My Own Love Song (2010)

My Own Love SongI rented this movie for $2.00 from a Red Box because I love Renee Zellweger. I had never heard of the movie, so I was surprised to see it for rent. My sister and I love watching movies both at the theater and at home. As I told my sister, "this movie is a keeper!"

This movie is odd, quirky, and musically haunting. It is a lovely story of how our lives can touch other lives in big and small ways. The reality of broken lives all around us is too true. The times of hopelessness and loss are too true. And the possibility for anyone of us who have been desperately hurt physically, emotionally or mentally to find acceptance, healing and/or love from another person even someone other people dismiss as "crazy" or too strange is also real. This is the foundation of this story.

The main characters are Jane, a white quadriplegic (Renee Zellweger) and Joey, a mentally unstable black man (Forest Whitaker). They are the unlikeliest of friends. Jane is singer whose life is changed inexorably seven years earlier after a tragic accident kills her husband, leaves her wheelchair bound, and where she must give up her 3 yr old son for adoption because of being unable to care for him. She has not sung since. Joey has attached himself to Jane and helps to care for her some and is her only friend. How they meet is characteristic of this movies depth. (I'll let you see it to understand.) Joey claims to see angels and speak to them, but of course no one else believes him even Jane thinks he's "mental" about this claim.

Joey finds out his favorite author is going to be in New Orleans doing a conference to "sell" his latest book. This best-selling author writes about talking to angels to gain wisdom that angels are not only real, but want to speak to us. Joey desperately wants to go see the author so he can be vindicated about his unique gift. So Joey begs Jane to go on a road trip with him. Joey also finds a letter from Jane's now 10 year old son (a letter she had never opened) inviting "Jane or Mommy Jane" to come to his 1st official communion with the address located in Baton Rouge. Joey decides he's going to take Jane to her son's communion, but doesn't tell Jane about this part of their trip, or even that he found the letter until he was forced into it at a critical part of their trip.

The movie takes us with Jane and Joey where we witness how real life is sometimes good, sometimes bad and sometimes scary or just plain sad. While on this trip we meet other characters some we love and some we don't. The movie uniquely explores how every person we encounter long term or short term can change us for the better if we are receptive. The movie also shows how even from the most odd or unlikely of persons our own psyche can be healed and our understanding of ourselves can be expanded to give us the opportunity to stretch ourselves in new and good ways. Life is challenging, and this movie looks at life from two extremely unlikely "hero's" experience and we come away feeling like we've been touched by a lovely gift. By the way, Jane's (Renee Zellweger's) singing is incredibly moving and sweet. When Jane sings for the first time since her accident, she sings a well known but older patriotic song and it is REMARKABLY moving and heart-felt. Wow!

Treat yourself enjoy the people, experiences and the redemption that this movie offers.

I loved this movie!

I don't think this "little" film played many theatres when released in 2010 but it sure has GREAT credentials and star power. Just look: We have Academy Award Winners Renee Zellweger and Forest Whitaker in the key roles, Academy Award nominee (twice!) Nick Nolte (in a brief role similar to what Jeff Bridges has been doing lately) and it was directed by French Director Olivier Dahan (who won Academy Awards for the French film "La Vie En Rose" (the Edith Piaf story). Oh yes, did I forget to mention that it includes original songs and music by Bob Dylan???

With all that said, the film is really a "small quiet film". It's the story of two "friends" one the crippled Zellweger (who used to be a singers-songwriter with a vinyl Lp to her name!) and Whitaker who has some mental issues (and sees angels!) and cares for and transports Zellweger They set out on a journey to attend her (now adopted) son's Communion in New Orleans. You've seen these films before and this has a good story line though you know where it will end. The thing that makes this film "quirky"and you'll find yourself saying "what the heck?" is that there is a small side story which involves the legendary blues singer Robert Johnson and his pact with the devil at the "Crossroads" in Mississippi and at another point, animated birds begin to appear for no reason.

Those looking for Dylan's music will be frustrated as well. He sings seven songs on the soundtrack to move the action, but these are usually only one verse and a chorus, lasting less than a minute. The only full Dylan track is the nice "Life is Home" which he sings over the end credits. This is a Dylan song that Zellweger sings in a scene in the film. (She also sings Woody Guthrie's "This Land is Your Land" in a most unusual arrangement. Nolte plays guitar while Zellweger sings the Guthrie tune.

So, if you are looking for something "different" think "Independent Film", this is worth watching. I enjoyed all the acting performances. I'm still wondering about some of those ventures off the beaten track but it was 105 minutes I'm glad I spent. And, obviously, Zellweger, Whitaker, Nolte AND Dylan did this for more than just a "paycheck".

The standard DVD which I watched has only the Trailer as a bonus. I understand the Bluray has a "making of" featurette.

Steve Ramm

"Anything Phonographic"

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I had mixed reactions. Yet this film is not just another journey story; but uniquely different and probably so simple that one can easily miss the meaning because of all the details. It says what it says including a sequence of unusual animations in the form of giant drawings of colorful birds with narration. That is just one of the "different" parts!

Basically the story line involves a woman(Renee Zellwenger) who, having been injured in an accident and now in a wheelchair, had to give up her baby son seven years hence, because she could no longer care for him. This runs along side the antics and compassion of her schizophrenic and very supportive(He calls himself her 'bodyguard') friend.(Forest Whitaker) Together and joined by two more (Nick Nolte in a wonderfully supporting part..alone worth the price of renting the DVD) in which on a trip to attend a first communion, each one seeks resolution from past taumatic wounds such as: the car accident; great losses, mental anquish and disease, broken relationships, and even the economic depriving devestation wrought by a ghastly hurricane.

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My Own Love Song

This is a wonderfully casted movie that pulls at the human spirit to root for one another in life.

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This is an odd movie. Very artsy, but wonderful. If you appreciate Renee Zellwegar you'll enjoy this. She is such an awesome actress and an amazing singer. She gets to sing a couple of times and I wish she'd do an album. Bob Dylan did all the music and if you like him, you'll enjoy this too.

It reminded me somewhat of "Oh Brother Where are Thou" in that it is a "road" movie and not everything makes sense. All the way through, I kept saying, I don't know where this is going, but I'm enjoying the ride."

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The Break-Up

The Break-UpIn order to appreciate The Break-Up you really have to suspend disbelief at the reasons why a couple like Gary (Vince Vaughn) and Brooke (Jennifer Aniston) would actually come together in the first place. The film is well acted and fast paced and also entertaining, and it does a generally good job of showing what happens when love turns into a weapon of mutual destruction.

It's just I didn't quite buy the fact that a somewhat educated and cultured girl like Brooke who works as a art-gallery curator and likes going to the ballet would actually see in a working class schlep like Gary, a voluble if considerably doughy charmer who, with his two brothers (Vincent D'Onofrio) and Cole Hauser), runs a guided tourist service in Chicago.

If you can get beyond this strange lapse of logic, The Break-Up is a mostly fun and astute and features the lovely Jennifer and the clever Vince at their snappish best. The story itself is pretty slim: Brook and Gary meet at a Cubs game, fall in love hard, buy a showpiece apartment together and live happily ever after. All this happens in the opening credits.

It doesn't take long, however, for the cracks to appear in the relationship and the fights inevitably start coming. He doesn't buy the right number of lemons for a dinner party she's hosting for their respective families, and then doesn't do the dishes until she nags him to help. She doesn't understand his needs, which is basically relaxing after a hard day on his feet and watching the ball game. So consequently, after a bitter argument, Brooke impulsively puts an end to their relationship.

The big problem is that they both own the apartment together, and over the next couple of weeks things get worse. Lines are drawn over who can do what and trivial disagreements break out over common space, noise, and eventually escalating into Brooke inviting over dates, Gary inviting over strippers, moving in a pool table, and everything else as the relationship spirals out of control.

The couple's realtor (Jason Bateman) and shared friends, including Maddie (Joey Lauren Adams) and Johnny (Jon Favreau), all get caught up and are forced to take sides. But will Brooke and Gary be able to sort out their differences and stay together, or is the relationship doomed to failure?

I think the strength of the film comes from the biting repartee that takes place between Aniston and Vaughn, especially in the earlier scenes. You really do believe that they are and have been a committed couple that are about to explode with frustration at each other's failings. The actors indeed imbue Gary and Brooke with moments of sincere woundedness and the film's arguments that relationships are essentially about mutual respect and about give and take come across as remarkably authentic.

As usual in these sorts of Hollywood romantic comedies and using the term romantic loosely the supporting cast is filled out with a number of veterans. Judy Davis steals every scene she's in as Brooke's eccentric art gallery boss and Ann Margaret makes a surprise appearance as Brooke's mother.

But the movie ultimately belongs to both Aniston and Vaughn she's tanned and toned and looks fantastic and he does what he does best playing the permissive man-child who just refuses to take responsibility for anything, either personal or professional.

The film stalls a bit in its final third; as though the producers are intent to pad the story out and Brooke's motivations for doing what she does remain bit of an enigma first she loves him then she doesn't and we're left to infer some of her feelings rather than bear witness to them. In the end, though, The Break-Up is at least partially notable for showing both lead actors at their best, but the film also shows off some terrific views of the beautiful city of Chicago. Mike Leonard October 06.

Realistic to the end. I've been involved with counseling many couples who break up and this movie hits the proverbial nail right on the head. Many break ups are "accidental". Many times persons who break up wish they could be back together. Many times the greatest danger comes when the problems are out in the open and persons attempt to save the relationship.

All of the cast does a good job. The characters are believable and make the viewer root for them, even the supporting cast. The viewer becomes emotionally glued to this film with a desire for these two to make it, but they always seem to just miss, even though both want it to work. This could be a healing film, but it is not a "feel good" film. This may be why so many viewers, expecting a light hearted comedy, gave it less than stellar reviews.

Most people who have experienced the breakup of a close relationship will see themselves in this film. About half of all marriages end in divorce and most couples who live together will eventually split. The brightest spot in the film is the ending. It reminds us that however relationships turn out, there is hope for a future on the other side.

I won't say how this film turns out, but if you do not like the ending there is an alternate ending in the bonus features. I liked the ending that showed in the theatres, but the other ending is worth a glance, if only for a few laughs.

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I didn't see this film in the theater, so when I sat down to view The Break-Up I was surprised by the fact that it's less of a romantic comedy than a romantic drama. Sure there are some funny moments, but at its heart the film is about the relationship of Gary Grobowski and Brooke Meyers (played wonderfully by Vince Vaughn and Jennifer Aniston) and how it explodes into a great mess. Vince Vaughn is great as the selfish Gary who doesn't understand why people just can't fall in line and do what he wants them to do. As his girlfriend, Brooke, Aniston shows some real acting chops and plays a character much more adult and well-rounded than Rachel from Friends. While the film focuses mostly on the characters of Gary and Brooke, the supporting cast is also top-notch. Two that really shine in the film are Jon Favreau as Gary's best friend and Vincent D'Onofrio as Gary's older brother, Dennis, who gets no respect from self-centered Gary. There is one scene in particular between them that was just heart-wrenching. As I said, this film was not what I expected it to be. After something like The Wedding Crashers, I guess I was expecting a bit more slapstick and childish humor from a Vaughn film, but that is definitely not what The Break-Up is; in fact, it's a very adult film about two people who can't seem to communicate with each other until it's too late. I especially like that the writers didn't sell out in the end and go for the hokey finale. Very good film.

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Unlike the previous reviewers of this film, I have the advantage of actually having seen the film at a preview here in Chicago. I'm happy to report that it is a very decent comedy with many moments that are genuinely funny. It doesn't quite belong to a genre of comedy known as a remarriage comedy (where a couple splits up and then reconciles despite a host of obstacles), but it isn't far from it. I won't spoil the film by explaining precisely why it doesn't quite fit that mould. I'll merely say that it isn't quite as predictable as one might assume at the outset.

The plot is fairly simple. Two people meet at the Cross-town Classic at Wrigley (for non-Chicagoans, that is what Major League Baseball likes to call the Cub-Sox inter-league series) and buy a condo together. They break up, but neither seems willing to move out. Comedy ensues as they play a series of mind games with one another.

A plot this bare bones could be either good or bad or something in between, depending on what you graft onto the story. Luckily, most of what they do is quite funny. Much of the success of the film stems from Vince Vaughan's fabulous gift for comedy. Jennifer Aniston, who has of course been linked to Vaughan after they met on the set of this film, does a very fine job, but it is Vaughan who drives the film's comedy. What follows their break up is a string of very funny moments as each tries to get back at the other.

There is a very odd bit of somewhat dirty humor in the film. Jennifer Aniston's character gets a wax treatment in her nether regions known as a Telly Savalas, so that she will make her former boyfriend jealous and desirous when she walks about the apartment naked. It isn't hard to imagine what that involves, but what makes it odd is that Telly Savalas was Jennifer Aniston's godfather. Her father, John Aniston (born Anastassakis), was a very close friend of his fellow Greek Savalas and asked him to be Jennifer's godfather. I just fine it a very, very odd joke given her relation to Savalas.

One of the reasons the film is so much fun is the very strong supporting cast. My fellow Arkansan and Little Rock native Joey Lauren Adams plays Aniston's best friend. Like many people I first became aware of Vince Vaughan in the Jon Favreau film SWINGERS. Favreau plays one of Vaughan's best friends in this one, though I swear he must weigh 80 pounds more than he did in SWINGERS. Vincent D'Onofrio plays one of Vaughan's brothers. The hugely talented (but under-utilized by Hollywood) Judy Davis has a somewhat inappropriate role as an art gallery owner. But two actors formerly of ARRESTED DEVELOPMENT supply two of the best contributions to the film. That series's star Jason Bateman has a couple of typically funny moments (using pretty much the same deliver he used for Michael Bluth) and one wishes he had had a larger role. But John Michael Higgins stole every scene he was in as Aniston's almost-gay brother. The funniest part of the film might be when he tries to get everyone to sing a song at a dinner early in the film. On ARRESTED DEVELOPMENT he played the highly professional and perpetually stone-faced lawyer Wayne Jarvis, though film goers will remember him best as the gay dog handler in BEST IN SHOW and the co-leader of a musical group in A MIGHTY WIND.

The only reason I can't give this film five stars is that it had some persistent pacing and rhythm problems. At several points the film drags a bit, scenes not moving at the right pace, the film lingering over bits just a little too long. It is hard to say precisely who is to blame for such things. Initial suspicion would go to the film's editor, but sometimes pacing can be dictated by the director or even the producers. There is no way to tell who is to blame, but the film just doesn't have as much life as it ought to have had.

But nonetheless, this is a solid comedy that will delight most viewers. It isn't a farce like Vaughan's hit from last summer, THE WEDDING CRASHERS, but more in the lines of a very funny date movie. I would like to add that it is one of the better Chicago films I have seen in a while. There are a number of Chicago locations that are seen in a host of movies, but also a few that rarely are. All in all, a very enjoyable movie.

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It's not a bad idea: a movie not about how a couple meets and falls in love, but about the demise of their relationship. The problem is the execution. I just never bought that Aniston's character would fall for Vaughn's. Come on, no woman who loves art and works in an art gallery could be with a man who thinks Michelangelo painted the "sixteenth Chapel." And let's not even mention the fact that his character is a fat slob and that Vaughn looks like a mailman. I spent most of the movie hoping she'd get as far away from Vaughn as possible, and the ending (both versions) left me absolutely cold.

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The Slammin' Salmon (2009)

The Slammin' SalmonFirst off: Don't buy it on Blu-Ray. There is no reason to, and you can save a few bucks if you just buy it on regular DVD. The movie itself is very entertaining. It has a breezy tone that is great. The characters are all funny, especially Nuts. Broken Lizard movies hinge on the chemistry of the actors, and where they faltered with "Club Dread", they succeeded with "The Slammin' Salmon". All the actors work well together, with major props going to Michael Clarke Duncan. He was much funnier than I was expecting, and had some of the best lines. I highly recommend this movie if you are looking for an entertaining, light-hearted comedy.

Customer review from the Amazon Vine Program I'm not familiar with the Broken Lizard troupe, but this movie was a great and humorous surprise. Michael Clark Duncan is hilarious as Slammin' Cleon Salmon. While this movie will never be considered one of the great cinematic masterpieces of all time, it is a dang funny movie with a hilarious cast. This is the perfect move to watch with a group of slightly drunk friends on a Friday night. If the movie is lacking anything, it would be a weak link. This is comedy at its best.

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If you love the Broken Lizard gang (Super Troopers, Beerfest) and you have been in the service industry, you will LOVE this movie. Bring "Waiting" into the Broken Lizard gang, and you have one hell of a funny movie. Don't even think about it...Just buy it!

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THE BEERFEST AND SUPER TROOPERS GUYS DO IT AGAIN... IF YOU EVER WORKED IN THE FOOD INDUSTRY AS A WAITER THEN THIS MOVIE IS FOR YOU.. BETTER THAN WAITERS WITH RYAN REYNOLDS... OR ALONG THE SAME LINES BUT WITH A MORE COMPHREHENSIBLE STORY LINE.... NOT THEIR BEST WORK BUT STILL FUNNY

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If you haven't seen this kick yourself and then see it! Hilarious!!! By far the best film Broken Lizard has done including Super Troopers...

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Midgets Vs Mascots

Midgets Vs MascotsDespite its crude, disgusting and vulgar content, Midgets vs. Mascots has the soft underbelly of teaching people not to put labels on one another. For instance, it is WRONG to use the term 'Midget' they're LITTLE PEOPLE.

Aside from that, this is a film like no other, and a comedy like no other. I had the luxury of meeting the cast and crew at the Tribecca Film Festival in April, 2009 (though it wasn't very pleasant to meet Gary Coleman, who put his head down on a table and didn't speak to anyone). These people had the time of their lives making this movie, which I'm sure was just as fun to make as it was to watch.

This movie isn't for everyone, like those who don't appreciate toilet humor, but for those who do this is bound to be one of the funniest films they have ever seen.

I bought this movie over at their website before christmas and it's really really funny. they call it a Borat meets Jackass type movie and I'd say that's pretty spot on. There are ridiculously shocking stunts and some absolutely shocking moments that had me seriously laughing out loud.

I wasn't sure if Gary Coleman was acting or not, but he seems like the angriest little person there is (pun intended). Acting or not, Gary has some great scenes kicking the crap out of one of the main characters that's a complete a-hole.

My favorite character was Taco. The "i'm going to touch them anyway" line rocks. He's a sicko that has some of the best one liners you'll get out of a movie.

In case you were asking for my opinion, don't wait for this pre-order and just go to the website and get it now. Plus they send these little "midget condoms" as a gag gift.

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I want my hour and a half of my life back. Combine midget throwing, and midget milk drinking contests leaving puke on the table...and combine that bizarreness with mascots...it should be funny, but wound up raw, mean, and not funny.

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I can't believe, I bought this. It's bad enough I was in it. I am the big truck driver guy in the MMA fight scene. We spent a day going over what we were going to do. Shot the fight scene twice. Now I am wishing they cut my entire scene. This is the sickest most repulsive movie I have ever seen in my life.

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Only a terrorist is so deluded they wouldn't find this movie hillarious.

Go back to al quaeda you filthy scum! Stop being the enemy of freedom and live life and lAUGH like a human being.

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The Good, The Bad, & The Ugly (1966)

The Good, The Bad, & The UglyMGM released a DVD edition of "The Good, the Bad and the Ugly" in the late 1990s, but it had few extras, a mono soundtrack, and a scratched print. Finally, MGM has given Sergio Leone's Western epic the double-disc special edition it deserves. The print is restored and as clear as I've ever seen it, the sound is now an astonishing 5.1 Surround (listen to the glass falling off Tuco after he springs through the window in the opening sequence!) nineteen minutes of footage from the Italian original have been restored, and the discs are packed with extras. Even the packaging is great: a sturdy interlocking box, with the DVDs kept in the upper and bottom parts of the two lids. Also inside the box are cards containing posters for the film in five different countries.

The film, like most of the European Westerns of the 1960s, was critically disregarded in its day. The New York Times said of it: "the most expensive, pious, and repellent movie in the history of its peculiar genre. There is scarcely a moment's respite from the pain." It's amazing how people missed the brilliance of this movie, which turned Western conventions upside down in such a wonderfully bizarre, European way. Now the film is considered a classic, and only Sergio Leone's own "Once Upon a Time in the West" (another great 2 DVD set, by the way) has more respect in the genre. Leone's strange style -stretched out time, obsession with close-ups and extreme wide-shots, focus on rituals, and use of Morricone's wild and avant-garde score -are all in full force in this tale of three treasure-seekers searching for a cache of gold coins on the Texas-New Mexico border during the Civil War. The implacable and unflappable 'hero' Blondie (Clint Eastwood), the crazy comic bandit Tuco (Eli Wallach), and the calculating immoral sadist Angel Eyes (Lee Van Cleef) cross each other's paths amidst the senseless violence of the war. Leone perfectly contrasts the self-interested men with the greater backdrop of the tragedy of war. It's a strangely emotionally affecting picture despite its focus on three men who are detached from normal society and seem not to care about anything but money. So many individual scenes stand out for their virtuosity that the movie a parade of "greatest hits." Most astonishing of all is "The Ecstasy of Gold" sequence where Tuco dashes madly through a cemetery, looking for the grave that might hold the gold. Morricone's music here is especially overwhelming.

Chances are you've seen the film and love it. What about the new scenes and the extras?

Nineteen minutes of footage have been restored that were never shown in the American prints. The scenes integrate perfectly into the film, and after seeing them once, you won't be able to imagine they were ever missing. Among the scenes are Angel Eyes visiting a destroyed fort; Tuco hiring bandits to help him chase Blondie; Blondie and Angel Eyes having a face-to-face when they first set out together to find the gold; and some extra conversation between Tuco and Blondie in the desert. However, these scenes were never dubbed into English in the 1960s. Therefore, the DVD producers had to newly dub them. Eli Wallach and Clint Eastwood do their own voices. An actor named Simon Prescott does the imitation of the deceased Lee Van Cleef. Admittedly, Wallach and Eastwood no longer sound the same, but I couldn't imagine someone else imitating their voices -it couldn't have been done any other way. Prescott is pretty good as Angel Eyes, if a bit more gravelly.

The extras...

Disc 1 has audio commentary by Richard Shickel, a film historian who wrote Eastwood's biography and also did commentary on Leone's "Once Upon a Time in America" DVD. His comments can be pretty dry, and he focuses mostly on Leone's style and techniques instead of on background information on the filming itself. Nonetheless, there are many interesting insights, and Shickel manages to say a lot during the three-hour running time.

Most of the extras are on Disc 2:

"Leone's West" -A 20-minute documentary about the making of the film. Includes interviews with Shickel, producer Alberto Grimaldi, author of the English dialogue Mickey Knox, and best of all, Eastwood and Wallach. There's some very interesting info and memories here, mostly from Knox and the two actors.

"The Leone Style" -A 23-minute documentary, really just an extension of the first one. It spends more time on Leone's unusual techniques. The same interviewees appear here.

"The Man Who Lost the Civil War" -A 14-minute documentary that was produced separately from the DVD. It makes no mention of the movie, but is about its historical backdrop: the disastrous General Sibley campaign in Texas. Sibley appears in the film briefly, and this short documentary gives the viewer an important insight into the world of Blondie, Tuco, and Angel Eyes.

"Reconstructing The Good, the Bad and the Ugly" -An 11 minute look into the painstaking work involved with fixing the picture and sound, restoring the cut scenes, and re-dubbing it.

"Il Maestro: Ennio Morricone" -8 minutes; mostly an interview with music scholar John Burlingame about the film's score. At the end of the feature, you can choose to listen to an audio-only twelve-minute lecture by Burlingame that provides a much more in-depth analysis of the music.

"Deleted Scenes" -Two scenes couldn't go back into the film. The extended torture scene had a damaged negative, so here it is in its rougher state. An apparently lost scene is reconstructed through text, stills, and clips from the French trailer.

Finally, there's a gallery of posters, the original trailer, and MGM tossing in some gratuitous advertising for their other films.

Don't miss this DVD. Not only is it one of the great action films and one the great westerns, but it's the kind of release that the DVD format was invented for!

I am a huge fan of Leone's work, especially his Westerns. The Good, the Bad and the Ugly is a fantastic entry in his oeuvre (though I rank Once Upon A Time in the West and For A Few Dollars More just above it). It is full of his great style, it's very entertaining, and it features one of the best adversarial trios ever put to film in Blondie, Tuco, and Angel Eyes.

So it is with sadness that I have to rate this Blu-Ray 3 stars (and it's closer to 2.5). I've bought this movie three times now, not counting this Blu-Ray: on VHS, the first single disc DVD, and the SE that came out a few years ago. It should be obvious that I love this movie. When the Blu-Ray was announced, I was ecstatic. High definition Leone? Sign me up! I pre-ordered it along with the new T2 disc. Then I started reading early reviews that said the picture quality wasn't up to snuff. I was disheartened, and decided to cancel my order until I could check out the disc for myself.

I rented it from Netflix, and have unfortunately found my fears confirmed. While it certainly looks better than the SE DVD, it is not the best this movie can look. The over-zealous Digital Noise Reduction that has been applied completely robs many scenes of the fine detail we might otherwise have seen in 1080p. I put the old SE DVD in my Xbox and flipped back and forth between the Blu-Ray and DVD on a single scene (Blondie stands alone against some hills in the background in the final scene). While the Blu-Ray looked "cleaner" (that is, the digital artifacting visible on the DVD was gone), there was actually no further detail to be seen on the Blu-Ray! It was as if you took the DVD image and smeared it until the noise was gone, then bumped it up to 1080. I looked specifically at Blondie's eyes to see if any more detail was visible on the Blu-Ray, but there wasn't. The bushes on the hill in the background, too, looked like sharpened up-scaled blobs rather than bushes captured on film by a camera.

So, the picture quality isn't as good, but how about the rest? Well, it's mostly great! The extras, carried over from the SE, are all still interesting, and the new commentaries (which I haven't listened to yet) are very welcome and appreciated. The new menus are also nice. But I do have one more negative point: the sound.

If you watch the special feature on restoring the movie, the producer notes that in order to make a 5.1 audio track, he had to add sound effects. While I'm sure some appreciate having a 5.1 track, the sound effects (specifically the gun-shots) sound way off from the original unique and integral Leone effects. They use the exact same stock gun-shot that you've heard on TV cop shows and it really detracts from the movie if you've seen the original as many times as I have. The Blu-Ray includes many audio options, but unfortunately, an original mono track is not among them. It did have an English 2.0 mono, but it's still the remastered sound with the lame gun-shot effects, oddly. To hear the difference, pick a scene (like Tuco in the bath), and switch back and forth between the English 5.1 or 2.0 and the Italian 2.0. It's very obvious and really bugs me. So if I want to hear the original sound effects, I have to watch it in Italian? Come on, MGM/Fox, how hard would it have been to include the ORIGINAL 2.0 Mono track?

So, in conclusion, you have a great movie on Blu-Ray with lackluster picture and no original English soundtrack, but a plethora of great extras, all on a single disc. Worth it? Not for me, but it may be for you. I'm holding out hope that one day MGM/Fox will get a good transfer that isn't overly digitally tampered with (Leone should have some GRAIN, man! Check out the Italian BR releases!), and includes the original mono sound in English. Until then, I'm going to have to buy the old 1-disc DVD release used to enjoy this great movie.

Buy The Good, The Bad, & The Ugly (1966) Now

"The Good, the Bad and the Ugly" is Sergio Leone's epic masterpiece. While it is part of his Spaghetti Western Trilogy( all three films have different characters and plots), the film stands on its own and really shows you how good a movie can really be. This movie has it all. It has action, drama and even some comic relief in it. It is a timeless classic that is unforgettable. When I first saw it, I was a little kid and couldn't truly appreciate it as I can now at age 22.

Blondie (The Man with No Name) isn't your typical good guy. He mainly does things that suits his own agenda. However, when compared to the murderous Angel Eyes and the greedy Tuco, Blondie is a saint. This tale involves bloodshed, shoot-outs, search for treasure, and double-crossing. And it all takes place while the Civil War is going on, which makes things a lot more "interesting" for the notorious three. The West has never been wilder or more unpredictable than it is now. With an incredible score, excellent acting, and superb story-telling, this is one memorable film that you will never forget.

As I said in the beginning, the first time I saw this was when I was a little kid. When I just recently purchased this new edition of the movie, it truly was like I was watching it for the first time. Coming from a guy who isn't a big fan of Westerns (I don't mind them, but I don't watch too many of them), I absolutely LOVED this film. In fact, I wanted to give it a standing ovation when it was all said and done due to how moved I was by it. This really is filmmaking at its finest. I wasn't terribly impressed with Leone's "Once Upon a Time in America," but he is absolutely flawless with this amazing and timeless Western. It is slower than the second film ("For a Few Dollars More"), but I think that makes this all the better. The build up of tension is much more present in this film, and you really get the sense that these characters are real people. Clint Eastwood, Lee Van Cleef and Eli Wallach are brilliant in their roles, and a lot of props need to go to Lee Van Cleef as he is absolutely chilling in his role.

This new edition really does the film the justice it deserves. The film has been restored to the director's original vision as much as possible, giving you an extra 18 minutes. You will notice the added scenes as the voices have been re-dubbed (the first time you will notice this will throw you, as I think that specific part has the worst re-dubbing, but the other added scenes are done a lot better, even if you still notice it). The picture looks incredible and the sound is great. Extras included are commentary from Richard Schickel, a couple of documentaries and featurettes, poster gallery, deleted scenes and the original theatrical trailer. Along with the nice packaging, you get an 8-page booklet that includes pictures from the film along with Roger Ebert's most recent review of the film. And, you get some mini-posters included inside the packaging as well. A superior edition of the movie, without question.

"The Good, the Bad and the Ugly" is a pure triumph in filmmaking and should be seen by everybody at least once. Don't let the fact that this is a Western throw you. I think this can be enjoyed by everybody, and even by those who are not big fans of Westerns. A film filled with authentic emotion and action, this is one that shouldn't be missed by anyone. I LOVE this movie, and I cannot express that enough. -Michael Crane

Read Best Reviews of The Good, The Bad, & The Ugly (1966) Here

Don't miss Christopher Frayling's terrific commentary which is packed with production information and incisive observations. Particularly touching is the way Frayling takes up for Leone's decision to humanize Tuco, pointing out that this movie, far from a straight shoot-em-up, shows Leone coming of age. (This part of the commentary is during the great scene where Tuco meets his brother.) Frayling makes a few errors that are a bit surprising... Eastwood says "sure" rather than "pshaw" in a key exchange that Frayling gets wrong, and Frayling claims that Lee Van Cleef does not have part of his finger missing, a point definitively refuted by scenes in FOR A FEW DOLLARS MORE... but his love for this movie comes through resoundingly. This is one of the best commentaries I've heard. And the transfer, despite whatever DNR was applied, looks very detailed, film-like, and beautiful. Take it from somebody who has seen the movie over a hundred times... this Blu-ray is worth getting!

EDIT: I recently got the Mondo Blu-ray of this title and what everybody has been saying is true; it is utterly superior to the MGM transfer in picture quality. It's a shame that this Italian version (transferred from a print owned by the Leone family) doesn't have an English soundtrack, but since I know this movie by heart anyway, I'm fine with it. Let's hope that someday this beautiful transfer is issued in English.

Want The Good, The Bad, & The Ugly (1966) Discount?

This is the best edition of GBU that I have seen so far. I do not agree with the reviewer that complained about the absence of grain due to DNR. For me it looked sufficiently grainy and I could not see any DNR artifacts (on a 1080p plasma screen). There is some minor problem with the film's sprocket hole registration, meaning that the picture is shifting slightly in steady shots. This can be attributed to the 40 year old film technology, but it could have been corrected during the restoration.

The language and subtitle options are awesome, even the two audio commentaries, by Schickel and Frayling, have subtitles. I still have to take the time to enjoy the commentary by Frayling, which is new to this edition. The Schickel commentary was already on the 2 disk DVD edition from a few years back.

And, as mentioned by others, the cover states incorrectly a running time of 161 minutes, when it is in fact 2:58h (178 minutes).

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Screwballs (1983)

ScrewballsI have to say that I never saw the seminal (in every sense of the word) teen sex comedy Screwballs back in the 80s, and it was one heck of an oversight. Screwballs is to teen sex comedies what Last House on the Left is to horror. There are more naked girls, goofy horny guys, and inappropriate jokes than in most other 80s films combined. In fact the raunch reaches a level of slapstick that is more on par with the feel of a crazy 30s era gag-a-second Fleischer cartoon than an 80s comedy. The flick was also produced under Roger Corman, which might have something to do with its level of debauchery (but in the best sense of the word.)

If you haven't seen it, the basic gist of the film revolves around a pact made by five senior guys who all have a beef with one girl, the ultimately virginal Purity Busch. She's either gotten them in trouble or lead them on and the guys decide that by the end of the school year they'll either get to see her "goods" and score, or die trying. Though the film should be qualified as terrible, where plot is really secondary to the mass amount of gags in the film, the set dressing keeps bouncing between the 50, 60s, 70s, and the 80s, and with acting that for the most part is insanely bad, it's still pretty great. It's almost like watching a live action adaptation of a much dirtier version of MAD magazine that still manages to be funny. Between sessions of strip bowling, insane make-out sessions a the drive-in, freshman breast exams, trips to the strip club (with a guest appearance by Russ Meyer star Raven DeLaCroix), ornate brainwashing attempts involving an giant fake hot dog, insanely inappropriate cheerleading practice in bikinis, and a milf mom who is playing the cougar to the point of being overdubbed with animal growls, you'll never be bored.

I can honestly say that I was blown away by this long-overdue-on-DVD gem, for however contrived and cliché a statement like that can be. I have to give a hand to Severin Films for taking the time and effort to restore this film (as well as stuff like the original Inglorious Bastards.) The DVD looks pretty good for a lowbudget early 80s film like this, and has a nice set of special features including a commentary track as well as surprisingly insightful interviews with the director Rafal Zielinski and cast. If you're a fan of goofy 80s comedies and boobs, than this is highly recommended...

I saw this movie when it was originally released in April 1983. As a horny 15-year-old movie geek, I had to wait outside the theater until I found an adult (also seeing the movie) to get my ticket and take me into the theater past the suspicious glance of the manager. It was totally worth it! I also had to catch the last few minutes of the other movie playing there in case the paerental units started asking questions. (it was the PG-rated Disney flick Something Wicked This Way Comes). Released by New World Pictures, there are no known actors in it.

Screwballs (1983, New World, D: Rafal Zielinski)-Yeah, it's the usual teenage shenanigans, vulgar jokes, half-naked girls and very low-brow humor. But I enjoy this flick because it doesn't pretend to be anything other than what it is. I'm not exactly sure why I like this sleazy teen trash movie the best, everything about it reeks of a quickie, low-budget rush job intended to capitalize on the success of Porky's. For some reason, I find this movie hilarious. The plot (such as it is) is simplicity itself, five high school boys (circa early 60s) who meet in detention make a pact to deflower the school homecoming queen Purity Busch (Lynda Speciale) who's responsible for them being there. It's the usual collection of guys, the stud, the rich kid, the new guy, the fat slob and a spastic nerd. The characters even have funny names, for example, the fat guy is named Melvin Jerkovski (he's a chronic masturbater) and one of the girls (Linda Shayne, Humanoids From The Deep) is Bootsie Goodhead. The other nemesis in this flick is Principal Stuckoff (what does that rhyme with?), the uptight idiot who's always out to spoil somebody's fun (he even cuts the string on somebody's yo-yo!). There's a lot of outrageous stuff going on in this movie, including a game of strip bowling where somebody ends up getting a certain appendage stuck in a bowling ball. You know what you're getting when you put on the movie. I loved that one of the characters is named Melvin Jerkofsky (get it?). I can't wait to buy it, I will put it on the shelf next to Joy Sticks. It's not exactly the highest level of comedy, in fact, it's very low-brow and sleazy. Still, I laugh myself silly each time I watch it!

Written by George Rother

Buy Screwballs (1983) Now

I'm going to make this review short and sweet:

Before Superbad (which is excellent), there was this film from the 1980s...over-the-top, silly sex gags, totally immature, college guy-needs-to-sleep-with-hot-girls plot, and pure funny stuff...but it's got some DAMN clever writing...some that will make you laugh out loud...I've loved this film my entire life...If you liked the first "Revenge of the Nerds", or "Porky's", it's very similar...

Is it brain food? No...

Is it really funny? Hell yeah.

best,

JONATHAN MANKUTA

TV/Film actor, producer, VO artist, comic book geek

Read Best Reviews of Screwballs (1983) Here

Okay, I've seen almost all of the 80s teen sex comedies, and for THAT type of movie, this is one of the best. In the top 5, for sure. Trust me, most of those movies are just beyond bad.

Some of the reviews I've read here are just mind boggling. Childish jokes? Sure. This is a TEEN comedy. He-LLOOOOOOO!!!! A tad better than VHS? That's just silly, incorrect and frankly, stupid. The blu-ray looks like a blu-ray. Film grain is present, as it should be. Blu-ray is meant to represent the FILM, not some de-grained, "let's make the skin look like wax computer generated puppets and lose some details" that some people expect with blu-ray. The blu-ray looks like an 80s movie, not a 2010 TV show on blu-ray. Some people can appreciate that...others...obviously not. The blu-ray far surpasses any VHS I've seen. And, trust me, I've seen a LOT of VHS.

I must say again, this is an EIGHTIES TEEN SEX COMEDY. This is not a 90s teen sex comedy; this is not a 00s teen sex comedy. To compare those three just doesn't do any of them justice. The film is mildy funny, with not-bad nudity, and more entertaining than 97% of its type.

Want Screwballs (1983) Discount?

Fun! Stupid! Cliche! Satirical! Juvenile! These words would appear in a long review. Watch it and enjoy it! The bowling ball scene is priceless. So is the drive-in scene. EVERY scene really.

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The Proposal (2009)

The ProposalFor some reason Amazon is not listing in Product Details what is actually included in the 2 disc DVD other than a movie description. So for those like me who like to know what Xtras (+ Digital Copy) you're getting here it is:

Alternate Ending

Deleted Scenes

Audio Commentary

Featurette

"Set Antics": Outtakes And Other Absurdities

Subtitles: French, Spanish

Disc Two: Digital Copy of Feature Film

I saw this at the theatre 3 times. It is so funny. I was laughing out loud all through the movie. This is not a chick flick. Lots of men were in the theatre with me and they were laughing louder than me and my girlfriends. The acting doesn't get much better than this. The director has to be pleased with this one because these actors showed up knowing just what to do. Sandra Bullock and Ryan Reynolds were so good together. Ryan was great even when he wasn't speaking. Just his facial expressions were hysterically funny. He also gave singing a try which was even funnier. Betty White played his grandmother and was as good as ever. Sandra and Ryan try hard not to like each other but it just didn't work. Sandra Bullock looks great. Girl can't help it, she is just too pretty. I don't write much about the story because it is described on the Amazon listing and I don't want to spoil anything. Go watch this movie. It is the comedy of the year. I like spontaneous type comedy and not fake made up comedy and The Proposal is just that. You will watch this movie over and over.

Buy The Proposal (2009) Now

If you have just survived another tough week at the office and are looking for a weekend pick me up, "The Proposal" is your sure bet. Yes, I laughed outloud often, and so did most of the audience. The comment frequently heard as the credits rolled was: "Ooohhh, that was sooo goooood!".

The story: a tough lady-boss (Bullock) is being deported to Canada for willful non-compliance with the US immigration department. To save herself, she directs her doormat of an assistant (Reynolds) to marry her. He reluctantly agrees to play along, after she "helps" him understand the virtues of being employed. If you think you know where this story is going... well, you are right. The "happily ever after" cannot be avoided. 'Tis a comedy after all...What is fresh is how skillfully the writers and the director allow the story to veer away from the "happily ever after" course, keeping us on the edge of our seats until the satisfying end, which we have known all along was bound to arrive.

The chemistry between the two leads is another pleasant surprise. I am not a particular fan of either Bullock or Reynolds. Though each smoking hot and talented, neither has made many inspired project choices. However, the roles here suit the pair's natural acting styles reasonably well, which in turn further enhances the believability of their characters. The look of constipated doom on Reynold's face, as he's being informed he's engaged, is side-splitting! I do regret Bullock does not play "mean" better; the intended juxtaposition of her supposedly tough as nails character against her overly compliant secretary is lost at times. We are TOLD she is a witchy boss, and yet she comes accross nothing more then efficient (Sandra: call me! I'll give you some pointers. In return you can teach me how to find a secretary as hot as Reynolds ;0) ).

Another gem in this comedy is Ms Betty White (of "The Golden Girls" fame), an octogenarian in real life as well as playing one in "The Proposal". She has made an art of delivering "campy" with emotional intelligence. She does not dissapoint here either.

Final verdict? Will this film change the course of modern cinematography?

Not a fat chance!

Did it chase my blah's away until Monday morning?

AFFIRMATIVE!!! ...Till Wednesday... at least!

Read Best Reviews of The Proposal (2009) Here

There are two deleted scenes with optional commentary by director Anne Fletcher and writer Peter Chiarelli. There is a nice scene with Andrew's parents (Nelson and Steenburgen). We also see Margaret and Andrew getting a little more comfortable with each other. They are nice enough scenes but not essential and one can see why they were cut.

There is an alternate ending with optional commentary. Fletcher and Chiarelli talk about why they didn't use this ending and another one that they didn't use as well. The humour in this scene is much broader than the rest of the film and seems out of place.

"Set Antics: Outtakes and Other Absurdities from The Proposal" is a montage of the cast goofing around on set. It looks like they had a lot of fun making this film.

Finally, there is an audio commentary by Fletcher and Chiarelli. They start off explaining the dichotomy between the two main characters. Fletcher says that Bullock loved the screenplay and gave Chiarelli all kinds of notes to make her character nastier. He talks about the mechanics of the story while she talks about the challenge of working on location. This is a fairly decent track by two people clearly proud of their film.

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I am in no way a big fan of romantic comedies, but I found myself buying this film anyway. I had heard plenty of good things about the film (that I was very skeptic about)and these are two actors who I've got quite a bit of respect for. Most movies don't really get me to laugh. We're lucky if you even get a smirk out of me. Yet I found myself sitting on my living room floor laughing harder than I have in a long time. Now as for why I like this film:

There's something to be said for acting without speaking and Ryan Reynolds has this down. His facial expressions can tell some real stories.

I'm a fan of "The Office" and seeing Oscar in this role was a real treat despite how awkward it was at times. But awkward in a funny/good way.

Betty White is her usual adorable self. I can't think of anyone else to replace her.

Sandra bullock did an interesting job of making an evil boss lovable.

The location was interesting. How many of these movies are set in New York or the Bahamas? Not this one.

No sex scenes. As odd as it is for an 18 year old to say, "I hate sex scenes," I do. I want to watch a movie with my mom and not feel extremely awkward. Plus I find it really annoying when two people who hardly know each other are jumping into bed the first chance they get. I wouldn't really call that "Romantic". It just comes off as a cheap way to sell a movie. This movie had NONE of that.

And it isn't extremely predictable. I like to predict endings just from previews and I thought I had this one nailed, but 30 minutes in, I began to wonder if I bet on the right horse.

Now this isn't the kind of movie that's going to win awards for special effects or best musical number, but there's something about the simplicity that makes it all the more enjoyable. It really manages to stand on it's own.

Even my dad, "Hater of anything not made in the 70's," was laughing with us.

You'll see what I mean if you decide to see it, and I hope you do.