Showing posts with label 2009 comedy movies. Show all posts
Showing posts with label 2009 comedy movies. Show all posts

Hava Nagila: The Movie (2013)

Hava Nagila: The MovieThis movie previewed at KlezKamp, held annually during Christmas week (when else?)in the Catskills (where else?) One section was filmed a KlezKamp 2011. I laughed til I cried.The work brings up so many memories of Bar Mitzvahs and weddings, and alot of the stars of the '50s and '60's who recorded Hava Nagila, successfully and not so successfully. Why do many Jews, especially those who are musicians, hate and resent this song? Find out!

Laugh out loud funny, uplifting, and informative. I viewed the film at the CCA in Santa Fe, NM. The entire audience was laughing. Smiles and positive comments from all.

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The Sitter (Two-Disc Blu-ray/DVD Combo + Digital Copy) (2011)

The SitterDespite the majority of critics panning this film, I had to check this movie out -especially after seeing that hilarious trailer ("Don't *@$# with me, Rodrigo."). And I was surprised by it. I thought it was fun and had more funny parts than most critics let on. Of course, this is a very perverse version of Adventures in Babysitting, and it's not as wholesome as that 1980s classic. But, despite its foul language and very adult situations, "The Sitter" has more heart than one would think -with Jonah Hill dealing with the three kids he's been tasked to watch over. If you have a night where you're feeling like laughs, this one may surprise you.

Amateurish thrown-together stinker with no plot, no sense, nothing funny, and the nerve to wax philosophical at the end. Must have taken all of a week and $700 to throw together. It's like "well what shall we shoot today? I know ... let's meet black thugs in an alley!" Even teenagers who love fart jokes will hate this stinker.

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Jonah Hill plays a character (Noan) in this film. The first scene depicts him having oral sex with a woman. The movie degrades from there if you can believe it. It is 80 minutes of sexual situations, drunks, buying illegal drugs, stealing cars, car wrecks, foul language, stealing gifts from kids, shoplifting, guns, street fights and dragging the children that he is responsible for through all of this. Through all of this we also have to watch this loser (Noah) give life counseling to a young actor playing a 13 year old who is gay.

This movie is one tasteless scene after another. It ranges from peeing on the floor to police officers stealing drugs and jewelry from the suspected criminal. This movie has no redeeming value and is simply one predictable and disgusting scene from beginning to end.

This is just another Hollywood movie with clichés on gays and racial discrimination. They barely made more money at the box office than it cost to make the movie. There is a reason for that, it is very bad. Ugh! What a waste of time!

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This is actually my all-time favorite movie, next to 'Insidious'. I find it hilarious, and anyone who doesn't is a moron with no sense of humor.

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Started off good. Ended good. It got a little tiresome with so many things going wrong for poor Noah, but they pulled everything together nicely, and left me feeling good. I enjoyed it overall. Too me, I would give 3 stars to a movie that was just ok, but I had a good time here, and so I gave it 4 stars.

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Firefox / Heartbreak Ridge (Two-Movie Collection) (2011)

Firefox / Heartbreak RidgePlease describe the audio and video quality of any Blu-Ray you review. Thanks to those who do this.

Both movies have DTS-HD Master Audio 5.1 soundtracks, which are very good.

Video quality varied throughout the movies. Firefox started out very good, and had a lot of very good parts, but some parts were grainy. The flying scenes at the end were, unfortunately, grainy. Heartbreak Ridge also had some very good parts, and some grainy parts. Video quality in these two movies wasn't great, but mostly good.

Overall, these are pretty good movies, and I'm not terribly disappointed with the video quality. I'm satisfied with this purchase.

I have always been a huge fan of Firefox, lumping it in with Hunt for Red October for my "superior Russian tech we must steal" flicks. I was surprised at out crisp the blu-ray transfer is and really enjoyed watching it for the first time in a few years.

The sound design/mix is of particular interest to me the soundscape they engineered for this film is exceptional. At no time during the plane visual effects sequences do you feel like you are listening to a post-produced "mix" it registers as very real for me, which is great because the model effects don't always hold up as I would like them to.

Great price point and two movies to boot (still have to check out Heartbreak Ridge). Enjoy!

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I'm happy to report that the somewhat misleading use of the term "2 movie set", while true, is less informative than '2 Disc Set'. Yes indeed this is a 2 disc set, not '1' as widely speculated prior to release (also shown as '1 disc' on Amazon's product page).

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As for the Firefox movie it's a great movie and so is Heartbreak Ridge. It's better quality over the old copy I have and as for the sound well let's just say it's not really 5.1DDS. It's better than the original 2chnl dvd with better picture quality. So yes it is better..! If your that much of a stickler for sound and picture quality then don't buy this. But if you want better than vhs or old dvd then buy it and I bet you'll like it over the old original old stuff.

I love these movies and Firefox was a great movie and still is..

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The movie "Firefox" alone is worth the price. It has whatever you like; thrills, action, suspense, intrigue the whole enchilada. It qualifies as one of my "best." Having the second film is icing on the cake. "Heartbreak Ridge" is not as good but it holds up and is worth watching. If you are an Eastwood fan, this is whoopee time.

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One Last Thing...

One Last Thing...The concept for this little Indie film the dying wish of a teenager opening spiritual doors is far from original, but Barry Stringfellow's strong script as directed by Alex Steyermark (whose only other directorial venture was 'Prey for Rock and Roll', though he has been on the crew of some very fine films like 'Pieces of April' etc) results in a far from ordinary drama. For those who have not seen Cynthia Nixon expand beyond her 'Sex and the City' role, this performance will be enlightening!

Dylan (Michael Angarano) is a young teenager diagnosed with terminal cancer, a fact that he shares with his loony buddies (Gideon Glick and Matt Bush) who support him with silly but genuine companionship. Dylan's mother Carol (Cynthia) is still reeling from her husband's death (Ethan Hawke) and facing the loss of the one remaining part of her family is devastating but her strength of character keeps a positive support for Dylan. When Dylan is informed by his doctor (Brian Stokes Mitchell) that further radiation and chemotherapy are useless, Dylan places his desire for living on one last thing...he is on a TV show where dying wishes are granted, and rather than the asking for expected fishing trip with football hero Jason (Johnny Messner), he opts for a weekend alone with supermodel Nikki Sinclair (Sunny Mabrey). Nikki, we discover, has problems and demons of her own and her agent Arlene (Gina Gershon), in trying to rescue her faltering career, advises the reluctant Nikki to visit Dylan in his home in Pennsylvania for positive PR purposes. Once they meet Dylan is determined to have his one last thing, gains money and a room (a gift from Jason) in New York and travels with his sidekicks to the Big Apple to cash in on his prize. The Nikki he finds is the wasted girl down at heels and though she feels tenderness toward Dylan she tells him to just go home. Dylan's disease progresses to the point of final hospitalization when Nikki re-enters the sad room and changes things.

The power that changes this predictable story lies in the extraordinarily sensitive performances of Michael Angarano, who plays Dylan with a twinkle in his eye and allows us to feel his burden without resorting to bathos, and the always-impressive Cynthia Nixon whose performance as Dylan's mother is the most understated and heart wrenching on film. She owns the screen whenever she is on. The supporting cast is strong (though Gideon Glick and Matt Bush are allowed to become obnoxious and would have benefited from some stronger direction). In all, this is a striking, simple, compelling film that rises well above its premise to become an important statement about death and dying and the power of hope and love and family. Grady Harp, May 06

And it keeps getting better. I, too, thought the premise was an eye-roll. and the poster didn't help. but from the opening credits til the last, great closing credits song by wyclef jean, i found a sweet, smart, sad, and very funny movie. the writing is amazing. my teenage brothers were stunned, and thrilled, to find realistic teen dialogue and comraderie. and on top of that, they all admitted getting teary eyed, right along with me. as a mom, i was slayed by the scenes with cynthia nixon and michael angarano. there are so many lessons and wisdom to be heard here.cool, if you're into that. if, instead, you just want to watch a really entertaining movie with a great soundtrack and sublime acting, see "one last thing..."

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Since the earliest days of theater, tragedy and comedy often go hand-in-hand, and it's at the heart of this story. As they say, "you'll laugh, you'll cry." The power of this film comes from the script by Barry Stringfellow and a brilliant cast, led by Michael Angarano. Arguably the most sought-after teenage actor in America, Angarano is finally beginning to tackle some powerful leading roles. As Sky High's Will and Lords of Dogtown's Sid we saw just a hint of the powerful range of Angarano's abilities, and in One Last Thing he uses both his comedic talents as well as dramatic ones in a way that we haven't really seen before. If you liked Sid, you'll love Dylan.

Angarano has an uncanny ability to make us laugh when we want to cry and to make us cry when we want to laugh. It's a real gift, and one which is evident in films like Dear Wendy and Lords of Dogtown. But here is able to use that gift from opening to closing credits. Anyone who has seen his films will not be surprised at how elegantly he slips into this character, but no doubt others who are not as familiar with his body of work will discover what many already know.

To say that this is a film about a boy's carnal desires in his last days is to miss the point. Even more than that, One Last Thing is about coping with loss a son's loss of his father and a mother's loss of her son. It's also about the search for love. "Carpe diem," if you will. The mother here is Cynthia Nixon, who is absolutely heartbreaking in a performance that can only come from deep within. This is a role that lesser actors would find daunting. Who among us hasn't experienced a similar loss? On the other hand, nothing can compare to seeing your child go before you do.

The "love object" (of Dylan there are others here) is played by Sunny Mabrey. She is the image that has been but a poster on his wall, and his quest to fulfill his dream is only as powerful in its resolution as Mabrey is in her ability to make a petulant supermodel a sympathetic character. But she pulls it off effortlessly. Dylan's partners in crime are his two best buds, Slap and Ricky (Gideon Glick and Matt Bush), who provide much of the comic relief in what would otherwise have threatened to be a heavy-handed statement on death and spiritual belief. Their lines elicit the most laughs and the fact that these were two "real" teenagers, both acting in their first film, gives their performances a ring of truth which more jaded veterans might actually have had to fight to find.

But what struck me more than anything was just how incredibly economical Steyermark and editor Michael Berenbaum are in their work. This is one of the most efficiently constructed films I've ever seen. The tendency lately seems to be to build slowly, sometimes spending up to a third of the film on character development before you begin to see the story unfold. Not here. The basic plot is presented in the very first scene, literally in the opening minutes of the film. From that point on not a moment is wasted not a shot, not a line, not a frame. Every second here is valuable to the story and yet nothing feels rushed. What a breath of fresh air this was in a season of pretentious, "look-at-me-I'm-an-indie-filmmaker" projects.

Don't let the "teen sex comedy" cover fool you. This is a dark comedy in the true sense of the word, packed with the kind of gallows humor that is made especially poignant when the subject is a high school kid. I was moved by One Last Thing, and it will leave you thinking in my book, the definition of a film that has hit its mark.

Read Best Reviews of One Last Thing... Here

I can understand how at first glance the premise and trailer for this movie may be dismissed as a light hearted teen comedy. But to simply watch the trailer and move on would be a big mistake. This movie simply has much more depth than that. The film deals with death and relationships from a number of perspectives and the story nicely resolves like a well-crafted piece of music. The writing, casting and directing all combine to give well thought-out characters. The characters Dylan, Slap and Ricky realistically portray typical teenager's light-hearted views on life and keep the movie grounded. Cynthia Nixon gives an unselfish performance as a single mother juggling her sons disease and his quest for life. Sunny Mabrey plays the complex supermodel that is her own worst enemy. Ethan Hawke gives an excellent cameo as Dylan's father, a character that for me was central to the entire story. Some of the best characters are the bit parts, Caoti Mundi as the Bellhop in New York, Wyclef as the cab driver and especially Michael Rispoli brilliantly cast as the non-krishna spiritual advisor.

Oh, and speaking of well crafted music, the final song from Wyclef is the perfect finishing song that was obviously inspired from a beautiful script.

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The DVD cover does a great disservice to this memorable indie film. It is as if whoever designed it hadn't even seen the film. Sadly I think many folks are going to pass this gem by mistakingly thinking is is some bubble gum/locker room teen flick. It is not. This is the most beautiful movie I have seen in a very long time. I cried... I laughed... I really never wanted it to end. I can't wait to share it with the people closest to me. Barry Stringfellow's script feels personal and full of heart as well as being well-paced and emotionally powerful. Wow! Would love to meet that guy! The quality of the direction and acting did this script justice. Michael Angarano knocked me out he is going places. I had never liked Cynthia Nixon, so I expected an average performance. I was so wrong! She portrayed a woman in an unthinkable life tragedy with such depth, bringing life and poignant originality to a character who could have so easily been overplayed. There is a hauntingly beautiful song at the end Wyclef Jean's Heaven's in New York. I need to find this. In conclusion, One Last Thing was/is a perfect surprise. The skillful balance between pure comedy and real tragedy was what will stay with me.... Please see this tender film, and share it.

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Arachnophobia (1990)

Arachnophobia"Arachnophobia" is a clever comedy/thriller sure to scare the spider-phobes out there. Jeff Daniels and Harley Jane Kozak star as Dr. Ross and Molly Jennings, a young couple who have moved to the country to start his medical practice. Little do they know that a huge, deadly spider has arrived from South America and is reproducing a lot! One by one, town residents start dropping like flies, until Ross figures out they were all bitten by spiders. This brings back memories of a childhood trauma that left him with a paralyzing fear of spiders and the spider's nest is right in Ross' barn.

There are many creepy scenes of menacing spiders that will have you looking around to make sure none are near you. They must have used some robotic spiders, but they all looked very real to me. The idyllic rural setting contrasts nicely with the intensely scary stalking spiders. Daniels is perfect as the dedicated doctor, and John Goodman has a small but funny part as an exterminator. The movie may be too scary for very young children, but others will giggle a little and gasp a lot.

Kona

I thought that archnophobia was a great movie. It was Thrilling and funny, and I recomend it to anyone who likes a good thriller. I think that the guy who gave it one star needs to get a life and stop taking things to seriously. He's a little too attached to spiders if you know what I mean.

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This often amusing, sometimes suspenseful film about killer spiders starts out in the dense jungles of Venezuela, with bug-O-maniac Julian Sands, as he tracks down a new species of lethal as well as big and hairy arachnid. One of these hairy creatures finds its way to sweet suburbia in California, using a wooden coffin as transport, and starts mating with the local spider population, causing havoc and rigor mortis.

City transplant Jeff Daniels, a doctor with severe arachnophobia, who wants the quiet country life as long as he doesn't have to see a spider, finds himself the center of controversy because of the deaths, and his newly bought house infested with the critters. Daniels, one of Hollywood's more underrated actors, gives a terrific performance as Dr. Jennings, as he tries some hands-on therapy for his phobia.

John Goodman is hilarious as the town exterminator, who if he can't kill 'em with insecticide, uses his big boots, and others in the fine cast are Harley Jane Kozak as Molly Jennings, Henry Jones as old Dr. Metcalf, and Stuart Pankin as stubborn Sheriff Parsons. This was the feature film directorial debut for Frank Marshall, who has been known mostly as a producer, mainly for Stephen Spielberg's films. A good score by Trevor Jones (with songs like Jimmy Buffett's "Don't Bug Me") adds to the overall enjoyment of this fun creature feature, which takes us back to the days when the bugs were filmed in black and white.

Total running time is 103 minutes.

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Arachnophobia is a thriller that will have you checking everywhere for spiders for months! Anyone who is even slightly creeped out by spiders will be on the edge of their seat.

The pace and tone is Hitchcock. Great acting, music, special effects, slam-bang ending.

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A genial, light-weight "horror" film. The movie is good looking, well performed, and well shot. The suspense is leavened with humor and the plot is routine. Really, a good intro-to-horror film for someone who wants to understand the genre without actually being scared, just a little tense with anticipation at times. John Goodman pushes the film toward the humorous side whenever he appears.

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Fear and Loathing in Las Vegas (The Criterion Collection) (1998)

Fear and Loathing in Las VegasI find it sad that much of the country bases it's movie selections on the opinions of hacks like Leonard Maltin. I can see why this wasn't a mainstream success due to it's waaaaaay out in left field mentality, but because of all the negativity this great film remains unseen by many. As people come around to the acting genius of both Johnny Depp and Benecio Del Toro (and they will), they will inevitably want to see their earlier works and then, finally, they will see what all the hype wasn't about.

Terry Gilliam absolutely NAILED Hunter's book. The visuals are incredible and alarming. The angles, strange and enticing. I heard that they filmed this movie without a script, just the book in hand. After reading the book, I believe trying to write a script for it could have severly dampened the impact.

Now for the drug use... If you are the type of person who realized that Fight Club wasn't really about the fighting, then you will also realize that Fear & Loathing isn't really about the drug use. According to the big dog movie critics only a stoner will appreciate this movie, which leads me to believe that only idiots become professional movie reviewers.

If you appreciate ground-breaking cinema, truly innovative directing, first-rate acting and are looking for something different... the ramblings of a gonzo journalist could be just the thing.

This DVD finally gives one of Terry Gilliam's lesser-loved (but brilliant!) films the red carpet treatment. The commentary from Gilliam is crazed and passionate; Depp and Del Toro really show off their wit, charm, and intelligence along with producer Laila Nabulsi's back-stage insight, and the last commentary is a rather odd and screwball one from Thompson himself. I won't tell you a thing about the last commentary. You've got to buy this and check it out on your own. (Here's a hint: 'Screeee-ahhhh! Raaaaaaaagh!' *other assorted sounds*)

The second disc is crammed with some great goodies as well Depp reads letters written to/from Thompson. There's a great BBC documentary showing HST and Ralph Steadman undertaking a trip from Las Vegas to Los Angeles. Another gem is a snippet from an audio-book recording of Fear & Loathing with Jim Jarmusch as Raoul Duke! All definitely worth it.

Fear and Loathing isn't just a drug movie (as all the extras on the DVD will reiterate over and over again) it's a truthful, imaginative, twisted, and subversive take on the death of the most idealistic decade and generation. We get to see it all through the eyes of two renegade professionals, one a journalist and the other a lawyer, both fighting the good fight against scum and villainy.

We can't stop here! THIS IS BAT COUNTRY.

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A Review of the DVD: "Fear and Loathing in Las Vegas"

Starring:

Johnny Depp,

Benicio Del Toro

Director: Terry Gilliam

Writing credits:

Hunter S. Thompson (book)

Terry Gilliam (screenplay)

Tony Grisoni (screenplay)

Tod Davies (screenplay)

Alex Cox (screenplay)

Run Time: 118 Minutes

Released: 1998

Hunter Thompson practiced total immersion journalism. He called this form reporting gonzo journalism.

Hunter Thompson drove to Las Vegas to report on a motorcycle race and ended up writing a story about himself writing a story about a motorcycle race. If he would have written a conventional report on motorcycle racing it would have been interesting to motorcycle enthusiasts for a few days. Since he wrote a gonzo story he had a very wide canvas and he used it well to create a classic.

Johnny Depp and Benicio Del Toro do justice to the outrageous characters created by Hunter S Thompson. The reader might be turned off by the obstreperous behavior, extreme self indulgence and offensive inconsiderate language. If you can look past this offensive conduct and you will see that Hunter S Thompson gave us an insight into the American character of the 1970's.

See also: Hell's Angels: A Strange and Terrible Saga (Modern Library)

Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

Fear and Loathing in Las Vegas

I completely enjoyed this film and recommend it to others.

Read Best Reviews of Fear and Loathing in Las Vegas (The Criterion Collection) (1998) Here

It was upsetting to see the only review of this title was not a review at all but a complaint against amazon so I had to put in my two cents. This movie has some of the best performances from Jonny Depp and Benicio Del Toro and Terry Gilliam directs one of his finest films ever. Too bad this one was missed by audiences in 1998 when it quickly came and went from theatres after the first week. If you like Hunter S. Thompson and movies like The Big Lebowski, you'll want to make sure to add this item to your movie collection. The HD transfer alone is worth purchasing this version, but make sure to check out the Criterion DVD which contains interviews from Hunter S. Thompson as well as a full movie commentary that's as entertaining as the movie itself.

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If, when you rent this film, you are expecting a Cheech and Chong film, think twice. People frequently compare the two, but Fear and Loathing is not only infinitely better, it is not the screwball comedy everyone seems to think it is.

Johnny Depp plays Raoul Duke, alter ego to gonzo journalist Hunter S. Thompson, who wrote the book this film is based on. He is sent on an assignment by Rolling Stone to cover a motorcycle race in Las Vegas. Coming along for the ride is Dr. Gonzo (aka Oscar Zeta Acosta), Duke's repulsive attorney, played by Benicio del Toro. The two rent a very expensive convertible and bring along with them a case full of illegal drugs.

The film is essentially the journey of two drug-fueled madmen through one of the most unfriendly cities in the country, but it's also a study on what life was like in 1971. In the end, as funny as it may be, it's really a docudrama. Gilliam directs the film in his classic "nightmarish" style, creating a truly hellish vision of America. But the biggest surprise of all is how true the screenplay is to the novel. Sure, like any adaptation, some good stuff is taken out, but if you compare what's written down, there isn't that much of a difference.

Most enjoyable, however, are the performances. Johnny Depp is hilarious as Duke and Del Toro, despite how disgusting his character is, is nothing short of a scene stealer. The film is also ripe with cameos, the most memorable are the ones delivered by Harry Dean Stanton, Tobey Maguire, Gary Busey, and of course, Flea of the Red Hot Chilli Peppers.

I recommend this to any Gilliam/Thompson fans, though in order to enjoy it, you need to watch it in a generally filthy atmosphere, and for some of you, you may need to see it more than once to really appreciate this. Overall, Fear and Loathing in Las Vegas is a very good film filled with moments that stick with you for a long time.

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Shallow Hal (2001)

Shallow HalBeing that I am a heavyset person myself, I was able to put that fact aside and appreciate this movie for what it really is. Truthfully, I didn't find this movie funny but I did find a strong message. This movie goes to show that size doesn't have anything to do with the person on the inside. Gwyneth Paltrow's character Rosemary goes to show how underneath all that excess flesh that there is still a person. I think "Shallow Hal" is a movie that helps demolish discrimination against heavyset people. This movie didn't only give examples of heavyset people but of people who were skinny and just not physically attractive to that of one's expectations. Hal is a very shallow character and he is an example of all those people who discriminate against heavyset men and women and people who are not attractive. Like Hal in the movie, people can change and widen their horizons for something more beautiful. "Shallow Hal" is less of a comedy and more of a motivational, moving story about life. I think this is a family friendly movie, something that kids would like as long as the situation is explained to them. Let this movie touch you on several different levels and check it out.

Okay, I sheepishly confess that I watched this DVD expecting to see some patented Farrelly brothers humor: crude, insensitive, and in-your-face. WOW, was I surprised.

This movie is definitely humorous (we laughed out loud at times) but when it's over, you come away with a heightened sense of sensitivity for those people society categorizes as "ugly", "fat" or "undesirable." And if you're not careful, you may just approach life a bit differently once you've watched this excellent movie.

Hal (portrayed wonderfully by Jack Black), and his best friend Mauricio (Jason Alexander) are a couple of obnoxious, shallow guys who make no apologies for their fixation on dating ONLY young, beautiful women. This is tough for both of them, as neither one is particularly good-looking. But, they drive on doggedly in their pursuit of women who are consistently "out of their league."

Everything changes when Hal is stuck in an elevator with a self-motivational guru, who gives Hal a "gift". In fact, Hal is hypnotized; now, he sees a person's inner beauty, not their outward physical appearance. Unattractive or obese women look like supermodels to Hal; and when he approaches them, genuinely attracted to their true beauty, they respond. After years of being unable to connect with beautiful women, suddenly Hal has an unprecedented run of success...only, the women are really not physically attractive, and this is evident to Mauricio, and everyone else...except Hal. In short order, Hal hooks up with Rosemary (Gwyneth Paltrow), who is smart, funny, caring, and to Hal, stunningly beautiful. One problem: to the rest of the world, Rosemary is a 350-pound behemoth who breaks restaurant furniture simply by sitting on it.

Rosemary and Hal fall madly in love, and it turns out that Rosemary's father is the CEO of Hal's investment company. Taken by Hal's sincerity, and his insightful ideas for improvements to the firm, Rosemary's father promotes Hal to his right-hand man. Everything is going wonderfully for Hal and Rosemary...that is, until Mauricio decides to "rescue" Hal by breaking the hypnosis. What will happen now that Hal can see the REAL Rosemary?

This is a great movie, and can even be watched and appreciated by preteen children. The sexual situations are mild, and there is little or no foul language or nudity. Gwyneth Paltrow, and especially Jack Black, give excellent acting performances. Make it a point to watch and enjoy this DVD. It just might change your life, and make you wish we could ALL see only the "inner beauty" of others. Our world today is much too preoccupied with physical appearance, and other shallow concepts that don't truly matter in the grand scheme of things.

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First published Stanford Daily, Nov 2001.

The Farrelly brothers have done it again. From the makers of such outré comedies as "There's Something About Mary" and "Me, Myself and Irene" comes "Shallow Hal," a comedy with a conscience. Known for movies that feature imperfect men lusting after gorgeous girls with a few laughs thrown in for good measure, the brothers delve a bit deeper this time, seeking to convince us that fat is fun. Jack Black (the crazy music store employee in "High Fidelity") is Hal, a shallow male (if you'll pardon the redundancy) of modest looks, besotted with breasts and waiflike figures. He prefers a girl with just one large breast to one with half a brain. Needless to say, in the true Farrelly tradition, Hal is a loser when it comes to girls.

Hal's messiah is Tony Robbins, the self-help guru who achieves the impossible and makes him see inner beauty. Ergo, Hal moves in a haze, stripping fat women of the excess padding, glossing over manly moustaches etc., to visualize them as the epitome of pulchritude. One such beneficiary of Hal's x-ray vision is Rosemary (Gwyneth Paltrow), who trades her corsets from "Shakespeare in Love" and "Emma" for a fat suit. Despite being well over 300 pounds and gluttonously devouring any source of fat within range, Hal can only see her as the nubile nymphet of his dreams. His consternation at being in a minority of one in his admiration is palpable. Eventually the blinkers fall off, courtesy his shallower pal, the meddling Mauricio (Jason Alexander). The crux of the film lies in how Hal confronts the fat in his femme fatale.

Black's virtuoso performance as Hal makes us squirm. Rosemary, with the fat suit, is ponderously poignant. She shames us with her starkly evident low self-esteem and tame acceptance of stereotypical notions of what passes off as beauty. If only her character had more flesh than fat, the full range of emotions that obese people experience could have been hung out to dry. By resorting to stilted portrayals in black and white of fat people being angelic do-gooders while ugly non-fat people (the ones in this film, barring Jill, can't be called slim), are shallow shysters, the many shades of gray in between are ignored.

Paltrow took a stroll in a New York hotel with the fat suit on, and has been quoted as saying that "...no one was making eye contact with me, or would even look in my direction. No one wanted to connect with me. It was a profound, very sad and startling experience." Some of that sadness is revealed in her portrayal of Rosemary. However, it would however, be a safer bet that UFOs would land at Stanford than to hope that Hollywood would make us laugh and cry in the same movie.

Paltrow looks as radiant as ever. Rather strangely, she reminds one of Phoebe (of "Friends" fame) when she attempts to be goofy. Jack Black has the makings of a star. His Hal is a flawed bungler who is redeemed solely by an inner core of middle-American harmlessness. Rene Kirby as Walt is a casting coup. His joie de vivre is at the heart of the movie's message. Kirby, an ex-IBM employee, was discovered by the Farrellys in a bar in Burlington, as he plodded along on all fours (owing to spina bifida). The character was specifically written for him. Jason Alexander, chubbier than ever, does not disappoint as Mauricio.

The Farrellys have been known for at least one memorable cinematic moment in their movies most notable of course, Ben Stiller's nuts and bolt coming in the way of his zipper, and Cameron Diaz's organic hair gel in "There's Something About Mary." This one has a twist in the tail. Eminently enjoyable.

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First of all, let me state this: I am myself overweight not obese, but overweight. One of my best friends is morbidly overweight. I found the film, hilarious on several occasions and so did she. I will admit, that she also found it flat for the most part. I won't say it was completely flat, but the film could have been funnier though when it was funny, I thought I would pass out.

Is it offensive to overweight people? Let's look at this in the light it is presented... Jack Black and Jason Alexander's characters are the narrators (so to speak) of the story. Neither one of these guys is in shape and that is key to the story. They are losers who are both trying to prove to the other that they are studs with the ladies, when in truth neither of them can get a date.

In a casting coup, Tony Robbins, the self help guru, sort of brainwashes Jack into only seeing women for who they are inside instead of on the outside. This is something that we should all do, but very very few of actually do. From there forward, Jack only sees women for the beauty within them. The fact that most of the beautiful women he sees are in fact physically unattractive in one way or another, is a point that is actually rather delicately handled. It is a telling point of the filmmakers that one woman that he sees as an old crone, is in reality a gorgeous woman. So what's the point of this? I think the filmmakers actually wanted to show that just because a person is beautiful on the outside, they can be ugly on the inside. Conversely, an unattractive person on the outside can be equally or moreso unattractive on the inside (this is a point that could have been brought out but was not).

Does the film pander to the idea that fat people are jolly, etc.? Yeah. Does it presume that unattractive people are more beautiful on the inside? Yeah.

Is the film politically correct? Who cares! We have all become so overly sensitive that we're a nation of big cry babies. I hope that I am evolved enough that if I countenance something that I don't like I can ignore it and move on. Who's the fool if I let something get under my skin? It's me. My folks taught me to "consider the source" when I was offended by something or someone.

So, if you think you will be offended by this film then don't watch it. No one is holding a gun to your head.

But if you do watch it and get offended then get a thicker skin I can promise you there are going to be many more offensive things in life than this film. In short grow up and get over it!

It's a funny film watch it.

Want Shallow Hal (2001) Discount?

This movie has a feel-good message, making it enjoyable enough for three stars. It says that we all deserve to be loved even if we're not physically attractive (in what it considers the "conventional" sense). But will it really change anything of what it deems mere "convention"? Will Gwyneth Paltrow go on being an advocate for the inner beauty of obese people and others "conventionally" unattractive? I kind of think not. Her performance here is significant and may display genuine talent. But most likely her future roles will reflect a sense of glamour in slimness as much as ever, meaning nothing was really changed by the movie. Similarly, will Jack Black, after his similarly impressive performance be any more inclined than before to accept an obese woman as a girlfriend? I similarly doubt that. For all its feel-good message, SHALLOW HAL builds us up for a let-down when we realize its lack of realism. Many of us will go on with our inner beauty as underappreciated as ever because of outer appearances, and will still find hard to swallow that suggestion that prevalent standards of beauty run no deeper than convention.

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