Showing posts with label top 10 hollywood comedy movies. Show all posts
Showing posts with label top 10 hollywood comedy movies. Show all posts

Glory Road (2006)

Glory RoadFive MOMENTOUS Stars!! A Great Movie!! "Glory Road" tells the true story, with much dramatic license along the way, of one of sport's greatest moments. A moment that changed the face and color of college basketball and rippled across all sports. It's the story of a little known college basketball coach, Don Haskins, and how he came to be the coach of little known Texas Western College in El Paso, Texas. It's also the story of the black players who would be recruited from all around the USA to eventually wind up playing in one of the greatest moments in college basketball: David "Daddy D" Lattin, Nevil Shed, Willie Cager, Orsten Artis, "Wee" Willie Worsley, Harry Flournoy, and of course the late floor general, Bobby Joe Hill. And the other team members played their vital roles also: Jerry Armstrong, Louis Baudoin, Dick Meyers, Togo Railey and David Palacio. Producer Jerry Bruckheimer does a wonderful job of bringing back the singular moment of the all-white Kentucky team under Adolph Rupp (Jon Voigt is a hoot in this role) and Haskin's all-black starting five meeting in the NCAA basketball national championship final game spotlight during some tough racial times for the USA. In fact, Haskins had played this combination of players many times before during the season to little local fanfare, so it was no big deal to him. He just wanted to win. Josh Lucas is great as Don "The Bear" Haskins in this excellent James Gartner-directed movie. It's said that Lucas, in preparing for this role, was driven out into the desert by Haskins in his truck and they just sat and talked (and drank) for many hours discussing how Haskins did it and the way he did it. (This has turned into quite a good friendship since then.) The movie pre-screenings, with all of the living original players on hand, in El Paso are greatly appreciated by all of us who lived through those incredible times and are still here.

In light of today's social freedoms, the movie does a great job of depicting the tough racial times of the 1960's and the events that put Haskins, the team, and TWC on the athletic map forever. Not to mention the huge pot of money that TWC got from participating in the tournament. Shortly after these events, the University of Texas education system made TWC a full partner by the redesignation of the "University of Texas-El Paso" and a boatload of construction/faculty money flowed from Austin to El Paso. I was there and it was a grand moment to be remembered. A great must-see movie not just for the sports but also for the social impact of those times. Hats off again to Jerry Bruckheimer for personally carrying the banner on the national-level TV and radio shows promoting this movie. Five "Slam-Dunking" Stars.

(Notes:

*"Glory Road" won the "ESPY" Award as the Best Sports Movie of 2006.

*The Texas Western College NCAA Championship team was inducted into the Basketball Hall of Fame in 2007.)

Glory Road is the true story of Texas college basketball coach Dan Haskins.

In 1965, white players dominated college basketball and a predominantly black team was just not even thought of, especially in Klan infested Southern states.

The coach assists his Texas-Western players in breaking down race relation obstacles still grasping the nation and even more brazenly evident in violent Jim Crow South.

Coach Haskins drives all his players, both on the court, and demands more then passing academic grades in the classroom as well.

Classic Soul and R & B music of the mid-1960's era play a key part through out this well made picture.

"The incredible story of the team that changed the game forever / Based on a true story"

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"Glory Road" tells the story of the Texas Western Miners, a college basketball team who won the NCAA Championship in 1966. But this wasn't just an ordinary championship, no, for the starting line-up in the championship game was all Black players, a thing that was unheard of in '66. Or better yet, even a black player being recruited by a college team was out of the ordinary. However, the 36 year old coach Don Haskins recruited seven Black players for his Texas Western team (when the season begins, he starts three of those players). The team was barely even thought of in the college world before then, then with the help of the seven black players, they went on to win the championship.

The movie opens with a girls basketball game, and you see that Don Haskins coaches girl's basketball. Later on, he is asked to coach Division 1 basketball, for the Texas Western team (with one drawback; he would have to live in the dorm room with his wife and kids). Then, he sets out to recruit players that would help the team win. When he recruits all Black players, it's obvious that most people (even the Black players themselves) thought Haskins was crazy. Among the players he recruited were Bobby Jo Hill (played exceptionally by Derek Luke), Willie Cager, David Lattin, and Harry Flournoy. His practices for the team were intense and his rules were strict. This would all pay off in the end though, with the Miners winning the championship over Adolf Rupp's Kentucky Wildcats (with Pat Riley, who is a character in the movie, it's weird to hear his name called while he's playing, knowing he's a game-winning coach with plenty of rings).

The movie does depict the racism at the time as well. It wasn't an easy ride for the coach or the Black players on the team. In the first game, the fans clapped for the two starting white players, but the whole arena was quiet when the Black players were announced. The team had racial slurs written in their hotel room during their game. One player was even beat up in a bathroom. Haskins was harassed as well. The racism almost tore the team apart, but with the coach's help they stayed together and changed the course of basketball.

All around, the acting was great. Josh Lucas did a great job as Coach Haskins, completely becoming his character. Derek Luke did great as Bobby Jo Hill. Jon Voight played Kentucky coach Adolf Rupp, but you wouldn't really know unless you read the credits. Nonetheless he did a great job. Mehcad Brooks, Sam Jones III, Schin A.S. Kerr and Damaine Radcliff (who played Flournoy, Worsley, Lattin, and Cager, respectively) all did excellent in their roles. The actors practically become the players. The cast couldn't have been better.

Overall, Disney has released another superb movie about sports underdogs winning it all (I enjoyed Remember The Titans as well). If you like that movie, there's no way you'll dislike this. It is a well-cast, well-directed movie that will satisfy any basketball fan, and will keep everyone watching. It's been said that it follows the cliches of all other similar movies, but don't we always watch them anyway?

The film triumphantly shows how one coach changed the game (and face) of basketball completely. One quote from the film is "You're acting like negroes are gonna be the future of basketball!" and I couldn't help but laugh when that line was said. The importance and significance of that season and the tribulations of the team is wonderfully shown. Don't pass this up.

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From the powerful "Hoosiers" to last year's excellent "Coach Carter," we have witnessed a number of basketball films in which a coach takes command of a team of underdogs, nourishes their skills through a rough season, and takes them all the way to the Big Game. In short, you have seen "Glory Road" before, even if you haven't purchased a ticket yet.

You are familiar with all of the cliches: the coach, and the players, face hardships on and off the courts, moments of in-game suspense are established by slow-motion, and the ending is so foreseen that you can bet your life on what will happen. But somewhere between the first scene and the end credits, I forgot that I had seen this done before, and I left the theater inspired.

"Glory Road" tells the story of Texas Western University's 1966 championship victory over the intimidating Kentuky Wildcats and the journey they took to get there. The newly hired coach, Don Haskins (Josh Lucas), takes a bold step in hiring a number of black players, all of whom, he believes, are undiscovered talent waiting to be put in the spotlight. It was this move that began to breakdown the racial barriers not just in the NCAA, but in the United States, and the segregation issues that existed in that time are heavily studied in a number of the film's sequences.

First, there is the matter of the players already playing for Texas Western, who must accept the presence of their new teammates. Then there is the matter of school officials, who, naturally, find Haskins' methods of recruiting unorthodox. Finally, there are the opinions of the media, who will find it insane that that Haskins would recruit talented black players and, eventually, start five black players in the national championship game.

But the aspects of the players is not what makes "Glory Road" an excellent film. What makes this an excellent film is that we get to know the players, their struggles, and their personal histories; the well coreographed game scenes that accurately portray what actually happened during the games are more like extra goodies. Chief among the new players are Bobby Joe Hill (Derek Luke) and Willie Scoops Cager (Damaine Radcliff), who introduce a new style of basketball that would later become an influence to the modern principles of the sport. Their style conflicts with the style that Haskins believes in, and in one memorable scene, when his team his down, he orders Hill to play the game his way and they arise victorious.

Another key character is Kentuky head coach Adolph Rupp, an inspired and firey performance by John Voight. He knows that Texas Western is making history as they progress through the season and into the championship game, which he why refers to them as "a special team" during one of his timeouts. Given the historical context of his first name in relationship to racism, you would think that "Glory Road" establishes him as a villain, but it doesn't. The film just sits back and observes the arrogance of Rupp and other individuals during that time who were rooting for Kentuky just because Haskins had black players on his team. The film doesn't pick sides. It presents both of them, so graphically in one scene that it pushes the barriers of the PG rating. It's not being biased in favor of the black players. It paints an honest portrait of what happened.

The performances are excellent, with Josh Lucas playing Coach Haskins in a role that should be talked about for a while. However, the film's spirit doesn't totally lie in the powerful depiction of it's characters, but in what happens after the events of the story, and most of it's awesomeness comes out of what we know now. If there wasn't a Coach Haskins who recruited a Bobby Joe Hill, then there would have probably never been a Michael Jordan, a Lebron James, or an Allen Iverson. "Glory Road" is inevitably a valuable history lesson, which we are still learning in our society today, and like "Crash," it establishes the lesson by showing victimization and antagonization.

I suppose that's what sets "Glory Road" apart from most other sports films: the race relationship is just as important as the game. Making ends meet through a checklist of sports cliches, director James Gartner and screenwriters Christopher Cleveland and Bettina Gilois deserve much respect for what they have accomplished. But the film makes a very haunting point in its context. Although its amazing how far we have come in the past forty years in race relations, we still have a long way to go. Isaac

Rated PG; 106 minutes; Directed James Gartner

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"Glory Road" is the story of what some have called the most important game in basketball history: The 1966 NCAA Championship game between the Texas Western Miners, coached by Don Haskins, and the Kentucky Wildcats, coached by veteran Adolph Rupp. The game's significance was that all of the Miners who played in that game were black. Never before had so many black players been seen on an NCAA court at one time. And they won. This created a lot of opportunity for black college athletes, particularly in the South, and changed the way people play basketball. "Glory Road" focuses on coach Don Haskins' (Josh Lucas) efforts to build a great team at Western Texas College (now UTEP) and the struggles of the black athletes to win respect while they were constantly gibed and occasionally threatened. Eager for the opportunity to coach a Division One team after succeeding with girls' high school basketball, Coach Haskins moves his family into the Texas Western men's dorm and sets about recruiting some good players -only to find that his budget was insufficient to lure any coveted athletes. But other schools are not courting black players. So Haskins scours the nation, from junior colleges to urban streets, to find great players. He ends up with a team of 7 black and 5 white athletes in whom to instill his ideas about "fundamental, disciplined, defensive basketball."

"Glory Road" is shot is a naturalistic, unrefined style bordering on cinema verite and conveys a strong sense of the mid-1960s culture in which the events take place. Natural, directional light, which tends to be high-contrast, and a muted color palette combine to make a distinctive visual style. It's a wonder that the style is as consistent as it is, since cinematographer John Toon shot half the movie before having to quit due to illness and was replaced by Jeffrey Kimball. Both of these cinematographers deliver a consistent and appropriate visual style for first-time director James Gartner. The film focuses on Coach Haskins and the Miners team that won the 1966 Championship. The legendary Don Haskins was more of a disciplinarian and also more of a rogue than we see in the film. He hustled pool to fund those recruiting trips. Josh Lucas brings an intensity, energy, and amiability to the role. Although we know something of the players' backgrounds, the focus is greater on the black players than the white, and even then it is cursory. The film is more about the obstacles that black players faced than about the players themselves. There are several nice supporting performances, but John Voight's turn as Coach Rupp is particularly memorable.

The DVD (Disney 2006): Bonus features include 4 deleted scenes (7 min), 3 featurettes, a music video for "Sweet Music" by Alicia Keys (2 min), and 2 audio commentaries. "Legacy of the Bear" (13 min) is about Coach Haskins' long career at Texas Western/UTEP (1962-1999) including interviews with Don Haskins and wife Mary, some of his players, biographer Ray Sanchez, et al. "In Their Own Words: Remembering 1966" (23 min) is about the 12-man 1965-1966 Miners team. Interviews with Harry Flournoy, David Lattin, Nevil Shed, Willie Worsley, Dick Myers, Togo Railey, Orsten Artis, Louis Baudoin, Don Haskins, and Pat Riley, who was on the opposing Kentucky team in 1966. In "Surviving Practice" (4 min), Tim Hardaway talks about coaching the actors. The first audio commentary is by director James Gartner, who discusses what elements of the film are literal and what has been fictionalized, casting, his intentions in various scenes, what was included, what was left out, and why. The second audio commentary is by the writing team of Christopher Cleveland and Bettina Gilois, who provide additional information about Don Haskins, discuss input they got from the players and the purpose behind some of the scenes they wrote. Captioning for the films is available in English. Subtitles and dubbing are available in French and Spanish.

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Henry's Crime (2010)

Henry's CrimeOne assumes that Henry (Keanu Reeves) has some kind of inner life. He seems to be a likable, easy-going fellow; it's just that he's a bit...inscrutable. Maybe it's his job. Working the graveyard shift night after night at a N.Y. Thruway tollbooth would put anybody in semi-comatose state. Nothing fazes the agreeable yet impassive Henry, one way or the other-although he does display a slight twitch when, one morning at breakfast, his wife (Judy Greer) broaches the subject of the couple having a child. Suddenly, we get the impression that Henry would prefer to be anywhere else but there, at that moment, having that particular conversation. What's going on? Is this a troubled marriage? Does he love his wife? Is this cipher of a man internally harboring primal doubts about life itself? Or...is he suffering in silence from a sudden attack of gas? There's really no way of discerning.

We never get a chance to find out exactly what Henry is contemplating, because that is precisely the moment that Fate intervenes. An old high school chum named Eddie Vibes (Fisher Stevens) unexpectedly shows up on his doorstep, with a drunken cohort in tow. Both men are dubiously outfitted for a game of baseball. Eddie wants to know if Henry can give them a ride to their "game". Nothing about this questionable early-morning scenario seems to raise any red flags for the ever-malleable Henry. Even Eddie's request to stop at the bank "on the way"-and to park the car out front and wait while his passengers go inside-fails to elicit the tiniest raised eyebrow from Henry. Needless to say, the heist goes awry, Henry's car stalls, his "friends" flee...and guess who ends up in stir?

Although he owes them squat, Henry doesn't rat out the real culprits and takes the fall, while his demeanor remains unchanged. At this point, one might surmise that Henry is either some kind of transcendent Zen master...or a clueless moron (not unlike the protagonist of "Forrest Gump" or Chance the gardener in "Being There"). Ah, but our little wooden boy is about to meet his Geppetto. Max (James Caan) is a veteran con man. He's one of those oddball convicts who actually "likes" prison-which is why he has been sabotaging his own parole hearings and enabling himself to continue living on the state's dime. He becomes a mentor/father figure to Henry, who takes it to heart when Max advises him that he needs to find a Dream, and then pursue it. So what is Henry's resultant epiphany? Since he's already done the time, he might as well now do the crime. Classic heist caper tropes ensue, with a love interest tossed in for good measure(Vera Farmiga).

There's a little déjà vu running through this film (the second effort from "44 Inch Chest" director Malcolm Venville). Sacha Gervasi and David White's script may have been "inspired" by some vintage heist flicks; specifically, Alexander Mackendrick's 1955 comedy "The Ladykillers", and Lloyd Bacon's "Larceny, Inc." from 1942 (essentially remade by Woody Allen as "Small Time Crooks"). I thought that James Caan was recycling his "Mr. Henry" persona from Wes Anderson's "Bottle Rocket" a wee bit. While the film has classic screwball tropes, it lacks the kinetic pace of Lubitsch or Sturges. That being said, I still found Venville's film to be quite engaging and entertaining-within its own unique universe (yes, even the somnambulant-as-usual Keanu). I was reminded of Vincent Gallo's criminally underappreciated "Buffalo '66"; in addition the fact that it also was filmed in and around the Buffalo area, it's another one of those low-key comedies with oddly endearing characters that "sneaks up" on you, especially once you realize how genuinely touching and sweet it really is at its core. And there's no crime in that, is there?

HENRY'S CRIME is a dark comedy that actually carries a fairly good afterburn. The story is solid, the characters are unusual, and the setting in Buffalo, NY is appropriately dark and dank. This is a tale of how people react to their own personalities, moving through the world seemingly oblivious to those around them, afraid to create dreams much less go after them.

Flatline Henry Torne (Keanu Reeves) works the night shift in a freeway tollbooth, quite alone, and seemingly undisturbed by his isolation. At dawn he goes home to his tiny house where he greets his wife, nurse Debbie (Judy Geer) who wants to talk about beginning a family but as usual things distract the couple's ability to have a conversation. Friends pick up Henry to have him replace a member of the neighborhood baseball team and Henry goes along (as he does with everything that comes his way) only to wind up as the driver of a getaway car for his 'teammates' as they pause to rob a bank. Henry is so loopy that he is not sure what happened and is arrested by the bank cop Frank (Bill Duke) and without much effort in protecting his innocence, Henry is convicted and imprisoned. There he meets Max Saltzman (James Caan) who loves being in the protection of prison (low goals in life). When Henry comes up for parole, Max wishes him luck in finding a dream (or waking up to life) and Henry wanders back to his home: Debbie has married worthless Joe (Danny Hoch) and is pregnant and none of this seems to bother Henry either. Henry decides to return to the bank he was convicted of 'robbing' and is struck by a cellphone carrying driving actress Julie (Vera Farmiga). Henry has feelings (surprise!) for Julie, follows her into the theater next to the bank where Julie is rehearsing Chekhov's 'The Cherry Orchard'. Things finally begin to move: the theater is connected to the bank by a tunnel, Henry visits Max and convinces him to get out on parole, and the two men plan to actually rob the bank Henry was sent to prison for not robbing! From here the puzzle takes twists and turns but the result is Henry's finally waking up to his emotions (with Julie), with a 'dream' of robbing the bank to repay the fact that he was unjustly incarcerated, and nothing and everything goes as planned with big surprises in the end.

Malcolm Venville directs this plodding venture written by Sacha Gervasi, David White, and Stephen Hamel. Much of the plot is rather silly but that seems somehow proper for a character as bland as Henry (played with appropriate flatness by Reeves). Farmiga and Caan add the sparkle that keeps the boat afloat. Just when viewers are about to groan over this story, it reminds everyone of some of the people who are sleepwalking through life, whether blandly or anxiously, and by film's end the importance of dreams and an appreciation of the events that make our lives interesting and quirky provides some valuable food for thought. Grady Harp, September 11

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Henry's crime is a nicely paced, interesting look at how several people are finally motivated to take some chances in life instead of doing what is easy and comfortable. I enjoyed the movie so much I watched it again. The ending is great. It leaves the viewer to consider how things worked out for Henry. Did he make the right choice?

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**WARNING: HEAVY PLOT SYNOPSIS**

Keanu Reeves plays the meek Henry Torne, who works a toll booth in Buffalo. He is having some problems with his wife Debbie (Judy Greer, a young version of Susan Sarandon). He is conned into driving some guys to a baseball game, only as it turns out they rob a bank and Henry is the only one who gets caught. Henry meekly says nothing in his defense and gets sentenced to 3 years. During this time his wife leaves him for another man, which doesn't seem to bother Henry. In prison Henry meets Max Saltzman (James Caan), prison philosopher, barber, and story teller. Caan convinces Henry that if he did the time, he should do the crime.

Henry gets out of jail and appears to have walked home. His wife is pregnant by Joe (Danny Hoch), one of the bank robbers. Joe tries to recruit Henry to sell in his pyramid scheme, er ah multi-level... Henry's belongings are packed into one small box. Henry doesn't seem to mind at all.

Like a moth to a flame Henry is attracted to the bank...as he is walking in the middle of the street he gets hit by a female driver, who was paying no attention while chatting on her cell phone. She immediately gets out of the car and blames the victim.

Henry finally realizes his life's goal: To rob the bank he didn't rob. He goes to Max for help. Max is a lifer. He wants to stay in prison and not get out. At his review board he twitches and says to the panel if he got out he is going to kill their dog. Henry wants Max to get out and help him.

The theater, across from the bank, 80 years ago had a tunnel that went to the bank vault. Julie (Vera Farmiga), the woman who clocked Henry with her car is an actress, performing in "The Cherry Orchard" a play like the movie is both a comedy and tragedy. The metaphors pile up. His job as a toll booth operator symbolizes someone who goes nowhere while watching everyone go somewhere. Before this thing is through Reeves plays Lopakhin, who has come up from nothing and is looking for a change of life. The group of crooks blossoms from 2 to 5 and the play...let's just say it has an alternative ending.

Chick flick, heavy metaphors, F-bomb, sex, no nudity.

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James Caan in a superb role as a jail lifer and philosopher. Vera Farmiga in a superb role as a bitter and skeptical actress playing the female lead in Chekhov's Cherry Garden. Keanu Reeves in a strange role as a romantic sleepwalker. Buffalo in a decent supporting role as one of the most awful cities that the US can offer to world civilization.

A film somewhere between thriller (suspense entirely absent) and comedy (of the mild philosophical kind). Plausibility not relevant.

My verdict: rather enjoyable because of Caan and Formiga. Reeves doesn't disturb much.

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Control Alt Delete (2008)

Control Alt Delete Okay, I bought this movie having seen only one review at a 1 star, but I figure at eleven bucks for the Blu-Ray from Fry's, it's worth it just to see how bad it could be. I figure if I expected it to be awful, I'd be pleasantly surprised. I wasn't disappointed.

Okay, so the main character is an incredibly twisted pervert of a nerd (and, really, almost all the major characters are perverts), but the story is pretty funny, assuming you're a geek or a nerd. That said, I'd caution that this is a very adult movie, and it might be a little too creepy for non-geek, non-nerd people. If the concept of someone engaging in... adult activity... with a computer grosses you out, don't watch this one.

I am a big fan of Tyler Labine so I rented this from Netflix and it was awful. That is not even the word for it. Not one funny part, not one dramatic part, not one part that made the least bit of sense. Stay Away from this movie.

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This is one of the worst movies I've seen. Don't waste your time nor money. This is nothing but a computer geek's bonk-fest with his hard drive (pardon the pun.) There's no real plot, no character development, no character arc, and very poor acting.

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Here Comes the Boom (+ UltraViolet Digital Copy) (2012)

Here Comes the BoomKevin James fills that niche. The one that his pal Adam Sandler surrendered years ago when he opted for those loopy roles. Kevin James remains very much down-to-earth and relatable. He's that likable everyman. HERE COMES THE BOOM is all kinds of predictable. It strives to mash-up two of cinema's most enduring narratives: the plight of teachers under duress and the inspirational underdog sports story. I was ready to roll my eyes a lot at this film. I walked out of the theater grinning. HERE COMES THE BOOM follows convention, does it ever. There's no earthshaking plot twist. But the film's expert execution of those tropes and Kevin James' warm, committed performance won me over. And there are enough laughs. And I'm a devoted enough sports fan. And I'll always root for endeavors that promote educators and expose the disadvantages that hinder them from doing their job. That Salma Hayek is in the movie doesn't suck, either. Her character's name is Bella, and I'd be hard pressed to think of something else more appropriate to call her.

Once upon a time, 42-year-old high school biology teacher Scott Voss (James) won the Teacher of the Year honors. But that was a decade ago, and he's since lost his spark. Today Scott Voss is an indifferent cog in Boston's educational system. But when budget cutbacks threaten to eliminate the school's extracurricular activities including his friend Marty's (Henry Winkler) music department Scott Voss is galvanized impetuously into action. Except how do you now raise $48,000, especially in the face of a looming deadline?

Once upon a time, Scott Voss was a Division One collegiate wrestler, a pretty good one, never mind that that was two decades ago. Scott arrives at the deranged idea of competing in the mixed martial arts circuit to drum up money for his school. You'd think the fact that he doesn't know much about the MMA sport would give him pause... Anyway, early on, anticipate scenes of Scott's getting harshly beat down.

By the way, I like that his ring walks are serenaded by a Neil Diamond track. Makes me smile.

Oh, most critics will hate this film. They won't take into the equation that there's a sweetness to this story, that there's heart and warm sentiment nestled in that gauntlet of cliches. Thankfully, the story isn't too sanitized. There's some bite to it. There's even a moment in which a debate surfaces regarding the validity and morality of resorting to violence, even if it's only in a sporting venue, in order to resolve a school's financial dilemma. I'm not sure that the film adequately addresses that. But let's not get too mired in deep moralizing. This movie isn't trying to change the world. It's trying to entertain you. There's a time and place and a mood for these kinds of films. There's a time for navel-gazing, and a time for popcorn and twizzlers.

To my surprise, Kevin James and Salma Hayak manage to ignite a few sparks. I'm not saying they replicate that heat between Richard Gere and Debra Winger, but, after a while, I bought into James' character actually having a shot with Hayak's school nurse, never mind that she'd already rejected him the fifteen times he'd asked her out. But there's a nice, easy rapport in their interactions. Note that, this time, Hayak's sexy nurse isn't singing back-up or possessed by a malevolent creature from outer space.

I suppose the presence of MMA fighters and personalities lends credibility. Fight commentators Joe Rogan and Mike Goldberg play themselves. MMA fighter Krzysztof Soszynski (not playing himself) squares up with Scott in the Octagon. But Bas Rutten turns in one of the best performances, playing Nico, an outlandish, scene-stealing former MMA fighter who trains Scott in exchange for getting tutored as he bones up for his coming U.S. citizenship exam.

I don't know if, like I heard in a Bas Rutten interview, Kevin James had trained for 14 months going into this film, but I'm happy to say that he doesn't embarass himself. Kevin has got that unsvelte, bearish figure, but he did get into a decent enough shape, considering. And it's not like his character is playing this elite gladiator, anyway. Scott Voss's clumsy, amateurish style is based on his playing defense and getting lucky with a strike. His chances of winning rely more on his perseverence thru sheer gumption and an ability to absorb punches and a stone-cold reluctance to disappoint his students. It makes you root for him all the more. So set aside the artsy-fartsy mindset, assemble the homies, and check out this feel-good show. In the face of impending ridicule, I'm rating HERE COMES THE BOOM 4 out of 5 stars. I really enjoyed it.

Finally a movie where I don't have to worry or cringe every other minute from vulgar language or sex scenes. There is the violence in the fighting scenes but I wasn't bothered by it since it is in the ring. We found this movie to be humorous and uplifting and just a great movie for family night. Finally...not an animation movie!

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I was not expecting this movie to be as good as it was. I was expecting a regular comedy with a sports theme but I was wrong. This movie is actually one of the best underdog stories I have seen in a long time. The comedy of the movie just adds to it but it is not the main selling point. Kevin James did a good job actually looking like a mma fighter. I definitely recommend this movie to anybody who likes mma or even just sports underdog stories. You will not regret it.

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Finally, a movie we can sit and watch with the kids. Language is acceptable, innuendo is there, but not excessive. Always fun to see Henry Winkler as well!

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All around great movie. Good for any age group. Very good story line and theme to the movie. Would pay to watch more than once.

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Shall We Dance? (2004)

Shall We Dance?It was difficult, indeed, because Gere has a certain magnetism, both on and off screen, that transcends just his looks and certainly overwhelms his acting, which can be a bit stiff at times. In this movie, Gere is perfection. Of course, we make the comparison to his best role, in "Chicago", and we don't find him wanting here. As an ordinary man, in an unremarkable field of law (he writes wills for his clients), he has a daughter he loves, and a beautiful and accomplished wife (like many, too busy with mothering and career to see what he might be missing) in the incomparable Susan Sarandon.

Here she is just more than a bit player, but her appeal and her counterpoint to Gere is well cast. Gere is downcast because something is missing in his life, something that will help restore the joy. A subplot involves Sarandon hiring a detective to find out what her husband has been up to, and she has her best scenes as a sexy counterpoint to detective Devine (Richard Jenkins) that are reminiscent of her old role in the delightful "Compromising Positions"....Jenkin's assistant, Scottie, is a walking encyclopedia of literature and facts, and is ably played by Nick Cannon, who we saw last year in "Drumline"

It could have been anything that changed his life, but Gere chooses ballroom dancing. The draw is the beautiful and mysterious face he sees in the window of "Miss Mitzi's Dancing School". In that face, in that manner, the melancholy Paulina (Jennifer Lopez surprises with her elegant detachment), draws him because in her, he sees himself certainly he is attracted by her beauty, but it is clear from the beginning that there is little in the way of romance between them; just two souls that are overwhelmed by sadness, trying to recapture some of the joy in their lives by dancing.

Miss Mitzi's is a shabby little school where Gere finds himself in a beginners' class with Bobby Cannavale (Third Watch, Oz, The Station Agent) who shows some comic chops, and the loveable Omar Benson Miller (8 Mile, Sorority Boys) who is hard not to like as a clumsy giant. Both Chick and Vern blossom under the tutelage of Miss Mitzi (Anita Gillette), who is not above a little nip of gin from her flask from time to time as she tries to cope with her "dancers". The bonding of the people in the class is the most understated message in the movie sometimes you continue to do things because you have found a camaraderie with others who are unlikely friends.

Add some over the top comedy from one of my favorite actors, the marvelous Stanley Tucci (with a wig that needed to meet an untimely death) and Lisa Ann Walter (she's one of those actresses that always is cast comedically, and you swear you've seen her a hundred times; in reality, her best roles were rather minor, in "The Parent Trap", as the maid, and in "Bruce Almighty" as Jennifer Aniston's buddy) both of them are passionate about the dance, and Tucci, as Link Peterson, from Gere's law firm, is trying to hide his passion in plain sight.

Timing is everything, and Director Peter Chelsom, a Brit with little exposure in this country, succeeds in building up to the dance competition, with the inevitable crash and burn scene, followed by a heart-warming conclusion where we learn that Gere has not wasted his efforts, and has truly made a difference in his life with his unusual choice of hobby.

The soundtrack for "Shall We Dance?" is a delicious mix of new and old, and I was taken by Mya's rendition of David Bowie's old chestnut "Let's Dance". High time that was remade, and a highlight of an eclectic musical background that aids the film but doesn't overwhelm the script. The choreography is stunning, both in the school and at the competition.

Give La Lopez credit for her ability to dance; whether she is dancing to Latin rhythms, completing a perfect waltz, or, in my favorite scene teaching Gere to really feel the music in a perfect pairing that is all romance and virtually no sexual tension. Lopez is beautiful. Her costumes are perfect for her, and there is an amazing little black dress in the scene where she loses her cool and lectures Gere on what the emotions of the rhumba really are she's gorgeous in this incarnation. Funny, in some ways she has a catalyst role, and doesn't really get involved in the humor, which is subtle and makes you smile, rather than trying to be hysterically funny, which she could never pull off.

I loved my night with "Shall We Dance?". I'll definitely buy the DVD for more viewings! I didn't see the Japanese original, nor did I try to compare it to other dance movies and find it wanting. I just purely enjoyed the storyline, the filming and the romance. You will too.

I saw the Japanese original film "Shall We Dance?" few years ago and I was charmed by its subtlety and delicacy. I did not plan to see the remake because I am not crazy about the remakes in general and I did not look forward to see Lopez or Gere in the movie together. When I finally saw the movie (my mom who's seen both films highly recommended the American version to me), I was surprised how much I enjoyed it.

The cultural contrast of the Japanese film ceased to exist in the 2004 movie but there is still a lot to like in it. First of all, I love to watch good dancing and "Shall We Dance?" has plenty of it. Gere's and Lopez's dancing together has grace and passion, and it was a wonderful moment in the film.

Then, there are memorable and funny supporting characters that had screen time enough to become more than the lifeless shadows Stanley Tucci (Link) and Lisa Ann Walter (Bobbie) for whom the ballroom dancing is the road to freedom, and happiness.

And the last but not the least, the movie is asking the question, how to make a man happy if he's got everything the job he enjoys, the family he loves, his health, and good looks but something is missing? It would take more than any movie to answer the question but perhaps it would help one day just take a different road and open a new door?

3.5/5 or 7/10

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As far as remakes go, this one isn't too bad. It's hard to translate the cultural aspects, which play a major role in the original Japanese version, but they managed to recreate that part of the conflict quite nicely.

As a ballroom dancer, I was somewhat torn with this movie. There were some very obvious glaring errors in it, for anyone who knows ANYTHING about ballroom dancing. However, the story was enjoyable enough and the characters likable enough that it generally made up for it.

Richard Gere truly shines in this film. After the hit film "Chicago," it became obvious that Gere has quite a talent for dancing, and it was wonderful that he was able to further improve that particular gift in this show. Gere has an undeniable presence on the screen, which added so much to his role in "Shall We Dance." His character was charming and real, and I found myself really cheering for him. And heck, I wouldn't mind seeing him do more ballroom dancing, he really has a great feel for it! If I didn't know better, I'd say he'd been doing ballroom for much longer than it took to make this film.

Susan Sarandon was completely believable as his wife, and I liked her as much as I liked Gere. I wanted to see even more of her. I think my favorite scene with her was when she was trying to learn a little about ballroom dancing herself, secretly trying to gain understanding from a book and dancing in the bedroom just as her husband had done so covertly.

Stanley Tucci was, as always, brilliantly hilarious in his role as Gere's coworker. Playing a Latin dancer trying to hide his passion for the sport, Tucci provides a good amount of the comedy in this show. I wasn't quite expecting his role to be what it was, and he isn't the dancer that Gere is, but it's obvious he had fun with it, and that was great to watch. I thought he was perfect for that role.

While I did enjoy Jennifer Lopez's dancing, I must confess that I found her character a little too two-dimensional for my taste. She was actually one of my LEAST favorite characters in the piece, and I didn't quite buy her as a professional dancer in the flashbacks --especially since she was dancing with one of the best standard ballroom dancers in the world, Gary McDonald. However, I did thoroughly enjoy the scene in which she taught Gere how to feel the music, using an incredible tango I had never heard before.

The music in this show is quite good. You really need good music in a dance movie, and this has an excellent soundtrack, which I dance to all the time. The tango especially is quite unique --sort of a cross between a tango and a rumba.

The costumes are also quite impressive. Designs by Randall contributed the ballroom costumes, and in fact, I have seen a couple of those costumes in action before, at real competitions! That was a neat connection I was able to make.

The complaints I had about the movie were few, actually. My biggest problem was during the Latin competition. They spent all this time talking about the rumba --and Gere even MENTIONS that the Novice dances are rumba and cha-cha --and then at the actual competition, suddenly they're doing a paso doble?!? That was incredibly annoying, especially with all the build-up they had beforehand. And frankly, you will never EVER see a paso doble done at the Novice level at competition, it's always rumba and either cha-cha or samba. I was at a complete loss as to why they did that.

Other than that, there were just little things that a ballroom dancer would easily catch, and Tucci drops a competely unnecessary f-bomb.

But on the whole, this is a fun movie, and one I would recommend to most people. I would like to see Richard Gere do MORE dancing movies in future!

Read Best Reviews of Shall We Dance? (2004) Here

I don't know how many times I've read reviews of this movie that slammed it because "the Japanese version is better." No, it isn't. The Japanese version "different" and different is good. Okay, the Japanese version deals with the social stigmatism of showing off in public and ballroom dancing is one target of their uptightness. That's a great angle to tell a story from.

In the U.S., obviously, we don't have that kind of social convention. We have a totally different outlook on such things, but they can run quite parallel to the Japanese way of life. In the American version, John Clark has pretty much everything he could ask for. A beautiful wife, two great kids, a nice home and much more. And he is bored out of his skull and has no idea why. When he finds that he loves ballroom dancing and then is found out by his wife, he doesn't have to deal with the social implications of public displays as in the Japanese version, but the embarrassment and heartache of having to admit that his "perfect life" was missing something.

Though our society doesn't condemn you for wanting to dance, or more specifically, ballroom dance, you will find out how many morons there are around you that will assume that if you are a guy and you love to dance, you must be gay. Link Peterson was absolutely correct in keeping his passion secret for as long as he did and he was dead right on about the reaction that would occur if the people in the office found out about it.

So I give this film five stars just because, as a dance movie, it has great dancing. As a romance, it shows what can happen when secrets are kept and how much better off our relationships would be if we didn't try so hard to hide them. Get this movie and enjoy a good story and quit worrying so much about how Japanese society is "this" and Japanese society is "that."

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Go ahead and give me unhelpful votes if you disagree with my opinion, but I enjoyed this movie. I left the movie theatre with a lump in my throat and a good feeling inside, and I was entertained, and isn't that what watching movies is about? At least I felt that way. Maybe the movie is different from the original, but not seeing the original and just seeing this one, I can say I liked this movie. A good cast, including Richard Gere, Jennifer Lopez and Susan Sarandon. I enjoy Lopez's movies but on this movie she plays more of a supporting role, and her acting style in this movie is much more restrained than in movies in the past. I won't give away plot but if you want a movie that will make you laugh, cry, and just feel good, then SHALL WE DANCE? is for you. The music in the movie is great as well!

Ocean's Thirteen (2007)

Ocean's ThirteenDanny Ocean (Clooney) and his gang are back, this time to get revenge against Willie Bank (Pacino). Bank has screwed over Reuben Tishkoff (Gould), and taken his land and money to build a new casino, causing Reuben to have a heart attack. The gang, led by Ocean, Rusty Ryan (Pitt), and Linus Caldwell (Damon), decide to put the new casino deep into the red and steal Bank's diamonds.

"Ocean's 13" is a vast improvement over "12" and on par with "11", if not a little better. The cast know their characters so well by this point and have a great chemistry. You know that they had fun making this movie, and it shows. The action is minimum, but interest is sustained through following their plan as it comes to fruition. There are some twists, but nothing earth-shattering. Mostly, this is a chance to see good actors doing their thing. Fans of this series will not be disappointed, and although director Steven Soderbergh says this is the last one, I can't help but hope that he changes his mind.

Movie's good! But DVD sucks big time!!! I've got VHS cassettes in better quality than that DVD. At the beginning, I thought my Sony Home Theatre System(DAV HDX500) & Sony Bravia TV got totally messed up. Turned out, there's nothing wrong with the equipment thank God! DVD's a problem!

Sound (Only 2.1) & Picture Quality (Very grainy, lack of focus etc.) make that movie "unpleasant" to watch. Even if you have decent TV & HTS. Kind of a bad copy of a very used VHS cassette. Shame on Warner Bros. or those guys who release such poor quality DVDs. I decided to buy/rent a couple more copies and compare the quality. If they're any better, than Amazon.com should reconsider their partnership with the distributor or whoever they are, 'cause it's definitely not the product I've expected!

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Warner Bros seems to be trying to populate their Blu-ray portfolio on the cheap. The sound is just Dolby 5.1, the same as a cheap DVD would have (some DVD have better) and the picture... it might have been some artistic selection to make it so but, I am not kidding, I spent 15-20 minutes while watching this movie trying to adjust my TV, thinking that maybe it was something wrong with it.

I will not recommend buying this. News to Warner Bros: Blu-ray allows you to include nice things such as 'uncompressed' audio and I can't think of any excuse for not having it on a relatively recent movie.

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All I can say is that I am extremely disappointed in the video quality for a high definition disc. Sure, the picture sharpness is way better then DVD, but there is SO much noise and grain in the video, it is almost unwatchable. A friend got the DVD and even though it is not as crisp, the grain and noise is so much less. I am completely disappointed in this Bluray version. So much in fact that I am trying to exchange for the DVD version it is so bad. It is as if the disc is defective, but from reading other reviews, that is just how bad this version is. Stay away.

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The movie was ok.

The picture quality on the DVD sucks. I'm taking it back to the store where I purchased it.

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Straight A's (2013)

Straight A's"Mom told me to come." After his mother tells him to visit the family he abandoned, Scott (Phillippe) surprises his sister in law (Paquin) and her kids. Decidind to wait for his brother to come home Scott stays and begins to form a relationship with Katherine's kids in spite of her requests. When Scott begins to act like his old self she wants him out, but he is determined to listen to his mother's advice...even though she is dead. I know what your thinking, a man hears his dead mother and listens, that can't make a good movie. You would be wrong. The acting in this is really good, but the story of each character is so well written and thought out that it really makes the movie that much more enjoyable. 99% of movies like this are very predictable and for the most part this one is too, but there is a twist in this I did not see coming, which also adds to the enjoyment of the movie. This is a surprise sleeper that is very much worth seeing. I recommend. Overall, a little low budget movie that proves good movies can be made with a good script. I give it a B+.

This is your typical heart warming amusing feel good indie flick starring indie perennial favorite Anna Paquin as Katherine. Long lost "white trash Uncle" Scott(Ryan Phillippe) rides in one day on a horse to greet his sister-in-law and former girlfriend. He obeys the indie formula and immediately bonds with his nephew and niece. He claims he is being guided by visions of his dead mother to come back and make amends...a man who has spent the bulk of the last eight years in a mental institution for substance abuse. Chaos erupts and from chaos comes order.

The script is somewhat formulaic with a slight twist on the end. Good acting, slow at times.

Parental Guide: F-bombs. No sex or nudity. Paquin in a sexy sando shirt showing side breast, cleavage and high beams. Personally my low brow tastes liked "Uncle Buck" better. Worth a rental.

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Very good movie and acting. Not predictable which is a must for me!! Highly recommend this movie for date night

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The film focuses on the relationships of a family two brothers and their shared love interest, their forgetful father, and the legacy of their mother.

It's been years since I've seen a movie with Ryan Phillippe that I would watch and this is one. Luke Wilson has always been a favorite of mine. And Anna Paquin has always been an actress that I've wavered whether I love or dislike her. The casting was perfectly done.

Ryan as the irresponsible, wandering brother the black sheep of the family who's been gone for 8+ years. Luke as the perfect husband/provider (the opposite of his brother) who is contemplating divorcing his wife. And lastly, Anna as the woman who has loved both brothers. At first, the younger one Scott and after he left due to a fallout with his father; then she fell for William.

Katherine and William have a marriage that is perfect on the outside; not so much on the inside. Katherine is too busy to spend time with her children or family. Instead, the duties of child-rearing and caring for the house are foisted onto a maid. William is always out of town, a fact that is recognized by Katherine's "so-called" friends.

When Scott shows up after a long absence, he turns their world inside out and manages to bring Katherine, William, and their children back together. Be prepared to shed a few tears at the end.

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I liked this movie very much. Really some great acting. The ending was totally different than the way I thought it would end.

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Sister Act: 20th Anniversary Edition - Two-Movie Collection (Three-Disc Blu-ray/DVD Combo) (1992)

Sister Act: 20th Anniversary Edition - Two-Movie CollectionIt seems as though lately, nearly all movie studios are jumping onto a new trend in DVD releases double, triple, even quadruple features which consist of taking ever-so-slightly related catalogue DVD releases and packaging them together. These are executed in several ways, ranging from simply packaging existing DVDs together, in the case of Buena Vista Home Entertainment's releases, or putting existing DVDs onto flippers, in the case of some of Warner Bros.' releases. Some sets put all the DVDs into one case, while others use a box with slim DVD cases inside. No matter how they're executed, these sets can usually be found for fifteen dollars or less in stores such as Wal Mart.

On one hand, I kinda like this trend. It's a great value for your dollar, and who isn't looking for THAT these days? On the other hand, I feel like if they're going to do this, they could update some of these DVDs.

Take this Sister Act 2-Movie Collection DVD. I picked this up because I LOVE these movies. Love love love. And for less than fifteen dollars, it's a great value. However, I'd have liked to see Touchstone Home Entertainment make this set with new DVD editions.

Both DVDs feature non-anamorphic widescreen transfers likely taken from laserdisc masters. Both are fairly good and clean, but brand new anamorphic digital transfers would have been much better. Both DVDs feature a Dolby Digital 5.1 Surround English track and a French language track and the film's original theatrical trailer. The first film's DVD also includes a making-of featurette and two music videos.

What Touchstone could have done was make a new 2-Disc set with new Special Edition DVDs of both films. They could have included new anamorphic digital transfers, new making-of featurettes for both films where cast and crew members could look back on the films and their success, new audio commentaries from cast and crew, music-only audio tracks, and other such bonus materials which would have made this an amazing set.

Despite these flaws, I can't really NOT recommend this DVD set to fans of the Sister Act films. If you only enjoy one or the other, you're better off getting the one film you enjoy on DVD by itself. However, if you're a fan of both films, like I am, this is the best value, and will save you some shelf space to boot.

I have no idea how long since I first watched this movie. Even though I generally lean towards drama and true crime rather than comedy, I fell in love with Sister Act and Whoopi Goldberg. Like her character, Deloris, I also enjoyed music from the 60s and enjoyed the opening act. When she was talked into hiding out at the convent, the action slowed down a little, though certain parts were funny, such as when she, and Sisters Mary Patrick and Mary Robert entered a bar. However, the action took off when she became head of the choir and introduced a bit of deep shoulder action to the nuns. Out of respect for those who still have not seen this movie, I won't say more about the contents. The DVD, which I bought in a set with the sequel Sister Act 2: Back in the Habit, it played beautifully with no pausing as sometimes happens. It was very easy to remove the disk from its holder and replace after viewing the disk. I enjoyed the brief look at how the movie was made in the special features, but unfortunately forget what it consisted of. I did feel it was worth watching before watching the movie. Whether you buy just Sister Act, or as a set with the sequel, it should tickle your funny bone.

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These are great movies (I particularly like Sister Act 2 with Lauryn Hill) and I was thrilled to find they were released on DVD as a set!

For those not familiar with the movie, Whoopi plays Delores Van Cartier, a Las Vegas/Reno showgirl (can't remember which town) who witnesses a murder. The cop in charge of the investigation (Bill Nunn) puts her in protective custody (not sure of the term, sorry) at a convent. Delores's lifestyle clashes with the convent life, but she adapts somewhat, but she's a rebel against their strict rules. She is put in the choir, which is awful, and is elected the new choir director and the rest of part 1 revolves around that and her differences with the convent's reverend mother. Part 2, Whoopi is a Las Vegas headliner and is asked by the reverend mother to return, this time to St. Francis Academy in San Francisco as a music teacher. Lauryn Hill plays a conflicted student who wants to sing, but her mother really looks down on it and pulls her out of the choir. Part 2 is great for hearing Lauryn sing before she really hit it big a few years later with the Fugees.

I love the music in both of them, part 2 because of Lauryn Hill and Ron Johnson who worked a lot on the songs (he also played a student). I liked the music in part 1 where they took a lot of Motown classic and turned them into Christian songs, like "My Guy" to "My God".

Read Best Reviews of Sister Act: 20th Anniversary Edition - Two-Movie Collection (Three-Disc Blu-ray/DVD Combo) (1992) Here

Sister Act & Sister Act 2 make their impressive Blu Ray debut in this three disc set. The picture and audio quality on Sister Act is wonderful, boasting a very clean and detailed transfer and room filling sound. The picture quality does not disappoint, the ONLY thing I noticed was a bit of crushing in the scene after Whoopi witnesses the killing of her boyfriends limo driver and goes on the run being chased by her boyfriends right hand men. Some really nice extras are also included.

Sister Act 2 on the other hand boasts a good tranfer with equally good audio as it's predecessor, but the picture quality is not as good as Sister Act. Generally the picture is not as sharp and there is more crushing present than there is on the original film, but overall the quality is solidly GOOD. This is the best both films have ever looked, and in full 1080, probably the best they will ever look.

The only reason I gave this set 4 stars and not five is because the three discs consist of ONE Blu Ray with both films on it and TWO DVDs. I would have much preferred two Blu Rays and one double feature DVD. But all in all, if you are a fan of these films, an upgrade to Blu Ray (especially when you get both on Blu and on DVD) is a no-brainer!

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I was thrilled to receive and watch these movies! It is a must buy! 2 for the price of 1.

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Naked Gun: From the Files of Police Squad (1988)

Naked Gun: From the Files of Police SquadI saw this movie at the cinema, and when I walked out of the darkened theatre my sides hurt so much from laughing you would have sworn I was suffering from appendicitis, and I rivalled Niagara Falls in my crying the tears were just streaming down my face!

This inane, farcical comedy has got to be one of the funniest films ever released. It's silly, but the silliness is funny and not pointless. Even the cameo actors are houmourous! Leslie Nielsen is fantastic as the deadpan, very moronic Frank Drebin, a bumbling detective who wouldn't know a criminal from a saint, and George Kennedy and OJ Simpson are perfect foils for his lunacy. (I'm surprised. I said something NICE about OJ Simpson!) And Priscilla Presley has never looked better. She and Leslie Nielsen have a chemistry between them that is lacking in many serious or other comedy movies. What can I say? This movie is great! I order you to stop reading these reviews and go and rent or buy this movie! Believe me, you won't regret it!

You'll know this movie is going to be a riot from the openning sequence in which a meeting of the worlds master terrorists including Castro, the Ayatollah and Gorbachev are folied by inept cop Frank Drebin, played with perfect deadpan expression by Leslie Nielsen, who went on to a second career starring in films like this.

Drebin, from Police Squad, must try to stop the assasination of the Queen of England. Drebin is assisted by George Kennedy, a fellow cop and O.J. Simpson as detective Nordberg. Nordberg, especially is the victim of most of Drebin's foul ups and spends most of the movie being beaten or maimed (just desserts!). Ricardo Montalban stars as the construction magnate that is masterminding the dastardly plot.

Nielsen's physical humor is the focus of the movie. His systematic destruction of Montalban's apartment is hilarious. But the highlight of the movie is the ending baseball sequence. and is where Nielsen shines. From his impersonation of opera tenor Enrico Polazzo (his butchering of the national anthem is a total classic) to his routine as a moonwalking showboat umpire, Nielsen is at his finest in milking laughs. The baseball game between the Mariners and Angels is the funniest baseball sequence ever filmed and funnier than any of the Major League movies. This segment features real-life baseball announcers including Dick Enberg and the great Mel Allen. When a highlight shows a baseball players head being knocked off by a fly ball, Allen delivers his classic "How About That?" while a stunned Enberg looks on, speechless. And there are real-life ball-players Jay Johnstone and Reggie Jackson, ("I must kill the Queen").

Priscilla Presley looks beautiful and shows her ability to do comedy. Although Nielsen looks much too old for her, the scenes between them work, probably due to Nielsen's boundless energy and little boy innocence.

The Naked Gun series follwed the Airplane movies in a line of hits for the ZAZ team (not all of them particpated in all of the films). Although the latter two Naked Gun movies were a let-down, Naked Gun shows ZAZ at their best and this movie remains funny.

Also worth noting is the TV series that inspired the Naked Gun movies Police Squad (in color). Look for it at your video store. Underrated and very funny.

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I'm not going to summarize the plot of this movie. Others have already done that. I'm just going to tell you I think it's one of the funniest films I've ever seen.

I love this kind of sight gag humor. And nobody does it better than Leslie Neilsen.

The Police Squad! videos are priceless TV detective show parodies. It's a pity only a handful of episodes were ever made. They're a blast to watch -especially the end credits when the actors "freeze" yet everything else in the scene continues to move. Really dumb humor, but it gets me every time.

Which is why I love this, the first of the three Naked Gun movies. They feature the same bumbling detective (Neilsen) and the same intrepid team that created the short-lived TV series.

I can watch this film and laugh every time. My favorite scenes are the chalk outline floating on the water...the shoe shine guy to which Lt. Drebin palms money for information...and, well, I could name scene after scene.

Naked Gun is not for everyone. Not everyone likes the rapid-fire sight gag humor that makes this movie (and The Simpsons) such a joy to behold.

But if that kind of humor tickles your funny bone, Naked Gun will cause you to laugh all the way to the store to buy the other two installments.

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The Naked Gun-From The Files Of Police Squad. I don't need to talk about this movie. It's great. It's non-stop laughs. It's a must see. So what's the problem? The problem's not with the movie. It's with this DVD. Don't expect to much from silly Paramount, but has anyone ever watched this on cut TV, like USA, Comedy Central, or ABC? If so, you know the cutting out and editing of scenes for a certain channel tri trims a time slot, so they replace maybe 15 minutes with deleted scenes! And very funny deleted scenes I might add. One is where Frank Drebin is seen at a gym in the shower (of the woman's bathroom). Another is where Ludwig shoots Frank in the catchers's thing (didn't anyone ever notice it deflated?) and one where Frank turns off Nordberg's air at the hospital. All these scenes are outrageous and hilariously funny, but no version except the TV one has these scenes. I'm not going to buy any Naked Gun DVD until the scene's are restored. Same with Naked Gun 2, Airplane!, and Airplane 2.

Don't by this 'till Paramount realizes we want deleted scenes!

If you found my review helpful, please be sure to vote for me!

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In 1982, Leslie Nielsen starred in a television comedy called "Police Squad" on ABC. Not since "The Carroll Burnett Show" had television seen this kind of quality slapstick comedy. Unfortunately, it never found an audience and only lasted for 6 episodes.

In 1988, Jerry Zucker, Jim Abrahams, and David Zucker adapted their short-lived T.V. series into one of the best comedy movies ever. And this time, it proved to be a hit (grossing over $70 million during it's USA run).

Before starring in "Airplane" in 1980, Leslie Nielson had never done a comedy role before (all of his previous roles had been in dramas). Who knew he had such great comedic timing? And it is that timing that makes this movie so much fun to watch.

Mr. Nielson stars as Frank Drebin, an incompetent cop who somehow always manages to solve the crime (even though he sometimes sovles it wrong). Things happen when Drebin is around, such as a fire breaking out, sliding down a long table on top of Queen Elizabeth II, or going to the bathroom with a live microphone. He never means for any of these things to happen, and occasionally doesn't even know when they do.

The cast is wonderfully filled out with George Kennedy as Captain Ed Hocken and Priscilla Presley as Jane Spencer. Both of them have great comedic timing on their own, which is enhanced in the presence of Mr. Nielson. Even O.J. Simpson, who is fairly dispised by much of America these days, does a pretty good job of holding his own in this group. His scene that opens the movie is a total laugh riot.

This movie is pure slapstick comedy at its best. Every line, every shot, every move is done for laughs. Even years later, die hard "Naked Gun" fans can still find jokes and shots that they have never caught before.

If you like funny movies, especially slapstick, then this movie is a must see. Actually, it's a must see again, and again, and again, and...

Boccaccio '70 (1962)

Boccaccio '70Sexy, fun and daring! "Boccacio '70' is a an enjoyable anthology about love in the style of Boccacio featuring the works of four renown Italian filmmakers.

In 1962, the anthology film "Boccaccio '70' was released. Featuring an idea by Italian screenwriter Cesare Zavattini (one of the proponents of the Neorealist movement in Italian cinema), the film would focus on the style of Boccaccio, the work of 1300's Italian author and poet Giovanni Boccaccio.

In Italy, the film would feature four stories directed by Mario Monicelli ("Casanova 70', "The Organizer", "Caro Michele", "A Tailor's Maid"), Federico Fellini ("8 1/2', "La Dolce Vita", "Juliet of the Spirits", "I Vitelloni"), Luchino Visconti ("Rocco and His Brothers", "The Leopard", "Death in Venice", "La Terra Trema") and Vittorio De Sica ("Bicycle Thieves", "Umberto D.", "Marriage Italian Style").

While the Italian version featured all four stories, producer Carlos Ponti decided to make it a trilogy due to its 3 hour+ duration and decided to cut out Mario Monicelli's story for its worldwide release. So, for its Cannes Film Festival premiere, in support of Monicelli, the other three directors did not go to Cannes premiere.

So, while the world is familiar with the trilogy of films in "Boccaccio '70', for the Blu-ray release of this Italian anthology classic, all four films are presented.

VIDEO:

"Boccaccio '70' is a film that probably will not look any better than what we see on this Blu-ray. While not a pristine print, the film does look its age but where it probably looks better than any of its previous counterparts is how well the film does look during the daylight. The story of "Le tentazioni del dottor Antonio" looks absolutely beautiful as Fellini shows us the vibrant colors of the area, "La Riffa" showcases the vibrant red of Sophia Loren.

There is a good amount of grain that we can see from the overall film, nothing to overly drastic. If anything, the overall look of the film is very good. I noticed even more detail especially the makeup in "Il Lavoro" as Romy Schneider looks absolutely stunning in the film. I did notice some artifacts but nothing that diminishes your viewing of the overall film.

AUDIO & SUBTITLES:

The audio for "Boccaccio '70' is presented in Italian monaural 1.0. I have seen this film before where the audio sounds so loud and crackly, but good news for fans of "Boccaccio '70' is that the audio is very good and dialogue is clear. Especially during the musical moments of the film, especially the "milk song" played throughout "Le tentazioni del dottor Antonio" and of course Sophia Loren's singing vocal segments of "La riffa".

But I chose to have my receiver set on stereo on all channels to have a more immersive soundtrack. But while testing it on monaural, dialogue and music were quite clear, no sign of hiss, crackle or popping throughout the film.

SPECIAL FEATURES

"Boccacio '70' comes with the following special features:

Boccaccio '70 Theatrical Trailer The US or worldwide trailer minus "Renzo e Luciana".

Stills Featuring stills for all four shorts from the anthology.

EXTRAS:

"Boccaccio '70' comes with a slipcase cover.

JUDGMENT CALL:

Sexy and entertaining! "Boccaccio '70' is an entertaining anthology featuring the work of four renown Italian filmmakers and also featuring an all-star cast.

But most importantly, with the Blu-ray release of "Boccaccio '70', viewers will finally get to see what was shown in Italy, not a trilogy but all four stories.

With Mario Monicelli's "Renzo e Luciana", what I enjoyed about this film is how it showcases the busy metropolitan city in Italy. But also a scene from yesteryear, especially the busy public pools. To see the number of people at the pools during the hot summer, people of all ages, was quite interesting but also to see how possibly some business were back in the day of not allowing their female workers to keep a job if they are married or have children.

May it be fears of missing an employee and slowing production or that is the style of Luciana's Draconian boss, but it was quite interesting to see the story of a young couple in love and the challenges they had to make sure they had the income to make their marriage work and plan for their family home.

But Monicelli's story does showcase innocent love or unconditional love.

The second story "Le Tentazioni del Dottor Antonio" is interesting in the fact that we have a story of a conservative who does all he can to stop indecency. And of course, where we have seen conservative politicians to TV evangelists succumb to their own sins, the same can be said about Dr. Antonio. Not so much with a real woman but the fact that he finds himself falling in love with the buxom Swedish blond model, Anita Ekberg on his billboard across the street from his apartment.

While the film is a much slower pace compared to the other three films, what makes "Le Tentazioni del Dottor Antonio" an entertaining comedy is its characters and the "milk song" which is played throughout the film. The film is also quite vibrant with its various characters, many who support the milk billboard with Anita Ekberg but there is no doubt, in 1962, Ekberg's appearance and showcasing her body was a big draw for viewers at the time.

As for love, this love I suppose can be classified as "blind love".

The third story "Il lavoro" is possibly my favorite story and the saddest of the three. Romy Schneider absolutely shines in this film and without spoiling the film, the story of how two people became a couple for the sake of their parents in building an empire, call it a business transaction. But for Pupe (Schneider), while the men are about the money, for her, it's about love and wondering why her husband must gallivant towards prostitutes while he is married. So, when she gives up her wealth to take a job, it's the job that becomes the most surprising, and the only way she is able to make her husband be with her, even if its not true, romantic love.

What kind of love would I call this film? I would have to call it, "demeaning love".

The final and fourth story is possibly the most exciting of the four. A film that shows us how wonderful the collaboration between Vittoria De Sica and actress Sophia Loren. "La riffa" starring the vibrant Loren as carnival worker Zoe. A hardworking woman who depends on no man, but is willing to be there for her pregnant friend and help them financially by using her body to entice people to purchase lottery tickets for possibly one night of romance with her. And of course, nearly every man wants one night with Zoe.

Of course, during the process, she does meet a young man that she cares about. But when he finds out about the lottery, he is saddened. What happens when one man, a shy timid Christian man wins the lottery?

If you love Sophia Loren and you loved her in films such as "Marriage Italian Style" or "Yesterday, Today and Tomorrow", she is absolutely sexy in this film. And she doesn't play the naive character, she's a pretty strong-willed character that calls the shots and is quite aware of her sexuality and the men who really want to sleep with her.

As for the kind of love, I guess you can easily call it "lust" when it comes to the male characters but for the character of Zoe, it's more of "In Search of Love" because she does hope that through her business, she will a man that she can truly love.

So, in essence, "Boccaccio'70' is a love story. Four different love stories and we have seen quite a few anthology films such as "Paris, Je T'aime" to another "different kind of love" type of film with the Hong Kong anthology "Heroes in Love".

But there are several things of what leads to the efficacy of "Boccaccio '70'. One is the fact that you have four well-known filmmakers taking part in the film and that you have four talented actresses highlighting the film. Granted, possibly another reason why Producer Conti eliminated "Renzo e Luciana" was because Marisa Solinas was not the star actress compared to Sophia Loren, Anita Ekberg or Romy Schneider. These three women also became a popular muse for the respective filmmaker they had worked with, Loren with De Sica, Ekberg with Fellini and Schneider with Visconti.

But as much as I have enjoyed this film in the past, one thing that I'm happy about watching it on Blu-ray is for its quality and the fact that I can watch this film with better picture and audio quality as in the past, what I have seen of this film, the presentation on video was terrible and very aged. So, I applaud Kino Lorber for releasing this film on Blu-ray.

But with "Boccaccio '70', watching it again, this time around, it was a film that I had to watch in two sittings. At over three hours, I wanted to savor each film by watching only two at a time. To appreciate each story for its own visual style and direction. And I'm glad I did, because I felt I noticed much more in terms of cinematography, what was captured on camera, mannerisms of each character (from the wiggle and jiggle of Loren's Zoe, Visconti's closeup especially showcasing Schneider's eyes, Fellini's direction when it comes to capturing certain visuals and even the innocence and playfulness of Solinas' Luciana, I found each story to be entertaining when watching them separately on my own time versus watching it all in one setting. It's a long film and I don't know if I could have dedicated myself to watching all four stories in a row in a theater setting. So, watching on Blu-ray made this film much more enjoyable for me.

But as mentioned earlier, this is a solid Blu-ray release. I don't think the picture quality can be any better unless a lot of money is spent in doing a full-on restoration. But not many films do get that kind of restoration because of the costs involved. But the fact that you get all four stories on one Blu-ray release, for any cinema fans who are fans of Monicelli, Fellini, Viscont or De Sica or even the beautiful talent of this film, "Boccaccio '70' is a wonderful, hilarious and entertaining anthology about love during 1960's Italy.

Definitely recommended!

5 stars because of the fantastic Fellini at his best-incomparable-Anita Ekberg-extravaganza! 3 stars to de Sica for lovely yet minor Sofia romp. 2 stars to theatrical budoir boredom of Visconti who can't find proper filter for his camera. 2 stars for Monicelli: was this a futuristic tale? 1 star to rather drab DVD package with hardly any meat on it (stills + thirty seconds of some black and white Sofia newsreel footage from 196?...nothing else!)

Overall: 5 stars because Il Maestro overwhelms every single complaint...in fact I suggest that you first watch disc 2 (Visconti/de Sica combo) and then go to disc 1 (Monicelli/Fellini)...

Buy Boccaccio '70 (1962) Now

Bocaccio 70 is a set of four vignettes (The U:S version included an additional work directed by Mario Monicelli), although I don' t know this chapter; I will comment you the works I know.

" The bet" is a demolishing, incisive and merciless of a decaying marriage, when the husband of a very rich wealthy and alluring woman (the exquisite and unforgettable Romy Schneider) in a role that fits for her to perfection. She personifies the woman of the sixties at the eve of the feminine liberation, and so did she when she notices has been cheated by his husband and so she will take her own and brutal revenge. This is by far, the most mature of the three portraits, with that exquisiteness so typical of Luchino Visconti.

"The temptation of Saint Anthony" is a cynical and mundane parable; a demolishing satire about the Freudian man, who suffers in his own flesh all the sins of the world, product of the voluptuousness emanated from Anita Eckberg in a huge poster with a suggestive semiotic lexicon. That portrait will become for him a true set of bad dreams, but the way in which is told a this acidic surrealistic and mordacious story is so brilliant that the rest of the plot runs for you.

Finally, "The raffle" is perhaps the less relevant and banal of the previous two. It has to do with the times and livings of woman in search of love in the middle of a raffle (a sharp metaphor of life), but the script is extremely weak to hold the previous entries of FEFE and Visconti.

Fortunately the first two justify plainly your purchase. A cult movie to enjoy over and over, due the pristine elegance and mordacity that have resisted the test of time.

Highly recommended!

Read Best Reviews of Boccaccio '70 (1962) Here

In the 60's there was a European trend to have a trio of stories from different directors presented around a central theme. This is probably best example of the genre. The humor ranges from whimsical to surreal. You also get a fourth story that was not presented in the theatrical version. Beautiful women and great directors in this package

Want Boccaccio '70 (1962) Discount?

Renzo and Luciana was cut and we could've done better without it in Italian language only. It's a very long and talky story of a couple living together before marriage and the conflicts it creates with the girl's parents and her boss where she works. Almost a docudrama. Two stars.

The Temptation of Dr. Antonio: Always my favorite satire on censorship from director Fellini about a prude's ambition to ban a milk billboard has great fantasy sequences with Anita Ekberg. Four Stars.

The Job: A wealthy man has his affair with a hooker exposed by the media to his wife. She wants the job, too. The most cynical segment of the film. Three stars. The Raffle: By far the best of the four stories when Sophia Loren becomes the prize for a timid man who wins the lottery. It makes me laugh every time, even 30 years later. Four stars. There aren't many extras added to the discs, and they are mostly about The Raffle. You do have your choice of English or Italian for three of the stories.

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