Showing posts with label best hindi comedy movies list. Show all posts
Showing posts with label best hindi comedy movies list. Show all posts

The Rebound (2012)

The ReboundHey-film geek girl here(actually,woman)!! I watch a lot of rom-coms and it is hard to find ones that are really great throughout like this one. I have thought that Justin Bartha(and his gorgeously almost neon blue eyes)was adorable and funny ever since the 1st "National Treasure" movie and Catherine Zeta usually makes great film choices,this is definetely no exception.Also when I stumbled upon this in the new to video part of amazon instant,I didn't notice at first that the director was Bart Fr...Sorry,can't remember at the moment how to spell his last name. I do know that he is married to the beautiful and talented Julianne Moore and that they know about a successful relationship involving a slightly older woman.Sure can relate to liking and lusting after younger men. The chemistry between Sandy,the 40yr old mother of 2 kids that is on the rebound from a cheating,kind of awful husband and Arol(not really sure what his name was),the 25 yr old college grad,that works at a cafe and starts working for Sandy, is pretty warm and fantastic. They seem to appreciate each other and care about each other and the kids. The film doesn't rush into the walk down the aisle and quick love but reveals the strengths and passions of both of the main characters. All the travel scenery was nice too,of one of the character's,towards the end."The Rebound" is a wonderful example of how what makes a family beautiful and unique can vary so much. I gotta say,it makes me a little lonely and very much uplifted at the same time. It also stars other great people like Art Garfunkel as Aros' father and Lynn Whitfield as Sandy's eventual respectful,strong boss. I highly recommend this film for any hopeless romantics out there,that don't mind a little real life raunchiness and some bad words interspersed throughout.

Forty-year-old Sandy (played by a radiant, 41-year-old Catherine Zeta-Jones, Traffic, Chicago, The Mask of Zorro) has been a stay-at-home mother the past ten years. Her husband is a domineering man whom she's never found the courage to confront. Not even when she discovers he's been cheating on her in her own home. Instead, she simply walks out with her eight-year-old daughter (Kelly Gould) and her six-year-old son (Andrew Cherry), moving from the suburbs of metropolitan New York City into the City itself. Her obsessive hobby of compiling and charting sports statistics lands her a job at a sports broadcasting station, and further good luck leads her to an very nice apartment over a coffee shop where she meets 25-year-old Aram Finklestein (played by then 30-year-old Justin Bartha, National Treasure, The Hangover), a barista at the coffee shop.

College-educated Aram has had multiple chances for employment as a highly paid office "suit" in the City, but he's opted instead to live with his parents and work at a menial job while he searches for something more meaningful to do with his life. After Sandy runs into Aram at a full-contact, self-defense class at a local woman's center, where Aram has hilariously volunteered to be the human punching bag for outraged women who've been ill-used by men, Sandy asks him to babysit her children. This one-time favor leads to his becoming her full-time nanny, and ultimately to the two of them embarking on a May-December romance.

Academy Award-winner Zeta-Jones is a brilliant dramatic actress who is equally talented at comedy. As a big fan of romantic comedy in particular, I enjoyed her very much in America's Sweethearts and Intolerable Cruelty (though the movies themselves were not among my favorites), and I was delighted to learn she had made this film. She does a very believable job playing the downtrodden Sandy. If we had entered Sandy's life before the inciting incident of her husband's cheating, we would very likely have found her a very boring person living a passive existence. However, Sandy is anything but passive during the course of this movie. Zeta-Jones convincingly portrays Sandy's extremely interesting journey from a woman made timid by low self-esteem to one who is confident in herself both personally and professionally.

Zeta-Jones also has excellent chemistry with her romantic lead, Aram (Bartha). Aram and Sandy are both struggling with similar life issues, including a painful divorce from a betraying spouse, being taken advantage of and pushed around due to a sweet, yielding disposition, and struggling to find themselves as they face a major crossroads in their lives. Aram is the kind of guy every divorced woman with kids dreams about, intelligent, thoughtful, fun to be with, great with kids, an excellent cook, and a sensitive lover.

He sounds like a saint, doesn't he? And saints are supposed to be dull characters, or so we are told. But truly he is not. Sandy is equally nice, and the audience is rooting for her to choose kind, decent Aram, whom she deserves and wants, rather than the jerky, age-appropriate men her friends urge her to date instead of Aram in order to avoid a sexist social stigma that men don't have to worry about.

I had never seen Bartha's work before viewing this movie, having missed the films he is most known for. I was very impressed with his acting, and I will certainly be on the lookout for him in the future.

Unlike several recent romantic comedies I've watched with a huge amount of--to me gratuitous--nudity (No Strings Attached, Friends With Benefits, Love & Other Drugs), there is no nudity in this movie! Yes, there is some swearing, but I'll take that any day over endless rounds of naked bed romping.

As any romantic comedy worthy of the name should, this movie has many humorous moments, but importantly, it is quite poignant as well. It is a cliche to say, "I laughed, I cried," when reviewing a movie, but the truth is, I did, and I think that's a very good thing. I believe that this is what any romantic comedy of merit attempts to achieve for its audience.

All in all, this film is a keeper in a special place of favor on my romantic-comedy shelf!

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I found "The Rebound" a delightful Adult Romantic Comedy, written and directed by Bart Freundlich, and not your usual fare. After all, this one stars Catherine Zeta-Jones (Sandy) and Justin Bartha (Aram) as the two leads. You really can't go wrong with these two presenting a younger man and an older woman theme. Sandy's two children, Sadie (Kelly Gould) and Frank (Andrew Cherry) are just adorable and precocious as ever. The R rating is for the themes explored and for some 'bawdy' language making this a romance, with a generous lending of comedy...for grown ups.

This story basically starts with forty-year old married Sandy, on her laptop looking through video clips of Sadie. As she's perusing through her young daughter's accomplishments, she spies in the background her husband being 'unfaithful'. This issue is not explored in detail. We quickly focus on Sandy and the children moving into an apartment in New York City, above a coffee shop. This is where the very sweet Aram works and they first meet, as the children quickly take notice of him and immediately like him.

Shortly after meeting Aram, he offers babysitting services. Sandy gains work for a major sport's network as she's an avid sports fan and educated in this area. Her boss (Laura Reilly) is strongly acted by Lynn Whitfield who becomes a role model. The 'babysitter', whom the children adore and so does Sandy, is smartly employed as the kid's "nanny". The two find a comfortable friendship with each other by this time and Sandy is getting more stable and happy with her life.

Aram has a Sociology degree, although is content working in the coffee shop as he has been hit hard by a relationship also. He married a French woman who used him cruelly to gain a 'Green Card' for citizenship, then left him. He won't divorce her or she would not be able to stay in America. He lives with his parents, the Finkelstein's (Art Garfunkel acting the part of the father in an uniquely comedic role). Aram possessing a generous, warm and thoughtful nature that you cannot help but love.

One of Sandy's friends begins urging her to go on a blind date with a Chiropractor (John Schneider) as Sandy really doesn't want any part of it. Although she finally relents and leaves the kiddos with Aram to go out with him. As far as blind dates go, this one takes the cake as Schneider is a complete fool and Sandy's responses to him are equally funny. When she returns to the apartment after the date from hell, Aram is there for her after she downs a partial glass of vodka. The two begin talking and as one thing can lead to another the friendship shifts into an 'intimate' realm.

As usual with these types of movies, there is a plot twist, and this one was a big unexpected one for me. So to go on with a descriptive way of reviewing this would really be a spoiler for anyone interested in seeing this film. You will see some beautiful scenery and further explore the soundtrack that starts with a bang from the beginning, by Jim Black. From Sandy yelling out the song "B****" by Meredith Brooks in her car driving, to Aram singing "Everytime You Go Away" to Sadie so she'll fall asleep.

It is always enjoyable to see Catherine Zeta-Jones in this type of role; strong and vulnerable at the same time. She is one actress that can do this plausibly and add some sharp, dry wit. Justin Bartha has always had the innocent, sweet quality to pull the role of Aram off and bring him to life. The two share an easy rapport and screen chemistry. A great movie just in time for Valentine's Day.

Read Best Reviews of The Rebound (2012) Here

Just loved it. Not your typical cheesy totally made-up romance story, but a honest and realistic one. The movie will make you feel that love do exist and it has nothing to do with age. Love is just love even though sometimes it might take a while for people to realize it, but at the end, true love will shine. The movie put a smile on my face, and I am sure it will do the same for you. So enjoy.

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This is Michael's wife. I loved this Movie!! I loved Justin Bartha as a romantic lead and hope he does many more romantic comedys. I have to admit the first time I watched it I had to fast forward through some scenes. The "F" word is mentioned some. Not sure how many times because I muted through them (and it starts right from the beginning) The movie in my oppinion had some unnecessary crudeness for my taste but.... the romance in the movie is so good it left you wanting so much more and way out shined the language and crudeness) The chemistry between Catherine Zeta Jones and Justin Bartha just worked so wonderfully. I have watched this movie 3 times already this week and want to watch it again. You fall so in love with Aram's character. It's so rare to see a guy so faithfully devoted to his true love these days. His character made the movie. Catherine Zeta Jones did an outstanding job as well. The kids were funny too. The bowling scene was one of my favorites. For couples or women that are looking for something to do on a weekend or afternoon by themselves this is the perfect romance movie. (as long as you can handle the crudeness factor and a little language.)I still give it 5 stars because it left me wanting more.... More romance...more Aram.

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My Sucky Teen Romance (2011)

My Sucky Teen RomanceI absolutely loved this movie made by a young filmmaker, Emily Hagins. My husband and I had seen the documentary about her and really enjoyed this!

This movie is hilarious! This parody of the ever-popular vampire romantic comedy provides the viewer with a movie they can laugh at, but still feel themselves empathizing with. A very funny film from such a young director! I can't wait to see more of what Emily Hagins has to offer!

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An entertaining film that is a good mix of comedy and horror. Low budget but is easily better than a lot of much larger budget films good actors, cinematography, and direction.

Read Best Reviews of My Sucky Teen Romance (2011) Here

The trailer to My Sucky Teen Romance really pulled me in, but the movie itself was just so-so. You could walk away often and not miss a thing. The cast I thought did a great job for unknowns I thought Elaine Hurt was amazing! The pacing of this teenage rom-com vampire flick is what hurts it and if the film was just shorter it would of been much better.

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my aughter loved this show...definately good vampire movie for a teen without the gore...it has some blood,but in all not bad. she likes that they make some of things they says like making fun of Twilight

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Big Trouble in Little China (2009)

Big Trouble in Little China...People back in 1986 did not understand Big Trouble In Little China. It's the kind of film you either "get" or you "don't get"...They were ahead of their time. Big Trouble In Little China is no different. Basically a Hong Kong action picture with stabs at humor, magic, mysticism and a touch of romance, "Big Trouble" clashed with the heroic heroes of the time... and instead gave us a lead character who's big on talk but usually not good at much else. Kurt Russell's Jack Burton is the type of character with an over-evolved sense of ego that never seems to match his less than perfect grasp of how to deal with real situations. The other difference here is that Jack is not the real hero, it's really Wang Chi(Dennis Dun), who shows us all the great Kung Fu moves and sword fighting styles... Jack Burton is more of the sidekick who thinks he's the head honcho but never seems to do anything right and when he does do something right it's usually because of blind luck. But that's the kind of character Carpenter wanted and he knew Russell would be the best person for the job because he's not afraid to let his hair down and look foolish. Looking tough with smeared lipstick on his face, rolling backwards in a wheelchair screaming or shooting his gun straight up causing small rocks to fall down, knocking him unconscious. No ego is involved with Kurt Russell...

The DVD transfer looks wonderful (widescreen 2.35:1) and even comes with DTS sound which you've got to listen to to believe. As for the special features, the biggest gem on this 2DVD Set is the Audio Commentary by John Carpenter & Kurt Russell. These two have done commentaries before and hinted at doing one for "Big Trouble" during the commentary they did for The Thing (1982). I love listening to these guys! It's just so much fun, it's like being in the room with them and you're just being quiet and listening. Their comments tend to take off from "Big Trouble" and aim more towards where their careers have been, where they're going and how their children are doing in regards to sports and music. Carpenter laments that his son, Cody, can play the keyboard better than he can now and Russell talks about his son, Wyatt winning a hockey championship and how he'd rather see a twenty-something do action films instead of people like himself who are in their fifties (this is him saying this, not me). There's a lot of respect between the two and some hinting that they might work together again soon...I wrote a review about Escape From New York and how I felt it was Carpenter's and Russell's best collaboration out of the five films they've done together. Well on this commentary, Kurt Russell said that working on Escape From New York was the best experience of his career. It would seem we're in agreement. There's also talk about how the styles of directing has changed over the years and how it seems to be going downhill. You need a director who believes in his vision and sticks by it, otherwise you're in for trouble, Big Trouble. Sadly, no mention whether or not they'll do commentaries for Elvis and Escape From L.A.(the only films they haven't made commentaries for), but I'm sure they'd jump at the chance. These guys are such good friends, you can feel it...Carpenter even said he thought "Captain Ron" was Kurt's best performance! I wish the film was twice as long just so I could hear more from them!

The rest of the features are basic: trailers, TV spots, featurette, music video by the Coup De Villes(love Carpenter's low voice!), interviews, still gallery, magazine articles, production notes, cast & director film lists and some interesting deleted scenes, including an extended version of Jack in the Chinese bordello with an added line about the green-eyed girl that's hysterical...The actual ending, however, is still the same. There are even some trailers to Aliens & The Fly hidden on page 2 of the special features section (just click to the left once you're positioned on the Richard Edlund Interview and press "Enter").

This Special Edition rocks and is second only to the collector's edition DVD of The Thing by Universal Pictures. That DVD included a retrospective documentary with most of the original cast & crew returning for a look back. Ennio Morricone's Score is given it's own isolated track during this documentary as well, so those are the main reasons why The Thing is still the best John Carpenter Special Edition DVD out there, but Big Trouble In Little China is very impressive as well. Some of you may be wondering why they couldn't fit all the special features on Disc 1? Well, normally you could, but DTS Sound takes up a lot of room and this is why they had to split it all into a two disc set. So add this Carpenter masterpiece to your collection. It is truly one of his all time bests!

ADDITIONAL BLU-RAY INFO:

I recently bought this film again on Blu-Ray and just had to comment on how nice an upgrade it is. First, I was really impressed with the new transfer. There's so much more detail now in the picture quality, which, while still not perfect, is a vast improvement over the DVD. Second, all of the special features from the out of print 2 disc Special Edition DVD set are all included on the Blu-Ray, along with a wonderful new feature: an Isolated Score audio track for the complete film in 5.1 DTS. This was the first thing I checked out when first popping in the Blu-Ray and I was just blown away by it. It's exactly like having the Original Motion Picture Soundtrack in your possession, with every complete music cue and sequence included and intact (no edits or cuts at all). There are a couple of dead-air spots, where no music was used, but they are brief and don't detract very much at all from the overall listening experience. So if you're thinking about upgrading this fantastic movie to Blu-Ray, my advice is "Go for it." The price for the Blu-Ray is usually very cheap too. Plus, again, if you don't already have the 2 disc special edition DVD, you'll get all of the special features from it on the Blu-Ray, with the added Isolated Score option as well. Check it out!

Big Trouble In Little China A Cult Classic!

"It's all in the reflexes" Kurt Russell as Jack Burton

Other recommended Kurt Russell/John Carpenter collaborations:

"Elvis: The Movie" DVD (1979)

"Escape From New York" DVD & Blu-Ray (1981)

"The Thing" DVD & Blu-Ray (1982)

"Escape From L.A." DVD & Blu-Ray (1996)

Director John Carpenter teams with Kurt Russell in this wonderfully unique spoof of the martial arts movie genre, and they hit on all cylinders in a film that is incredibly funny, surprisingly well-crafted, and just plain fun.

Russell takes advantage of Gary Goldman and David Weinstein's script to deliver the best comic performance of his career as his swaggering trucker Jack Burton blunders through Chinatown in an attempt to recover his stolen truck and his friend's kidnapped fiancee.

Masterminding the badguys is demon/ghost David Lo Pan, played wryly by James Hong. Hong parodies practically his whole career in this role, and has some priceless lines in so doing. His motive in the kidnapping is to marry a girl with green eyes, which will appease his demon-god and restore his lost vitality.

The plot grows more absurd and hilarious as the movie progresses and Burton and his companion, Wang (Dennis Dun) enlist the aid of local magician Egg Shen (Victor Wong) to thwart Lo Pan. Russell and Dun are perfectly over-the-top in their deliveries, and they provide constant laughs to propel the movie rapidly along to its conclusion.

It is very hard to find someone who doesn't like this movie, and with good reason. The film is so novel and so funny that it can be enjoyed over and over again--a real treasure.

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The Critics shredded and diced this movie so I really went to the theatre expecting to see one sick puppy. Instead, I was delighted and I continue to be delighted every time I watch this marvelous movies. John Carpenter created an original howl of a time, with tongue firm planted through the cheek and simply went wild with fun and throw away lines, that will keep you coming back again and again. The Critics just did not get the JOKE!! Sigh...fortunately, the public did not agree.

A great cast Kurt Russell, Kim Cattrall, Dennis Dun, Kate Burton (Richard's Daughter), Victor Wong and James Hong take several wrong turns and end up in a war kung fu style kidnappings and all sorts "some very unreasonable things". Originally the manuscript for the second Buckaroo Banzai movie, Big Trouble hits bulls eye where BB just missed. It's over kill to the max, but such a great way to go as Jack Burton Russell doing a BAD John Wayne Imitation runs headlong into the magick underbelly of Chinatown. One critic put down Russell's performance as "was so poor, it was like he was doing a poor John Wayne imitation" WELL, DUH???? Earth to LM!!

Russell is taking Dennis Dun to pick up his bride to be, but she is mistakenly snatched. It's up to Russell, Dun, Wong and crew to try and get her back. Instead, they lose Kim Cattral to Hong as well as Burton's Peterbuilt "the Porkchop Express", so old Jack has to get mean.

If you don't want to laugh so hard your ribs hurt, you don't enjoy parodies, you don't enjoy bad John Wayne imitations...fine give it a pass. But everyone else wanting a great time, this is one you should not miss!

Read Best Reviews of Big Trouble in Little China (2009) Here

For non-stop action and entertainment, you can't beat this movie. There is no way any of it could happen in this world, and probably not in the next one, but it's so much fun that we just suspend belief and go along for the ride. And what a ride it is. Our hero, Jack Burton, superbly played by Kurt Russell, and his sidekick, Wang Chi (Dennis Dun), are in a race against time to rescue Wang's girl, a beautiful, green-eyed (huh? ) Chinese immigrant fresh off the plane, who has been kidnapped by the henchmen of a villain named David Lo-Pan, a 2000 year old ghost who must marry a girl with green eyes to restore him to flesh and blood. Along the way, Jack and Wang have to do battle with the Three Storms (thunder, rain and lightning) and a host of nasty bad guys in Lo-Pan's service. By the time Wang's girl is saved from the evil machinations of Lo-Pan, we've been through an incredible roller-coaster ride spiced up with gun-shooting, knife-slinging, things exploding in a ball of green fire, karate chops galore, mid-air swordfighting (yes, these guys actually fly through the air), and a hefty dose of good old black magic. It all adds up to a wild, crazy, hilarious, slambang knockout of a movie experience.

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Another title we've all known about for a while has now been tapped as official: Big Trouble In Little China will hit DVD as a 2-disc Special Edition on May 22nd! Disc 1 will feature the film with a brand-new digitally remastered anamorphic transfer and both Dolby Digital 5.1 and DTS soundtracks! Also included on Disc 1 will be an Audio Commentary track with John Carpenter and Kurt Russell. Disc 2 will be loaded with treats, including: Deleted Scenes, an Alternate Ending, a new Making-of Documentary from DVD producer David Prior(Fight Club), an extensive Stills and Promo Art Gallery, DVD-ROM interactive material, and much MORE. MSRP will be a VERY fair $26.99, and this amazing 2-disc set is already available for pre-order! When we visited Fox last November, we were treated to a sneak of this set and the DVD menus. Trust me, it's going to be nice... and the wait for those of us who are fans of the film will be more than rewarded. Fox is taking charge of DVD... that's for sure. And it's also worth mentioning that on that same day (5/22) they will also be releasing the cool Point Break disc we told you about. It's not a "Special Edition", but will receive nice treatment including a new anamorphic transfer and both Dolby Digital and DTS soundtracks! A fun film that is sure to be a worthy DVD!

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Lethal Weapon 2 (1989)

Lethal Weapon 2Okay, let me start by saying you're not going to get any reviews on any of these three movies from me. Anyone who lived through the late 80's and early 90's already know the action greatness of these films that launched Mel Gibson from just being known as "Mad Max". No, my review is solely based on the new "Warner Bros. Triple Feature" packaging of the first three movies in the Lethal Weapon series.

On November 7th 2006, Warner Bros released 23 DVD titles from their library with three films in each case with varied subjects like trilogies, westerns, star's films, animals, and others. But probably the best bang for your buck is this Lethal Weapon set (maybe, maybe the second would be the camp-horror classic "It's Alive" trilogy, which I'll be getting as well). Yes it's true, SOME of these titles will bother most videophiles because quite a few titles offered in these triple features are FULL FRAME only when originally they may have been released in Widescreen when first appeared on DVD (see the Free Willy, Poison Ivy, and 15 Minutes triple features for those disapointments). But not, I repeat NOT, the Lethal Weapon one. This one has all three films presented in Widescreen with the original 5.1 AND DTS audio tracks. To put it simply, you get all three films as they were originally released separately on DVD back in 2000: the Director Cut editions, nothing has been changed whatsoever.

I've read videophiles say, "Well then, since it's THREE movies on only TWO discs, the compression has to be weaker". Wrong. Here's the disc set-up: Lethal Weapon's One and Two are on ONE disc, but it's a DVD-18, otherwise known as "double-sided/dual-layered". Both these movies were released in 2000 as DVD-9's (one-sided/dual-layered). Meaning, it's the EXACT compression as originally, but now you just have to "flip" the disc over to get to the other movie. And the second disc is exactly the same as before, with the Lethal Weapon 3 disc artwork on label & as a DVD-9. So you see, the only thing you really lose in buying this over the 2000 box set is two DVD cases and three discs instead of what you get now, two. I'm pretty sure that's the compression/set-up for all the Triple Feature titles, but Warner chose to instead press the Full Frame side on some of these titles instead of the Widescreen. Why, I have no idea.

Also a plus is the price. At Wal-Mart, I paid only $9.00 dollars for the Lethal Weapon triple feature. Even if I found all three titles separately in the "bargin-bin", I'd still pay at least $15.00 dollars for them. This version is cheaper, but just as good. And the normal suggested retail price is still cheaper than buying them apart, so this really is the way to go.

Finally, alot of fans of the Lethal Weapon series also have claimed "Why not include Lethal Weapon 4?". Well, One: all these releases are under the "Triple Feature" title, not a "Quadruple" one, Two: this one also features "The Unrated Director's Cuts" when 4 was released as "Theatrical Rated R", and Three: alot of people just didn't like 4 to begin with (not me, I thought bringing in Jet-Li really added to the franchise). So that should explain that!

So, if you're on the fence about buying this new "Lethal Weapon Triple Feature", I say do it...but only if you don't own the single Director Cut discs already...because you won't get anything new here. And look at each other Triple Feature title's back cover to see if it's Widescreen or not, and could you live with the Full Frame version of the other titles at such a low cost. So: 3 stars for the entire "Warner Bros. Triple Feature" line, 5 stars for the "Lethal Weapon" title from it.

After recently purchasing a PlayStation3 primarily for its functionality as a Blu-ray high-definition movie disc player, I was really looking forward to seeing some of my all-time favorite films on the new format. I mean, Blu-ray has 50gb of storage capacity on one side of a disc, enough room to pack a pristine 1080p video print and uncompressed 7.1 PCM audio, not to mention loads of extras... Having said that, Warner Home Video really let me down with their first issue of 1989's "Lethal Weapon 2" on Blu-ray disc. This is exactly what I feared they would do. Rather than do the job right the first time out, consumers are being setup for an obvious double-dip on several titles, including the first two "Lethal Weapon" films.

I grew up watching a VHS of "Lethal Weapon 2" with my older brother. He and I both loved this movie and used to watch it constantly, so naturally over the years we hope and pray for vastly improved ways to watch this 18-year old favorite. This Blu-ray disc is NOT that vast improvement we've been waiting for. From the opening frame, what we get is an image so jagged and grainy that it tempted me to insert my "Lethal Weapon 2: Director's Cut" DVD and see if the 480p image upconverted to 1080p was any better. So I did that, and while the DVD did make the Blu-ray presentation look good, that's not saying much. While there's a lot more detail and color depth in the Blu-ray version, there is also the huge distraction of seeing jagged edges around everything and everyone on screen. Just look at the opening frame of the film, where it says "A Time Warner Communications..." etc, and look at the text. Skip into the film a few chapters where we see a fax printing out of a fax machine, and look at the jagged edges around the printed page, everything on Murtaugh's desk... The list of flaws is endless, because it goes on throughout the entire film. Did anyone actually watch this master before sending it off to the Blu-ray duplication factory? The biggest reason why I would consider upgrading my DVD library to Blu-ray is for film-like images and detail, and this is one title where the studio needs to mint a brand new master from the ground-up if we're ever to see a better presentation. I have two words for Warner Bros: Lowry Digital. See what they did for James Bond? Enough said. Incidentally, after watching the film, I did some searching online to find out if other's have complained about this problem. I found out the technical reason for this is that Warner simply took an existing 1080i master and put it through a process of "vertical filtering" to convert it to 1080p. They did the same thing with the first "Lethal Weapon" film, along with at least five other Blu-ray transfers created from 1080i masters, so I'd be cautious of which early Warner titles you pick up on Blu-ray.

For this initial wave of Blu-ray titles, Warner also decided to do nothing with the format's audio capabilities. Instead, we just get the same Dolby Digital 5.1 track with slightly more detail, but not enough of an improvement to really notice. Where's the Dolby TrueHD or uncompressed 5.1 PCM audio tracks? On top of that, where are the audio commentaries? Come on, "Lethal Weapon 2" is a modern classic, surely deserving an audio commentary with Richard Donner, Mel Gibson, Danny Glover, Joe Pesci, etc. Instead, we get a French language track. Lame.

The extras are equally as unspectacular as the picture and sound. I just don't get how some films are treated to 2-3 re-releases over 10 years, yet the "Lethal Weapon" franchise goes by hugely overlooked in the Special Edition department.

Bottom-line: Don't buy it. I bought it, and I'm returning it. Hold out until Warner gets their act together, creates new 1080p masters from cleaner elements, and gives us a deluxe box set of all four films with new extras. They've proved they can do it with other films, so I'm guessing it's only a matter of time before Riggs & Murtaugh get their due respect on high-def disc.

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The previous reviewer is correct on all points, which prompted me to purchase this over the Director Cut Editions individually.

What makes it even better is the DTS audio tracks are full bitrate @1536Kb/s! Most, if not all, DTS DVD's are half-bit rate @768Kb/s (Saving Private Ryan, Jaws, Lord of the Rings Trilogy).

Getting three great films in one package, widescreen, and w/full bitrate DTS for $11 is a once in a life time deal.

Read Best Reviews of Lethal Weapon 2 (1989) Here

The tone is a bit lighter, but the "lethal" action continues unabated and non-stop as two of L.A.P.D.'s finest go after a South African consulate, dirty up to his neck in drugs and hiding behind diplomatic immunity in "Lethal Weapon 2," directed by Richard Donner and once again starring Mel Gibson and Danny Glover. Still crazy, but no longer suicidal, Riggs (Gibson) continues to hunt down the bad guys with partner Roger Murtaugh (Glover), and this time around they find their lives in danger when they get too close to the underhanded dealings of South African Arjen "Aryan" Rudd (Joss Ackland) and his band of thugs. Along the way, they're assigned to baby-sit an informant in a money laundering racket, Leo Getz (Joe Pesci); and Riggs at last finds someone, Rika Van Den Haas (Patsy Kensit), who helps ease the pain of his wife's death, while also discovering who was responsible for the automobile accident that took her life. As he did with the first "Lethal Weapon," Donner keeps it all moving along at a brisk pace, though he allows the intensity level to drop somewhat this time while infusing more humor. There's some "Stooges" on hand, and a bit that finds Murtaugh the target of some office gags after the debut of a television commercial, starring his daughter, Rianne (Traci Wolfe), for a product that takes him by surprise, but the real laughs come courtesy of Pesci, who's upbeat, manic characterization of Getz becomes a real scene stealer. Though serious at the core, this movie is more of a joy ride than the first, though there are moments of true menace and apprehension, as well as a sobering resolution involving one of the featured characters. Performance wise, Gibson is as charismatic as ever, by now settling comfortably into Riggs' skin while further exploring the more intricate details of the character's personality. Glover, too, manages to take Murtaugh to the next level, leaving no doubt as to who this guy is and what he's about, from his dedication to the job, to his even more stringent dedication to his family. And, most importantly, these two really click as a team, and Donner knows just how to bring out the best in them. What really raises the bar in this second installment, however, is the addition of Pesci, who makes Leo Getz a truly memorable character. Inserting him into the mix was a real stroke of genius, and Donner wisely uses him just enough to effectively lighten the mood and counteract the drama. The supporting cast includes Darlene Love (Trish), Derrick O'Connor (Adolph), Steve Kahan (Capt. Murphy), Mark Rolston (Hans) and Jenette Goldstein (Officer Meagan Shapiro). With snappy dialogue, plenty of action and some good guys to root for, "Lethal Weapon 2" is a thoroughly entertaining sequel that more than does justice to the original. Donner knows his territory, and his stars know their stuff and how to deliver it, and that's a "lethal" combination any way you look at it. And what's even more gratifying, is knowing that they didn't stop here; after all the action of the first two, you know there's another one waiting for you. At this point, do not pass go, do not collect two hundred dollars; "Lethal Weapon 3" is available, and it's yours for the asking.

Want Lethal Weapon 2 (1989) Discount?

The summer of 1989 was loaded with blockbusters, yet there was only one movie that I really wanted to see more than any other. In a season that saw such blockbusters as a new Indiana Jones movie, the latest Star Trek picture and Timothy Dalton's second outing as 007, the movie that held the most excitement for me was LETHAL WEAPON 2. Not because of Mel Gibson or Danny Glover or a particular love of the original, but because the love interest came in the very lovely shape of the lead singer of one of my favorite 1980s bands (Eighth Wonder) Patsy Kensit.

Truth be told though, there's not much to Kensit's role here, she is there simply as window dressing in the part of a secretary at the South African consulate. The movie as a whole though is a great, fun ride and is easily my favorite of the franchise.

The plot of the movie involves drug smuggling that is being conducted by officials at the South African consulate. Back in the 1980s South Africa was largely an international pariah because of its policy of apartheid. This made it easy to target them as the villains and their position as diplomats provides them with the protective vbeil of diplomatic immunity. As lead villain Arjen Rudd (played wonderfully by British actor Joss Ackland) comments when confronting the Los Angeles police officers "you could not even give me a parking ticket."

Starting with a chase through the night streets of Los Angeles, the movie races from one action sequence to another rarely pausing for breath in what is a classic cop buddy movie. Both Gibson and Glover make a great team and the interplay between them provides for some really subtle humor.

Which brings us to Joe Pesci, whose humor is about as subtle as a sledgehammer in the role of witness Leo Getz "Whatever you want Leo Getz get it!?" Pesci is at times annoying and at other times loveable, but he is always funny. Obviously he was also a hit with the audience too as he would return in the third and fourth movie of the series.

As a bonus for Kensit fans like myself in the scene where Leo is cleaning Riggs house you can hear Eighth Wonder's biggest hit "I'm not Scared" playing in the background. It's a shame they did not have Kensit's character survive until the end as they had originally planned, but I understand that her death leads Riggs to take the dramatic action that he does.

This is my favorite cop movie (alongside "Beverly Hills Cop" and an entertaining way to spend 114 minutes or 118 minutes if you go with the directors cut.

Scenes included in the directors cut includes Leo using numbers to remember a suspects address and Murtaugh getting some bad news from an auto-repair man after Riggs drives his new station wagon up against a guardrail. Pretty standard stuff that I felt did not add anything particularly.

The directors cut also comes with a making of featurette, cast and crew bios and a theatrical trailer. Here's hoping that one day soon Warner will put out an ultimate edition. Director Richard Donner has already done a great commentary track on the original Suoerman movie and a commentary track here would be welcome also.

Recommended.

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The Beaver (2011)

The BeaverAlthough I've never been a fan of Mel Gibson as an actor, producer, or person, I was drawn to see "The Beaver" by watching the fascinating movie trailer clips of Gibson playing a seriously depressed middle-aged man, as well as the associated media interviews given by Jodie Foster explaining what she was trying to achieve as director. Wow! First of all, this film is far more entertaining than the subject matter (debilitating depression) or the reviews would suggest. Even Foster who directed the film calls it "quirky" and "not a comedy". No, it's not a comedy, but there are a number of scenes in this film that made me chuckle. My favorite is a profile shot of Gibson and the Beaver puppet resting in bed after making love with Foster. A very cool and humorous shot... So you will be entertained if you are open to just following the movie as it unfolds. This is not a boring movie.

Overall, I really enjoyed almost everything about "The Beaver". It's well-written and directed, the quality of the filming is good, and I became emotionally engrossed in the main characters even though the plot is uneven in certain spots. To my surprise, I didn't even think about Mel Gibson being a troubled celebrity during the movie. As Walter the primary character, he was so convincing physically and his performance was so believable that I followed Walter's progress through the story without seeing him as Mel Gibson the person. Jodie Foster says she chose Gibson because he was perfect for the role, and she is correct. I can't think of anyone else who could pull off such a memorable performance acting mostly with a hand puppet. So my first Oscar nomination goes to Mel Gibson for playing Walter.

My second Oscar nomination goes to Jodie Foster for directing a multifaceted and creative movie that connects with the audience and entertains on many levels. And she does that smoothly while dealing with a serious subject without being preachy or making the audience feel down. I was able to watch Walter's saga of depression without getting depressed myself. Instead, I was intrigued by the characters and how they interacted. Jodie Foster certainly deserves an Academy Award for her directing skills in "The Beaver".

My remaining "half Oscar" goes to Jodie Foster and Anton Yelchin (playing the wife and angry son respectively) for their excellent supporting performances. Both of them are believable in their roles as confused and angry family members. They kept me interested in their reactions the whole movie as I watched the plot develop.

"The Beaver" is really two stories combined in one movie. The first story is about Walter's depression as the father, and the second story is about his son's personal growth as a teenager. They are both done well, although I agree with some reviewers who say the son's story intrudes too much on the primary plot of Walter's dealing with depression by using a puppet as his alter ego. A little less teenage drama would have been good, but it didn't really detract from my enjoying the movie overall.

I highly recommend "The Beaver" as a top quality film that is both thought-provoking and entertaining. When I left the theater, I knew that I had just watched a really good movie that was worth my time and money. That's a very nice feeling, and unfortunately all too rare these days...

i had been waiting to see this film for months and when it was finally released it wasn't released in my city. i traveled over an hour to see this film and was definitely not let down. both gibson and foster give outstanding performances in this dark comedy/drama. jodie foster is my favorite actress and this is the first film she has directed in 15 years. it was totally worth the time, money, and drive to see this film. will definitely be purchasing when it is released onto dvd. go see it!

Buy The Beaver (2011) Now

This is a film about a man whose marriage is collapsing and his family business is failing. He is about to commit suicide when a beaver puppet on his arm talks him out of it. This becomes his primary form of communication with all those around him. I found The Beaver to be quite enthralling with the effect the puppet had on his familial and business relationships remarkable and the performance of Mel Gibson to be outstanding. I just really liked the puppet character, the accent that was voiced for him by Gibson. The drama endured by his oldest son, with whom the relationship is strained, I felt was quite interesting. His tale doesn't distract from the Beaver storyline, but adds to it. The film is a fascinating look at how mental illness can damage a man's life and affect those around him.

Read Best Reviews of The Beaver (2011) Here

A depressed CEO of a toy company accidentally finds a way to communicate with others through a hand puppet he found in a dumpster. While his younger son and estranged wife, as well as his company's employees, welcome his change, his older son, afraid of becoming like his father, just doesn't like it.

Mel Gibson plays the depressed CEO Walter Black. Jodie Foster is his alienated wife Meredith. Anton Yelchin is Walter's elder son Porter, who writes term papers for other students for money; Jennifer Lawrence is Norah, the valedictorian who asks Porter to write a speech for her. Their budding romance is just a subplot, but seems more believable than the main story.

The film's premise about the troubled man with a hand puppet is already something hardly credible, especially when Mel Gibson's character goes through the change so quickly. When the beaver hand puppet started 'speaking' in a Cockney accent, I stopped caring. Is it an allegory or something? Is there any subtexts underlying the apparently incredible storyline? I know the hand puppet idea does not have to be psychologically valid. In "The Beaver" it serves as a plot device a device of which potential is never explored.

"The Beaver" is a drama, not a comedy. If it is a comedy, it is a dark one. We know Jodie Foster (who also directs) is not known for comedic roles. But as a drama, like in her works as director ("Little Man Tate" and "Home for the Holidays"), something is not quite right with the film, of which characters (including the "Beaver"), well-acted as they are, feel very distant. Despite the drastic thing that happens in the latter half of the story, we feels emotionally detached. Is that really necessary?

The film's uneven script does not allow us to get to know the characters. We see Mel Gibson turning in compelling performances, but we do not meet the person Walter Black. We are fascinated by his acting, not by the character's spiritual journey. The film is sincere and intelligent, and has a unique concept, but that alone is not enough to draw us into the story it tells.

Want The Beaver (2011) Discount?

"I'm The Beaver, and I'm here to save your damn life." Walter (Gibson) is in a very, very deep depression. A failed suicide attempt leads him to his last chance at recovery, a puppet called The Beaver. Disclamier #1 I will do my best to keep this review short enough to take up the whole page here. Since the 1st of the year I have reviewed over 200 movies. This is one of, if not the best movie of the year. Disclaimer #2...the extent of my personal knowledge of the real actors are what I read and I do not know them personally. Every interview I see when actors talk about the characters they play they are always in the 3rd person, trying to distance themselves as not to bring thier personal lives in to the part. This is the extremely rare movie that the baggage an actor brings with him actually helps the movie. The first line on the back of the case says "Walter, once a successful and happy family man, has hit rock bottom." You could insert the name Mel and it would make even more sense. The first movie he has made since his "Meltdown" and there is no better way to return then this one. This is the greatest job of casting in a movie since Samuel L. Jackson played "Shaft". For those that love Gibson, you will absolutly love this movie. For those that don't, I would still ask you to give this a chance. Going in knowing what he as done recently only helps give the character the dimension that it needs. His acting in this is far and away the best of his career and possibly of the year. The big problem is that because of what he has done recently this movie as a stigma put on it so don't expect any award show wins. The irony is that it is because of who he is that makes the movie great. Overall, an absolute must see. Mel Gibson is amazing in this movie, and it may make you think different of him. I easily give it an A+ (higher if I could)...A++..there!

Would I watch again? I will buy this and show it to as many people as I can.

*Also try Barney's Version & A Beautiful Mind

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Heathers (1989)

HeathersReleased in 1989, HEATHERS received sharply mixed reviews. The film was popular in a few major metro markets, but it proved a box office disappointment overall. Although many regarded it as a failed take-off on such "high school angst" films as THE BREAKFAST CLUB, more than a few critics saw it as a film too much ahead of its time and predicted that it would have more of an impact down the road. They were right. When the film began to reach the home market it exploded in popularity, and given such later high school horrors as Columbine today the film seems less take-off than downright prophetic.

It is also one of the most wickedly funny movies to hit the screen since Stanley Kubrik's DR. STRANGELOVE. The story starts off normally enough: extremely bright, extremely attractive Veronica (Winona Ryder) is a high school junior who has fallen in with the high school clique to end all high school cliques, three young women each named Heather (Kim Walker, Lisanne Falk, and Shannen Doherty.) The Heathers are pretty, smart, rich... and intent on shoring up their own social positions by crushing every one around them with a degree of vindictiveness that only the teenagers can successfully carry.

When Veronica meets new student J.D. Dean (Christian Slater) her interest in the Heathers begins to wane and they turn on her. J.D. has his own plan to help Veronica get even. It involves a cup of Liquid Drano--and before Veronica can think she finds herself making a murder look like suicide. The result is, as Veronica puts it, teen-age angst with a body count, and quite suddenly suicide seems the "in thing" at Westerberg High.

If you recall high school fondly, you were probably one of the popular kids. For the rest of us, HEATHERS is so accurate that it will make you wince in its portrait of unthinking cruelty: the meanness of the up-scale cliques and brainless jocks, the ridiculed good kids, the savage assaults on the unpopular ones. it is bitter, bitter stuff.

It is also extremely funny. Much of this is due to a truly brilliant script by Daniel Waters, who recognizes that teens rarely speak to adults in the same way that they speak to each other--and he not only brings forth the casually used profanity, he essentially creates a truly believable and hilariously funny mode of slang that characterizes the "in crowd." And Waters' plot is even more disconcerting and outrageously funny as it runs, with unexpected logic, to a truly deadly conclusion.

The performances are knockouts. Ryder has given quite a few memorable performances, but she has never been more remarkable than she is here as Veronica, the good girl turned unintentional killer; Christian Slater has never topped the performance he gives here as J.D. The "Heathers" are perfectly, flawless cast, as is every one from the weary principal to Veronica's vacuous parents. As for direction, Michael Lehmann moves the film at a rapid clip, hitting more high points than you can imagine. Indeed, everything about the film is first-rate.

The DVD package is very nice, including an interesting audio commentary, an interesting documentary featuring interviews with director, writer, and major cast members (Kim Walker, who died in 2001, sadly excepted), and a script of the ending as originally planned by writer Waters. I recommend the film as a "must have"--but a word of warning. If you were one of the very popular during your high school years, you won't find it in the least enjoyable. Yes: that's really how the rest of us saw you.

GFT, Amazon Reviewer

For a lot of teenagers, popularity takes precedence over high SAT scores or early admission into an Ivy. It's literally viewed as a matter of life or death, and no film brings that truth to life as vividly as "Heathers." Winona Ryder is Veronica, who (along with Heather Duke, Heather McNamara, and Heather Chandler) belongs to Westerburg High School's most elite and coveted clique. These four young women supposedly epitomize the essence of cool, and earning their stamp of approval is as prestigious as getting knighted by Her Majesty. But things get nasty when Veronica violently clashes with one of the Heathers, and shortly thereafter the clique slowly collapses under its own weight. Of course, there's much more to the film's plot, which is a brilliant satire on high school, the firece competition to be popular and well-liked, and the faculty's inability to connect with their students. Pregnant with one-liners and armed with a Ginsu-sharp script, "Heathers" is a pitch-perfect comedy that's wickedly funny. The best performances definitely belong to Ryder and then-unknown Shannen Doherty. Those who rolled their eyes at the "happily-ever-after" sentiment of "Sixteen Candles" have bonded with this film over the years, turing it into a small scale classic. "Heathers" didn't exactly set the box office on fire upon release in 1989, but it's definitely grown in popularity since then. Give it a look, and you'll see why.

Buy Heathers (1989) Now

This dark comedy is laced with satire, humor, and wit, much like many of my favorite novels. Winona Ryder and Christian Slater make the ideal duo until she realizes she needs "cool guys like him out of her life."

Winona, here as Veronica Sawyer, was formerly the best gal pal of dorky yet insanely innocent and kind Betty Finn (both character names are derived from the Archie comic strip). Now, she's taken it up with three girls by the name of Heather. Duke and Chandler may or may not be genuinely evil, while McNamara is just plain pathetically insecure. The thing is, Veronica hates her new so-called friends. It's just their "job to be popular and s***," that's all.

Christian Slater, to my utter dismay, seems to have disappeared off the face of the earth since this booming debut. Here, his performance mimicks that of witty and humorous Jack Nicolson.

"Greetings and salutations." :)

J.D. and Veronica make the ideal couple. Both are witty, bright, and loathe the existence of the high school world. Only J.D. is insanely violent as well, and his actions are bringing about vast repercussions for not only himself, but for Veronica as well. And Veronica is beginning to wise up and realize that J.D., despite his charms and wit, isn't worth all his trouble(s) and excess baggage. Besides, he's got an unhealthy fascination with guns.

After the demise of the leading Heather their doing through liquid bleach a second Heather takes her place as leader, even more aggressive and bratty than her predecessor.

Veronica ponders what to do over old and new friendships and accidental deaths in her diary. She and hunky J.D. manage to kill a Heather and two dim-witted jocks but escape suspicion for murder because they leave behind suicide notes. Veronica can perfectly imitate handwriting styles, as we find out during the first 5 minutes of the film when the three Heathers coerce her into writing a love note to high school outcast Martha "Dumptruck" Dunstock and signing a popular jock's signature to it. She approaches him at his lunch table and uproarious laughter ensues.

Teenage suicide seems to be all the rage in the world of Westerburg High, despite the popularity of fictional band Big Fun's hit single, "Teenage Suicide (Don't Do It)." Even though Veronica has left J.D. behind, he still has conjured up his own evil plans concerning the future of Westerburg. And the Heather in control is abusing her privileges Veronica knows she wants out.

HEATHERS is so much more than a screwball comedy. Since its release, no other film has managed to live up to the same wit and dark humor and charm found throughout, making this film a genuine benchmark in the history of movies and the 80s, for that matter. HEATHERS takes one glimpse at the work of ultra-cool 80s director/writer John Hughes and laughs in his face, making his Molly Ringwald flicks look like garbage in comparison.

Could this be why Winona is still alive in Hollywood and Molly is not?

Perhaps.

Read Best Reviews of Heathers (1989) Here

Likely you've already seen this excellent film starring Christian Slater and Winona Ryder. It's a contemporary cult classic and for good reason.

Therefore, I'll give you some info on this limited edition release :

This limited edition comes from Anchor Bay Entertainment and is packaged as a blue metal locker. Inside the locker is a bunch of very cool stuff. First, a cool t-shirt. There are three possible shirts which you might get, but you only get one. Secondly, there are a set of magnets which can be used to decorate the locker. Not outstanding, but kind of neat, none the less. You also get a year-book, featuring info and photos from the film.

What is not made clear though is that you get your standard wide screen DVD version, you also get a BLU-RAY version of the movie. Look closely at the picture of the back of the packaging. See that there are three discs displayed? One is a Blu-Ray. Yipee!

Oh, and each locker is a numbered limited edition.

Exact Description of Contents : The Limited Edition Locker Set contains: a numbered locker, a 20-page hardcover Heathers yearbook, an 'awesome' T-shirt, 14 locker/fridge magnets, a collectable Westerburg algebra book, the BluRay Disc and two DVDs. Those DVDs will present the film in an anamorphic 1.85:1 transfer with Dolby Digital 5.1 sound and contain the features highlighted above in addition to an original ending screenplay excerpt accessible from DVD-ROM.

This is a great collectible, well worth the price.

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This is not a review of the movie, but strictly of the blu ray transfer. Being this a movie of the 80's, many of you may be wondering. I compared side by side w/ 2 BD players: the upscaled (HDMI) dvd vs. the BD of Heathers. The BD is absolutely stunning improvement and rivals any recent BD movie releases in clarity and detail, definitely high def. Though there are occasional artifacts, and jittering, but it's miniscule in comparison to the picture improvement. Definitely worth the upgrade! As far as the pop up facts new to BD, it's not that big of a feature and shouldn't be a deciding factor. Any minute facts you need are on the internet. The amazing BD transfer should work you into this upgrade immediately. Let's say I was very impressed! I'm surprised the package insert didn't say remastered.

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Larry Crowne (2011)

Larry CrowneI see a lot of reviews that aren't positive and mention that this movie isn't funny. I think it might be because Hollywood decided to market this movie as something it wasn't. It's not a romantic comedy. It is, however, a very good movie about people who aren't 25 or even 35, and how they realize they don't have to be stuck in a situation that isn't good, just because of their age. Tom Hanks does a great job as "Lance" and Julia Roberts and he have real chemistry on screen. This movie has no explosions, no fast cars, no half-naked women. What it does have is good acting and an interesting and entertaining story. Above all, it demonstrates that no matter your age, we are all still trying to figure life out.

"I was downsized, I'm here to make sure that never happens again." After thinking he will receive his 9th employee of the month award, Larry (Hanks) is fired because he never went to college. After talking to his neighbor he decides to enroll and change his life. Going in I was thinking, Tom Hanks is in this...this will be good. After watching it I have to say it was even better then I expected it to be. Besides the obvious great acting watching a 50 year old man start his life over is pretty inspiring to watch. This is not an Oscar worthy movie, but this is the type of movie you can watch over and over again. Every now and then I really like watching the light hearted type movies that are just fun and stress free to watch. This is a perfect example of that. Overall, a must see movie that will leave you feeling good after you are done. I give it an A.

*Also try Eat, Pray, Love & Everything Must Go

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Larry Crowne `with an E' (Tom Hanks) is dropped from employment at UMart even with his stellar record including 8 employee-of-the-months. He's at midlife, 20 year Navy vet, but has to college degree. No future at UMart. Out!

Wilma (Rita Wilson, Hank's real wife) from the bank loan desk suggests life changes due to finances. College classes are the obvious answer and Larry enrolls into a Speech 217 class with Ms Mercades `Mercy' Teinot (Julia Roberts) his teacher. "'Tai-no' not `Tai-NO'" instructs the sour teacher a bit grumpy from living with a porn fanatic. Don't expect a sudden romance on this scene.

An unexpected flirtatious delight is student Talia (Gugu Mbatha-Raw -also HOT in `Bonekickers') who takes Larry under her wing and gets him involved in a scooter gang. This takes form of some Gump-like events. The speech class is quite a mix of 9 other quirky characters including Natalie (Grace Gummer, Meryl Streep's daughter-you can't miss that face).

Mercy is called "washboard" by her boob-loving spouse, soon to be discarded. Later viewed in a low-cut dress, Mercy proves she's not flat--she's a Pretty Woman. That leaves a romance available, right? Not so fast.

If you were expecting lots of bed scenes, skin, and raucous behavior, you will be disappointed. This will not be a 5-star movie for the under-40s. Older adults, mid-life through Boomers like a romance that has some intellect mixed with emotion, and from that perspective, this romantic comedy works. After all the economy has everyone relating to job loss, low income, loosing a home, reentry into a new job, and here we have a fun, but truthful picture of that struggle in life.

Theatre ticket price plus gas and popcorn, may have been a bit costly, but the value comes in the DVD version now that it's available. And of course quite fun for Hanks and Roberts fans.

Try an added reminisctic romp through Mystic Pizza (1988), best viewed in a hotel room in Mystic, Connecticut--love that Roberts.

Read Best Reviews of Larry Crowne (2011) Here

Larry Crowne, directed by Tom Hanks, from a screenplay by Tom Hanks and Nia Vardalos (My Big Fat Greek Wedding) is not a deep movie, which is disappointing because it could have been. But that said, Hanks and Vardalos get a lot of the important stuff right and as a result Larry Crowne hits home in a lot of ways. The issues it touches on job loss, divorce, worry about losing your house, having to start your life all over again both career-wise and romantically are things that will connect and resonate with a lot of people these days.

The title character, Larry Crowne (Tom Hanks) is a likeable guy who works hard at his job as a "team leader" at the local U-Mart where he's worked every day since doing 20 years in the Navy right out of high school. He enjoys his job, likes his co-workers who like him in return, and has been voted Employee-of-the-Month multiple times. And so it comes as a complete shock when he's summoned by the management who tell him that they're letting him go because he doesn't have a college degree. Which is disastrous news for Larry as his house is underwater mortgage-wise and finding a new job is proving nigh impossible. Encouraged by his next-door neighbor Lamar (Cedric the Entertainer), who's been running a perpetual yard-sale on his front lawn for the last ten years, Larry decides to go to the local college and get a degree that will, in Lamar's words "make you fire-proof!" One of the courses he ends up taking is a public-speaking course taught by Mercedes Tainot (Julia Roberts), a teacher who's suffering from burn-out in her job and disenchantment with her marriage. Predictably, and yet without succumbing to easy cliche, a cautious spark of romance begins to kindle between them as each begins to move beyond their set-backs and disappointments and towards re-starting their lives.

There are a number of key scenes where the film really strikes a resonating chord with what a lot of people have either been through or going through in recent years. The early scene where Larry is being fired is priceless where the managers use convoluted corporate-speak language to make it sound like they're doing Larry a favor by firing him. Another scene is where Larry is at the bank trying to talk to them about his underwater mortgage and the same thing happens as they talk him into doing whatever he can to continue making payments even though there's no way he can sell the house or keep up with the payments, again using contorted bank-speak to make it sound like they're acting in his interests and not their own.

The supporting cast is excellent and really helps keep things interesting with stand-out performances by Gugu Mbatha-Raw as Talia, a hurricane-on-wheels of irrepressible perkiness who takes charge of giving Larry a new look as well as a new set of friends, and manages to do a feng-shui makeover of his house in the process; Wilmer Valderamma as Del, Talia's frequently glowering and much put-upon boyfriend; Malcolm Barrett as Dave Mack, a student in the public speaking class who, against type, turns out to be a major Trekkie; and George Takei has a delightfully dry comic turn as the serenely self-important Dr. Matsutani who teaches Larry's Economics 101 class. And Cedric the Entertainer does another grand scene-stealing turn as Lamar, who lives to haggle with people at his never-ending yard sale.

And in the why-is-that-face-or-voice-familiar? category: Grace Gummer who plays Natalie, one of Larry's fellow students, is in real-life the daughter of Meryl Streep, to whom she bears a striking resemblance; Rita Wilson, who plays the let-me-not-help-you bank rep Wilma Gammelgaard, is Tom Hanks' wife in real life; and Nia Vardalos supplies the voice of the annoying Map Genie GPS system in Mercedes' car.

On the somewhat minus side however, Bryan Cranston, who was brilliant in TV's Malcolm in the Middle and Breaking Bad, doesn't seem to quite hit the mark as Mercedes' shiftless porn-addicted husband, Dean. And Pam Grier is largely wasted in her role as Frances, Mercedes' friend and fellow teacher.

The one real drawback to Larry Crowne is that it never digs very deep, particularly on the emotional level, in spite of all the stressful life-changing events Larry and Mercedes are facing. Hanks' Larry, for example, _never_ gets angry, in spite of his being fired for inane reasons, having to face losing his house, etc. Neither does Roberts' Mercedes, no matter how much her husband lets her down or insults her. Annoyed or peeved is about as far as they go. Hanks and Vardalos, as director and writers, could have gone for more, given the things Larry and Mercedes must deal with in their personal lives, but they just keep things fairly light. Which is not bad exactly, as the film is enjoyable. But in the end, you're left with the feeling that they could have gone for more.

Again, while Larry Crowne is not a terribly deep film, it does connect in a lot of ways, and I think a lot of people will relate to it. Recommended for anyone who wants to find something whimsically upbeat and hopeful about dealing with the things life can throw at you these days.

Want Larry Crowne (2011) Discount?

I liked the movie. Julia Roberts was as lovely as ever. Tom Hanks had a nice turn around in the film from frump to somewhat of a middle aged hunk. I appreciated the theme of finding oneself/reinventing oneself/establishing your own identity. The ending was a bit much, but nice for a happy ending.

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