Showing posts with label best unrated comedy movies. Show all posts
Showing posts with label best unrated comedy movies. Show all posts

Jackass 3.5: The Unrated Movie

Jackass 3.5: The Unrated MovieThere is a ton of hilarious footage in this movie. 3.5 is as good as 3 in my opinion.

I love the crew of jackass! They have a great chemistry together

which makes the stunts go even better. I cant wait for Jackass 4 :D

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After watching Jackass 3.5 you understand why the Jackass crew shoots so many bits and then cherry picks the best to be in their movies. Jackass 3.5 is a collection of bits that either didn't fit into Jackass 3 or just didn't really come off well. There are some great moments in Jackass 3.5, and the scenes with Steve-O are slightly stronger here than in the original film, but all in all these scenes feel like "also rans".

Jackass 3.5 could have easily been included in a Special Jackass 3 DVD/Blu-Ray release, and on its own it isn't nearly as strong as the other Jackass movies. Still it gives a nice glimpse into the process of what makes Jackass, Jackass and even with the scenes where everything doesn't go right, it's still fun to watch the Jackass crew do their thing.

If you haven't seen Jackass 3, be sure to see it before you see Jackass 3.5, it's a much better movie and you'll get a lot more out of 3.5 if you've seen 3 first.

Otherwise, Jackass 3.5 is a proverbial rental. If you are a Jackass fan you'll enjoy this release, but probably not enough to watch it again and again.

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With Jackass, most people know what they're getting by now. What I've always loved about this series is how simplistically genius it is. They seem like a bunch of crazy, drunken idiots, but they actually plan and put a lot of work into each and every stunt. What I like about 3.5 is that for the first time, they really show you what's going on behind the scenes. They show you what it's like to be on the set and what goes into the things they do, with in depth interviews, and behind the scenes footage. They also start to go into a different direction, going from the usual stunts and gross outs to pranks and practical jokes, which are utterly hilarious. This is billed as the direct-to-video extra scenes movie, but it's actually a lot more and I really enjoyed this one a lot more than Jackass 3D.

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I think the title speaks for itself. That is why I view this movie as the least liked one I have seen. I have not seen Jackass 3d. I thought 3.5 was 3 plus additional footage. Are they totally different?

Miami Rhapsody (2011)

Miami RhapsodyMiami Rhapsody stars Sarah Jessica Parker as Gwynn Marcus, one of several sibs of a prominent, wealthy, Jewish and dysfunctional family in Miami. Though things seem okay on the outside, tangled relationship problems threaten every quarter of the family. Her brother Jordan (Kevin Pollack) cheats on his pregnant wife with a high-strung model (Naomi Campbell); Her sister's (Carla Gugino) new husband is a pro-football player plagued by career insecurities and terminal cheapness; both of her parents (Mia Farrow and Paul Mazursky) cheat on each other; and she remains unhappy if only because she's the sort of person who's so concerned about happiness that she must strangle the happiness out of wherever it pops up in her life. Though she's engaged, Gwynn soon finds herself attracted to the male nurse (Antonio Banderas) who cares for the family's stroke-ridden grandmother.

"Rhapsody" is a lot like an overlong episode of "Sex and the City" without the neat closure of that show's half-hour snippets or the materialism or communal honesty of that show's leads. Gwynn obsesses over Miami and sex, noting that both are extremely popular despite the inherent messiness of either. I had never seen "SatC" when catching this flick back in '95. Instead I recognized the flick as more of a parody of Woody Allen movies the sort of rambling flick centered around a city (not NYC this time) and the hang-ups of those who endure it. The cinematography, Gwynn's neuroses (the film opens with Gwynn lamenting to a therapist), casting of Mia Farrow and even the opening credits hint at one of those small Woody Allen flicks that breezes through town without warning. "Rhapsody" works mostly on its stars' ernestness but also depends on some familiarity with that sort of Woody-ish kind of film. I doubt anybody who's never seen an Allen film will find this film more than amusing. Despite its dark take on marriage and relationships, I eventually married the girl I took to see it.

I had no idea that a lady NOT from Texas (and I LOVE my lady friends from Texas) could speak forever without actually taking a breath! :D This had me laughing so hard because SJJ's character was soooooooooo serious and apprehensive, AT's character was so disarmingly romantic and sincerely likeable, and her parents actually honestly shared their experiences candidly. Mia Farrow is light as a feather, as usual, with depths I've only seen in women who truly love their family, seemingly, effortlessly being there for whatever is needed. WONDERFUL film! This became a favorite the first time I saw it and watched SJJ spinning over the dance crowd! :D:D:D

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WATCHING THIS FILM MAKES YOU REFLECT ON YOUR OWN LIFE!! There is nothing make belief about it. It realy shakes you up about what people go through and what they feel about life and how they percieve it! Its probably true that most of the time we follow our parents life style...maybe not all the way...but they definately affect our way of thinking! And some people are able to change and make it thru the obstacles and some people are just not meant to be!! You should also check out the film PLAYING BY HEART with angelina jolie, shawn conneri and alot of other famous actors.! That too was a wake up call to how certain people find it easy to adapt and others are afraid of change while others fight for what the truley feel in their heart!

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This is one of those movies you either hate or love at first sight; certainly it has an Allenesque feel to it (It may not be a mere coincidence that Mia Farrow is one of it stars, doing a marvelous send-up of the kind of characters she used to play for Woody, from Hannah to [more closely] Alice Tate), but there's so much more to it than that!

Sarah Jessica Parker is the link in the story, but not necessarily the main knot. Take Antonio Banderas's turn parodying himself and the "suave latino lover" typecasts, or Carla Gugino's bubbly charm. Of course, good things always may come hand-in-hand with lackluster spots... one of the biggest here? Naomi Campbell sitting pretty and saying her lines with as much enthusiasm as a laptop computer with a british accent. She is typecast alrigtht, but instead of playing with the possibilities like Banderas did, she just walks by, remarkably far from fantastic.

Now that brings another contrast, for Gil Bellows' performance as Matt, the understated and understanding fiance is nothing short of great. His smile can lit up a room (common knowledge) and yet when he has to unburden his anger and pain he does it in a way that is quiet and convincing. No high drama, no storming through doors. His character is a man in love but pushed too hard by his beloved (Parker) so his empathy is believable to a fault. His is one of the most delightful moments of the film, including the possibility of salvage at the closing. Definitely not a masterpiece, but a good, entertaining and also aching film that is in no way forgettable after all.

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This is one of those movies that is funny, cute, with good acting and just overall good. Before Sarah Jessica's Sex and the City Days and Antonio Banderas "hotness" days, and of course Mia Farrow is also a great comedian and actress. Even Jeremy Piven (before Entourage) is in the picture and is just a funny movie. Highly recommend it.

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The Incredible Mr. Limpit (2012)

The Incredible Mr. LimpitAfter I watched this movie last night, I found out that Don Knotts had passed away. Kind of a creepy feeling! Anyway, Knotts who won five Emmys for his role as Barney Fife on THE ANDY GRIFFITH SHOW was certainly one of our most endearing clowns. With his trademark voice and bug-eyed delivery, Knotts is one of the true legends of our time, and in LIMPET, he shows us why. Although he has more screen time as the voice of the fishy Limpet, Knotts manages to create a loveable character. The plot's been rehashed in many other reviews, so I'll stick to what makes this animated/live action film such a pleasure. With the cartoon stylings of the early sixties, the movie gives us a dreamy undersea world populated with such creatures as Crusty the Crab and the lovely Ladyfish. On the human front, we're blessed with character actors Jack Weston, Larry Keating, and Andrew Duggan. And the delightfully underrated Carole Cook, whose last scene with Henry the fish is unexpectedly poignant and touching.

A delightful film for the whole family to enjoy and to remember the delightful Don Knotts!

Highly entertaining! Don Knotts gives his best performance in this picture. Kind of funny with the mix of animation and live action in a non-Disney film. With the animation, the singers, it's so lovely. I enjoy every second of this film. Too the people who highly dislike this movie, you're missing out on it. You don't have to be a child to enjoy it. "The Incredible Mr. Limpet" is the finest non-Disney animation/live action film.

Too bad this was one of the last films to be made before the Warner Animation Department in Burbank shut down.

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THE INCREDIBLE MR. LIMPET (1964) is one of the most underrated films of all time. Coming in at approximately #64 on my own personal Top 100, MR. LIMPET is a blend of live action and colorful animation, an impossible fantasy film which somehow manages to entice even the most sourpussed of viewers. Although it starts out a bit slowly, MR. LIMPET is irresistible, a pure entertainment experience.

The fishlike Don Knotts is perfectly cast as Henry Limpet, a nebbishy bookkeeper from Brooklyn, circa 1942. Walter Mitty-like, Henry dreams of being a war hero. His one other passion is his fish tank. When Henry is rejected from military service as a 4-F, he falls into a depression and escapes into unreality by wishing he was a fish.

Walking on the Coney Island pier one day with his wife, Bessie, Henry takes a misstep and falls into the briny Atlantic. Lo, and behold!---he is instantly transformed into a (cartoon) fish (complete with pince-nez glasses). Although Henry is initially lonely, he soon makes the acquaintance of Crusty the Crab and the seductive but loving Ladyfish, and sets off with them to explore his new, aquatic, world.

During one of his many misadventures, Henry discovers that he is the possessor of a powerful vocal "thrum" which can be used as an early warning system. Thinking quickly, he finds the ship his friend George Stickel is assigned to, and convinces Stickel (and the U.S. Navy) that he can act as a sort of secret escort for convoys and naval ships crossing the U-boat strewn Atlantic.

With Henry by their side, the Navy is able to turn the course of the Battle of the Atlantic, discovering and destroying enemy submarines and warships by the score. Although the Nazis try to stop Mr. Limpet, he is able to turn their weapons against them.

His wartime actions earn him high rank and many honors, and Henry Limpet, having become the fish he'd always dreamed of being becomes the hero he'd always dreamed of being, too.

A charming (and oddly gentle) war film, THE INCREDIBLE MR. LIMPET is a nearly forgotten gem, a true popcorn-and-soda family film classic that celebrates the hero in Everyman.

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"McHale's Navy" meets "SpongeBob" with "Action in the North Atlantic"? Well, that's one way to define "The Incredible Mr. Limpet", one of the oddest family fantasy movies ever. An early attempt at a live-action/animation mix, it launched Don Knotts' post-"Andy Griffith" career as the classic "Don Knotts" character: a geeky, milquetoast guy who stumbles into a heroic turn in spite of himself. Henry Limpet, of course, is two characters in one: a nerdy Brooklyn accountant who loves tropical fish, andwella nerdy, bespectacled cartoon fish!

With a WWII setting, he's an obvious 4-F as a human, but becomes an underwater guide for a Navy fleet as a fish. Oh, yeahdid I mention it's also (kinda sorta) a musical?

Though released in 1964, "Limpet" sounds and feels like 1954or is it 1944? It's as quaint as a movie can get: old New York costumes and settings, hokey humor, bumbling Navy brass and a super-patriotic musical choir. The animation, the late-model Warner Bros. kind, is a little bland by "Looney Tunes" standards, even with a few legendary artists (but no Jones or Friz) involved. And the non-Knotts cast is a little bit stiff on the whole, save old-timers Andrew Duggan and Larry Keating as the stuffy admirals.

Yet, somehow, "Limpet" works better than described, especially if, like me, you're still fond of old-school family comedy Americana. The story's a cut above most period Disney fare, both animated and live. As a fish, Limpet's engaged in a kind of proto-"SpongeBob" journey with his purple "Lady Fish" friend and a great little creation calledreally!"Crusty Crab"! A kind of crustacean Yosemite Sam (voiced by great radio/

cartoon veteran Paul Frees), he actually looks and sounds a bit like Mr. Krabsnearly 40 years before "SpongeBob"!

And how does our sea-creature hero, who still looks and sounds exactly like Knotts, interact with humans? Well, after his old Navy buddy George Stickel (the rotund veteran Jack Weston), who keeps getting called "Pickel" by the officers, almost drops dead after he discovers that his old friend Henry didn't drown at Coney Island after all, Henry-the-fish serves as an undersea swimming spy on German U-boats and, after a couple of underwater mishaps, helps the U.S. Navy invade Normandy, all to a booming, George M. Cohan-style patriotic chorus! Oh, yesdirector Arthur Lubin was no stranger to talking creatures, since he helmed most of "Mister Ed" and "Francis the Talking Mule".

They sure don't make 'em like this any more, and "The Incredible Mr. Limpet", tacky and corny as it is, just might be a surreal comedy in disguise. Certainly it's one of the few pre-

"Roger Rabbit" part-animated movies that works, awkward transitions and all (no computer tricks here, folks). It also started a new genre, the Don Knotts nerd-com, as perfected in deathless fare like "The Ghost and Mr. Chicken" and "The Reluctant Astronaut". It's even a light-hearted salute to the kind of old-fashioned Hollywood patriotism that would get shot to Kingdom Come as the '60s moved on. Why, it probably stuck somewhere in Steve Hillenberg's mind when he grew up to draw the SpongeBob crew.

The extras are modest (a "fishtank" game), but the little promo film, which shows the "Limpet" premiere at Weeki Wachee, an old-Florida tourist trap (it's near Clearwater) that involved mermaid shows and glass-bottom boats, is a priceless little slice of old-Hollywood ballyhoo, complete with a few words from Arthur Godfreywho sincerely thought he'd have a hit with a rendition of "I Wish I Were a Fish", the ditty Knotts sings before he hits the drink. Beatlemania saved us from it.

To enjoy "Mr. Limpet", it probably helps if you still love "My Three Sons", Lawrence Welk and other squeaky-clean '60s stuff. But when the Crusty Crab keeps calling Limpet "Flatbush" and the bumbling admirals give the fish an officers' commission, you're going to laugh. "The Incredible Mr. Limpet"it may be quaint, but it's really an ocean of fun!

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I remembered this movie from my youth. It typically played on Saturday Afternoons. I thought that it would be a great movie for my kids to watch and I was right.

For its time the movies animation and special effects are great. My children 14, 11 and 4 all loved the movie. My 4 yearold found a new favorite. She watched it at least 6 times over the first weekend.

It is a great movie that even adults can enjoy and watch along with their children. It is very difficult these days to find a show that the entire family can watch together and this is one of them.

I think I will try The Ghost and Mr. Chicken next, another classic.

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Ruby Sparks (2012)

Ruby SparksSpeaking as somebody who writes short stories as a hobby in addition to film reviews; "Ruby Sparks" is pretty spectacular. Just the idea of one of your stories becoming a reality is basically every author's dream. Unless you're a horror writer, then you might hope it never leaves the page. Thinking about that somehow happening is inspiring in itself though. If that was a guideline, to only write stories you think deserve to exist in the real world, then we'd have a very different literary back catalog.

Paul Dano brings yet another extremely relatable character to the screen. His ongoing struggle to come up with a good story really hits home hard as does his issues with women. Falling in love with your own creation seems a lot more reasonable than attempting to swim in the dating world. Dano's performance is gut-wrenching at times because you know where at least part of this story is going and it's not going to end well; an emotional breakdown is inevitable. Dano is also just as engrossing as ever while making simple emotions of depression, inspiration, love, and heartache seem like a grand spectacle.

Zoe Kazan is really superb, as well. Attempting to be the embodiment of somebody's dream girl probably isn't the easiest job, but Kazan seems to do it with ease. Her performance is at its best when Calvin realizes that whatever he writes about Ruby on his typewriter comes to life. Those moments are when the humor of the film is at its peak and when the sadder moments punch you in your chest a little bit harder. It probably helps that Dano and Kazan are a couple off-screen, but their chemistry and an incredibly well-written screenplay are what make the film as strong as it is.

For most, "Ruby Sparks" will probably just seem like this slightly better than average romantic comedy and that's fair; no one will fault you for that. But if you are a writer, if you have ever written a story for fun, have done that more than once, and/or have ever been compensated for this written work then "Ruby Sparks" will speak to you the way that it should.

While it isn't nearly as good, "Ruby Sparks" does slightly resemble "Eternal Sunshine of the Spotless Mind" at times. With excellent and engaging performances from Paul Dano and Zoe Kazan, fantastic writing, and the ability to breathe a lot of life into a concept that may have been really absurd under different circumstances, "Ruby Sparks" is extraordinarily charming and should not be missed.

In "Ruby Sparks" (104 min.), Calvin (played by Paul Dano) plays a writer who found great acclaim as a late teenager but now 10 years later is lonely and struggling with writer's block. In his dreams he meets the perfect girl whom he calls Ruby (played by Zoe Kazan), he starts writing about it, and then one morning Calvim wakes up only to find Ruby in his kitchen, fixing breakfast. It's a miracle, right? Is it the magic in the typewriter (Calvin types "Ruby speaks French" and a moment later she speaks French)? No explanation is given. However now that Ruby is alive and well, she does not always act EXACTLY like Calvin wants her to, and the temptation to run to the typewriter and fix every signle problem is great, but what would that do to their relationship in the long run? To give away more of the plot would ruin your viewing experience, you'll just have to see for yourself how it all plays out.

Several comments: the movie is intended as a romcom, and there are indeed many fine moments that made me smile. But the movie also examines some profounder issues that go to the very nature of the human race: free will (with the potential for making mistakes or worse) or no free will (at which point, what is the real value of the relationship you control?). Even though she's been in many other movies in her young career, in my opinion Zoe Kazan is THE break-out star of the movie, as not only did she write the movie's screenplay but her performance on the screen just oozes charm. Not that he doesn't do a good job, but I can't really say the same about Paul Dano (Kazan and Dano are also a couple in real life). And there are some real choice moments for Antonio Banderas and Annette Benning as Calvin's parents. Check out also Elliott Gould as Calvin's shrink.

In all, I really enjoyed this "little" movie quite a bit, and for me it proved to be perfect "counter-programming" in this never-ending summer of bigger (but not necessarily better) blockbuster movies. "Your Sister's Sister" and "Safety Not Guaranteed" were other such "little" movies I really enjoyed this summer. Meanwhile, "Ruby Sparks" is HIGHLY RECOMMENDED.

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We liked the general story line. It got a bit weird toward the end. We enjoy Paul Dano, and I thought

he provided a solid and clever performance. Zoe Kazan, an obviously multi-talented actor and writer turned in

a solid performance.

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This movie is completely under the radar. It is tremendously enjoyable and has an endearing story line. I am not sure why it is not more generally known to be good.

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I'm a literature major, so this movie spoke to me. It was adorable, and well written no less. These characters feel real too, which helps.

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Last Dance (1996)

Last DanceI stumbled across this movie on television recently and was mesmerized by Sharon Stone's performance. Her looks were down-played for her role of death row inmate and what showed through was luminous acting and touching vulnerability. Her character, bred from white trash and convicted of a brutal double murder, brought a new insight into the circumstances surrounding violent crime and the reform found in prison. This movie made me doubt my firm stance in support of capital punishment (and that's not easy to do). Rob Morrow is both sensitive and powerful as the rich kid attorney that finds something to fight for in his defence of this woman. Overall, a moving and tragic movie not to be missed, and definitely notable among other death row dramas for its gender reversal and the new perspective that brings.

OK, I haven't seen dead man walking, so I'm not as mad as most people who think this is a rip-off of that movie. The movie isn't lame, it isn't very powerfull either, but it still makes a sad compelling movie. Rick chooses his first case, that of Cindy, who was convicted of a double murder. After she, not having close relatives but a brother whose also locked up, isn't intersted of being saved, he thru showing her compassion and caring, she finally realizes that there's so many things for her to do, she didn't want to die, but she didn't want to be locked up in there forever, but after that, she just doesn't want to die. So, I liked the movie, I was surprised by the ending, because it seemed that rick had done so much, but really, it just seemed that way since you get so involved in seeing how he tries so hard to save her. It shows you how some people can really change, and the dilema of having less than 30 days to save someone you've gotten so involved with.

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Last Dance DVD

Last Dance is a movie starring Sharon Stone and Rob Morrow. Stone is a prisoner sitting on death row facing execution with a new attorney (Morrow) trying to defend her, get a stay or something? Stone gives a commanding performance right down to the prison "tat" on her hand.

If you like Sharon Stone, you'll like this movie.

Recommended for fans of Sharon Stone and Rob Morrow.

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Yes, released on the heels of Dead Man Walking, it suffered in comparison. But it does have strong performances by Sharon Stone and Rob Morrow. Other good actors grace the cast list too. It's nice to see Chicago Hope alum Jayne Brook in something else--wish she'd had more to do. Randy Quaid and Peter Gallagher could have been used to better effect. The gender switch makes the prison movie cliches a bit more tolerable.

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I watched this as a recommendation from my girlfriend. It is not something I would watch too often. I felt sad all day after watching it lol.

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Meet the Fockers (2004)

Meet the FockersI'm a big Barbra Streisand fan, but to be honest, even I lost patience with her last few movies. She seemed to play into this lofty image of herself as this sophisticate whom no man she meets can live without or is worthy. In The Prince of Tides, I thought that if she wasn't careful, Barbra the actress was going to do in Barbra the director. That was borne out in her last movie, The Mirror Has Two Faces. Happily, in her return to the screen here, she goes back to the kind of comedy that she does so well, that a lot of younger people have never seen. (Check out The Owl and the Pussycat and What's Up,Doc? kids.) Yes, some of them can't believe that they are enjoying her (it must be killing Mssrs Parker and Stone!), but Barbra hasn't been this loose and in over 30 years. And as if she isn't good enough, she works for the first time at long last with BOTH Hoffman and DeNiro! I will even committ an act or heresay and say that I think Hoffman stole the picture. However, his chemistry with Barbra is wonderful and a treat to watch. What the hell took so long?

The rest of the cast does fine, considering what they are working with. Yes, DeNiro has been slumming, but it is fun to see him and Babs have a couple of scenes along together, though one of my favorites was seeing Barbra reunited with Blyth Danner whom she directed in Prince of Tides, coaching her as a sex therapist!

OK, so maybe Babs, Dusty and Bob should have done something more topical and serious with Scorcese instead of this silly fluff with Jay Roach, but I'll bet it wouldn't be anywhere near as fun!

(2008 HOLIDAY TEAM)It shouldn't be too big a surprise that this movie is a fairly mediocre Hollywood confection, but I did have a whimper of a hope that this was going to be an edgier social commentary given the comedy potential of the situation. Alas, it would be too much to expect director Jay Roach to be in the same league as David O. Russell or Alexander Payne given that his track record is mostly made up of Austin Powers movies. I never saw the original Meet the Parents, so luckily I don't have that point of comparison, but one can easily fill in the blanks with this soft-centered sequel. Written by Jim Herzfeld and John Hamburg, the plot seems ready-made from an instant pudding mix. Having given permission to Gaylord Focker to marry their daughter Pam, the white-bread Byrnes family from Oyster Bay now prepares to meet their new in-laws in Florida (of course).

Simple enough, but the big surprise is that Dustin Hoffman and Barbra Streisand (third and fourth-billed, no less) seem to be having such a great time playing Bernie and Roz Focker that you can almost overlook the script deficiencies. Each had auspicious film debuts over 35 years ago (he in The Graduate, she in Funny Girl), and they have known each other since their struggling New York days in the early sixties. That history is helpful in explaining their natural chemistry here, and you're left wondering why these two never worked together before. Streisand, in particular, seems relaxed as a free-wheeling, caftan-wearing, opinionated sex therapist, which seems like a send-up of her self-important psychiatrist in her own The Prince of Tides. For once, she's not bathed in candlelight in some Harlequin romance with a blonde gentile unable to commit. Rather, she lends credibility to a grounded character in an often hilariously passionate marriage to a physical and intellectual equal, and at certain moments in this film, I don't think I've liked Streisand more onscreen.

If Hoffman seems less surprising, it's only because he has already proven to be a masterful comic actor with Tootsie and Wag the Dog. Even when the running gags (a passion for capoeira, overzealous displays of affection) get tired, he still imbues his caricature with a zestful spirit. The remaining elements of the film seem tired in comparison, and unfortunately I have to include the original stars. Perhaps it's because they are recycling behavior that would be hard to refresh a second time. Robert DeNiro's tiresome portrayal of Jack Byrnes, the intimidating ex-CIA spook, is particularly disappointing and not so much because the actor is slumming (which he is) but because his character works on only one motivation, to humiliate and eventually eject his future son-in-law from the "circle of trust". There are hints that the summit meeting of Hoffman, DeNiro and Streisand would turn into something more substantial, but the sitcom dimensions of the script quickly extinguish the possibilities. Ben Stiller, who is the actual protagonist of this comedy, seems to be sitting back as his character, Gaylord, recedes into the background. He has exactly one funny scene on his own, when he spouts his honest feelings after being injected with a "truth serum".

The whole subplot with Gaylord being accused of fathering his former family housekeeper's son seems tired and superfluous. I like Blythe Danner as Jack's wife, Dina, looking to resuscitate some spark in their marriage, and Teri Polo, who actually seems sharp and worthwhile as the fiancée at the center of the story. But neither is given much to do except a funny scene where Roz uses hand puppets to teach Dina how to get sex out of Jack. If seeing DeNiro wearing a homemade rubber "manary gland" sounds hilarious, by all means go see this movie. For me, it just made me think how it would be great to see Hoffman and Streisand re-team in a James Brooks comedy, how DeNiro should go back to Scorsese for career guidance and how Stiller may want to take a break before he plays yet another nebbish character. By the way, I'm guessing Streisand's "A Star Is Born"-era hairdo is an in-joke to her partner since her character's name was Esther Hoffman. Now that's the kind of subtlety this comedy needed.

The 2005 DVD features two versions of the film the theatrical cut and a completely unnecessary extended cut, which edits in several deleted scenes. Like the DVD treatment for Ray, the additions are announced to the viewer through a blinking gimmick and consequently inhibit the flow of the narrative. It's better to see these understandably excised scenes separate from the film. Roach and editor/co-producer Jon Poll provide a so-so commentary track, and there is also a fitfully funny blooper reel. Several disposable shorts are included, among them "Fockers' Family Portrait" featuring brief snippets from Hoffman, Streisand and Stiller; a behind-the-scenes look at Jinx the Cat ("Inside the Litter Box"); another behind-the-scenes look, this time at the infant ("The Adventures of a Baby Wrangler"); a five-minute featurette on "The Manary Gland"; and a Today Show interview with the entire cast.

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TWO-HOUR SITUATION COMEDY AT ITS FINEST!

This is a terrific modern comedy with a classic theme. Dustin Hoffman and Barbra Streisand brought added chemistry and welcome diversity which really helped this character-driven sit-com. Whereas "Meet The Parents" had numerous funny "gags" and a lot of comedic tension, "Meet The Fockers" takes embarrassment to a new level for Greg Focker. Although this movie is 115 minutes long, there is hardly a dull moment. I have already viewed this DVD about 15 times.

Yes, the film does resort to some cliched, overused themes, some of which are a bit vulgar and may even be offensive to some viewers. However, the enormous credibility that the all-star cast brings, and delivers, to this sprawling situation comedy, more than makes up for the predictable silliness, and occasionally irksome crudeness that sometimes gets tiresome.

ABOUT THE DVD:

The sound and visual quality of this widescreen DVD is about what you would expect from a new big-budget release ... about perfect. It does contain quite a few features that I found interesting, but the extended version option was by the best of them. Although it does make the movie 150+ minutes, it adds some new insights into the characters and their motivations. One such extended scene depicts Greg with the father of the boy that Jack wrongfully believed was his Greg's son. Of course, Ben Stiller played the very odd, minor league baseball coach meeting Greg [himself]. Sure it's a cliche, but it was funny. There were also deleted scenes and bloopers. They were mostly okay, but some seemed contrived.

There are three behind-the-scenes featurettes: one about the baby wrangler's role (pretty interesting), another about the mammary gland prop, and the third was titled "Inside the Litter Box" and was of course about that darn cat, "Mr. Jinx". The featurettes are a little over the top as features go, but it is, after all, a comedy.

BOTTOM LINE: ENTERTAINING, BUT OFTEN AT THE EXPENSE OF GOOD TASTE!

Is "MEET THE FOCKERS" as entertaining as "Meet the Parents"? I believe so, but unfortunately, in many instances, it is done so at the expense of good taste. After viewing the movie and all the features only one question remains in my mind (as well as in the mind of many others, I'm sure.) ... Will they all return in yet another sequel, "MEET THE LITTLE FOCKER"?

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This is not burst your gut comedy but it was amusing and Hoffman, Streisand and DeNiro definitely had great chemistry. Lots of suttle humour. The extra features included a tongue-in-cheek documentary of Jinx the cat. I was satisfied with the use of my entertainment dollars.

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Seems to me that the extent to which "Meet the Fockers" is seeing such great box office success and popular acclaim is because of the all-star cast. An all-star cast can get you in the door, but the performances have to earn their pay. Since I saw this as a $5 discount matinee, I think they did. Granted, the movie is funny, and for my money, better than its predecessor, "Meet the Parents", but merely funny does not a blockbuster make. I'm not a Ben Stiller fan so maybe that's why I was underimpressed, and he doesn't do much for me here, either. DeNiro easily carries this flick for me, as he did in "Parents".

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The Sting (Blu-ray + Digital Copy + UltraViolet) (1973)

The StingGeorge Roy Hill's THE STING is a highly loved film. This film was an event when it was first released. Sentimentally, it is George Roy Hill's sentimental follow up to his BUTCH CASSIDY AND THE SUNDANCE KID. Once again Paul Newman and Robert Redford are teamed and once again this film is truly an event just as BUTCH CASSIDY AND THE SUNDANCE KID was. However, the overall production creates a certain cinematic quality much different from BUTCH CASSIDY AND THE SUNDANCE KID. Visually, it is claustrophobic, yet this only enhances the dramatics. I am amazed at how little screen time Paul Newman has, yet his card playing and hard drinking Henry Gondorff visually define this film. Certainly this film brings Robert Redford back into the film-going public's eye. The plot is minimal and the pay-off, once viewed, is quite surprising, full of humor, drama and suspense. Robert Shaw as Doyle Lonnegan, the mark, is memorable and brings a level of believability to the plot as it unravels. The entire cast is impeccable and includes Charles Durning, Ray Walston, Eileen Brennan and Leonard Barr among others. Most memorable are Scott Joplin's ragtime compositions, adapted by Marvin Hamlisch. "The Entertainer" gained immortality from THE STING. THE STING is a film characterized by sentimentally endearing characters, dramatics, music and fun.

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Pillow Talk (Blu-ray + DVD + Digital Copy) (1959)

Pillow TalkRating for this movie -5 Stars.

Rating for the 2004 DVD version of the film -1 Star.

"Pillow Talk" stars Doris Day, Rock Hudson, Tony Randall, and Thelma Ritter. It remains today what it was when released in October of 1959, and that is -a highly-entertaining and well-acted romantic comedy.

The film was re-released on DVD-Video by Universal Studios on April 6th, 2004. This newer version has been enhanced for 16x9 widescreen TVs, and the anamorphic enhancement has helped in many places. However, the picture quality here does seem to be a bit of a "hit and miss" proposition. Several portions of the movie still look rather crummy (artifact-wise), exhibiting obvious dirt speckles and "noise". The opening titles sequence is peppered with dirt and artifacts galore, as are a few other parts of the film, particularly ALL of the "split screen" scenes. For some reason, it seems that these "split screen" shots could not be cleaned-up nearly as much as the other portions of the movie.

But by far the biggest atrocity is the fact that this 2004 DVD print has been mis-framed! In some places pretty badly, too. Head room is way too tight here, with the tops of many character's heads being cut off. This was NOT the case with the previous 1999 DVD print of this movie.

When you compare the '99 print with this 2004 one, the mis-framing is obvious in many places. It appears that this new print has been "zoomed in" quite a bit, creating the tight head room. Some of the most blatant examples of this "zooming in" occur in Chapter 10, where the piano player's head is severely cropped. Whereas, on the '99 DVD, her entire head is visible in the frame. Plus, a few seconds later in that "Roly Poly" scene, we see a shot of several people singing along to the music and clapping their hands. In this shot, TWO ENTIRE PEOPLE (one on the left and one on the right side of the frame) are totally cut out of the shot! Plus, part of another man is cut out of the frame on the left! These "missing" people are all visible on the 1999 disc.

And check out Chapter 14! This scene is simply horrifying from a framing standpoint! Literally half of Rock Hudson's head is missing here! When we KNOW it should be in the frame (based on the 1999 disc, which is perfectly framed for the 2.35:1 aspect ratio of the movie). Yikes!

This is ridiculous carelessness on the part of Universal's quality control department! Many scenes are totally botched with this zoomed-in mis-framing of the print!

Looks like yet another case of a Universal product being mishandled in the DVD transfer department. A pity! For "Pillow Talk" is one of the best romantic comedies you're likely to see this year, or any other year. And it deserves better treatment than this. It's just plain stupid to let an obviously-botched DVD video transfer like this one get into any consumer's hands! Doesn't ANYONE check these framing issues before finalizing the product? Mind-boggling indeed!

This newer DVD version of the film contains the exact same Menu design and Special Features as the previous non-anamorphic variant (minus a text info page about Universal "Web Links"). The bonus features aren't very plentiful, being limited to the original theatrical trailer and some very extensive and informative text notes on the film and its cast members. (FYI -These text-based items are verbatim to the older "Pillow Talk" DVD release; but definitely worth a read. Until reading these Production Notes, I never knew a sequel to the film was being planned in 1980. But, unfortunately, the project never got beyond the initial planning stages, and the film was never made. Too bad. I'd have liked to have seen that sequel.)

I'm severely disappointed with this DVD. I looked forward very much to having this film in an enhanced anamorphic state. But in this butchered, mis-framed version, it's nearly impossible to fully enjoy the film. Because the FULL film is not here!

If you've already got the older non-anamorphic DVD of "Pillow Talk", you'd be better advised to just hang onto it, and skip this version entirely. Upon looking over both versions side-by-side, the older one really isn't very much worse (fuzziness-wise) than this new one. And when factoring in the mis-framing problem of the new one, the old DVD displays the WHOLE picture; while this new one definitely does not.*

* EDIT/FOOTNOTE (OCTOBER 2005) -Universal has supposedly fixed the mis-framing problem with this 2004 DVD release -although I've ordered multiple copies of the "new" disc (from different e-tailers) and still haven't seen a properly-framed copy. I've had to return each one thus far (and they were ordered more than a year apart). Very discouraging. So, you're taking your chances when you order this '04 version of the film.

~throws hands in air in disgust~

Doris Day and Rock Hudson are perhaps the best duo in movie history. Pillow Talk is one of the most clever comedies ever made. This film is about a painful reality in the 50'sparty lines. When Jan Morrow wants to use her phone, she must first listen to her other "party" Brad Allen romance the women. She finally works out a deal with him to each have a thirty minute slot where they can make calls, but selfish Brad doesn't adhere to the rules at all! Brad accidentally meets the other end of his party line at a restaurant, and makes a quick decision to become someone else. He ultimately romances Jan, while she has no idea that he is her arch enemy. For it's time, Pillow Talk was one of the more risque films, but yet one of the funniest and most romantic ever made.

On that note, I have to say I was so disappointed with this DVD. There are no extras to speak of other than the trailer and some production notes. As successful as the stars of this movie were, you think Universal could have put a little more punch into this DVD. The quality of the DVD is also quite poor. There was no digital remastering, only a direct copy from vhs to dvd. If you are a person who only has dvd's, I would still get this because this is such a classic, you have to have it around. If you still have your vhs machine, get it on vhs, it's cheaper and not any less quality than the dvd.

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This is probably the most well known pairing of Doris Day and Rock Hudson. A laugh out loud comedy in which Tony Randall and Thelma Ritter also showcase their vast comedic talent. Jan Morrow shares a party line with Brad Allen, which she has tried to put a stop to, but the phone company won't cooperate. She uses it for her work as an interior decorator, while he uses it to seduce a multitude of women thru his song writing. When they meet by accident, he assumes another identity to get close to Jan hoping to deceive her until he has the opportunity to get what he wants. When she becomes wise to his deception, all bets are off!

Read Best Reviews of Pillow Talk (Blu-ray + DVD + Digital Copy) (1959) Here

Of all the classic comedies that starred Doris Day and Rock Hudson, or the two stars with other co-stars, this remains my favorite.The legendary late Rock Hudson was at his peak in this romantic comedy, and who better to showcase his charms against, than quintessential girl-next-door, Doris Day. Hudson thrives on his ability to charm indeed, as a songwriter named Brad Allen. Brad is a love-em and leave-em kind of guy, who entertains a seemingly endless array of lovesick females at his well equipped bachelor pad. He also sings to them over the phone for hours on end, tying up the telephone party-line he shares with Jan Morrow, interior designer, enter a perturbed Doris Day. Every time Jan picks up the phone, she hears Brad sing "You're My Inspiration...", and always with a new girls' name attached to the end. Flabbergasted at his womanizing, she sends a phone company rep to have a word with Mr. Allen, only to find that she TOO has fallen for the tall dark and handsome playboy.

Jan tells her boyfriend of sorts played by the wonderful veteran comedy legend Tony Randall, about her dialing dilemma. Randall, as always, plays himself. He's neat, dapper and proper, as not only Jan's boyfriend, but Brad Allen's friend and boss as well. After extoling the virtues of Jan to Brad, and mentioning that she shares a party-line with "some nut", describing the singing phone routine, Brad is too curious to find out what Randall is so wild about. After Brad Allen finally glimpses Jan Morrow dancing at a club, and sees the other end of his party line is not the shrew he expected, he sets out for his sweetest conquest of all.

"Pillow Talk" is a timeless gem of classic comedy. Amazingly, it was considered quite risque in it's time. This only goes to show just how jaded the world and cinema has become since 1959. Rock Hudson was actually embarrassed, and nearly declined the role. We can speculate in retrospect why he felt that way, but no one could've been a better cad than Rock as Brad! The one and only Doris Day is sweet as sunshine, until the duped decorator delighfully disarms Mr. Allen's charms, leaving him, for the first time, really in love with someone other than himself. Thelma Ritter is amusing as Jan's perpetually hung-over housekeeper. It's a truly comic moment when Ritter counsels Brad over a few too many drinks on how to win Jan over, and Hudsons' head hits the table with a thud, while Ritter babbles on oblivous to her companions condition. Tony Randall is his classic prim self, and laugh out loud funny, as he storms into his own place to rescue Jan from the smug seducer huffing the line "At least you could have had the DECENCY...to bring your OWN champagne!"

There are too many wonderful moments in this film to cover them all. If you somehow haven't, it's far better for you to enjoy watching this long lost genre of the innocent, fun, fresh feel-good romantic comedy, and experience first hand, the pure delight it has to offer in abundance.

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I was so excited to see that Universal is making a special edition of PILLOW TALK's 50th Anniversary on dvd. The 1959 comedy romance movie about an interior decorator Jan Morrow (Doris Day) who shares a party line with a womanizing wolf Brad Allen (Rock Hudson),was an unbelievable box office hit in 1959, and I thought Universal will really make this Golden Anniversary of the film a great one! Upon viewing the film, I at once noticed nothing new. I am a huge Doris Day fan, so I pulled out my other Pillow Talk dvd copies, looked at them side by side and here's the facts:

This dvd is the EXACT dvd that was made for the 2007 THE DORIS DAY AND ROCK HUDSON COMEDY COLLECTION, which includes all 3 movies they made together: Pillow Talk, Lover Come Back and Send Me No Flowers.

This 2007 Doris/Rock Set is an improvement over the Pillow Talk dvd's that were made in 2004 and earlier, as Universal "remastered" it with a tiny bit more brightness, a tiny bit more detail and a tiny bit more frame area. 2007 was the first year Universal made tiny "upgrades" to Pillow Talk when they made this Doris Day/Rock Hudson dvd set. All they did for this 50th Anniversary Set, was use this 2007 Pillow Talk dvd.

This Anniversary Edition includes these Bonus Features:

Commentary with Film Historians Jeff Bond, Julie Kirgo and Nick Redman.

Chemistry 101: The Film Duo of Doris Day and Rock Hudson. Featurette that talks about how filmmakers first saw the sparks between Doris and Rock, and how that made them put the duo together for 2 more successful films.

Back in Bed with Pillow Talk: Film Historians, experts, authors, cast and crew discuss the many elements that propelled PILLOW TALK to a top box office spot for Universal Studios in 1959.

Theatrical Trailer.

This 50th Anniversary Edition is great to own, if you never bought the 2007 "upgrade" of Pillow Talk, as it is a slightly better copy over all the dvd's that were made before 2007. The Bonus Features are not that exciting, as Doris is not in anything new. I'm disappointed that Universal could have made a fantastic upgrade of this film, and included better Bonus Features, and included Dorisif only for 5 minutes!! (Look what they did for Disney's 50th Anniversary of Sleeping Beauty and Wizard of Oz's 50thabsolutely gorgeous.) If they had only included 5 minutes of Doris and spent another 5 weeks upgrading the original 35 mm film, they would have gotten my 5 stars!!

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