Showing posts with label romantic movies. Show all posts
Showing posts with label romantic movies. Show all posts

He Was a Quiet Man (2007)

He Was a Quiet ManHE WAS A QUIET MAN echoes the all too familiar news item of irrational killings in public places here, in this country, by seemingly 'normal indistinguishable people'. Writer/director Frank A. Cappello has a good grasp on his subject matter and probably intended the rather slow movement of the film to underline the 'ordinary' situations that in a flash become extraordinary. And he has a fine cast to demonstrate his thoughts.

Bob Maconel (Christian Slater in fine distorting makeup) is a nerd, an ordinary geek who checks numbers form his sterile cubicle in a massive corporation, heckled by the 'fast guys' like Scott Harper (Jamison Jones). He loathes his life, his crumby house and unkempt lawn, and most of all the loathes the people with whom he works except for one Vanessa (Elisha Cuthbert) who has a 'smile that lights up a room', but pays no attention to the geeky Bob. Bob is deranged, talks to his goldfish at home (and they answer back!), and plans to kill the most offensive of his fellow workers. But in the adjacent cubicle there is a like mind who beats him to the show and one morning opens fire killing five people and wounding Vanessa with a bullet to her spine that leaves her paralyzed: Bob serendipitously uses his own gun to kill the assailant and becomes a hero for the corporation.

Though Bob is unchanged in appearance or outlook he is elevated to VP of Creative Thinking under the head boss Gene Shelby (William H. Macy). He visits Vanessa in the hospital, suffers her tantrum at being a quadriplegic, but finally is called back to her bedside and sweet-talked into being her hero life-saving guardian and more. Once Bob feels needed and perhaps 'loved' by Vanessa he begins to change, only to have unfortunate reminders of reality enter and alter his life yet again.

Though the subject matter is rather terrifying, Cappello elects to present this tale as black humor. In the hands of less competent actors it would like have been a dud, but with Christian Slater's finely nuanced performance the film takes on a powerful sheen. The line between madness and normalcy is a thin one indeed and there are many disturbing lessons to be gained from watching this small but well-done film. Grady Harp, February 08

Count me as one of those that really admire (most) of this film.

My disappointments: I don't like the fire hose volume of profanity and don't believe it represents real life as much as those justifying it want to pretend it does. And there is one rather disturbing sex scene that could have been handled differently to make the same point. These kinds of scenes aren't "real" and certainly can't compete with movies made to arouse. So, why have them?

Christian Slater is terrific as the deeply disturbed Bob Maconel. He is a cipher and used as an office whipping boy by a couple of low-level low-quality bullies passing for managers. Like many office drones, he dreams about a woman at the office. His dreamgirl is named Vanessa who notices the ceramic bobble hula girl he keeps on his cubicle, but she is too absorbed in her blazing rocket of a career to even pay attention to real people in anything but a passing manner. But she has a smile that lights up a room, as the movie keeps noting.

Bob takes his lunch on a spot where he has a view of the company skyscraper and has a little plastic box with a button so he can fantasize blowing the building to kingdom come. More disturbingly, he has a real gun with real bullets that he ritualistically loads by naming who each bullet is for. But he hasn't been able to bring himself to pull the trigger. During one performance of his rite he drops a bullet and while he is on the floor a gun is fired and people start dropping while others scream. An old man has carried out Bob's fantasy and they strike up a conversation that ends up with Bob emptying his gun in the old man.

The rest of the movie teases out how Bob is treated as a hero, is promoted, and his connection with Vanessa who was made a quadriplegic in the shooting (the shooter thought she was someone else). So, Bob has this secret that others approach but no one will really confront. Even the company shrink appears only to be be circling the core issues.

William H. Macy plays the CEO, Gene Shelby. Vanessa was an up and coming VP who reported directly to him and their relationship combined the very personal with the professional. Gene isn't really a bad guy, but just a ordinarily flawed guy running a company. Others project their own fantasies and frustrations onto him and that is a quite realistic aspect of the film. One funny aspect of the film is that Gene's desk is made up of multiple tables that are, together, somewhat larger than Rhode Island.

The way the movie is filmed handles the madness and melting realities very well. I had not seen these kinds of visual symbols before and thought they were quite effective.

Why some call this a comedy or a black comedy is beyond me. Yes, there are some comic moments, but the overall intent of the movie is serious. True, Bob carries on mutual conversations with his goldfish, but what do you expect such an isolated man who has drifted into madness to do?

I think this is a very effective movie and recommend it for the right audience (keeping my caveats in mind). For me, it was a Christian Slater tour-de-force.

Reviewed by Craig Matteson, Ann Arbor, MI

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Customer review from the Amazon Vine Program This movie wasn't bad for a Slater film. "He Was A Quiet Man" (the title refers to those comments by neighbours, after they discover that kindly Mr Jones at number 23 was actually an axe murderer) is the role of a lifetime for Christian Slater, who almost disappears into his character. It's hard to believe that this watery-eyed dork is Clarence from True Romance. Bob is quite possibly the most ineffectual man you could wish to meet he just lacks a cruel mother to make the picture complete.

And yet Bob actually isn't, in the world of the film, any worse that the dreadful people who surround him. It's an excoriating portrait of corporate culture; happy hour at the bar over the road, a few rounds at the driving range at the weekend, pointless, demeaning work. The film is no gentler on the treatment of the disabled. In particularly when Vanessa returns to the office in her wheelchair, her former colleagues talk down to her as if she was a toddler. Director Frank A Cappello frames the film to exaggerate Bob's sense of alienation in the world. Bob trudges slowly out to lunch as speeded up cars roar past him. He is often shot in extreme close-up, sweating, with a particularly attractive pimple glowing on his forehead.

In the end, though, the film fails to say anything terribly original about alienation and the modern world, other than that it's enough to drive some people crazy. And I think we knew that. A moderately entertaining oddity.

Read Best Reviews of He Was a Quiet Man (2007) Here

I had the pleasure of being invited to watch the screening of "He Was A Quiet Man" in LA the 15th of March at the Wilshire Fine Arts Theater. I am not a film critic therefore I can't really dissect the film and all its cinematic attributes. I can only say that the story was very cohesive and consistent. The characters were completely believable and the dialog, camera work, music, editing and special effects were first rate. The story itself is what makes this film special. I don't even want to start to recap any part of it for the readers because being a "dark comedy" requires fast transition from being taking down a serious and dramatic path only to be presented with dialog and/or visuals that instantaneously transition to comedy. That takes witty dialog, perfect timing in presentation and results in audience spontaneous reaction with laughter. This film does all those things and very well. Therefore, if I "preview" any of the film's action or twists and turns, it will utterly ruin it for you when you see it for the first time.

What this film does not do is wrap everything up in a neat package in 100 minutes. Nor do I think it is supposed to. The film and its story is very complex but not in a confusing way. What I mean is that when you walk out of the theater, the film literally continues in your head for the next 24 hours. As you will process what you saw and experienced and remember details that you might have missed or overlooked in the theater and you will experience what I call "Ah Ha" moments of understanding. I recommend that you see it with a friend that you can talk to about it over the next several days and compare impressions and observations with. Frank Cappello who wrote, directed, co-produced and even wrote the music for the movie has given his best work yet. The cast and crew responded in kind and created a real work of cinematic art for us to enjoy. If you enjoy a film that is a bit quirky, contains lots of nuance, makes you think and at the same time may expose a little of your own insecurities, I highly recommend the film as a must see not just once but several times.

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Christian Slater takes on the role of the bullied office worker hopelessly infatuated with a young female colleague. His boss is verbally abusive, his colleagues remote and his personal life lonely. Other than his pet fish and TV he has no other activities once he leaves his miserable office. Even his next door neighbors are hostile.

This film is a cross between many movies we have seen in not so recent past. I keep thinking about "The Machinist" film about a man who is so delusional that he is unable to distingish his thoughts from reality. In this role, Slater brings performance that is absolutely amazing. Even his physical appearance makes him a whole new persona. I was mesmerized by the film but the ending left me wondering. That is until I saw film extras and realized that director himself had difficulty deciding on the ending. There were three alternate endings.

Performance and story are compelling. Fans of the actor William H. Macy will be delighted too. While this film may not have a mass appeal of box office smash, it is definitely worth watching.

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Casino Royale (1967)

Casino RoyaleFinally this comedic take on the James Bond series makes its way onto DVD, and for completists and fans of James Bond this DVD promises not only the 1967 version of Ian Flemings first 007 novel but also an edited down version of the very first James Bond movie, the 1950s CBS TV movie that starred Barry Nelson as James Bond (thats right, Sean Connery was NOT the first actor to portray 007). Made for an American audience, the character of James Bond is a CIA agent in that show and Leiter is the British intelligence agent. That movie, which is listed as a special feature on this DVD, also starred Peter Lorre as the villain Le Chiffre. Made in the days of live television this entertaining oddity is worth watching for the bloopers alone.

Years later, the rights to "Casino Royale" made it into the hands of another movie producer who, convinced that any attempt to make a serious version of "Casino Royale" would be doomed without the talents of Sean Connery, decided to make the remake as a comedy instead. With Peter Sellers playing James Bond and Orson Welles taking on the role of Le Chiffre everything seemed to be going fine until a script dispute caused Sellers to walk out on the project. Left with half a movie the producers were in trouble and they scrambled to save their production. One needs to understand this background to the movie to understand why it turned out the way it did. In it's final version it seems truly confused with several actors portraying the role of James Bond and several directors (including John Huston who also cameos as M) taking a crack at it. There is even an early appearance by Woody Allen and former Bond girl Ursula Andress. For me personally, the Peter Sellers scenes are especially brilliant and very funny and David Niven plays the perfect gentleman spy. The action comes thick and fast and in addition to Andress there are a number of actors familiar to devotees to the rival EON productions. This movie is truly unique among the Bond canon and should be enjoyed as such.

NOTE: This review is NOT for the "Casino Royale (40th Anniversary Edition)" DVD despite the fact that Amazon lists the review on the product page for that 2007 DVD (note the 2002 date of this review).

Eon Production's DR. NO was a great hit in the early 1960s, and Eon quickly snapped up the rights to the rest of Ian Flemming's novels about super spy James Bond--except for the CASINO ROYALE, which had already been purchased earlier by CBS for a 1950s television adaptation. When the property wound up at Columbia Pictures, they decided to create the satire to end all satires with a host of writers, five famous directors, and an all-star cast led by Peter Sellers. But Sellers' ego reached critical mass during the production and he was fired mid-way into filming--and suddenly roles that were originally envisioned as cameos had to be expanded to finish the project. The result is one of the most bizarre films imaginable. The story, such as it is, finds James Bond (David Niven) called out of retirement to deal with the sudden disappearance of secret agents all over the world. In order to confuse the unknown enemy, Sir James orders ALL secret agents to use the name James Bond--and before you can blink there are Bonds aplenty running wild all over the globe. Eventually all the Bonds, including (through the magic of editing) Peter Sellers, wind up at Casino Royale, where they confront the evil agents of SMERSH and a diabolical mad man with a plot to rule the world.

The plot is absolute chaos, but that doesn't prevent the film from being a lot of fun to watch. The entire cast runs wild with some marvelous over-the-top performances, and whenever the writers can jam in a gag or a weird plot turn they do precisely that: Bond (Niven) is attacked by decoy ducks; counter-agent Mimi (Deborah Kerr) swings from a drain pipe; Bond's daughter by Mata Hari (Joanna Pettet) is kidnapped by a UFO; double agent Vesper (Ursula Andress) hides bodies in the deep freeze. And that's just for starters.

At one point Niven blows up the locked door of a psychedelically decorated dudgeon with lysergic acid--better know as LSD--and in a way this is indicative of the entire film, which was made at the height of the 1960s ultra-mod movement: the whole thing has the feel of a blow-out acid trip, right down to flashing multicolored lights and swinging 60s fashions. It is visually arresting, to say the least. And then there is that famous Burt Bacharach score, easily one of the best of the decade, sporting Herp Albert on the main theme and Dusty Springfield's legendary performance of "The Look of Love." On the whole, the film is one of the most entertaining hodgepodges of talent and weirdness I've ever encountered, and it never fails to amuse. As for the DVD itself, the print is good and the sound is too. The extras are a bit disappointing, however. The original CBS version, included here, is a bore, and the making-of documentary is essentially a prolonged interview with one the film's several directors. I've found that viewers tend to have extremely different reactions to this film--they either love it or hate it, so you may want to rent this one first. But it's one of my favorite guilty pleasures, and I recommend it for fans of the unexpectedly odd.

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As a '60s afficionado I finally got around to seeing this great psychedelic mindblower of a film. It starts off slow....enter Ursula Andress. There are at least 100 beautiful European girls in this film and I can see Woody Allen's motivation to kill all men taller than him so he can get them all. As the film takes off you realize that you have to be on Acid to understand the plot, as everyone remotely connected with this film must've been. The sets range from a Scottish castle to a Berlin haunted house to Orson Wells' psychedelic torture chamber complete with mod spiral funhouse rooms, and it gets more bizarre from there. Great music by Burt Bacharach (The Look of Love).

Has cameos from practically every British star of the time, has a Spaceship full of Woody's duplicate World Leaders...it has everything. What can I say, if you like the '60s you'll love this if you possess that '60s Psychodelic Consciousness that is.

Read Best Reviews of Casino Royale (1967) Here

Casino Royale is hilarious bond spoof produced during the time while Sean Connery was still playing James Bond in the regular Bond films. It has a remarkable cast of stars, including David Niven, Peter Sellers, Ursula Andress, and a young 32 year old Woody Allen.

The film suffers from a certain amount of discontinuity, which having only seen it on TV in the past, I took to be an artifact of it being edited for television. The extra material provided with the DVD, an interview with director Val Guest, explains why this is (I won't spoil it for you). Keeping these behind-the-scenes facts in mind, makes the movie even more entertaining.

I probably laughed more as I child when I watched this movie, but I certainly get more of the jokes as an adult. It's also great fun to take a trip back in time and see these classic actors spoofing the Bond image. I give Casino Royale 4 stars for nostalgia and goofy fun.

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This was made in the mid 1960's, at the hight of the Bond Boom and popular legend has it that it was an artistic and comercial disaster. Althogh it did better at the box office than it is often given credit it had massive production costs and it certanly isn't as well made as the official Bond films but it is also not without merit.

It has a wonderful cast headed by David Niven and Peter Sellers along with the good and the great of British comedy from the period. Ursula Andress is the female lead and unlike her apearance in "Dr. No", we at least get to hear her real voice; her exotic cosumes were designed by Julie Harris who went on to perform a similar service in "Live and Let Die".

The photography is surperb and the digital remastering makes it truly a feast for the eyes. The production design is at least comparable with the EON series.

My favorite aspect of the film is Bert Bacharach's score; almost every scene has its own tune and each one is a delight. "The Look Of Love" has to be one of the most sensual songs ever writen for a film and it has the images to match! Bacharach and David worked hard to capture the movement of Ursula Andress and they more than succeded.

The only thing that lets the movie down is that it is episodic feel to the whole film (probably because of the numerous directors) and the fact that it is about twenty minutes too long. It is hard to sustain tounge in cheek humour for over two and a half houres.

The Austin Powers films owe a lot to this and several other movies of the period ("Our Man Flint" the Matt Helm Movies etc.) and its fun to see where he got his insperation.

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From Prada to Nada (2011)

From Prada to NadaI had every intention of seeing this movie in the theaters but missed it. When it came up as a recommendation on Amazon I rented it immediately. Yes, it is very, loosely based on Sense and Sensibility. VERY LOOSELY, mostly in thematic strains, but you can still see the connection.

The twist is that the characters are based on a hispanic family in Los Angeles. There is an easy transition from english to spanish in the film, with the spanish dialogue subtitled. This is a particularly charming aspect of the movie as the transition happens effortlessly and really lends to the comical aspect of the film. Being hispanic myself, only made it more endearing to me. The family from East Los Angeles, reminded me so much of relatives and friends, I was crying with laughter! The aunt is truly a wonderful actress and has some of the funniest lines. Bruno, played by Wilmer Valderama, is exceptional. HIs subtle approach to his character was a pleasant surprise. Alexa Vega plays the perfect "Barbie" character!

Knowing some spanish/spanglish is a definite plus to get the idiosyncrasies of the script but, by no means, restricts any viewer from getting the humor.

I rented it and then bought it. Is it an Academy Award winning film? No, but it is different, refreshing and a breath of fresh air.

This movie was funny, sad at times, and the tension ran deep. I thought this would be another "cute" movie, but there were so many lessons in this so-called "silly" movie.

1.) illusion versus reality

2.) family comes first

3.) stay true to your roots

4.) be kind to others/help the down-trodden

5.) be happy wherever you are

and many, many more

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...even when you know you can't win. Two polar opposite sisters (the whore and the spinster) suddenly find themselves poor upon the death of their father. They discover they have a brother who takes 1/3. They move from Beverly Hills to East LA to live with their estranged aunt. The two sisters were excellently portrayed by Camille Bell and Alexa Vega who managed to shine through a predictable script with a weak plot and lack of character building. While attempting to break with the negative stereotypes of Latino-Americans it reenforces others.

The movie carries a message about the importance of family and is the perfect film for the teenage drama queen in your life. No nudity. No sex, although it shows Alexa waking up in bed with a man, no f-bombs. It might be fairer to the movie and Jane Austin to claim the film was inspired by her book rather than being based on it, I mean they did cut out the third sister, Margaret.

Read Best Reviews of From Prada to Nada (2011) Here

It was kind of cheesy and predictable, but loved seeing all the hispanic actors in it. The two main female characters were bad and the make-up jobs HORRIBLE!!!

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The average rating for this film is misinformed and misleading. This movie is an amazing experience in Mexican culture and the purity of unconditional love within a family as well as love between a man and a woman. This one is a must see! I am so glad that we have unlimited streaming because I will see this film a few more times!

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Just Friends

Just FriendsAt a high school graduation party, overweight Chris Brander (Ryan Reynolds) attempts to reveal his true feelings for his best friend Jamie Palomino (Amy Smart), but ends up making an utter fool of himself. What's worse, his humiliation takes place in front of his jeering teenage peers. A decade later, Chris has become a success story. He is now thin, prosperous, is a hit with girls, and works as an executive in the music industry. His latest assignment is escorting wacky starlet/pop princess and ex-flame Samantha James (Anna Faris) to Paris, France. But their plane has to make an unscheduled landing in Jersey, Chris's high school home. Rationally, Chris and Samantha decide to stay at his old house. Chris has a reunion with his former buddies, including the winsome Jamie, who immediately rekindles that old spark within Chris. The remainder of the film concerns Chris's efforts to make Jamie see him as more than a friend, while simultaneously fending off the warped Samantha. Competition comes in the form of a former fellow nerd turned sensitive guy Dusty Dinkleman (Chris Klein).

Just Friends is a very funny, feel-good movie. Ryan Reynolds is a hoot as a brash L.A. stud who disastrously channels his inner dweeb whenever he's around unrequited love Jamie. Ryan is really excellent with physical comedy. There are scenes with him that are just uproarious (case in point, the aftermath of his politically incorrect hockey game with the kids). I even enjoyed his frequent Three Stooges encounters with his kid brother (Chris Marquette). And when he has to, Ryan steps outside the slapstick and layers in a deeper nuanced, more introspective performance. I ended up rooting for Chris, even though he was overly cocky and big-timed his home town folks. And then there's Amy Smart, who seemingly can do no wrong. There's just something so lovable and natural about her. She embodies the type of girl every guy would want to be with. Anna Faris's turn as the unstable Samantha adds to the already boisterous feel of the film. Samantha actually scares me. Chris Klein's Dusty, Chris's guitar-playing, song-writing rival, is disgustingly touchy-feely. One would wish that a different sort of arc for Dusty's character had been laid out; the script writer, in my eyes, sold out and made things too convenient for Chris, with regards to Dusty. Julie Hagerty (Airplane!) has a goofy supporting role as Chris's mom.

The special features are tasty:

a filmmakers' film commentary

"Tales from the Friend Zone" featurette (the cast & crew talk about real life "just friends" experiences)

"Developing Just Friends" featurette (wherein we learn of the script's 7 year odyssey and how, originally, Chris didn't get the girl at the end)

"A Director's Guide to Comedy" featurette

"The Transformation" featurette (about Ryan's fat face make-up)

"The Body Shake" featurette (the awkwardness of when you're dropping off a date; do you hug or kiss?)

"It's Friggin' Cold" featurette (the cast & crew basically complaining about how cold the shooting was)

"A Writer's Journey" featurette (focus on script writer Adam "Tex" Davis)

"A Disaster in the Making" featurette (about the making of the Palomino house X-mas decor and its eventual fate)

"The Reshoots" featurette (the making of the eventual ending of the film, which wasn't the original ending)

a so-so blooper reel

deleted scenes

an alternate ending (this was the initially intended ending; you could see why they changed it)

an amusing "Jamie Smiles" video

theatrical trailer

So, try out this movie. It'll make you smile and laugh and even feel nostalgic because, let's face it: just like me, you've been in Chris's position before, too.

This is not hi-def quality. It's lo-def recorded onto a blu-ray disc. All the cost, none of the detail. Doesn't even have the extras that are on the dvd. For the record, I loved this movie and was very anxious to get it in hi-def, but this was a complete rip-off. Don't waste your money. Just get the dvd.

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This movie definitely turned out to be better than expected. I'd just seen "Waiting", which was decent, so I was interested to see what this Ryan Reynolds film would have to offer.

This movie had a much better storyline than did "Waiting..." It was very refreshing to see Ryan Reynolds play a character that wasn't Van Wilder-esque. He gives a very funny performance as the fat-kid turned Hollywood man-about-town who returns home and reconnects with the girl who broke his heart in his youth.

The movie is funny right off the starting line and remains funny throughout.

Recommended.

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My husband and I absolutely love this movie we feel it is a totally underrated comedy. We quote it on a pretty regular basis, and look forward to watching it every holiday season (and throughout the rest of the year). Ryan Reynolds (Chris), Chris Klein (Dusty), Anna Faris (Samantha) and Chris Marquette (Mike) are all perfect in their roles and keep us laughing through the entire film, no matter how many times we've seen it. The love story between Chris and Jamie (Amy Smart) is adorable, and the love triangle with Dusty is hysterical. It's also one of those movies that gets funnier with repeated viewings, so give it a shot and I don't think you will be disappointed :)

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This movie is a scream. I'm a big fan of Ryan Reynolds anyway, and he is a belly laugh in this movie, so he certainly doesn't disappoint. The whole cast is very well put together, and enhance the movie in it's hilarity. Then, after all the craziness, there is a believable, good ending.

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What Happens in Vegas (2008)

What Happens in VegasOkay, so sue me; I laughed a lot while watching this movie. My wife said that the film was horribly stupid but I didn't care. Sure, it was predictable beyond belief but why would you expect anything but a predictable romantic comedy? I mean, yes, at times the humor was a little off color or just plain ridiculous, but in a world embracing the comedic genius that is Judd Apatow (don't get me wrong, this is no where near as good as an Apatow production) why would you get mad over that?

`What Happens in Vegas' is exactly what you'd expect from a comedy starring Aston Kutcher.

The film tells the story of control freak Joy and slacker Jack. Joy was just dumped by her fiancé and Jack was just fired by his own father. When all goes wrong the only viable option is to go crazy in Vegas, so that is what they decide to do. It is in Vegas where they meet and get drunk and get hitched only to wake up desperate to end their relationship; that is until Jack wins $3,000,000 with Joy's quarter and each wants the cash. What happens next is highly unlikely (very highly) but for the sake of the film we'll follow along. A judge sentences them to a half year of marriage before either of them can be awarded the money. Jack and Joy are thus forced to live together and `work on their marriage' in order to attain the cast they so desperately desire.

The pot shots taken are over-the-top at times, but funny none-the-less. The situation is more preposterous than any of the jokes, and the actions taken by the two main characters, as immature as they are, are believable when you take into context the nature of the characters they are playing.

I mean seriously, a lot of people are that stupid.

Cameron Diaz is above this, I will say that. She is a wonderfully talented comedic actress who deserves better than the material she is provided here. Her performances in films like `Vanilla Sky' and `Being John Malkovich' and even `My Best Friends Wedding' all prove her talent and should have garnered an Oscar nomination by now. Instead she is reduced to starring alongside Aston Kutcher in a film tailor made for his persona as apposed to her talent. This is not above Kutcher, in fact it is a step up for him (look at what he's done up until now). Honestly, if you are looking at this film because you are a fan of Kutcher then you have nothing to complain about since this is undeniably one of his better films. If you are watching this because you are a fan of Diaz then you may have reason to be bitter since this may be the worst film she's ever done.

Forget them for a minute though, because the real stars of this film are Rob Corddry and Lake Bell who play Hater and Tipper, the happy couples best friends. These two have such a brilliant love/hate chemistry that is seriously the funniest part of the film.

In the end I can't say that this is a great movie or one that I would highly recommend, but if you are a fan of the genre or the films male lead then you already know what to expect and you most likely will enjoy this film to an extent. If you are not a fan of either then you should really be looking elsewhere. Regardless, look at it for what it is and you will find something enjoyable about the whole experience.

This is a funny "no brainer" movie with a sweet ending. You don't have to think about the plot, it is very predictable. Just relax and enjoy the slap stick humor. This is a good movie to watch after a hard day of work with a couple beers and some popcorn. It will make you laugh and you don't have to bring your brain. This would be a great first date movie too.

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Two people down on life do what losers do. Jack (Kutcher) is a grown up adolescent who just got fired by his own father. Joy (Diaz) is a control freak who just got dumped by her fiancé in front of all her friends.

Naturally, the two dimwits think going to Vegas will solve all their problems. What follows is pure Britney Spears they get trashed, party, and do incredibly stupid things. Awaking the next morning, they learn one of the stupid things was a drunken marriage. No longer inebriated, they agree that the marriage was a mistake, and after a brief argument, they agree to an annulment. Moments later Jack uses Joy's quarter and wins 3 million dollars. Naturally, they argue over ownership, and the wacky paint-by-numbers script ensues.

Considering that I find Kutcher and Diaz two of the less appealing stars in Hollywood, the movie didn't have a great chance of impressing me. The two stars were OK at best, providing a few chuckles along the way. Luckily, however, Jack and Joy's best friends who tagged along to Vegas were hilarious. Their constant banter, asinine behavior, and hatred for one another provide the only real hard laughs of the entire movie. Anyone who walks away from this movie without laughing at their "junk punch" scene doesn't have a sense of humor.

If it weren't for the co-stars, this would be a two-star snoozer for the most part. Much like actual gambling in Vegas, however, there are times when a lucky person rubs off on another. The friends in this movie are the lucky streak and overall I'd recommend it as a light comedy.

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This is the best kind of comedy you can make. Nothing far-fetched just people being people with hilarious humor and not over-the-top romance. It is a little cliche and predictable but what movie isnt. I could watch this over and over again.

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Hollywood loves copies. it takes some of the risk out of investing in movies, or so the legend goes. This film is another version of Honeymoon in Vegas. I don't mean kind of, or sort of. The male lead is similar, the female lead (Cameron Diaz) is VERY similar to Sarah Jessica Parker. How similar? SJParker is a beautiful actress with great legs AND gym work arms that are better than my own. Cameron Diaz is a beautiful actress with great legs AND gym arms that are better than...well, you get the picture. If they follow similar plots, even similar casting, you know you have a similar film. SO? Well, Honeymoon in Vegas, with James Caan, was very good. It had real plot twists, and real angst about losing a very foxy wife. This film, a derivative, is light and fluffy. It is pleasant enough viewing, but if you must get one film, do not get this but get the original: Homeymoon in Vegas, also in stock on Amazon.

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The 40-Year-Old Virgin Unrated (Blu ray + DVD + Digital Copy) (2005)

The 40-Year-Old Virgin UnratedThis is one of the funniest movies I've had the pleasure of catching at a movie theater in a long time. I thought I was purchasing more laughs for my buck buying the UNRATED version, but much to my disappointment this is definitely a case of MORE is LESS. The added scenes do nothing to enhance the original; in fact, I'd say 90% of these added scenes should have been left as "deleted scenes." They hurt the comedic pacing of the original. If you thoroughly enjoyed the original at the theaters, stay away from this unrated version. In fact, I'm so disappointed in this unrated version, I'm tempted to buy the r-rated "original" version even though it only comes in full screen (why the original is unavailable in the widescreen format is also cause for this fan to roll his eyes in disbelief).

Surprise, it's a morality tale disguised as a sex comedy.

Imagine you combined a few of the best parts of Something about Mary, 40 days and 40 nights, Sideways and ( as strange as it might sound) an after school special. Now, throw in more profanity than really necessary and imagine that the combination worked.

Plus, unlike the Josh Hartnett film, 40 days and 40 nights, there is some actual thought given to the kind of person who is shown.

It's not Shakespeare. It's not Once Upon a Time In Mexico. And it's not the Usual Suspects, but for what it is it works.

And what it is, is the smartest dumb movie I've seen in a very long time.

Among its many surprises, is you have a peer group of men who actually look out for each other.

You also have an attractive grandmother who is not the standard cookie-cutter grandmother.

These are just two of the many departures from the expected that make this anything but the one-note comedy that the commercials make it seem like.

The 40 year-old is cut from the same cloth as Steve Martin's early masterpiece, the Jerk, and as someone in his thirties, it's refreshing to see a funny movie, where the main character is not a 20-something.

Plus, the soundtrack is a surprising combination of some of the forgotten treasures of pop and broadway.

Perhaps, the best of all, it's nice to be reminded that everyone is running on their own schedule in life.

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My first viewing of "The 40-Year-Old Virgin" was late in its theatrical run. By then it had been banished to the smallest theater in the multiplex, so me and (I assume) the only other middle-aged virgin in town were its sole audience. I wish I'd seen it sooner, because it's now one of my all-time favorite comedies.

Forty-year-old Andy Stitzer lives a comfortably regimented singleton life similar to the main character from "About a Boy," except chaste, uncool, and with no internal monologue. He works in the service department of Smart Tech, a Circuit City-like electronics store. One day, a couple of coworkers ask him to be the fifth man at a poker party. He accepts, but during the game is outed as a virgin. The rest of the movie revolves around his friends' outrageous attempts to get him hooked up, along with Andy's determined efforts to overcome his fear of women and woo Trish, an attractive customer who owns an online auction store across the street.

This could easily have been another lowbrow copulation comedy. However, it's much better than that. Steve Carell (also a co-writer) does a fine job of making Andy into a sympathetic character. Indeed, I easily identified with his motivations and actions: the bad experiences that led him to forsake dating, his escape into fantasy, and even the mundane activities he uses to fill his solitary life. Andy's friends are also intriguing because they represent flawed approaches to women. David (Paul Rudd) is obsessed with a gal who dumped him years ago, Cal (Seth Rogan) objectifies females, and the serial cheater Jay (Romany Malco) can't commit to his longsuffering girlfriend.

The movie has been lengthened in this DVD edition by 17 minutes with additional and extended scenes. As for DVD extras, this edition is packed with a decent assortment. Deleted scenes like Andy's public karaoke debut added depth to the characters. A series of outtakes include the usual blown lines, gaffes, and laughing fits. The lively commentary contains interesting bits of trivia on the filmmaking process. However, it was a bit too crowded for my taste (just about everybody shows up), and Seth Rogan has a tendency to dominate the proceedings. Unfortunately, Catherine Keener is a glaring absence. Her portrayal of Trish is excellent, and I really wanted to hear her perspective. Finally, the other featurettes, such as the waxing scene "making-of" bit, are stock, but passable.

Although it's somewhat raunchy, as a Christian I have to commend "The 40-Year-Old Virgin" for a single crucial thing: it's the only mainstream movie I know of that makes chastity until marriage look like a grand idea. That alone is enough to recommend it (even if my pastor disagrees). But the humor, story, characters, and performances are also worth the watch especially if someday, like me, you hope to sing "Age of Aquarius" on your honeymoon.

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Raucous humor, outrageous interpersonal situations, potty mouth, and over the top jokes have long been the successful turf of countless summer movies aimed at the teen crowd, films such as the endless American Pie series, Dumb and Dumberer, There's Something About Mary, etc. Now there is a new trend aimed at the thirty to forty something audiences that mimics the earlier teen subjects. THE 40-YEAR-OLD VIRGIN falls into this category along with WEDDING CRASHERS et al, but there is a difference with this one: empathy.

The story is slight: an uptight, loner, action heroes collecting, non-driving bicycle-riding punctual worker in a boring firm is now forty years old and is still a virgin a fact that bothers him deeply but his virginity has developed into a phobia for close encounters of the female kind. His work partners discover his secret over poker and pledge to resolve the problem by getting him laid, in some of the most negative possible of suggestions. After endless trials to resolve his sexual vacuum he meets a forty something grandmother and in a mutually agreed pact they decide to date without sex for 20 dates before they allow physical activity to occur. In the process the friends at work (including the seductive female manager) learn a thing or two about their own life styles and the film ends in a bizarre musical number that pushes it over the top while tapping at the heart.

Steve Carell co-wrote the script (with Director Judd Apatow) and it shows. His 'Andy' may be a nerd but his adaptation to his problematic existence is sweet and charismatic. Likewise, his office entourage (Paul Rudd, Seth Rogen, Romany Jay, Jane Lynch) gives us three-dimensional characters each of which shows some personal growth of their own during their experiments for Andy. The real glow of the film is due to the presence of Catherine Keener as the 'grandmother' for whom Andy falls. Whenever she is on the screen lights flash and reality sets in. The real problem for this viewer is that the slapstick portion of the film simply goes on too long. Apatow needs to rethink comedy in a way that reminds him that brevity is better: two hours is way too long for this very short story. Though it has redeeming graces, this is a film for a audience tolerant of the silly and the gross who is willing to wade through the first three-fourths of the film to catch the quietly tender social comment the film contains. Grady Harp, January 06

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The story's not too complicated. Steve Carell plays Andy, a nice, but shy and geeky guy who in 40 years hasn't managed to have sex with a woman. The guys he works with at the electronics store find out and make it their mission to get him laid. They give him bad advice and yet he still manages to have a few close calls but all he gets is embarrassed, scared and thrown up on. All on his own, Andy manages to start dating a woman who he really likes, but she wants to take it slow, so no sex at first and besides, he can't figure out how to tell her he's a virgin.

This was a funny movie. It's crude humor, but what would you expect from a movie called The 40 Year Old Virgin. What pushes it a cut above say a teen trying-to-get-laid movie is the relationship between Carell and Catherine Keener as they actually fall in love. Carell's Andy has his geeky tendencies but is also very human in his emotions and the way he deals with life. Paul Rudd was very funny as a salesman at the store who is still pining for a lost girlfriend 2 years later. His deterioration as the movie progresses was hilarious.

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Repo! The Genetic Opera (2009)

Repo! The Genetic OperaThis movie is amazing! The scenes are very creepy and unsettling, but at the same time very appealing and artistically beautiful. Even if you hated the music or plot, which I didn't this movie alone for the scenery is worth a buy.

Now about the music. At first I was uncertain of how to feel regarding their musical numbers, and by the third song I was hooked. The lyrics in this are comedic at times, other times serious, and actually nearing the end there is a song that I think is pleasant, "I Didn't Think I'd Love You This Much," is the name of the song I believe. The vocals of lead Alexa Vega are great, strong, and defined. Even Paris Hilton surprised me as this is the first time I have heard her vocals, and it reminded me some some old school goth rock cd I'd listen to in high school. Finally, Sarah Brightman. What can I say about Sarah that anyone doesn't already know? Musical Wise, she was nothing short of spectacular.

Acting wise, I'm a big junkie for Bill Mosley and it was fun to see him pull off the comedic cult character he portrayed. Paris, actually did great acting, it surprised me how great Alex Vega did considering I had never seen her attempt anything like this, and I was surprised that Sarah Brightman could be as dark as she was in this movie. The casting meshed well and it was fun to see such big names in a movie that hadn't hit theaters in my area.

Art wise, the scenes were mind-blowing. There are scenes where there is much cgi used, but overall it looks good, and that's saying a lot for me considering I hate cgi. Also, the make up was great with good effects, example, if the box hadn't said Paris was in this I doubt I would have recognized her until the end.

Overall, I rarely say this.... But I wish I could give this a higher rating then a 5 star. I will be buying the soundtrack as soon as I complete this review. Repo! Will be played a second time tonight for my posse... Yes, it was that good.

Three, count 'em, three (!) songs from Repo! The Genetic Opera are being considered for Academy Award nomination. That shows how amazing this film is. Sadly, Lionsgate does not consider this film to be all that amazing, and is not doing anything to support this nomination. Generally, a film company would send letters and sample DVDs to the Academy members, promoting their film. Lionsgate, however, is run by a bunch of idiots and they are not doing this. So, it is up to the fans to promote Repo! Here are the three songs that are up for the nomination:

"Zydrate Anatomy"

"Chase The Morning"

"Chromaggia"

Set against a futuristic backdrop where an epidemic of organ failures is plaguing humanity, people turn to the unscrupulous Geneco Corporation to purchase replacements for their failing vitals. Not everybody makes good on their payments, however, which is where Nathan Wallace (Anthony Head of Buffy the Vampire Slayer fame) goes into action as one of Geneco's "repo men", brutally reclaiming defaulters organs at scalpel-point.

I loved it! It's basically a very stylized, horror rock opera. I was a little worried about Alexa Vega and Paris Hilton being lead characters in it, but Alexa Vega was marvelous, and Paris Hilton was basically being herself (an heiress to a multibillion-if-not-more-dollar company who's obsessed with fashion and thinks she's capable of singing), so she couldn't really go wrong. Her character didn't sing much either, so you don't really have to hear much of her voice. The songs are incredibly catchy and well written, and the actors had the voices that really brought the songs to life. Imo, the best songs are "Zydrate Anatomy," "Infected," and "Legal Assassin." There wasn't as much gore as expected, but the gore in the movie was great. Lots of someone being cut open and then the Repo Man reaching into his/her abdomen and taking various organs.

I've read/heard a lot of complaints about the film saying "oh the story's too complex and weird!" or "the lyrics were awful and poorly written!" You know what? The movie's called Repo! The Genetic Opera. "Opera" being the key word here. The melodrama and crazy story lines are a staple of classic operas! The story line is just like many classic opera story lines. I read someone's comment that the only opera aspect missing is a mistaken identity, which I find to be totally true. Weird lyrics are also a staple of classic operas. I mean, come on, they sing EVERYTHING in operas. Even "oh no, I've dropped my hat" gets turned into a ridiculously emotional song.

Overall, I loved this movie. The cast was great, the songs were great, and the style of the film was really interesting. I loved the nods to classic opera as well.

Final Verdict: 10/10

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Seemingly forever destined for cult status, Repo! The Genetic Opera is something you have to see to believe. A Goth-themed rock opera directed by Darren Lynn Bousman (Saw II, III, & IV), Repo! tells the tale of a future, Blade Runner-inspired world where massive worldwide organ failures have led to the rise of GeneCo; a biotech company run by Rotti Largo (Paul Sorvino) that lends out organs to those that need them. Failure to pay in full however results in a visit from the Repo Man (Buffy the Vampire Slayer's Anthony Stewart Head), who has no qualms about getting his hands dirty (and bloody) as he takes them back. As the story moves on, we learn of Repo Man's sickly beloved daughter Shilo (Alexa Vega) who learns of some deep buried secrets, and Largo's heirs Amber Sweet (Paris Hilton), Luigi (Bill Moseley), and Pavi (Skinny Puppy's Ogre) who are all warring to be left in charge of their sickly father's empire. The film moves along at a pretty brisk pace, even though its story doesn't always manage to catch up to it. The film's music is spectacular, and the cast (even Paris Hilton believe it or not) is wonderful as well, as Bousman quickly shines well above anything he's ever done with the Saw series. Also featuring Sarah Brightman, Repo! stage vet Terrence Zdunich, and a quick cameo from Joan Jett; Repo! The Genetic Opera is made to be a pure cult classic through and through, and though it definitely isn't for all audiences, the film stands as being something special regardless, and is wholeheartedly worth a look at the very least.

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A few years ago I went to see Rob Zombie's directorial debut "House of 1000 Corpses" and I remember driving home not knowing what the hell I just watched. I wasn't sure it was actually any *good* but I knew it was different. I had that same feeling tonight after watching "Repo! The Genetic Opera."

It is what it is, operatic but with a distinct goth/rock feel. Very little of the dialogue is spoken, it's mostly sung. The look of the whole thing was a mishmash of "Rocky Horror Picture Show," "Moulin Rouge," "Blade Runner" and the Nine Inch Nails music video for "Hurt." So visually it was arresting to be sure.

I didn't like it at all at first, the first 20 or so minutes was pushing me to just turn it off but it grew on me......somehow.

The film's plot (if you can call it that) is we're in the not-too-distant future where the world has seen an epidemic of organ failures and one company offers something of a cure-all. They specialize in organ donors but the catch is if you fail to make your payments, they send a repoman to reclaim the heart, kidney, whatever from you....forcibly.

Obviously there's a strong horror movie vibe going on here with some macabre imagery (and a dash of sci-fi thrown in) and having everything played out in these grand operatic gestures dressed up in trashy goth outfits.....well......it's different. Certainly not something for everyone but I'm willing to bet "Repo! The Genetic Opera" will find a very loyal cult following.

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Everything the acting to costumes and songs are fantastic!

This film is wonderfully paced and a bunch of the songs like Chase the Morning and At the opera tonight are really catchy! another highlight would be Sarah Brightman's role as Blind Mag! Her Performance is so subtle yet very convincing you can't help but feel for her character!

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The Princess Bride (Two-Disc Blu-ray/DVD Combo in DVD Packaging) (1987)

The Princess BrideThis is a terrific movie that has so many different editions of the DVD and now Blu-Ray discs that it gets very confusing as to what is in each version.

A search of the internet shows several reviews that describe the differences between the DVD versions. Basically the "Dread Pirate Roberts" edition and the "20th Anniversery" edition have different special features not in the other edition.

As of this writing, there are three versions of the Blu-ray the Blu-ray only edition, and the Blu-ray + DVD edition in either a Blu-Ray or the old style DVD case.

What makes it confusing is that Amazon and other sellers of this Blu-Ray only edition list this movie as a 1.33:1 aspect ratio, implying that it might be a different movie cut, while the other two Blu-ray editions are listed as 1.85:1 aspect ratio. No doubt this, together with the fact that the Blu-Ray + DVD edition has almost the same price, has hampered sales of this Blu-Ray only edition.

Well, I went ahead and got the Blu-Ray only edition, mainly because I thought that there might be a chance that the 1.33:1 ratio was because some older movies were filmed on 35mm film which has a natural 1.33:1 aspect ratio, and then were cropped top and bottom to a 1.85:1 ratio to give them a widescreen look. On the other hand, the very first DVD edition released for Princess Bride notoriously had a horrible pan-and-scan cropped to fullscreen 1.33:1 aspect ratio that showed less of the movie than the widescreen version, which is not what you want to see in a Blu-ray. I was hoping for the other possibility that the listed 1.33:1 for this Blu-ray edition meant that cropping had been removed from the widescreen version to show MORE of the movie as it was originally filmed.

However, on playing this Blu-ray, it was immediately obvious that this Blu-Ray only edition is the same 1.85:1 aspect ratio as the other Blu-Ray editions. So all those listed descriptions of this Blu-Ray as a 1.33:1 aspect ratio are just flat out wrong.

What are the other goodies on this Blu-Ray? The Special Features include:

Audio Commentary by Rob Reiner

Audio Commentary by William Goldman

The Art of Fencing

As You Wish, The Story of The Princess Bride

Cary Elwes, Video Diary

The Dread Pirate Roberts: Greatest Pirate of the Seven Seas

Fairy Tales and Folklore

Love is Like a Storybook

Miraculous Makeup

Original Theatrical Trailer

Princess Bride: The Untold Tales

So, this Blu-Ray contains essentially all the special features of the "Dread Pirate Roberts" edition and the "20th Anniversary Edition" except for the DVD games and the booklet. The special features are in their original DVD or lower quality video resolution, although it seems that some of the excerpts from the movie itself have been re-edited to use the higher Blu-Ray resolution.

The Blu-Ray quality is excellent, except for being a bit grainy in some parts tweaking the sharpness or edge enhancement helps, if you have this feature on your Blu-Ray player.

Finally, a few words about the movie it is an absolutely wonderful classic a warm, romantic, and humorous mythology, one of those perfect family movies that could be shown every year just like "A Christmas Story". It was known to be the late Andre the Giant's happiest experience in life, playing the role of Fezzik; he regularly watched the movie afterwards.

It belongs on the list of my favorite films of all time.

Here's what is new on the 20th Edition DVD:

"The Princess Bride: The Untold Tales"

"The Art of Fencing" Featurette

"Fairy Tales and Folklore" Featurette

"True Love and High Adventure: The Official The Princess Bride DVD Game

The Dread Pirate Roberts/Buttercup Editions include all of the Special Edition features plus:

French (Dolby Digital 2.0 Surround) Audio Track

"Dread Pirate Roberts: Greatest Legend of the Seven Seas" mockumentary

"Love is Like a Storybook Story" featurette

"Miraculous Make-up" featurette

Quotable "Battle of Wits" trivia game

Collective booklet: "Fezzik's Guide to Florin"

I prefer the Dread Pirate Robert's/Buttercup Edition, but there are three reasons why you might want to buy the new 20th edition:

1. You don't already own the movie (shame on you).

2. You collect all things Princess Bride.

3. The DVD cover art is fantastic!

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I remember when I first saw this movie, around age 13, I had no idea who the Man in Black was through the entirety of the first act. Sure, it's apparent now, given the benefit of hindsight, but because of the actor's anonymity at the time I never made the obvious connection. On top of that, most of the rest of the cast was unknown to me as well (except for the one non-actor, Monsieur Roussimoff, a.k.a. Andre the Giant). The sweeping anonymity of the company allowed the film to do two things: first, the audience isn't distracted by the presence of the Big Star; and second, unknown actors allow for no preconceived notions of their characters. Which in turn allows the filmmakers to subvert character types, and insert some true surprises into the story.

Which, to make a long point even longer, is the whole ethos of the film

William Goldman's book "The Princess Bride", on which this film is based, intended to tell only the 'good parts' version of the story of Westley and Buttercup. That is, it would leave in the high drama and action and romance, while curbing the back-stories and superfluous exposition. William Goldman, in his role as adaptor of the book into a screenplay, remains fiercely loyal to this proposition. He's constructed a framing device, wherein a grandfather is reading to his sick grandson, which allows him to make meta-fictional comments on the seemingly typical fairy tale being told. In doing so, however, he subverts the fairy tale's typicalness, making it much more surprising and revelatory. At one point the grandson worriedly asks about the fate of the villain: "Who kills Humperdinck?" The grandfather calmly answers, "No one. He lives." Which is not only a true statement, for that is exactly what happens, but it doesn't even come close to ruining the end of the story. On the contrary, it increases the suspense, and makes what does happen quite astonishing.

Rob Reiner, in only his third time out in the director's chair, does a wonderful job of translating Goldman's script to the screen. He utilizes elements, whether by choice or by budgetary restraints, that would at first appear incongruous, but work as a whole to keep the audience off-balance, and thus more receptive to the surprises the movie has in store for them.

The acting is, stylistically, all over the place. It ranges from the unabashed over-the-top passion of Mandy Patinkin (Inigo Montoya), to the bumbling buffoonery of Wallace Shawn (Vizzini), to the gentle anti-acting of Andre the Giant (Fezzik), to the unsubtle Snidely Whiplash villainy of Chris Sarandon (Prince Humperdinck), to the Borscht Belt mugging of Billy Crystal (Miracle Max), to the icy malice of Christopher Guest (Count Rugen), and the stark realism of Robin Wright (Buttercup, the title character). No two actors take the same road, but they all somehow arrive at the same location. Cary Elwes, playing the hero, is the only one who falls easily into all these styles, as the situation demands it. He is menacing, suave, cool, funny, athletic, simple, sweet, fierce, etc., etc., etc. Elwes and Patinkin are the standouts for me -their swordfight atop the Cliffs of Insanity is technically brilliant, literate, and extremely entertaining -but the entire cast effective. Even the smaller roles (British comedians Mel Smith and Peter Cook each have brief but memorable one-joke cameos) make their mark.

The film's musical score, composed by 'Dire Straits' frontman Mark Knoplfer, swings and sways from moment to moment. In one, he uses stark, bouncy lines to underscore a simple scene of Fezzik and Inigo trading rhymes. In the next, he layers synthesized strings to call up the gravity of the Man in Black's chase. My only problem with the music is the song written for the closing credits: it's weepy and melodramatic, without the sense of subversive fun that had prevailed up until that point.

The sets and scenery switch back and forth between real and obviously fake. Filmed in and around the English countryside, most of the outdoor locations (the severe valley, the woods) breathe reality and beauty into the story. Others, such as the Fire Swamp, the Pit of Despair, and the plateau above the Cliffs of Insanity, have the phony feel of a Hollywood soundstage. Again, the film keeps the audience on their toes.

So now that I am 27 instead of 13, and know back-to-front the filmmographies of all the actors involved, and have seen the film more than a dozen times, and can quote lines from it at the drop of a hat, do I find it any less appealing than on that first viewing? Of course not. Goldman and Reiner's film rewards multiple viewings, with its wit, its playfulness, and most importantly, its subversiveness. Will there ever be a time when I tire of watching it? A time like that is right now, as Vizzini might say, "inconceivable".

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I am a great lover of the Princess Bride, so when the 20th Anniversary Edition came out, I pre-ordered it and eagerly awaited it's arrival. Well, I got it on Saturday, popped it into the DVD player and fully expected to be dazzled by all of the new extras. There's one new featurette on the movie, which does not feature Cary Elwes. There's an intro to the new PB game that's out. And a featurette about how this compares to other fairy tales. The rest of the features that were so awesome in the special edition, like Cary Elwes' video diary? Nothing else is included. I was very disappointed, and wish I had not wasted my money. The movie is awesome, and if you do not own it, by all means, buy whichever version you please. But my own personal preference is for the Special Edition. It sounds like the Buttercup/Dread Pirate versions are cool too. Just wanted to warn you all so you don't make the same mistake. Thanks!

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The MOVIE: at first glance, this is your basic fairy-tale-fantasy-love-story between Princess Buttercup and her dashing lover Wesley. Mix in some pirates, giants, swashbuckling Spaniards, evil geniuses, dungeons w/ torture devices and six-fingered men, and you have possibly the best non-animated family classic of the 1980s. It's also the favorite (and usually most-quoted) movie of many of my friends. In sum, words cannot do justice to this movie, so please rent it.

The DVD: I absolutely refused to buy the first DVD release of this movie, as it was non-anamorphic (i.e., will not fit on widescreen TVs) and was sorely lacking in extras. This SPECIAL edition is well worth the wait. First of all, you have two high-quality featurettes from 1987, each roughly 10 minutes long. The first one is a look behind the making of the movie and includes on-location interviews of the actors between shots. The second featurettes is more of the same, although it focuses more on providing unique insight into the decisions behind the casting of every major character in the movie. Also included is a 5-minute video diary by Cary Elwes, which is basically Cary with a camcorder filming himself and other members of the production at various points (e.g., practicing with his fencing teacher, the crew eating meals, etc.). Cary and Robin Wright provide voice-over commentary.

However, the true gem of this disc is the 30-minute "As You Wish" Documentary, in which all the principals (Cary, Robin, Rob Reiner, Billy Crystal, Fred Savage, William Goldman, Mandy Patinkin, etc.) look back from 2001 at the entire history of The Princess Bride, from the reasons as to why Goldman wrote the original book in 1973, to his decade-long attempt to get it put on film, to the choice of Rob Reiner and its subsequent filming, and to the legacy the movie has left in the 15 years since its release. In covering almost every aspect of The Princess Bride, this documentary is often funny, sometimes sentimental (especially when the actors reminisce on their memories of Andre the Giant), and always fascinating.

Lastly, the DVD contains two audio commentaries, one by Rob Reiner and a separate one by William Goldman, with each providing their respective insight into the various parts of the story and its filming. (I will say, however, that Rob Reiner's commentary is much better than the sparse one he gave in the DVD for "When Harry Met Sally").

In sum, this is the consummate DVD for any true fan of the movie. I can't imagine too much more that could have been added to this DVD which would have made it too much better. A truly, can't-miss DVD. If you own the first release, you won't regret trading it in for this one.

A Simple Twist of Fate & Unstrung Heroes - Blu-ray Double Feature

A Simple Twist of Fate & Unstrung Heroes - Blu-ray Double FeatureI bought this because I like "A Simple Twist of Fate." I had never seen the other movie but liked it too.

I bought this for the movie "A Simple Twist of Fate". It was on TV but I missed the last half of the movie. Its a wonderful story line and Steve Martin was as incredible as usual.

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Mill Creek does it again, this time with two dramedies, BOTH of these are PG-13.

Both are in thier original widescreen ratios, and have optional english captions.

The PQ and AQ are great with this release.

A Simple Twist Of Fate stars the great Steve Martin.

Unstrung Heroes stars Andie McDowell and John Turtorro.

Mill Creek is really releasing some stellar products lately!

Recommended!

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Story of a guy who is kind of lost until he finds and adopts this infant girl. She is very bright and recognizes who her "real" father is when her biological father tries to take her away.

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An odd combination of films, but both are funny and touching.

Two true gems, Steve Allen at his best, and a great oddball family tale.

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Beginners (2011)

Beginners(2008 HOLIDAY TEAM)There's an emotional acuity to this bittersweet 2011 dramedy that makes the loose structure of the first-person narrative easier to take than one would expect. Director/screenwriter Mike Mills bases his movie on a series of events that occurred in his own life. Just months after Mills' own mother passed away, his 75-year-old father announced that despite their 44-year marriage he was gay and intended to spend his remaining days exploring the hidden side of his libido. Cancer cut short those plans but not the life affirming spirit with which he explored his new lifestyle. It certainly helps that Mills cast 81-year-old Christopher Plummer as the father since his naturally erudite manner complements his character Hal's innately fey quality in a way that makes his late-blooming emotional emancipation all the sweeter. It's a lovely performance well worth remembering during next year's award season.

The protagonist of the story is Oliver, a sensitive cartoonist who is nearing forty and finding himself unable to sustain a lasting relationship. Family dysfunction has taken its toll on Oliver given that he discovers six months after his mother Georgia's death that Hal was in the closet most of Oliver's life, thus explaining why his parents never appeared to connect emotionally. Oliver is obviously concerned a similar fate of repressed feelings will befall him as he rummages through Hal's things after his death. Flashbacks show a childhood dominated by Georgia's eccentric manner with Hal relegated to the shadows of doorways always on his way to another business trip. Meanwhile, closer to the present, Oliver meets a free-spirited French actress named Anna, whose flirtatious manner gives way to her own vulnerability since she has her own family-related challenges in developing romantic connections. Mills intertwines his characters' destinies with the unwieldy nature of life in all its familiarity. There is little one could call pat and predictable in this film.

As Oliver, Ewan McGregor (last seen in the underrated The Ghost Writer) has never come across more comfortably onscreen, making it easy to empathize with his plight without the contrivance of standard Hollywood convention. He has a nice rapport with Mélanie Laurent (she was the vengeful Shosanna Dreyfus in Quentin Tarantino's Inglourious Basterds), and her beguiling portrayal of Anna reminds me of Natassja Kinski during her early Polanski years. Playing Hal's much-younger lover Andy, Goran VisnjiƦ does a surprisingly liberated turn completely submerging any remnants of his ER character, while another TV veteran, Mary Page Keller, brings a nice subversive edge to her performance as Oliver's somewhat hardened mother who had long ago accepted her husband's sexual orientation. This is a movie of small moments and quiet revelations, so it won't suit everyone's attention span, but it is worthwhile viewing for more patient, discriminating viewers.

I went with eagerness to this film. I tend to see many gay-themed movies. This one moved me enormously, and it wasn't the gay character, Christopher Plummer, who most affected me, although he was very, very good. What hit me hard about the movie was Ewan McGregor's deeply sensitive portrayal of a lonely man. This movie is not about how a straight son comes to grips with his gay father who comes out very late in life. It's about a man approaching middle age (McGregor) who realizes he has never really loved. I am rarely (and I mean rarely) been moved to tears in a movie. This was an exception.

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Beginners is the latest film by independent film auteur Mike Mills and is probably is his most noteworthy film since 2005's Thumbsucker. It stars proven talent such as Ewan McGregor (Trainspotting), Christopher Plummer (The Last Station) and Mélanie Laurent (Inglourious Basterds). The film's central plot focuses on Oliver, a slightly disenchanted graphic designer whose father Hal comes out as gay after the death of his mother. Although Oliver takes the news comparatively well, he reflects on his childhood and begins to realize what was behind the silent discord between his two parents. At the same time, he reflects on a dissolved relationship with Anna, a French actress with whom he had a relationship that never bloomed into what he really expected it to.

As an independent film, it takes on the independent credo: All characters, no action. It deals purely with the characters and their interactions with one another. Christopher Plummer emerges as the most interesting in this understated affair. Plummer, who always is in some way likeable whether it be because of his penchant for the linguistic or his fatherly voice qualities, takes on a different role than he's ever played before. His character after his coming out involves himself in the gay nightlife and becomes educated to gay lingo and culture in the 21st Century while getting a young boyfriend with an old man fetish. He even shares a kiss with his younger co-star. The film provides very interesting tidbits in gay history, which are quite informative considering that GLBT studies and history are not taught in school leaving most GLBT people to investigate on their own or to take GLBT studies at certain colleges that offer GLBT course work.

The problem with Beginners is that it moves far too slowly and that the entire subplot between Ewan McGregor and Mélanie Laurent is not very interesting nor seemingly relevant to the more interesting aspects of Christopher Plummer's character. The film would have been better served if the film only explored Plummer's character and McGregor's relationship with him and his mother during his early life. With over 25% of the film devoted to a storyline that isn't interesting and moving too slowly to the more interesting causes the film to lag in too many areas derailing its flow and making the whole thing uneven in its entertainment value. Despite Plummer and the interest in gay history, the film falls short of an independent masterpiece.

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When do we stop being our true self-and why? And when, and why, after so many years, do we begin to be our true self again? These questions are asked and answered in Mike Mills' autobiographical film "Beginners."

Oliver Fields (Ewan McGregor;, playing a film variation of Mills himself) is a graphic designer who can't seem to communicate his feelings or maintain a long-term emotional relationship. Oliver, though not verbally expressive or emotionally demonstrative, does express his emotions through graphic design and illustration. The movie flashes back into the past and flashes forward again into the present or more recent past. As we see Oliver's relationship with his parents, we see how he became so emotionally conditioned. His parents endured a distant 45 year marriage, in an environment where emotions and secrets were never revealed. After his mother's (Mary Page Keller) death, his 75 year old father Hal (Christopher Plummer; "Hamlet," "The Sound Of Music", "Inside Man") finally comes out of the closet as a gay man. "And I don't want to be just theoretically gay," he says, "I want to do something about it." And, in the final years of his life, Hal embraces his life with gusto and passion ; becoming an active member of the gay community and having a loving relationship with a much younger man (Goran Visnjig). In the last years of his life, Hal finally begins to be his true self, and Oliver finally begins to know and love the father that he never knew before. In the end, Hal refuses to acknowledge the cancer that will end the life he has just begun to live.

In the present day, inspired by his father's example, Oliver decides to embark upon a relationship with the beguiling and seemingly free-spirited Anna (Melanie Laurent). Interestingly, in a movie filled with characters who can't communicate on one level or another, when Oliver and Anna first meet, she has laringytis and, therefore, cannot speak. Turns out, Anna also has issues concerning her distant father. In a sweet touch, an adorable dog named Arthur serves as the emotional connection between all the characters, past and present, dead or alive, here.

Christopher Plummer's deservedly award-winning performance is a subtle but wonderful revelation. You can see the twinkle in his eyes, you can feel his joy, when he finally embraces his true self. In many ways, Oliver is just as full of child-like wonder and astonishment in his relationship with Anna as his father was when he came out of the closet. I am thrilled that Plummer received awards, but I wish Ewan McGregor's equally heartfelt performance and Mike Mills' beautiful screenplay, had also received the same recognition. But, regardless of awards, "Beginners" is a warm and human film; to be cherished.

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BEGINNERS has many nice elements to it, and it is a sweet movie overall. But it is also very uneven and frustrating too.

The essential concept is what interested me (that and the actors) in watching this. A son (Ewan McGregor), well into his thirties and still quite single, has to grapple with the death of his mother, followed closely by the announcement from his father (Christopher Plummer) that he is gay and intends to start enjoying an open, gay lifestyle. And not long after, the father develops cancer and is gone all too soon. I'm not spoiling anything, because we learn all this in the opening moments of the film, which is a series of intertwining flashbacks. One series shows the young boy experiencing his home life growing up with a distant father and a moody, unhappy mother. The other shows him observing how happy and generous and open his father has become once out of the closet. And the last shows his father's last days...when the old man was still warm, funny and open. Finally, mixed in with the flashbacks are scenes of a developing romance between McGregor and Anna, an actress and "free spirit" (Melanie Laurent, so wonderful in INGLOURIOUS BASTERDS).

Plummer is fantastic in the film, and the Oscar talk is certainly deserved. When Plummer was younger (back in the SOUND OF MUSIC DAYS)...I don't think he was a very good actor. Stiff and cold. In his old age, he's given some marvelous performances. It's as though he no longer worries about how he looks and just lets himself BE and DO whatever the part calls for. Ironically, even though he's in his `80s, he comes off more virile and passionate now than he ever did 40 years ago. And even though the costume designer thinks all old, gay men wear ridiculous scarf-type thingies...he pulls of his free-wheelin' gay lifestyle with wonderful grace. He is making up for decades of lost time, and boy, does he give it his all, this man. Parties, clubs, boyfriends, and fun. And he finally is able to develop a close relationship with his son. He has the love in his life that he always truly craved, and doesn't have to hold back for anyone.

McGregor handles these scenes very well. He's perplexed by dad, but also moved by his stories of being in the closet and arranging secret rendezvous with other men. He's angry at what his dad put his mom through...but he's also moved by the joy his father now experiences. And he does very well in the scenes with his dad at the end nears.

But the romance scenes with Laurent don't work so well. First of all, Melanie Laurent is a glowing actress, but her English is quite hard to understand. The pillow talk between these two is almost one sided, because I could so seldom understand her whispers. Her character is also quite unbelievable. She's a successful enough actress, apparently, to be put up in a huge luxury suite at a luxury hotel...yet she has lots and lots of time to gallivant around with McGregor, never needing to be on set, apparently, and never being recognized by anyone. She is more of an "idea" from the scriptwriter than a real person. Again, Laurent is not the problem...the fact that English is not her language and the character isn't believable can't be pinned on her. And McGregor seems a bit too misty-eyed in these scenes. He's such a milquetoast! And again, the clothes he's asked to wear (striped shirts dangerously close to Marcel Marceau-land) do NOT help him. One almost wonders if he needs to come out of the closet too. (Not trying to lean on stereotypes, but the thought does occur.)

And worst of all is the character of Andy, as played by Goran Visnjic (once a regular on ER). This is Plummer's steadiest boyfriend, the lover who is there at the end. Visnjic plays him so utterly unconvincingly that I almost cringed to see him. He minces about with such unbridled fervor that it feels like a Benny Hill caricature. The script is no help to him...but he takes what he has to work with it and turns it into utter garbage. I felt sorry for the other actors having to share a sound stage with him.

Overall the film has many very nice moments. It was clearly made with love by writer/director Mike Mills (apparently semi-autobiographical). But what it needed, I think, was more of a critical, dispassionate 2nd opinion from someone not quite so close to the material. Some tightening of the script, better development of the secondary characters (including Laurent's character) and a far better costume designer could easily have turned this from a three-star, soon-to-be-forgotten film into a 4.5 star, memorable exploration of the human heart.

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Nothing Like the Holidays (2008)

Nothing Like the HolidaysThis is a fun movie lots of hilarious moments with a great ensemble cast. You get the feeling that the actors had a lot of fun when they did this film.

Beside being funny it also makes some valuable statements about family life, forgiveness, healing and accepting our humanness.

An altogether warm viewing experience something there for every generation!

This is an amazing movie. It is filled with such family spirit that you almost forget that you are watching a movie. What makes it so great is that they are so close. The producers really picked some great actors. Like I said doesnt seem like a movie at all. I could watch this over and over again and will be. A great movie to watch every holiday!

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Customer review from the Amazon Vine Program Films with the same premise as "Nothing Like The Holidays" are abundant--in fact, I've seen more family homecoming stories centered around the holidays than I care to admit. Generally amiable and predictable, you can count on a few laughs at the typical dysfunction, a bit of tension at the long held grudges, and finally some warmth as mutual understanding and the meaning of "family" send us to the finale. But I'm no Scrooge, just because I know where we're headed doesn't mean it can't be an enjoyable ride! And I was pleasantly entertained by "Nothing Like The Holidays." It may not be a new Yuletide classic but a colorful and committed cast breathe fresh life into rather familiar situations. Alternately touching and humorous, the film ultimately won me over with its heart.

Set in Chicago, "Nothing Like The Holidays" presents Christmas from a Puerto Rican family's vantage point. The nominal star of this ensemble picture is Freddy Rodriguez ("Six Feet Under"), a son returning from overseas service. He's solid here providing a center for the movie. But he's surrounded by many familiar faces such as Elizabeth Pena and Alfred Molina as the parents, John Leguizamo as his brother, Debra Messing as Leguizamo's non-Puerto Rican wife, and Luiz Guzman and Jay Hernandez as his cousin and friend respectively. Everyone does a nice job, but to single two people out--I'd have to look to the ladies. Debra Messing is certainly NOT a favorite of mine in general, but she manages to pull a lot of dignity out of what could have been the film's most thankless role. It is Elizabeth Pena, however, that I most appreciated--a talented actress who finally has a meaty role to showcase her abilities.

Well executed and well acted, "Nothing Like The Holidays" certainly plays as a comedy first and foremost. I think that's where it is on its firmest footing with many scenes being laugh out loud funny. The humor comes from identifiable situations that anyone who has been a part of family gatherings can appreciate. The more serious bits work as well, but only because the comedy has drawn you into the family dynamic. Ultimately I was rooting for this group. And that's really all you can hope for, in the end. I cared for the family and wanted to see where their journey led me. So how can I not recommend "Nothing Like The Holidays?" It's a modest film, and if you approach it with modest expectations--you might just be pleasantly surprised. KGHarris, 11/09.

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Customer review from the Amazon Vine Program Nothing Like the Holidays is an urban drama-comedy about a family get-together in the Puerto Rican part of Chicago: it was entertaining, it was funny, it was boring, it was good, it was so-so, it was warm-hearted, it was lively, it was dull, it was clear, it was confusing...this movie was just ALL OVER the place! While I enjoyed being introduced to each character and their own storyline, and then watching them all come together for a Puerto Rican family Christmas, there was just too many of the multiple plot lines all over the place, making it an enjoyable movie because of the humor, but unenjoyable because it took a lot of 'work' (i.e. brain power) to enjoy the movie! I think Christmas movies should be fun, entertaining & meaningful!

For those of you who are concerned about content, I would not call this a family friendly film: it's PG-13, and it earns its rating: there is quite a bit of language, and plenty of references to drugs and sex...not kid friendly.

I enjoyed this holiday film, but I doubt I would ever watch it again: I tend to watch Christmas movies over and over again, but this one just doesn't make the cut: it was good, but not great, a familiar story but not told well, with great acting performances and a 'bleh' storyline...enjoy if you must!

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I really wanted to love this move... and while I think it has a great cast of Latinos/as, it just seemed like a drama one would find on tv. The script just wasn't all that great... and except for the music and the one scene where the neighborhood residents parade through the streets singing a latin-tinged holiday carol, it struck me that this movie wasn't all that latin in flavor. It just seemed to be a script which could have easily been cast with all African-Ameicans (perhaps because it was produced by the same folks who did 'Barbershop 1+2'?), or Asians or White folk! The script is not particularly Christmas-y either, it is basically a family 'dining room table' drama set against holidays... and that's been so repeated so much, that it really isn't very interesying. I'm not saying that I won't watch the move each year (I will), or that I hated the move (I don't), but just that it isn't up there in classic Christmas movies that future generations will want to see? I long for a Christmas movie with these actors which will be truly original and memorable, and which shows us something fascinating about Christmas for Latinos/as!

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