Akshay's character performing several stunts. The film's opening scene is pretty neat and it's clear that it's Akshay himself doing all the jumping and kicking and running around, and he does do a lot of the other stunts, some of which, by the way, are staged lavishly. But then just to be clear, I don't know that KAMBAKKHT ISHQ unveils the real behind-the-scenes scoop on the life of the stuntman. KAMBAKKHT ISHQ is no HOOPER or even FALL GUY.

This is Bollywood, so there are musical numbers. They're forgettable.

Okay, "Om Mangalam Mangalam" is sorta catchy.

As a bonus feature, the DVD offers the 26-minute-long "Making Of" segment. This includes interviews with the cast and crew (which also feature the American stars) and plenty of breaking down the musical numbers. None of the folks involved seems to feel remorse about being in this film.

The best part about this whole mess may well be the unusual DVD cardboard case which unfolds into four times its size and into a glossy poster of Akshay and Kareena on one side and smaller photos on the other side. Akshay, what happened to you, dude?

It was great to get it faster then what they said it was going to arrive . Truly enjoyed it as soon as it got here. My family was happy to watch it.

Buy Kambakkht Ishq (Blu Ray) (2009) Now

This film is a real mess, and left me feeling embarrassed. Kareena and Akshay have no real chemistry, and at times it feels that all Akshay can do now is far out and ridiculous comedy. He seems to have had more box offices bombs than anyone in recent years.

The film is childish and the performances are absolutely dreadful. Denise Richards, and the other western stars seem to have been given no direction, and if grinning at the camera is acceptable to the director, Sabbir Khan,then perhaps its time he found another profession. This film is nothing short of embarrassing.

Read Best Reviews of Kambakkht Ishq (Blu Ray) (2009) Here

Upon reading the prior reviews, I was hesitant to rent this movie. Nonetheless, having seen other Akshay and Kareena films I knew that it could not be that bad. An, I am glad that I did. I loved the energy and frankfulness in this film. The storyline was again, interesting and fresh. Loved Om Mangalesh and how it was used in the film. This film is not bad. It is a love story and in the end, you are happy for them. I loved the rental and it lead to me purchasing the video. If you are and Akshay Kumar and Kareena Kapoor fan, you will enjoy this film.

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Akshay Kumar is a stuntman falling in love with a medical student. An unlikely recipe but it works out ok

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Bottle Rocket (The Criterion Collection) (1996)

Bottle RocketReleased in 1996, this is Wes Anderson's first feature movie and the beginning of a great career that has also included the fantastic quirky comedy-dramas "Rushmore" and "The Royal Tenenbaums." "Bottle Rocket" isn't the equal of those films, but it is a great start to Anderson's career, and a fine little comedy. It also marked the beginning of the stardom of Owen Wilson, who co-wrote the script with Anderson and plays the most noticeable and memorable part. The film was shot in Texas, Anderson and Wilson's home state, based on a short film they had made two years earlier.

The movie has the type of laid-back and character-driven humor that won't appeal to everyone. This is comedy that doesn't target laughs or build up elaborate set-ups as most comedies do. Instead, the humor is continuously slow-pitched to you in the form of weird but likeable characters, off-center attitudes, and situations that seem familiar to us but are played in unreal ways and thus become extremely funny. All together, it's an extraordinarily enjoyable and pleasant movie that strolls through its story with no particular rush.

Owen's brother Luke Wilson, who had so far appeared in every Wes Anderson film, plays Anthony Adams, who gets out of a voluntary mental hospital after recuperating from a breakdown. His friend Dignan (Owen Wilson) has big plans for both of them -a life of easy and enjoyable crime! Dignan doesn't have any good ideas, but tries to make up for it with endless enthusiasm and an outrageously optimistic view of life. Unfortunately, when things inevitably don't go well for him and his friends start criticizing him, he can fall into pretty bitter depressions. Owen Wilson has the character nailed down, and Dignan sets the tone for most of Wilson's other characters: the enthusiastic but misguided nut. Dignan gets his friend Bob (Robert Musgrave) in on his plan to pull a 'job' (and all of Dignan's 'jobs' are minor-league suburban affairs) that will attract the attention of the local crime boss/landscaper, Mr. Henry (James Caan in a brief but darned funny performance). Dignan get obsessed with his planning and attempts at damage control, while Anthony and Bob are more busy with the really important things in their lives: Anthony falls for a housekeeper at a motel (Lumi Cavazos, from "Like Water for Chocolate"), and Bob tries to deal with his bully of a brother, Future Man (Andrew Wilson -yep, another Wilson).

The film has some sad and serious moments -after all, these are characters who are really going NOWHERE in a very boring suburban landscape -but with Dignan around it never stays down for long. There are plenty of chuckles and some real moments of howling laughter, especially during the climatic 'take down' (and I'm really using that term pretty loosely). Another Wes Anderson favorite actor, Kumar Pallana, who appeared as Pagoda in "The Royal Tenenbaums," is on-hand to add comedy as a safe-cracker (and again, I'm really using that term loosely).

If you like quirky, odd, but realistic comedy, and if you've enjoyed Owen Wilson in many of his later performances, "Bottle Rocket" is really worth a look.

(This DVD is, unfortunately, nothing special. The picture and sound are good, but it hasn't a single extra on it, not even a trailer.)

The Criterion 2-disc Bottle Rocket is outstanding, but don't toss your original disc just yet... the new edition is a slightly different edit that loses one laugh and adds another. I couldn't find any reference to these changes in the supplementary material at all.

MISSING: Originally, during the book store robbery, Anthony grabs a random book off the shelf and opens it, revealing the title page "Job Opportunities in Government 1995" which always gave me a little chuckle. Now for some reason the book opens to a black and white photograph of a military plane (it goes by so fast you'd have to freeze frame to make it out.)

ADDED: Originally, when Bob hands his earnings over to Future Man to cover his attorney fees, he asks if he can keep a few bucks for gas, and the scene ends. Now the scene plays a few seconds longer, and we hear Future Man's reply: "No, you can't."

In addition to these minor (and somewhat baffling) changes, I was also unable to find any images of the one-sheet art or logo anywhere on this set (as appears on the menu page and sleeve of the original release).

So if you're a hardcore Bottle Rocket fan or completist, hang onto your old disc and buy this set as well. In addition to a beautiful transfer, commentary track, documentary, the original short film, and other extras, the booklet insert is a miniature replica of Dignan's 75-Year Plan notebook, along with reproductions of Anthony's drawing of Inez on horseback, the book store heist plan schematics, etc.

Buy Bottle Rocket (The Criterion Collection) (1996) Now

This movie grabbed my attention the first time I rented it at my local videostore for it's low key atmosphere and entertaining storyline. The highly persistent (if not entirely insane) Dignan, played by Owen Wilson has got to be one of the most memorable character portrayals in any movie I've ever seen. The slow pace of the movie makes everything just right (you won't be blown away by special effects, unless you consider an altogether cerebral script pyrotechnic) but you will come away from this movie with a sense of adventure and a deep desire for one yourself. The fact that this movie is practically a remake of an earlier project adds even more to its appeal. The caper scenes are hilarious, the dialogue will make you think as well as laugh, and you will come away from this movie with a new appreciation for film making in general. It's not all about explosions after all. And you will find yourself scaring the hell out of your friends when for no reason at all you start screaming "Ka-Caw, Ka-Caw!". If you like this movie check out Rushmore, also directed by Wes Anderson.

Read Best Reviews of Bottle Rocket (The Criterion Collection) (1996) Here

Taking a trip into Wes Anderson's head is like going into a parallel universe where most things are the same, but the nature of reality is just slightly warped. And that formula holds true for "Bottle Rocket," his first collaboration with actor Owen Wilson (who also stars), an absurdist crime caper.

Anthony (Luke Wilson) has just been released from a mental hospital after being treated for exhaustion ("You haven't worked a day in your life. How could you be exhausted?"). He hangs out with his idealistically weird pal Dignan (Owen Wilson), who has mapped out his life over the next 75 years. Dignan, having seen a TV special, has decided to become a master criminal.

First they recruitt the timid Bob (Bob Musgrave) as the getaway driver, as he is the only one who has a car. They practice for a while on smaller-time burglaries, such as robbing a bookstore -then hiding out at a motel, where Anthony falls in love with the pretty South-American maid (Lumi Cavazos). However, the guys find themselves in hot water when they bump into a REAL crime boss (James Caan).

Wes Anderson's touch is a little rough in his movie debut, but it's that slightly unpolished touch that makes his offbeat style a delight here. For example, Anthony "escapes" from a hospital that he can leave anytime he wants. That unnecessarily complex opener sets the tone of the rest of the movie, of thrillseeking young men who are just a little out of sync with the rest of us.

Don't expect stupid puns, toilet humor and bad sex jokes. "Bottle Rocket" shares the dry, funny, erratic humor of Anderson's later movies. Not to mention a thousand funny little lines ("Bob stole his car!"). Anderson and Wilson avoid being self-consciously cool, in favor of being earnestly quirky. No banter, just wit.

The Wilson brothers are in fine form here, especially when interacting with one another. Anthony is calmer and thinks a lot; Dignan is idealistic and wacky almost to the point of mental illness. They have a certain innocence despite their illegal ambitions, and it's fun just to see them ramble around. They, Inez and Bob are sort of misfits, but not the kind you laugh at.

It's a little erratic, but "Bottle Rocket" comes across as fresh, weird, and extremely well-done. Funny, zany and charming crime comedy with a twist of Wes Anderson.

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"BOTTLE ROCKET" is most definitely a hilarious but yet an insanely awkward film that just sticks in your head because of how wild and crazy it is.

Released in 1996, the film would be the directorial debut for Wes Anderson ("RUSHMORE", "THE ROYAL TENENBAUMS", "Life Aquatic with Steve Zizzou") and the debut of the Wilson brothers: Owen Wilson (Co-writer) and Luke Wilson (plus brother Andrew) and Robert Musgrave who all grew up together in Texas.

Back in 1992, the first initial concept of "BOTTLE ROCKET" was shot in 16mm film on B&W after the group was able to raise about $4,000 and raise more money and eventually have the 13 minutes extra to have a short film and submit it to the Sundance Film Festival in 1994.

After being screened for the festival, the film was able to attract a few producers who were willing to invest in making "BOTTLE ROCKET" to a full-length film and thus, Wes Anderson and Owen Wilson had their first major opportunity.

As the story goes, the film did terrible in its first test screening which shocked everyone. The film then had its final released cut which then was released in theaters in 1996 and the film bombed. In fact, to everyone's surprie, the film couldn't even get screened at Sundance (where the short film version was able to be screened years prior).

But there were many people who loved the film and for critics, it was a critically acclaimed film that some critics were quite passionate about such as the LA Times (blasting Sundance Film Festival for not screening it) and then followed by director Martin Scorsese calling it one of his favorite films in the 1990's, the film reached cult-status.

Flash forward 12 years later and with three of Wes Anderson's films released on THE CRITERION COLLECTION on DVD, what an awesome way to kick off THE CRITERION COLLECTION's entry to Blu-ray in Dec. 2008 with the release of "BOTTLE ROCKET", Anderson's first film.

VIDEO & AUDIO:

THE CRITERION COLLECTION is all about gathering the greatest films around the world and publish them in the highest technical quality but the focus is to present the film the way the original director intended. For film fans, THE CRITERION COLLECTION is known for its quality and rarely do fans question the releases, the releases are embraced as fans are introduced to important classics or contemporary films.

For "BOTTLE ROCKET", the film is presented in its original aspect ration of 1:85:1. The film's presentation was supervised and approved by Wes Anderson and the Director of Photography Robert Yeoman. The high definition transfer was scanned on a Spirit 2K Datacine from a 35mm interpositive and thousands of instances of dirt, debris and scratches were removed using the MTI Digital Resotration System and Pixel Farm's PFClean.

The video quality of this film looks great especially for a film created in the early to mid-90's. Typically films released on Blu-ray during these years have been clean but have this softness effect where the vibrancy of the colors are not as beautiful as I would like it to be. With "BOTTLE ROCKET", the film had many outdoor scenes and literally from the red's to the blues and greens and the yellow jumpsuit that the guys wear, these colors are vibrant in Blu-ray HD.

As for audio, audio was mastered at 24-bit from the original magnetic tracks and audio restoration tools were used to reduce clicks, pops, hiss and crackle. The film is primarily a dialogue based film, thus a lot of the audio is coming from your front channel speakers. There are scenes with gunshots and music that come out quite live on your home theater channels but the film is primarily a dialogue-based film.

SPECIAL FEATURES:

For the special features, the following are included:

* AUDIO COMMENTARY A commentary featuring Wes Anderson and Owen Wilson. The commentary is not more on the filmmaking perspective but more of nostalgia as the guys talk about memories of people they worked with, areas they shot and how some of the people on the crew have moved on to bigger things.

* THE MAKING OF "BOTTLE ROCKET" A featurette with interviews with Wes Anderson, the Owens brothers, James Caan, Kumar Pallana, the producers and more. You learn a lot about the behind-the-scenes of the film from creating the short film, Sundance, how the test screening was a bomb, how the film was not a commercial success but became a cult hit and much more. Great insight on the actors about being part of the job, how they were able to get James Caan for the film and how the producers felt about the talent at the time. A fun and informative documentary by filmmaker Barry Braverman.

* The Bottle Rocket Shorts The actual 13-minute B&W short film that was created back in 1992.

* Storyboards Wes Anderson's original storyboards and sketches for the film.

* Anamorphic Test Anamorphic test shots of several scenes from the film and how Anderson originally planned to shoot the film in widescreen Panavision. Test shots.

* "The Shafrazi Lectures, No. 1 Bottle Rocket" A guy who is reviewing the film and talking about why he loved it.

* "Murita Cycles" A Short film created Barry Braverman (friend and collaborator for Anderson and the Wilson family) about his father, a Staten Island bicycle shop owner which inspired the guys to create "BOTTLE ROCKET".

* Behind-the-Scenes Photograps by Laura Wilson The Wilson brothers also had a talented mother who is a photographer that took pictures of Wes, Owen and Luke during the planning stages of the film and also at Sundance.

* Deleted Scenes There were a quite a number of scenes that were cut and eleven featured on the disc. Scenes that would have explained how "Futureman" got his name, what Dignan and Applejack were up to when they went to by Bob's place, another scene of how the pot was found in Bob's home and much, much more.

Also included is a booklet that features an appreciation by director Martin Scorsese (which is a tribute that appeared in the March 2000 issue of ESQUIRE Magazine), an essay book by executive producer James L. Brooks (written as an introduction to the "RUSHMORE" screenplay published in 1999) which really goes into detail of how "BOTTLE ROCKET" was created and things that happened behind-the-scenes not mentioned on the special features and artwork by Ian Dingman.

JUDGMENT CALL:

"BOTTLE ROCKET" is just an amazing, awkward and hilarious film. Forget about the "Oceans #" type of films that try to bring comedy to heist films, BOTTLE ROCKET" was special because it came from these young people who were not known at the time but their vision of filmmaking and storytelling just sticks into your mind.

You know that feeling about pulling a prank that got a lot of laughs during your younger years and you remember it to this day. This is how I felt about certain scenes from "BOTTLE ROCKET". There were a lot of humor that was not meant to be taken in as a joke but for these characters of Dignan, Anthony and Bob, you can't help but be entertained and laugh.

From memorable scenes of the group putting tape on top of their noses before their heist, to how rob the bookstore but at the same time, those being held hostage just look at them as non-dangerous and almost humorous (despite Dignan carrying a gun).

And then scenes of love as Anthony falls for this woman who can't speak any English and goes where she goes as she cleans each hotel room and just falls in love. And his far out drawings of his love for Inez.

And also the team assembled by Dignan for their major heist. One would think, why he would select really old men (especially one who had some major memory loss issues) to bring with him for a major robbery? But you realize it's Dignan and you just accept his approach to pulling of a heist and enjoy the ride.

There are many of these moments in the film that you just think back and just be amazed of how much of those type of scenes were included. Wes Anderson and Owen Williams are just an amazing duo and although at the time, they were not known in the industry, it just showed you how much potential these guys had when they first emerged and eventually they would go on to have successful careers making many more films together.

As for the Blu-ray disc, again, THE CRITERION COLLECTION manages to pull of another wonderful release. Wonderful picture quality that is vibrant in colors and again, I've reviewed many major films released in the early and mid-90's and although cleaned up, never have the vibrancy or sharpness but this softness that always bugged me. This was not the case of "BOTTLE ROCKET", the film looks great!

And the amount of special features and also the booklet that really help enhance one's appreciation for the film. You wouldn't expect anything less from CRITERION and sure enough, they delivered.

"BOTTLE ROCKET" is a fun, hilarious and well-written film that is so different from any film that has come out. It's not a moronic film, nor is it a serious heist film. It's just a film that is just all-out fun and one can understand why it has become a popular cult film.

Highly recommended!

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Slap Shot (1977)

Slap ShotSlap Shot is a great hockey comedy. It's a hilarious, vulgar, completely wild joyride through the trials of a failing 70's steelmill-town based, utterly amateur hockey team. Failing, that is, until their players resort to pure violence in an attempt to keep their franchise alive.

Paul Newman plays the womanizing player/coach who, after a series of embarassing losses (including one to a visitng team's center who's flat drunk) needs to work with a 3 brother gang of misfits, who all look alike and have an incredibly aggressive style of playing.

Chaos insues when Newman's character decides to finally play these "goons" with his other teammates, and he watches as the fan base increases when they proceed to physically demolish without any love for the game the opposing teammates in an series of hysterical scenes that combine the best in hockey photography with hilariously explicit dialouge and violence. The shot of the goon's nonchalanty skating past the visitor's box and smacking each of them in the head with their sticks is classic.

This action scenes in this movie is everything you wished your NFL highlight tapes to be. The DVD itself is excellent quality, including the true film soundtrack (copyright limitation prevented some of the songs from appearing on the VHS and cable versions).

Extra bonus features are pretty nonexistent just some scene selections and generic Actor Profiles that were prelevant in the first generation of DVDs created a couple years ago but the quality and entertainment value of the movie more than makes up for these shortcomings.

Ask hardcore hockey fans (the kind that are familiar with the Montreal Maroons or that understand that present-day hockey is virtually figure-skating compared to the seventies) what their favorite sports movie is, or ask hockey pros what their favorite sports movie is; probably more than half the time, you'll hear "Slap Shot". Some "serious" sports films suffer from self-importance or a lack of realism; try watching a good war documentary for actual life-and-death situations. Thankfully, "Slap Shot" doesn't take itself terribly seriously yet still manages to paint an accurate, believable picture.

Sure, the humor is rude and crude, but necessary to paint a somewhat accurate picture of `70's minor league hockey (surely these guys weren't discussing Plato or speaking in blue-blood accents). It may be offensive to uninitiated people (e.g. people who don't watch hockey or team sports in general), but the humor is oft-hilarious for hockey fans.

Paul Newman plays crafty, alternately obnoxious and charming player-coach Reg Dunlop, leader of the mediocre minor league Charlestown Chiefs (though in reality the movie was filmed in Johnstown, PA). Fearful that the team is going to fold (now that the big mill in town is closing), Reg concocts a scheme in which he'll find a way to make the team better and profitable in the hopes that the yet-unknown owner will opt to sell the team rather than disband it.

What eventually generates interest and success in the team is their change to a rough-and-tumble style of play, mercilessly beating on opponents (a la the typical style of play for many `70's teams), largely thanks to the infusion of the three Hanson brothers (who in real life actually were minor-league bruisers), who also provide much of the humor in the film. Michael Ontkean plays Ned Braden, the Ivy Leaguer who is a skilled scorer and naturally is unhappy with the fight-first direction of the team. His dysfunctional relationship with his young alcoholic wife serves as a subplot and also reminds Reg of his own unhappy marriage, largely due to his hockey life.

The film is full of fantastically funny moments: Reg's disbelief upon seeing the Hanson's for the first time ("They brought their f**kin' toys with `em!"), the players being forced to do a fashion show that goes awry when one of the players strips, the great Strother Martin as the cheapskate conniving general manager, the French-Canadian goaltender having hallucinations after being pummeled with shots, the Hansons starting a fight before the national anthem even starts, etc.

This is definitely one of the best sports films ever made (both in terms of comedy, and strangely, realism); don't expect anything highbrow, though, "THIS IS HOCKEY!" as the Chiefs rug-adorned announcer yells as the Chiefs are mercilessly pummeling their opponents.

Buy Slap Shot (1977) Now

I have just received (and watched) the DVD version of "Slap Shot", and I thank the powers that be for restoring the original sound track to the movie. The generic music that was released on VHS took the heart out of the movie. With the restoration, and the excellent digital quality of the movie, my favorite film is complete. Now, a full 5 stars only because I can't give it 10.

Read Best Reviews of Slap Shot (1977) Here

Think about all the movies that were made during the 1970's whose storylines actually occurred during that same time. It'll probably take you a long time to come up with a relatively short list. Next, think of how many of those movies still get shown (albeit in an edited format) in regular rotation on network, local, or cable TV. There really aren't many of them, are there? "Jaws", "Saturday Night Fever", and the James Bond movies that Ted Turner runs during his semi-annual "Bond Marathons"...and that's pretty much it. Except, of course, for the timeless gem that IS "Slap Shot". This movie really has everything...violence (presented in a format that most people outside of Canada and the Northeastern US weren't used to seeing at the time), profanity (even Wayne Gretzky admitted in his autobiography that he tends to "turn the air a little blue" during games), drunkenness (by players and fans both on and off the ice), Canadian accents ("Two points, eh!"), bad hair ("WHY DO YOU WEAR THAT RUG?"), REALLY BAAAD clothes (they had to have raided the set of the last "Superfly" movie for some of those duds), bad cars (Reggie's Pontiac LeMans...who ever came up with the notion that vinyl tops were EVER cool?), a '70's soundtrack (thankfully and blissfuly restored to the DVD) that would do Quentin Tarantino proud, and of course SEX (yes, that's Ralphie's mom from "A Christmas Story" in bed with Paul Newman, topless, discussing her lesbian affairs. That's enough to curdle the blood and land a kid in therapy for years). At the time this movie was made, violence in hockey at all levels had reached epidemic proportions. At the top levels, superstar Bobby Hull staged a personal one-game strike in the WHA against the level of violence that was being permitted, and the Philadelphia Flyers had made it to three straight NHL Stanley Cup Finals (winning twice) while playing the most physically abusive style of hockey in memory (has anyone besides me noticed how closely Tim McCracken's Syracuse team uniforms at the end of the movie resemble the Flyers' outfits at that time?)...and of course in the lower league levels of the pro game there was far less scrutiny and things were only magnified as players anxious to do anything for a big-league call-up would in fact do things very similar to those captured in this movie. Yeah, okay, but what's all that really mean? Nothing of consequence. This is an entertaining movie, pure and simple. Hockey season isn't really hockey season until you get together with some friends, wrap your mitts 'round a few brews and watch this movie as it starts to get cold outside. For those of us living outside the NHL's (very limited) influence from the time the Atlanta Flames (look for their logo in the movie on an advertisement poster) left up until the NHL started to expand again in the early 1990's, this WAS pro hockey. The 1980 Miracle On Ice Olympic team was something diferent...somehow other-worldly in comparison...but the two are mutually exclusive outside of NHL markets as being the lasting impression of a fantastic sport. On a personal note, in 1994 the Atlanta Knights (now sadly defunct) were winning the International Hockey League's (ALSO sadly defunct) Turner Cup Championship in their home arena, The Omni (yes, this is gone, too). Richard Adler, Knights VP, had hired this guy "Claude the Happy Trumpeter" (from Quebec, I think) to wear a Knights jersey, blow his horn, and lead cheers during the Playoffs. Early in the 2nd period of the clinching game, he announces himself with a fanfare, runs down the aisle to the plexiglass, throws himself up against it...and crashes through to the ice below, knocking himself out. The game was delayed about twenty minutes as they collected him off the ice and replaced the panel he'd shattered (he was okay...he came back near the end of the game wearing a neckbrace; it was hilarious). All I could think of, other than trying to keep from spilling my beer and pissing myself with laughter, was that the whole thing was just so utterly "Slap Shot"-esque...and that somewhere Up There, Strother Martin had to be smiling.

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it truly is considered one of the greatest sports movies of all time. LOL!!!

Slap Shot is about the Charleston Chiefs of the American Federal Hockey League, a minor league Hockey system. The Chiefs are in financial debt and rumors are that the team is about to be sold, attendence is bad, and the mill is about to close for good.

so Paul Newman, coach/player comes up with the perfect way to draw people and interest in the team, put on a show. He starts by saying things about one of the goalies wife, and this leads to the first awsome brawl of the game.

with the addition of the Hanson brothers, the movie gets awsome. the hanson brothers play so brutal, you'd be glad they were on your team. they hit, hook, spear, slash, and beat the crap out of opposing teams, which starts to lead to a fan following and a booster club.

Newman turns one of the soft spoken players into Killer, a blood mess like one of the fellas called him. he puts a bounty on the opposing coach, and starts a rumor that the team is about to be bought out by a florida retirement group.

they make it all the way to the title game, and then that's where i really don't understand it. they get into a huge fight, and the one guy that won't fight cause he wants to play it straight, starts to skate around undressing, leading to the opposing team hitting the ref getting disqualified. i don't really understand that whole part, but other than that, the movie is awsome.

it really captures the realness that these minor league hockey teams go through, like helping out with fashion shows.

Slap Shot is a great movie, i hope they another hockey movie in the near future as great as slap shot.

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Baby on Board (2008)

Baby on BoardAfter work, housework, dinner and laundry I like to sit and watch mindless comedies. This movies takes mindless to a whole new level! I kept watching it to the end though, waiting for it to get better. It NEVER got better. Filled with bad gags and even worse acting (Heather Graham with her blank stares and a cosmetic surgery nightmare Lara Flynn Boyle who's puffy frozen face had ZERO animation...)this movie was a complete waste of time and money! Someone should have aborted this project at the get-go!!

A truely awful movie.

So to the people that liked it how much are the studio paying you to write the 5 star reviews?

Pathetic.

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"Baby on Board" stars Heather Graham and Jerry O'Connell as Angela and Curtis, who have a loving relationship, a comfortable home, and successful careers. When Angela announces she's pregnant, however, their lives turn into a nine-month comedy of errors in which each suspects the other of cheating. Now, they must contend with both emotional and hormonal mood swings, as well as the unanticipated drama caused by their friends Danny (John Corbett) and Sylvie (Katie Finneran), who suddenly find their own marriage in peril. Through all this, Angela worries that her job is in jeopardy as she strives to please her demanding boss (Lara Flynn Boyle).

Watching a movie like "Baby On Board," one really appreciates star power. Though the performers are all good and sometimes land the gags with good timing, it's tough to be engaged fully. O'Connell has the ability to play both the goofy fall guy and the romantic lead, yet here he's somewhere in the middle. Boyle scores points as the boss from hell, as she manages to elicit sympathy for what could have been a one-note performance. The Blu-ray edition is pretty bare bones, with only the bonus basics -director commentary, trailer, and photo gallery.

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(Note: It's hard to imagine that I could spoil this movie for anyone, but the list below does contain "spoilers")

BABY ON BOARD is the kind of unromantic noncomedy that is so bad that you will be tempted to press the pause button multiple times to wonder aloud to your partner, your cat, or (if viewing alone) your nearest houseplant:

1) After that dopey summation, why is everyone in the movie treating Jerry O'Connell like a really smart lawyer?

2) Is that really Lara Flynn Boyle?

3) Did any of these actors actually read the script?

4) Would any pregnant woman really stop strangers in the street to tell them she's not pregnant (when they don't care, and she knows she really is)?

5) Wouldn't it be great to see Heather Graham in a decent movie?

6) Isn't there a limit to the number lame/offensive/fart jokes you can put in a single movie?

7) If Jerry O'Connell really were a really smart lawyer, why, when wrongly accused of adultery, wouldn't he simply tell his wife she's wrong?

8)) Why would Heather Graham, when accused of carrying another man's baby, not simply tell her dim bulb/really smart lawyer husband he's wrong?

9) Can anyone really get away with going to work for nine months while keeping her pregnancy a secret?

10) I try not to write negative reviews, but shouldn't I warn people about this one?

Of course, some movies are so bad that you can enjoy them for their sheer awfulness. I can't even offer you that consolation about BABY ON BOARD.

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This movie seems like part of a trend among many recent romantic comedies to substitute vulgarity and silliness for true comedy. The plot twists were often unbelievable, even for a romantic comedy. At several points, people make out wildly in restaurants, jumping on top of each other and groping wildly (which I've frankly never seen in a public restaurant). After the first 5 minutes there was little change in the plot and the ending was an entirely predictable. Throughout the movie, I felt like the main characters were almost purposely miscommunicating simply because they had to propel the plot. Not worth your time there are plenty of other romantic comedies about unexpected pregnancies.

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The Tempest (2010)

The TempestLet me say right off: I am a total Bardolator. I teach Shakespeare, I am obsessed with Shakespeare, I have read and seen all the plays, and my love affair with the Bard began with seeing a live performance of The Tempest in 1975. It was pure magic. I also love movies, and I believe that in the 21st century, filmed versions of Shakespeare's plays are probably the best way to reach the widest audience. The sneers and sniffs of snobs aside, I am convinved that if Will were alive today, he'd be writing movie screenplays (or even television), NOT stage plays, which today are aimed at a narrow, elite, theatre-going audience.

As a literature professor who has been teaching The Tempest for a decade now, I have always been singularly bemused by the lack of a filmed version that really captures the magical spirit of the play. The old TV Richard Burton show is well-acted but silly, the BBC version has great actors but terrible, flat production values, Prospero's Books is brilliant but incomprehensible to all but those who know the play intimately, Derek Jarman's version is terribly dated and, despite being a good "film," just doesn't work as The Tempest, in my opinion. The other, "scholastic" releases are plagued by poor production and/or undistinguished acting. And I won't even bother with "adaptations" of the plot, such as Forbidden Planet or Cassavettes's Tempest.

Until this version, the only truly excellent version of The Tempest was the HBO animated one, but at 25 minutes, not much of Shakespeare's story remained intact.

Just last week I had the great pleasure of seeing Julie Taymor's The Tempest in London. It was absolutely amazing. The magic was there! The acting, for the most part, was brilliant. The script contained enough of the actual play's language that the minor tweakings to make it easier for contemporary audiences did not bother me a bit. The visuals were absolutely stunning. The movie was a joy from start to finish. I can't wait to see it again--repeatedly--to savor all the special moments over and again. My only regret is that my students will be unable to see it this year due to the late release date.

[REVISION NOTE: This year's students had the opportunity to see this version, and they overwhelmingly LOVED it. It brought the play to life for them. At last, I no longer have to convince them that The Tempest really IS a great play! 01/19/12]

If you love Shakespeare, and if you enjoy movie adaptations of the plays, DO NOT MISS THIS ONE!

I saw this movie at the Chicago Film Festival last fall, introduced by Alan Cumming. While I'm a huge fan of Helen Mirren (and Alan), I was much less familiar with Julie Taymor, and not sure what I was in for.

If you're the same, then you can relax this is brilliant, and I wish that Mirren & Taymor would do some other Shakespeare plays with Helen in the (strong, male) lead. Aside from a few minutes in the very beginning, where I thought the verisimilitude of the storm interfered with actually being able to understand what the actors were SAYING there weren't any problems with either the language or being able to follow the plot.

Despite changing of the gender of the lead character, all the other elements we expect from Shakespeare remain intact: elevated, aristocratic figures bickering over their positions or inheritance, a love story featuring the younger generation of characters, a comedic subplot running alongside the primary plot, etc. And the acting was great top to bottom those who weren't aware that RusselL Brand could actually act will be very pleasantly surprised, and we get the amazing performances we expected from the "known" names. Reeve Carney comes off least well, but that is the fault of the character having so little to do (and most of THAT being to look attractive and moon over the young woman).

All in all, I was very happy I was able to catch this in the cinema, and can hardly wait until I'm able to own a copy.

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If you've been following the travails of Julie Taymor's Spiderman production for Broadway, you will understand them a little better once you watch the opening shipwreck scene in her version of The Tempest. It is elaborate and detailed and far removed from the play itself, which of course opens with a brief onboard scene and then goes to Prospero and Miranda on shore for a long scene of explication of their exile on the island. The genius in Taymor's take on the Tempest is to give us Prospera instead of Prospero and, especially, to give us Helen Mirren as Prospera. She is wonderful as always, and convincing throughout. I loved her delivery of the Act 4, Scene 1 "Our revels now are ended" speech that captures both the play and life itself in a few short lines. The rest of the cast, Chris Cooper, Russell Brand et al, is uniformly excellent except the young actor who plays Ferdinand and who reads his lines like he is, well, reading his lines from a script held in his hands. Taymor takes liberties with Shakespeare's text (the credits read something like "written by Julie Taymor based on a text by William Shakespeare") and Prospera's epilogue is a song over the closing credits, but overall this Tempest is in spirit faithful to the play and well worth seeing.

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The final Opus of William Shakespeare was carried to the big screen with that required vision, secure pulse and distinguished visuals without lacking the spirit of the play.

Helen Mirren is actually (Who can deny it?)one of the three best actresses in the world. She chews the whole show all the way through. But additionally the narrative rhtyhm never decays. Taymor (The Lion king and Titus, proves by far how domains Shakespeare's nerve) never abuses of the visual effects (dislike many of her colleagues).

And the outcome could not be more succesful. One of the best twenty films of the last year. No doubt it and go for it.

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I'm a bit of a Shakespeare nut, owning the large majority of his plays on DVD, and often more than one version of the more popular plays. So I was eager for a new version of "The Tempest," and I wasn't able to catch this one in the theaters since it never played near where I live. Unfortunately nearly all of the reviews I had read of this version were decidedly mixed. Still, I wasn't going to let them keep me from seeing it. Well, I'm really glad I bought it because it's *much* better than the mixed reviews had led me to believe. Helen Mirren's excellent interpretation of "Prospero" as "Prospera" strikes me as quite natural -that is, it doesn't come across as a trendy gender-switching gimmick -and most of the other actors are superb as well. The "special effects," particularly with Ariel, are effectively handled. My only reservation, in fact, has to with Djimon Hounsou's performance as Caliban. He himself is, I believe, very good, but his strong accent sometimes makes it difficult to understand Caliban's speeches, which include some of the loveliest, most touching in the play. Nevertheless, I strongly recommend this DVD, which includes a terrific "making of" bonus extra.

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The Words (2012)

The WordsLay aside the critical reviews that have filleted this movie, and perhaps even your friends and family that didn't get it.

If you are a writer, you will get it.

The meat of this movie is as much about the struggles living up to expectations as it is about plagiarism. The pressures to have a "real job" and the approval you seek from those around you and what price you are willing to pay to hang on to that approval. When you feel it is your calling to be a writer, you constantly are filled with self doubt. Will I ever be good enough? Will my writing ever be good enough?

Because these are the driving forces of the film, of course it isn't some after-school special aimed at bringing an end to plagiarism. It is structured around the choices we make in building our lives. What are we willing to sacrifice for success?

While the nested stories could have gone very wrong, the film is well-executed and not hard to follow. And while Dennis Quaid was a bit of an odd casting choice for the particular role he plays, and the narration can be a little heavy-handed at times, it does not detract from the story threads.

All-in-all a splendid movie that is most certainly worth owning.

Already my wife wants another viewing. I'm prone to agree. We're 2 book addicts, drama film lovers, and this film's depth is not often seen in big screen theater. It's about sacrificing integrity for fame and money. It details how an unscrupulous decision can implode and create collateral emotional damage to cherished people. The Words is presented in storyline layers, woven together like literature, not easily tracked by those simply looking at action, FX, and adventure. THE WORDS is intellectual with a capital WOW.

Hammond (Dennis Quaid) writes a story about an ambitious, but not stellar, young writer Rory (Bradley Cooper) who has ripped-off an unpublished manuscript written by an old man (Jeremy Irons) over 60 years earlier. If you don't understand `plagiarism', stop here and don't bother viewing. It's the entire plot in one word. The story progresses in the same fashion as a bestseller novel, layers woven together, scenes jumping from 2012 to 1940 Paris, and back, from one author (reality) to the next (fictional.) Slow going, NO! Just bookish. After all, the film is about writers--and their significant others. In the end the layers converge, but leave the viewer agape.

Rory Jansen's wife, Dora, (Zoe Saldana) is one hot beauty and encouragement to a struggling author. Until... Romantic scenes remain at family viewing level. Also you will love awesome period scenes when the younger life of the old man is told primarily in narration. Actors mostly act, not speak, doing pantomime well. In a novel the words would have been italicized and the visuals would be only thoughts. The Words makes a book come to life before your eyes, like the manuscript did for the author characters in the film.

Applauds for the 3 leads, Quaid, Irons, & Cooper; but also Zoe. Let's not forget the Director/Writers Brian Klugman and Lee Sternthal.

THE WORDS should be required viewing for every writer or reader. For every English, creative writing, journalist, or any writing major student.

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In The Words, Bradley Cooper stars as Rory Jansen, a struggling writer that stumbles upon a briefcase which contains a story that holds the key to launching his career. Shortly after publishing the story, success launches his career. However, an old man (Jeremy Irons) confronts Jansen about publishing this 'thought to be' lost story and from there a plot line within a plot line within a plot line unfolds all of which revolves around the overlying theme: fame/success vs. choice/consequence. Yes, there's also some romance. Zoe Saldana, Olivia Wilde, and Dennis Quaid co-star.

It's easy to say the plot becomes predictable about half way through the film (and it does), but films don't always have to be about the sudden 'twist' ending that nobody saw coming. Sometimes it's nice to watch a film and think about the meaning behind the story in this case it's about the choices we make that affect our lives and the lives of the people around us. It's especially interesting to see what lengths some people will go to in order to touch success.

In any event, that are several major/minor problems with this film (depending how picky your are about your entertainment) that keep it from being a great film namely the sub-par/predictable plot, mixed with the lack of chemistry between characters (noticeably Wilde and Quaid). However, these issues don't take away from the film experience or emotional impact of the film. Bradley Cooper does a remarkable job and is slowly becoming the next Brad Pitt, while Jeremy Irons shows that even though he's aging, he still has top-notch acting ability.

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Excellent acting. Fascinating plot lines. Great flash backs to WWII era. Lovely cinematography. But ending is SO stupid/non-conclusive. My husband & I are Huge movie freaks. We watch at least 3 movies/week. He has acted in many movies, TV shows, plays. Including Zero Mostel's "Fiddler on the Roof." I've worked backstage in plays & we "know from theater." So this is real: the ending is LAZY. If the writers couldn't come up with an ending, then DO NOT make the film. B***S****

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Really nice flick but the end just falls off a cliff. poor resolution. They certainly didn't run out of story.

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Gabriel Iglesias: Hot and Fluffy (2007)

Gabriel Iglesias: Hot and Fluffy(I have a feeling all reviews for this DVD is going to have at least one "fluffy" reference...)

Gabriel Iglesias is absolutely hysterical on this DVD! His CD Pikachu I See You is great and his Comedy Central appearances are always terrific and this DVD is no exception. His stories, his voices & impressions and just generally outrageous and still totally adorable delivery makes this DVD a MUST HAVE for anyone who likes to laugh!!!

I can't wait to see him live later this year. I'm a big fan of his, and this made me like him even more. The end joke about the two "hoochies" following his car and then both of the cars getting pulled over. The punchline was priceless. I sure hope he doesn't get too political with his comedy, but it was a 5 star stand up. If anyone wants to know, there's some jokes that get repeated but other than that, it's pretty much new material. Which is a good thing with an uprising comic. Check it out folks!

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How my ratings work:

5 I really liked/loved it

4 I liked it

3 Could've been better/worth a look

2 Just didn't live up to the potential

1 Simply awful

Gabriel Iglesias is one funny dude. He has a lot of energy for a fluffy guy. I remember him when he was on the Nickelodeon show All That and he was funny on there. I didn't see anything of him for a couple years until I saw him on Comedy Central Presents (which was awesome). This routine is even better, partly because it's longer than the last one, and because it's got funnier stuff. He's great with impersonations, goofy voices, and sound effects. I hope to see more of him in the future, both in stand up and movies.

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Gabriel Iglesias is overweight. If you've never seen him perform before it will be the first thing you notice. I showed this DVD to some friends of mine and when they first saw Gabriel come out on stage they couldn't believe how big he was. In fact, they focused on it so much I didn't think they were going to give him a chance. Well, less than 5 minutes in we were all laughing uncontrollably. You almost forget about his size even when his material is about his weight. His talent for comedy far outweighs his number of lbs. When I watch standup comedy I look for three things. Materiel, storytelling, and sound effects. There are a lot of successful comedians out there and most only have one of these talents. Gabriel has great material, his storytelling is some of the best I've heard (especially when telling the stories about when he's dealing with the cops), and his sound effects are also top notch (love the police siren and motor vehicles). Heck he even does great impressions from presidents, to a state trooper from the south, to an elderly Korean woman. Bottom line is that it's a great DVD from a great standup comedian who will hopefully be doing comedy for many years to come.

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A friend told me to watch his show on Comedy Central. Gabriel Iglesias is HILARIOUS. He does excellent sound effects. Like many great comedians he talk about things that happen in his life and he's not afraid to laugh at himself. Would love to see one of his live shows one day.

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The Seven Year Itch (1955)

The Seven Year Itch"Chapter 6-the Brubaker-Steichel theory of the sporadic infidelity pattern of the married male, or the Seven Year Itch."

Having sent his wife Helen and son Ricky to Maine to avoid the scorching July Manhattan summer, Richard Sherman, "keymaster" of a pocket edition publisher, stays behind to work, promising his wife to abstain from drinking and smoking. "Some husbands think just because their wives are away for the summer, they can run wild." However, the appearance of a young blonde renting his upstairs neighbours' apartment turns his life topsy-turvy, turning him into a bundle of nerves.

Sherman approves the covers of the pulp books: "Soup up the title a little, get yourself a cheerful and interesting cover. It's a question of imagination, and Mr. Sherman has a lot of it," says the narrator. To quote his wife and as a promoting film technology gag, "lately, you've been imagining in Cinemascope and Stereophonic sound." From his imagination, including a parody of the beach scene in From Here To Eternity, we learn that he doesn't feel he's good-looking or charismatic. It's his time with The Girl that changes him. His imagination ranges from the humorous, ridiculous, even paranoid. And he reveals his thoughts in soliloquys, which at times resemble trains-of-thought or even his subconscious.

The Girl turns out to be a typical blonde, but fun-loving, friendly, with simple tastes, understanding, trusting, and as it turns out, compassionate as seen from her sympathy for the creature of the black lagoon: "He wasn't really all bad. I think he just craved a little affection, you know. A sense of being wanted and needed." Oh, and she's definitely not a Rachmaninoff girl.

My take on the skirt scene? Maybe I'd seen so many pictures of posters of it that it wasn't a big deal, and it's a bit overhyped. There's plenty of superlativememorable dialogue, much of it funny, that boosts this movie. However, the Girl has the best one. When Sherman tells her he imagines a girl to love someone like Gregory Peck, she tears into him. "You think every girl's a dope? You think a girl goes to a party and there's this one guy, a great big hunk in a fancy striped vest strutting around like a tiger, giving you that 'I'm so handsome you can't resist me look? And from this she's supposed to fall flat on her face? Well, she doesn't fall on her face. But there's another guy in the room, way over in the corner. Maybe he's kind of nervous and shy and perspiring a little. First you look past him, but then you sort of sense he's gentle and kind and worried, and he'll be tender with you. Nice and sweet. That's what's really exciting. If I were your wife, I'd be very very jealous of you." Those sentences cheered me up when I first heard them, and made me think, "Well, maybe I've got it made, even though I don't look like Tom Cruise or Patrick Swayze." After all, like Sherman, I thought, no pretty girl in her right mind wants me.

The key trends of vegetarian cuisine, the coaxial cable, 50,000,000 TV viewers, and Arthur Godfrey are time capsule elements exemplified in the America of 1955.

Tom Ewell, who reprised his role from the George Axelrod play of the same name, must be one lucky actor. After this movie, he played opposite another blonde, Jayne Mansfield in The Girl Can't Help It.

Robert Strauss is funny as Kruhulik the lecherous greasy-looking janitor, who quotes from Porgy and Bess to describe the antics of summer bachelors: "Summertime, an' the livin' is easy, when the fish are jumpin' and the cotton is high." Doro Merande has a funny line as a waitress whose pro-naturalist camp stance extends to pacifist sentiments. And Carolyn Jones, best known as Morticia Addams, plays a red-haired nurse smitten by Sherman in an imagination sequence.

For me, this is Marilyn's best picture and best character. I fell in love with her upon first seeing this. Now, though, I consider her an old friend. So, calling all the lonely creatures of the lagoon like me out there with great imagination and no esteem. Don't give up hope--there's a Girl waiting out there for you.

This is the ultimate Monroe film. The one where she stands over a subway grating on a hot summer night to feel the rush of cool air from the trains passing beneath---the rush of air blowing the skirt of her sexy white halter dress up around her. But there's a movie that goes with this legendary image and it's a classic. Based on the adult Broadway play, "Itch" was watered down for the screen and stars Tom Ewell as the frustrated married man and Monroe as the Girl Upstairs. One hot New York summer, a man sends his wife and small son away for the summer---as all New York men do this time of the year according to Ewells' narration. He's left alone in their apartment to struggle with his vices---cigarettes and booze---when all of a sudden the Girl moves in sub-letting the apartment upstairs. She's a TV model and commercial actress and delightfully portrayed by Monroe. The homely and dumpy Ewell begins having steamy sex fantasies visualizing himself as a powerful lover irrestible to women. Monroe wants to be neighborly so she keeps inviting herself down to his flat frustrating the hopelessly timid Ewell. She doesn't realize her effect on him but he's got an air condtioner and it's hot upstairs. She's completely guileless. Monroe is perfect as the Girl and Ewell personifies the Everyman confronted with temptation when left to his own devices. Monroe is breathtaking in Technicolor and her performance speaks volumes about her comic potential. The subway grating scene caps her legend as a sex symbol but when you watch her performance here you see she was so much more than that.

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I picked this up because I'm a huge Billy Wilder fan and I've never seen the film. It's fantastic! Beautiful HD transfer. Wonderful humor from the times that still feels relevant and a big "stick it" to the Hays Code.

The best part about this though is the special features. Commentary, picture-in-picture history lesson on the Hays Code, multiple featurettes. It's a great release!

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I am a huge fan of Marilyn and my goal is to see all of her movies and when I saw "The 7 Year Itch" I was blown away. Marilyn was wonderful in the movie playing the sexy girl upstairs that attracts an older man living downstairs while his wife and son are away for summer vacation. I think everyone who loves Marilyn Monroe should see this movie it is one of her best and i'm sure that u will soon agree.

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her role as the girl upstairs in The Seven Year Itch. Not just her dress billowing up above her waist ,but the whole package, like her waving from the second floor window. Wow. Almost a great movie but definately great Marilyn. She's doing her "dumb blonde" routine. But don't hate her for doing it so well. It was good acting. She was not dumb. A word about Tom Ewell. He perfected

his role on stage & I would have loved to seen that. As the protagonist he carries the movie. The movie is dated, sexist, & P.I... for our time. For all I know people acted like this in New York City in the mid-50's (I'm not sure, I was five).

I do know the censors were childish tyrants, afraid of sex. Who were thse (...)?

Marilyn pulled this off while her personal life was crumbling. The numerous takes of her dress billowing up were gratuitous & demeaning. Her husband, Joe Dimaggio watching the whole thing was enraged & embarassed. I don't blame him. It may have been the last nail in the coffin that was their marriage. Very sad.

Marilyn was a much better actress then she was ever given credit for in her lifetime. We had mere glimpses of that (Bus Stop & Niagra). But for the sheer joy of Marilyn Monroe, at her comic peak, this is the movie to remember her by.

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