Showing posts with label free hollywood movies online. Show all posts
Showing posts with label free hollywood movies online. Show all posts

Honey 2 (Blu-ray + DVD + Digital Copy + UltraViolet) (2001)

Honey 2Honey 2 offers serious, serious hip-hop dancing. Despite of what everyone else says, I totally dig it. To me it is one of the best dance movies out there. Here are some reasons why:

1) The dancing and choreography are awesome. Check out the first solo by Kat, the main actor, for example. It is mind-blowing.

2) The second most important reason why I dig this movie is that the message it sends is deeper, better, and more realistic than in other dance movies. It's about dealing with problems by being constructive rather than destructive. (In many other dance movies, the message is pathetic.) In this category it beats all previous dance movies I've seen.

3) The movie is packed with dance scenes; I would say, it has more cumulative dance time than any other movie.

4) The actors are so cute and can actually dance. No doubles as in one of the most famous dance movies, whose name shall remain unmentioned here.

5) I just really like it, especially Kat and the girls, but really all of the HD group. The characters and lines of the girls actually make sense.

The absurd part is that this movie has received a lot of negative criticism. So bad in fact that it never made it to the theaters in North America but went straight to DVD. The ratings on this movie are bimodal. Many actually give it the highest rating, but others give very low ratings, which leads to a dismal average. I definitely belong to the first group. If you're looking for a blood-thirsty hyper-spectacular movie, you will indeed be disappointed. But I like awesome hip-hop dancing with a warm positive human story. In my humble opinion, Honey 2 is one of the best dance movies of all time.

This movie is the best i have seen kat graham in. the vampire diaries are good but this movie is good too. its funny and the dancing is great.

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Honey 2 has many good dance sequences but falls short in every other department. As a movie, its too long and rather boring.

I took dance throughout high school, so I enjoy watching movies about it. But Honey 2 doesn't have a very interesting story, and the acting isn't good. The main character needed to be nicer, but instead she was very, I don't know...bitchy.

Other dance movies are much better, such as Footloose, Shall We Dance, Black Swan, etc..

Which proves you CAN have a movie with both good dancing and a good story.

Honey 2 just doesn't cut it. Movie: 1/5 stars.

The blu-ray has good video and audio, typical for a normal blu-ray release. Video and Audio gets 4/5 stars.

Overall: 2/5 stars. Watch it for the dance sequences but don't expect anything else. Fans of the film will enjoy the blu-ray release.

Rating: PG-13. Typical stuff here, some language and suggestive content, partying, and a few verbal fights. Much milder than the recent remake of Footloose, which seemed more mature. Ages 12 and up.

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I liked the dancing and I liked that the star stood up to another sleeze bag. I liked that one woman supported another woman.

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Bought this as an xmas gift for my girlfriend and she really enjoyed the music and plot of this movie.

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Dragon Lord (1982)

Dragon LordDragon Lord is the first good Jackie Chan film. All the elements of a classic Jackie Chan film came together in this film for the first time: 1) The well-trained but clumsy underdog hero whose adolescent tendencies get him into big trouble. 2) The use of almost cartoonish humor, blended with spectacular, sometimes death defying stunt work 3)sometimes brutal hand to hand fights with a bare minimum of bone breaking sound effects or blood.

This was only the second film Jackie directed. His first was Young Master and that film established Jackie as the martial arts Buster Keaton. However that film could not break out of the utterly formulaic restrictions the martial arts film and producers insisted upon.

Dragon Lord does change the formula and drastically. It also was not a box office success in Hong Kong and Jackie would work with his friends and Sammo (and fufill his contractual obligation to appear in the dreadful Cannonball Run 2 in 1983) before directing his first full-fledged Chan-masterpiece Project A in 1984. Dragon Lord was originally conceived as a sequel to Young Master, to be called Young Master in Love. But continuity did not allow the film to be an official sequel. It was first released (barely) to the U.S. as The Dragon Strikes in 1982. At this point in his career, Jackie knew he was not going to follow in the footsteps and be the new Bruce Lee for producer director Lo Wei. He had other things in mind and almost got what he was after with Dragon Lord.

For nearly the entire first hour of Dragon Lord , Dragon (Chan) and his best friend Cowboy (Mars) vie for the attentions of a young woman who's name we later learn is Sexxy. We are treated to an incredible display of stunt work in a opening title sequence of a Football game (not soccer) , Chinese Style. Forget about protective gear or the refs calling anyone for unnecessary roughness. 90 stunt people received minor injuries and Jackie hurt his chin so bad he was in pain when he tried to talk .

Later Cowboy and Dragon run into a field of tall grass after a pheasant and meet a desperate man trying to hide from some thugs. The thugs start to rough up Cowboy and Dragon but realize they are just kids and not connected to the man they want.

Dragon, sneaks out of his house and gets away from his studies to try and meet the young woman of his dreams but runs into his best friend and rival Cowboy. Cowboy seems to take the upper hand with a dirty trick performed in front of Dragon's father. But Dragon gets another opportunity and he has a plan. The plan involves staging an attack so that supposedly Cowboy can be a hero, but instead it's Dragon that is about to become a hero. Tempers flare however and Cowboy and Dragon fight and it becomes clear the attack was staged. The girl is not impressed and Cowboy and Dragon get into trouble and stop being friends.

Eventually the two friends make up and compete in a Chinese shuttlecck match which is played like soccer only instead of a ball the players use a shuttlecck )without rackets keeping it off the ground and moving it around without using their hands). The nearly fifteen minute sequence involving the playing of this game is a highlight of physical dexterity and stunt work. Picture the best hacky-sack players you have ever seen , now add non-stop acrobatics to the mix. Wow.

Next Dragon tries to send a note to the girl Sexxy. The kite carrying the note blows in the wrong direction and Dragon goes to retrieve it. He finds himself on a roof top and there is a top secret illegal smuggling operation going on below him. Men with spears try to get him and they almost succeed. Smugglers are stealing Ming Vases to ship out of the country illegally.

Dragon's father gives Dragon a test on his studies, and in another comic slapstick sequence Dragon manages to cheat himself through his father's examination.

This eventually all leads to a show-down with the thugs and smugglers for Cowboy and Dragon and the incredible 20 minute fight sequence finale of the film. A fight sequence which is full of all of the best of Jackie's trademark moves and humor, with only the barest minimum of any wire work or trickery. It's pure Jackie acrobatics for 20 minutes straight and a must see for all Jackie fans. He would re-stage and upgrade the fight slightly (with different characters) to end the Hong Kong film version of The Protector (the American version of this film with Danny Aielo is to be avoided except for the curious to compare it to the superior Hong Kong version of the film which Jackie re-edited and directed additional martial arts sequences for -including a new ending).

Dragon Lord doesn't represent Jackie's finest (look to Drunken Master 2 aka Legend of the Drunken Master and Project A part 2 for that). The first hour of the film feels too light and episodic. The use of music punctuates sequences in much the same way cartoon music is used. The sports sequences are knock-outs but they feel disconnected from the narrative of the film. It isn't until the final 40 minutes the film seems to come together when it generates a little bit of suspense and then delivers the knock out final fight sequence. Chan's direction and choreography though a bit repetitious after a while is impressive.

If you like Jackie Chan at all, put this one on your must see list and if your thinking maybe you'll buy it.. it's worth having!

-Christopher J Jarmick,is the author of the steamy suspense thriller The Glass Coccon with Serena F. Holder

This film was originally going to be the sequel to Jackie Chan's blockbuster hit "Young Master" and carry the title "Young Master in Love", however, during the making of this film the plot changed from having connection to the original so the title "Dragon Lord" was given. This film was given the title Dragon Strike though because it is the English dubbed version. Jackie has many scenes, which actually included no gung fu at all and were taking place inside a sports arena. Some 50-200 shots were taken on a hackiack scene! Jackie ends up accidentally finding a gangs secret hideout and discovers a smuggling plot to illegally export Chinese artifacts. This film does have a few good fight scenes and is the first of his modern Hong Kong films. It also stars the famous Yuen Biao, which is a happy side note. Not a bad film for the martial arts/Hong Kong film viewer. Also a good pick for Chan fans. All together, Dragon Strike is a film worth owning.

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My jaw dropped when I watched the Chinese hackey sack game. You'll cringe at the beginning of the movie as Jackie falls fromt the top of a human tower! OUCH! But the fight scenes were pretty lame and there wasn't a very good villain either. If you want a movie with a good villain and great action, get Young Master.

Read Best Reviews of Dragon Lord (1982) Here

If you want action and comedy at the same time this is your movie. With a 1/2 tea spoon of comedy, a 1/3 tea spoon of Action, a 2/4 tea spoon of comedy and a hole lot of Jackie Chan makes any movie awesome.

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The quality of the disc itself was good, and also a good movie. The price was very fair and it shipped pretty fast.

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Parental Guidance (2013)

Parental GuidanceBeing an avid fan of Billy Crystal, I eagerly awaited his return to the silver screen. I was not disappointed. Coupled with another veteran actress in Bette Midler (his doting wife), they made we 'older' parents appear archaic with their 'tough love' approach (didn't all Baby Boomers experience this as children?). The story goes on to explain how they are 'the only' set of grandparents available, to care for their 3 grandchildren, 12, 8 and 5, much to their daughter's reluctance. Their daughter (played by Marissa Tomei) is all about 'new age' parenting and frowns heavily upon any strayings from her teachings. Therefore laying down her set of rules and opening the door to laughter.

Naturally, things are going to go wrong, as Billy and Bette strive to keep the peace and understand their charges. As not only do the 'Oldies' react to each situation in an uninitiated new age-old age way causing havoc, but are also victims to a completely automated house which initially sees them as intruders, much to their grandies delight. PARENTIAL GUIDANCE is a movie worth taking a look at and taking your grandkids to. It's a feel good movie. And without giving away the plot, Billy Crystal plays his usual affable self, who belts out an unexpected Acapella duet with Bette, along with some great co-stars of all ages, who end up loving him in spite of his mistakes.

I saw it the other day, and it was so funny, I laughed so much. It really hit home, about being grand parents. I just loved it.

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***This review may contain spoilers***

The trailers advertising "Parental Guidance" (hereafter PG) were not only unpromising, but borderline appalling. It emphasized the tired, painful slapstick and saccharine sentiment of so many other formulaic family comedies, that I was determined to avoid it. But, visiting my mother and deciding to take in a movie before lunch at Bugaboo Creek Steakhouse, we decided upon PG because it was the only movie that had subject matter my Mom (not particularly keen on hobbits, 40-somethings, or even Lincoln) was interested in. After seeing it, we were pleasantly (if surprisingly) entertained, despite the dilapidated old "Clash of the Generations" plot. Our amusement was largely due to those reliably schticky comedy workhorses Billy Crystal and Bette Midler.

Crystal and Midler play fairly (but not completely) old-fashioned Artie and Diane Decker, parents to Type-A, harried upper-class daughter Alice Decker Simmons (Marisa Tomei). Alice is married to Phil Simmons (Tom Everett Scott) a basically easygoing engineer who, like Rick Moranis's Wayne Szalinski in the "Honey, I.." movies has converted their home into a technological, computerized, self-sustaining "house of tomorrow". Their children are Harper (Bailee Madison), who is as neurotically driven as her mother, Turner (Joshua Rush) her more levelheaded, technologically savvy brother who has a stuttering problem, and certainly not least, the mischievous, irreverent, red-haired Barker (Kyle Harrison Breitkopf) whose best friend is an invisible kangaroo named Carl (not Harvey).

Unlike the paternal grandparents, Artie and Diane have not seen their grandchildren in months, if not years. They are "the other grandparents". But they get a chance to bond with the tykes when Alice and Phil leave for a week for a scientific convention and, somewhat reluctantly, call on the "out-of-it" folks to baby-sit. As they say, hilarity (amazingly) ensues.

Artie and Diane, although sharp and game, have their work cut out for them. Besides the aformentioned baggage (and yuppified names!) each grandchild carries, and the mechanized Jetson-like home, Artie and Diane have to contend with the permissive parenting their charges are used to and their high-maintenance demands (e.g., each kid gets his own meal at suppertime, and Barker doesn't like his food touching other food). Furthermore, Artie is despondent over his firing from his minor league baseball announcer job, and he fears telling Alice. All sorts of slapstick hijicks, misadventures, and misunderstandings ensue. Examples, Artie has to bribe the bratty Barker to do anything, Artie's advice to Turner to stand up to the bullies making fun of his speech impediment gets the kid a shiner from the bully's sister, the kids get an amped-up "sugar high" from some forbidden birthday cake, Artie protests at a little league baseball game that has no strikes, timeouts, or scoring and gets a bat in the crotch for his troubles, Barker gets indelible day-glo paint on Artie's face just before Harper's violin recital, and of course Artie sneaks off with Barker to an X-Games announcer's interview where Barker's escape and urination ruins an X-games skateboard stunt (and is broadcast nationally) as well as Artie's job prospects. Diane has a confrontation with Harper's demanding, martinet East European violin instructor, calling her "comrade". The comedy of errors keeps on coming.

In the hands of inexperienced actors, PG would be a groan-fest. But in Crystal's and Midler's capable, vaudevillian, borscht-belt hands, they are surprisingly funny. Crystal's cynical comments and one-liners wryly commenting on the insanity of their grandkids' lives, even more than the predictable slapstick, keep the laughs coming, because we agree with their disapproval of the grandkids' overwrought, permissive, but also perfectionist lifestyle. Even so, they love their grandkids and incrementally not only get to know them better, but also to overcome their handicaps and neuroses. At first shocked at Artie's and Diane's interference, Alice gradually gets reconciled to their ways of doing things, and to them as general. In unrealistic but satisfying sitcom fashion, everyone's issues get resolved and everybody's happy.

Yes, PG is unsophisticated and predictable and even a bit low-brow. But Crystal's and Midler's tried-and-true comic personae wring out the laughs and make you feel reasonably good.

Read Best Reviews of Parental Guidance (2013) Here

We were so pleasantly surprised to see how clean and funny this movie was! I don't even know if there was one cuss word in it! We loved it so much we saw it twice at the theater! And just yesterday, when my husband saw it was still there he said, "We could go see Parental Guidance again." Haha! For those who choose movies that are clean and moral, this was one of them! A definite rarity in today's entertainment industry!

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PARENTAL GUIDANCE seems to have it all with a great cast that includes Billy Crystal, the lively Bette Midler and the gorgeous Marisa Tomei. Unfortunately, these three great talents are lost in a very cliche and predictable script. This story has been done over and over and there is nothing new to make PARENTAL GUIDANCE anything more than a cute little movie without much purpose.

Alice and Phil Simmons have a chance to attend a conference and finally have some alone time away from their three kids. Alice's parents Artie and Diane (Crystal and Midler), are hesitantly asked to fly into town to stay with the three young Simmons kids. It's not clear why Alice has distanced herself from her parents and why babysitting duty seems like a bad idea. Who would love feisty Bette Midler as a grandparent?

The Simmons household is a modern one. They live in a voice-activated home that caters to their every wishes. Inter personal communication is a thing of the past. It's sort of cute for all of 5 minutes and then it just becomes annoying. Phil and Alice are modern parents who live in a world where baseball games are always a draw. There can be no winners and no losers. A kid at bat stays at bat until he makes a hit. No one ever strikes out.

Artie and Diane are old school parents who rebel against this modern parenting.

The predictability is strong that we know what is going to happen when Artie and Diane are told the kids cannot have sugar and cannot watch scary movies. Anyone knows what will happen next along with Artie telling the middle son how to handle a bully. There just is no middle point here. Anyone could guess how this movie will play out so in the end the question is, "what is the point?"

Midler does light up the screen and it seems like she is working hard to shine in a bland script. Cystral just seems tired throughout the film. Even Tomei seems like she would rather be somewhere else. PARENTAL GUIDANCE is pleasant but just so disappointingly predictable. It's not a bad film. It's just not a good film.

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Boy (2010)

Boy "Kia ora. My name is Boy, and welcome to my interesting world. My favorite person is Michael Jackson. He is the best singer and dancer in the world. My favorite subjects are art, social studies and Michael Jackson. I have a six-year-old brother called Rocky. He's got powers. I'm named after my dad. He can dance as good as Michael Jackson. He's a master carver, deep sea treasure diver, soldier, captain of the rugby team and he holds the record for punching out the most number of people with one hand. My dad isn't here right now. He's a busy man. When he comes home he's taking me to see Michael Jackson live. The end."

The reality of Boy's situation however quickly becomes clear when a classmate named Kingi taunts him after his talk:

Kingi: "You're a liar. Your dad's not overseas; he's in jail for robbery."

Boy: "Shut up Kingi! You don't know!"

Kingi: "Yes, he's in the same cell block as my dad."

Most of Boy's life consists of helping his grandmother look after the younger kids, hanging out with his friends, and trying to impress an aloof older girl named Chardonnay (RickyLee Waipuka-Russell) on whom he has an impossible crush in spite of the fact that she's a teenager and towers over him by almost a foot. He's so fixated on Chardonnay that he's completely oblivious to Dynasty (Moerangi Tihore) a pretty but quiet girl closer to his own age who wistfully keeps hoping he'll notice her, at one point showing him a hidden grove of pot plants that belong to her uncle, who happens to be the biggest pot dealer in the area. (Note: Dynasty's name is apparently due to the pervasiveness of American pop culture of the time as she has a brother named Dallas and a sister named Falcon Crest).

When his grandmother (Mavis Paenga) suddenly has to leave for a funeral across the country and leaves him in charge for a week, no one is more surprised than Boy when his dad Alamein (Taika Waititi) suddenly shows up one night along with two low-life cohorts he claims are his gang. Boy is delighted. His younger brother Rocky (Te Aho Aho Eketone-Whitu) however is wary Alamein is a complete stranger to him, having been absent his entire life.

Recently released from prison, Alamein says he's there to reconnect with his sons and spend some quality time with them. The reality though is that he's there to retrieve the money from the robbery he was in prison for, money that he buried in a field before getting caught. The problem is that he can't remember just where he buried it, having been seriously stoned at the time. It quickly becomes clear that in spite of his efforts to portray himself as a serious gangster, Alamein is instead as incompetent at being a criminal as he is at everything else, including being a father at one point he tells Boy "Can you stop calling me `dad'? It sounds weird." It takes time, however, for this reality to penetrate Boy's continued fantasies, which the film frequently plays with by showing scenes with Boy repeatedly imagining Alamein in Michael Jackson videos. But as the facade is gradually worn away by his father's pathetic bumbling and self-absorbed irresponsibility, Boy finds himself having to choose between falling into his father's lifestyle of directionless denial or taking responsibility.

While the film is serious at times, given the nature of the themes involved, Waititi imbues it with a lot of unique humor, particularly in the idiosyncratic dialogue that gives flesh to the laid-back culture of Boy's rural Maori world, like in this typical exchange when Boy runs into some of his friends in a pasture:

Boy: "So what you guys been up to?"

Dallas: "We're self employed now."

Boy: "What's your job?"

Dallas: "Chucking mud at those cows."

While most of the actors in Boy are first-timers, Waititi did an exceptional job in selecting them and as a group they give very natural performances that don't feel affected at all. James Rolleston is highly engaging as Boy and his performance takes you in completely as he goes from a kid who goes from hero-worshipping a father he cannot remember to coming to grips with the harsh disappointment of just how far short of his idyllic fantasies his father falls. You can see the conflict rising in him as he teeters on the edge of becoming just like his father even as he's realizing just how little that really means. Te Aho Aho Eketone-Whitu's Rocky is equally engaging, a shy introvert to Boy's motor-mouthed extrovert. Like Boy, Rocky has an equally creative imagination, but while Boy's fantasies are centered around his father and the way he wishes the man to be, Rocky directs his inward, imagining himself to have mental powers that give him some control over a world where in fact he has no control. Their differences are brought out in other ways, as in a scene where we find that Rocky regularly spends time at his mother's grave, openly missing what he has never known, while Boy cannot bring himself to even open the gate to the graveyard, a characteristic we later see that he shares with his father the tendency to shy away from the harsher realities of life. Another nice touch is the subtle ways in which, as Boy is starting to back away from their father, Rocky is starting to move closer, seeing the damaged man their father is and trying to use his imagined powers to fix him. And Taika Waititi's Allamein is a deft performance in its own right, finding just the right balance to make the man likeable and sympathetic while at the same time showing his pathetic weakness, revealing him to be a man who never really grew up and who has no idea of what it means to be responsible, let alone to be a father. And Moerangi Tihore's Dynasty is marvelously expressive in a quiet way, never really giving voice to her thoughts but you know exactly what she's feeling from her eyes wistful as Boy gives a sparkler to Chardonnay who only seems bored by it; hurt and betrayed when she catches Boy showing Alamein and his cohorts where her uncle's secret pot grove is hidden. She doesn't have to say a word Boy's guilty reaction shows that he knows from her eyes what he's done.

A couple of minor notes. Taika Waititi, a relatively new director, is best known for his first indie film, Eagle vs Shark, another off-beat comedy that's become something of a cult film. Boy was actually released in 2010, and although it turned out to be a hit and ultimately became the highest grossing film in New Zealand, it is only now making its way to the US. It may be hard to find, but it's definitely worth the effort. Check your local art house theaters as that may be the only way to catch it as it's not yet available on DVD (at least not in a Region 1 format).

And one other thing definitely worth mentioning is this fantastic and completely unexpected dance number that comes up at the end with all of the cast doing a traditional Maori haka dance mashed up with Michael Jackson's Thriller. While it has nothing to do with the plot, it brings all of the elements of the movie together and is enormously fun to watch. I looked it up and found it available on youtube if you want to check it out.

Highly recommended for anyone who likes coming of age movies, small indie films or just plain enjoyable films in general.

Boy lives in New Zealand with his grandmother and his demented brother Rocky. When his good-for-nothing dad drifts back into his life, Boy's happy-go-lucky life becomes a bit more complicated, and you see him become a troubled adolescent; this troubles the viewer, to see the loss of innocence. The acting is fantastic, since the kids are very believable, and the story is full of wonderful scenes of life in a rural New Zealand community: it is about young love, about broken families, about schooling and fantasy, and perhaps most importantly it is about what happens to people who let more than a little bit of Michael Jackson into their worlds. If I'd taken notes I would have described more of the wonderful scenes in the film, but I'll just have to go with what I can remember about what a great film this was.

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Why won't anybody come out with the USA FORMAT for this DVD? I looked everywhere... You are restricting people from watching this gemstone! I ordered this anyway from New Zealand (i've got a region free dvd player, which came surprising quick seeing as it's around the world from me. This movie is just absolutely amazing, beautiful, touching, and so so so good. I love coming of age stories, and this one is just fantastic. I love this directors work..and he shows an unknown land to most. New Zealand is just unreal...it is so beautiful, and you feel like you're there in this movie. Please watch this! IT IS SO WORTH IT. And please, somebody, anybody, get this going in USA format!

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This movie is one of my new favorites and I recommend it to everyone. Everyone from young to old will appreciate this witty movie.

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this film has astounding scenery and even more astounding characters. The little boy engages the viewer immediately: he's brave and funny and yet sad at times. The father is the type of man you don't enjoy knowing; he's a bit pathetic. So the story is believable and the incidences making up the plot quite engaging.

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Karthik Calling Karthik Bollywood Blu Ray With English Subtitles (2010)

Karthik Calling Karthik Bollywood Blu Ray With English SubtitlesI was shocked by the previous review because I loved this film. Could be differing expectations; mine were not only met but exceeded. This psychological drama set among the professional world of young, educated up-and-comers in Mumbai is one of the most "un-Bollywood" of Bollywood films I've seen, and I've seen many. Farhan Akhtar plays Karthik, a bright but painfully shy & insecure man who suffers regular abuses by his boss and is virtually invisible to all the other employees at the construction company headquarters where he works. Out of the blue he begins receiving phone calls from another "Karthik" which offer him support and advice, improving his life. He eventually becomes completely dependent on his connection to the caller, and when the calls turn dark they threaten all he has achieved.

The screenplay and directing by 31-year-old, first-time writer/director Vijay Lalwani were taut and understated, which to me is far more effective at drawing the viewer into the story than the excesses of the typical masala Hindi films. The music by Bollywood veterans Shankar-Ehsaan-Loy was spot on, not showy for it's own sake but lending uncannily perfect support to the story in every scene, even down to the incidental passing scenes. Deepika Padukone is stunning as usual and her work gets better and better. She plays Shonali, Karthik's long-desired love interest, with a nice balance of vulnerability and coolness. But it's Farhan Akhtar's film, and he's a revelation here, adding the perfect comedic and dramatic touches to Karthik to steal your heart and send you on an emotional rollercoaster. At 135 minutes, it's also on the short side for Bollywood films, and as wrapped up as I was in it, it flew by.

Sharp and sophisticated, this movie has just risen to my Top Movies of All-time list. I was not expecting much since I simply bought it to see the context of it's most successful song, "Uff Teri Adaa". But from the beginning I was hooked by the clever plot line and the endearing characters, none of whom I knew from other works. I won't spoil the Hitchcock-like fun of the plot other than to say that the resolution/conclusion is not in any way contrived or a cheat (like aliens are to blame or it was just a dream). If there is any shortcoming to the conclusion is that it is too well explained. I immediately had to watch the movie again to find the subtle clues and with the director's commentary it was even more fun and entertaining. All the music is appropriate and fitting, the language clean (PG in my estimation with nothing remotely racy), and the characters sweet and charming. Cinematography is not something I typically notice, but the filming was superb. I show this movie over and over to new audiences who always love it and want to know more about it so I give it my HIGHEST RECOMMENDATION!!

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"Karthik Calling Karthik" is a sweet and wholesome yet diabolically Hitchcockian schizophrenic love story. Not the sort of movie we Americans usually see exported from Bollywood.

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Actually this was a really good move! I liked it! I think psychological thrillers are an underdeveloped genre. As far as Bollywood movies go, it wasn't just another stupid love story... It does bring to light some very important issues and that is psychological disorders. I think that mental diorders is still a taboo subject for Indians. This movie brings to light that ultimately, they are just people who are suffering from what can be a very debilitating and life threatening mental disorders. I thought that the acting on both parts was very organic and none of it was very forced. I liked their Chemistry together, I thought they were very believable as a couple.

My only criticism is that it bends the truthfullness of Multiple Personality Disorders quite a bit. It's not QUITE being untruthfull, but it certainlly streches the breaking limit!

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As the strange name "Karthik calling Karthik" forces you to think about movie, ditto with the well maintained suspense. It forces you or better says engages you for 2.5 hrs that most other bollywood movies never accomplished even for few mins. It's nice to see lot of bollywood movies coming up with tight script and engaging direction. Even most traditional film director/actor is coming with as bold movie as "My name is Khan"!! . As bollywood is always blessed with powerful actors, but it's only since last few years we are seeing above par script and well crafted direction, and on top of that versatility of subject selection is like icing on cake. Let's hope this trend will continue.

As movie is suspense thriller, it's not worth to discuss story. At glance it look more like beauty and geek kind of material, but turns into more meaningful storyline that keeps you engaging till end. As for Deepika, she is still learning and did as expected to do but Farhan Akhatar is improving with every film. At first he started acting for fun, but now he seems more sincere about the same.

Nothing negative about this movie.

All in all KCK is one more movie from bollywood this year that is worth watching

National Lampoon's European Vacation (2010)

National Lampoon's European VacationThis is NOT the original version!!! I'm very disappointed that Amazon.com didn't disclose this information. Scenes are missing and parts are dubbed over. Funny parts are still funny but it's just not the same. I feel duped.

I'm flabbergasted that they put the dumbed-down tv version of this movie on dvd and not the theatrical version. They took scenes out, changed scenes and dubbed dialog to create this mess of a dvd. Not only that, but the movie looks funny. The aspect ratio they used makes the movie look weird. I was eagerly waiting for this funny, well-done movie to be released on dvd and I am bitterly disappointed at this made-for-tv garbage. This tv version will only appeal to an unsophisticated mass audience.

Attention Warner Home Video: If you are reading this, you need to issue a press release in which you apologize for this garbage and then announce that you will release an uncut version of the movie on dvd.

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I was very disappointed when I purchased the dvd from Amazon.com only to find that parts of the movie are cut and some

of the language has been either eliminated or dubbed.

I expect to purchase a movie in its entirety. I feel

I was cheated. I absolutely loved this movie and

I don't feel we should purchase movies that

have been edited from its original content.

Read Best Reviews of National Lampoon's European Vacation (2010) Here

I of course love the first two "Vacation" movies and I always will. So I was excited to see this come out on Blu-Ray. Sadly, this is yet another "cas grab" Blu-Ray that is nothing more than an upconverted DVD in disguise grainy picture, mediocre sound. You're better off saving a few dollars and getting the DVD instead, as you'll get the exact same home theater experience.

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This movie was excellent. Chevy Chase was at his hilarious best in this sequel. I was just wondering about the whereabaouts of Jason Lively. I dug his part in this as well as some of the other movies he played in. He was excellent as Russell Griswald. In fact, in a small sort of way, he helped make the movie. Some of his scenes, like the dream sequence of him dancing in a european nightclub to Robert Palmer's "Some Like It Hot" and a drunken "Oink Oink My Good Man" to Chevy Chase in the european "show club" was awesome. If anyone knows his whereabouts or if he is still making movies please reply to this and e-mail me at ... I have been wondering what has happened to him. This movie, regardless of what others think, was just as good as the first one. Chevy (Clark) & his family just continued the hilarious vacation overseas and ran into more crazy insanity along the way. Hilariously Entertaining ...5 Stars. (Stonehenge...standing the test of time for thousands of future generations to see... And we were here...we were here)

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The Switch (2010)

The SwitchEvery so often there comes along a movie that most mainstream critics just don't like and I do. The Switch is one of those movies. Far nicer and sweeter than I expected, you may not LOVE this movie, but if it doesn't make you smile, there is something wrong with you.

Jennifer Aniston plays Kassie, a woman who is tired of waiting on a seemingly non-existent Mr. Right to start a family. She decides to find a donor who is tall and has a good sense of humor (traits not possessed by her best friend, the neurotic Wally (Jason Bateman)) and hold a very special gathering for friends and family. At this "insemination party", a very drunk Wally decides to 'switch' her donor's ingredient for his own, thus secretly hijacking her pregnancy. Fast-forward seven years and we meet Sebastian, Kassie's child, who is becoming more and more like his real father Wally by the day.

There is an underlying sad tension building all throughout the movie as we wait for the moment when Wally will put two and two together and remember what he did that fateful night, and then when he must reveal this dirty secret to Kassie. My guess is this is why some critics didn't like it. If you go into it with a better perspective though, it is more about how Wally decides he is ready to commit to this young child as a father, and how he is a better person for it, regardless of how everything ends up. A couple of scenes are downright touching, and the ending, while somewhat rushed and flawed, didn't ruin the story. I was not expecting much and in return got a whole lot.

I'm a rom-com junkie who's mighty frustrated with the genre--how can most of these films be sub-par? doesn't that go against the rules of statistics?--and yet I must say I was pleasantly surprised by The Switch. It's a cut above the norm, mostly because of the relationship between father and son, which is warmly, sweetly, comedically and endearingly acted.

This film is Hollywood; despite a strange lull after the "switch" which suggests the pacing might go indie, it returns to Hollywood momentum. Which is fine, but the editing is slightly off there. That said, the charm and comedy of the father and son really do make this movie. I'm not into the standard manipulation of cute faces and piping voices for ratings, but these two are really sweet magic together.

Bateman's acting is touchingly understated when he's with the kid; the child (Thomas Robinson) is earnest and adorable and is so natural in his connection with his father. Aniston picks up credibility in a few of the intimate moments she has with Bateman--you feel her looking at him and being moved and wanting/wondering--but overall this really is a Bateman/Robinson movie.

I don't dislike Aniston in general, but I absolutely didn't "feel" her the way I did the other two. The movie has the usual Hollywood stock characters for best friends; Jeff Goldblum is amusing in a slightly quieter way than usual. But it's Bateman and Robinson, as a duo and separately, that make the movie a four star in its genre--and that make you long for the Bateman/Aniston characters to live happily ever after.

I rented it thinking it would be bad fluff. I watched it half-over again later that night, just to laugh and love a bit more with the father/son duo, and now I'm going to buy it for real. This isn't going to be the best romantic comedy you'll have ever watched (I hope), but it's not at all a bad way to spend a couple hours. :)

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THE SWITCH is another story about artificial insemination and the impact it has on the participants. Yes, it has been done many times with varying results, but what makes this version of the story different and worthy of merit and attention is the sparkling screenplay by Allan Loeb adapted from the short story 'Baster' by gifted author Jeffrey Eugenides ('Middlesex', 'The Virgin Suicides', 'My Mistress's Sparrow is Dead', and short stories 'The Speed of Sperm', 'Air Mail', 'Ancient Myths', etc). It is a film that gives us the opportunity to remember the fine comic time of Jeff Goldblum, Jennifer Aniston, Jason Bateman, and Juliet Lewis, courtesy of the fine direction by Josh Gordon and Will Speck..

Wally Mars (Jason Bateman) is an oddly neurotic character who has a very difficult time connecting to people, especially in the dating department. His best friend is Kassie Larson (Jennifer Aniston) a successful woman who abruptly decides her biologic clock is ticking down and decides to have a baby by paying a sperm donor. Wally is shocked, but Kassie's other best friend Debbie (Juliette Lewis, bubbling brilliantly) supports her conviction to take charge of her life and plans a party to celebrate Kassie's incipient 'donation'. Kassie selects a potential donor in Roland (Patrick Wilson) who is a square and married teacher but 'needs the money'. At the party when the 'donation' is to be deposited, Wally gets drunk and accidentally spills Roland's 'contribution', and in drunken desperation replaces it with his own a secret he doesn't even share with Leonard (Jeff Goldblum) with whom he works and has a strong friendship. The inseminated Kassie moves back home, returning seven years later with her six-year old son Sebastian (Thomas Robinson, a very fine child actor). Kassie courts the now divorced Roland, a blow to Wally who in his 'babysitting' chores grows close to Sebastian who is very much like Wally. How the story ends is predictable but heartwarmingly humorous, especially watching the relationship between Wally and Sebastian develop.

In addition to the strong cast of leading actors there are cameos by Kelli Barrett and especially the significantly impressive Scott Elrod (watch this young actor's career blossom!). Largely due to the smart dialogue delivered by specialists in comedy, this film works well. Grady Harp, March 11

Read Best Reviews of The Switch (2010) Here

"The Switch" is charming and light fare and keeps your interest through a few cliche scenes. It takes a leap of faith to believe the premise, but once the story starts it hooks you with interest about what will happen to a little boy who wants to know who his father is.

"Switch" is a story of an unmarried 40 year old woman, Kassie, (Jennifer Aniston), who has her donor sperm switched without her knowing. At the artificial insemination party the donor (Patrick Wilson) and his wife talk to her best man friend, Wally, (Jason Bateman) about the decision to help Kassie become a mother. Wally secretly loves her and becomes upset and gets down and out drunk. When he uses the restroom, he inadvertently spills the donor "seed" and replaces it with his without, Kassie, the future mother knowing.

Seven years later, Kassie reunites with Wally, her best friend, who has been keeping his fatherhood a secret. He becomes best buddies with their child and has renewed love for his former girlfriend. Patrick Wilson plays Roland, the other love interest, he reminded me of a young Paul Newman, and Jeff Goldblum plays Wally's Boss and confidant.

I especially liked the six year old boy, played by Thomas Robinson.

The story is interesting, implausible, and predictable, but works as a light-hearted end of summer movie.

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I watched this movie because I'm a fan of Jason Bateman. Obviously, the premise has been done before so I didn't have high expectaions other than enjoying his performance. I was pleasantly surprised though. I found it quite enjoyable. I think the cast really made it. I really like understated and dry humor and they pulled it of well. You aren't going to be blown away by this kind of story but it is very entertaining and well done... which honestly, I find to be be rare in movies these days. Bateman is VERY endearing, as is the the little boy, who did an amazing job. I even enjoyed Anniston:) I wish there had been more scenes fleshing out the realtionship between the two main characters because it had a nice "When Harry Met Sally" vibe to it. All in all, well worth it!

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40 Days and 40 Nights (2011)

40 Days and 40 NightsAn utterly atrocious film. Not only is the premise completely ludicrous, but the (literal) climax of the movie depicts the protagonist being raped -raped! -by his spiteful ex-girlfriend, who is awarded a sizable cash prize for her crime. The protagonist is then harangued by his volatile love interest for "cheating" and forced to apologize! And all of this is somehow supposed to be funny. What. The. Hell?! If the roles had been reversed -if the rape and humiliation of a female protagonist had been portrayed as a comical misunderstanding -40 Days & 40 Nights would have been barred from theaters for trivializing sex crimes and poking fun at their victims. How can anyone find this kind of sexual double-standard acceptable, let alone entertaining?

Any sex comedy that has come out in the past couple of years seems to fall victim to the same tired set of gags and cliches. This movie is no exception. While it's premise may be original, it's execution is all too familiar.

Sexually frustrated male lead? Check!

Neurotic female who, for some unknown reason, the male is attracted to? Check!

A bunch of one-note friends who's lives revolve around sex? Check!

A stock pile of overused gags including the vexing "boner in public" gag? check!

Predictably, Matt (Hartnett) spends most of the movie trying to tear down the walls Erica (Sossamon) keeps throwing up between them. Half the time I have trouble figuring out what the big deal is each time she storms off upset. Apparently this is very common for Sossamon, who's played the same damn role in every movie I've ever seen her in. Kudos to whoever mentioned the part where she storm's off, forcing Matt to apologize for being raped. If I was Matt, I'd tell her to walk her ass into oncoming traffic.

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40/40 is just another romantic comedy that borders on unbelievable. It's about a guy who makes the ultimate sacrifice to forego sex or anything related to sex for the duration of Lent (40 days). This started as a way for Matt (Josh Hartnett) to rid himself of his nightmares and sexual claustrophobia as he has "meaningless" sex with other women after he got dumped by his girlfriend. The office gets wind of this peculiar act, or non-act, and decides that it's worth betting on. In the course of not having sex, he meets a girl he falls in love with even without physically knowing her. Things just get tougher when people have money at stake and want him to fail, so there are many temptations along the way. Whether he makes it or not, you'll have to watch the film (or e-mail me) to find out.

It's not a laugh-out-loud type of comedy. It's definitely fun to watch and not crude in any way, but it doesn't stand out.

LEAP rating (each out of 5):

L (Language) 4 (lots of fast talking and witty comebacks)

E (Erotica) 3 (two brief minor upper-body nudity scenes)

A (Action) 0 (n/a)

P (Plot) 3 (you think he'll make it?)

Read Best Reviews of 40 Days and 40 Nights (2011) Here

"40 Days and 40 Nights" is a crude, vulgar, at times I guess it can be described as an offensive movie. In other words it's a guy's movie lol. There's something inside me saying, it's wrong for me to like this movie. This is not a "great" movie. I know I've seen much better movies. I consider myself a filmbuff and have seen several American classics and well as several foreign films. But, still, for some reason, despite myself, I like this movie. Then again I always seem to go for movies like this. I like the "American Pie" films. I liked the first "Scary Movie". So there is a side of me that enjoys vulgar humor.

"40 Days and 40 Nights" as most people know is about a guy named Matt Sullivan (Josh Hartnett) taking a vow of celibacy for the lenght the title says. He does this because as a friend tells him "(He's) packed with issues!" He can't seem to get over his girfriend. Every other person he is with he compares to his ex, Nicole (Vinesse Shaw). But, the odd thing is, his way of trying to deal with this problem is by sleeping with them. So, he decides if he can get his mind off sex all of his problems will go away and he'll forget about his ex. But, he meets a girl, Erica (Shannyn Sossamon). Who just further tempts him and makes things worst for him.

One of the reasons I like "40 Days and 40 Nights" is that it seems to have something to say about teen dating and the importance people (of any age) have placed on sex. The film shows how that seems to be the main thing on both guys and girls mind's. There was a line in the movie that Erica gives "God!Why won't he just sleep with me!" That one line is a key line to the film. Teens and other people sometimes refer to sex as merely a casual act. Something you wouldn't even give a second thought too. I could if I want go into a whole moral issues here like, you know there was a time when people actually waited to become intimate after they were married, but, I won't. This is a modern world, with a new set of standards, no matter how bad they may be. But, one of the problems with the film is, after it lightly touches these ideas it stops!

Is this a movie everyone will enjoy? No. This is purely a "teen movie" If adults saw this they would just think to themselves "Is this the way MY kids are!? That's it, they're not going out for a whole year!" But, teens will like it, and who knows, if a couple goes to see this, it may even open a door to discuss what each of them thinks about sex. And plus girls will just like staring at Hartnett, so it no lost for them either.

Bottom-line: A good funny "teen movie" that actually does have something to say. I think both guys and girls will enjoy this one.

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If irony is indeed the master trope of the universe, as I have been claiming for several decades, then you know that as soon as Matt Sullivan (Josh Hartnett) makes a vow to stay celibate for the "40 Days and 40 Nights" of Lent, that he is going to meet the love of his life. That would be Erica Sutton (Shannyn Sossamon), who fate throws him together with at the local laundry mat. Matt knows that he is being tested. The problem is that pretty much everyone he knows is in on the cosmic joke.

Matt takes his vow because his breakup with Nicole (Vinessa Shaw) has left him a wreck. He keeps bailing out on successful dates and is becoming obsessed with ceilings. He goes for comfort and advice from his brother who is studying to be a priest and practicing hearing confessions. When he sees the banners for Lent going up he takes it as a sign and swears off sex, including foreplay and self-gratification. Unfortunately, once his roommate Ryan (Paulo Costanzo) finds out the deals this becomes the prefect opportunity to use the internet to get a pool going on how long Matt can, uh, last.

Now, for the sake of argument we will assume that Matt has no discernable brain activity when he is asleep (despite scenes to the contrary), so that we can have the willing suspension of disbelief to go with the film's running gag that has the hero falling part as he goes longer and longer without relief. In the real world this guy would be able to keep his vow and wake up without any major problems. But writer Rob Perez and director Michael Lehmann ("The Truth About Cats & Dogs") want to milk this guy's discomfort for everything it is worth and, unfortunately, more.

It dawned on me that this movie has is clearly bifurcated into the "guy" parts and the "girl" parts and the biggest problem with "40 Days and 40 Nights" is that the two halves do not fit together (as compared to "50 First Dates," which overcomes a similar problem and combines comedy and sweetness). Matt's friends and co-workers treat his vow as a joke and/or money making opportunity. This allows for lots of jokes and some prosthetic humor that leads to the inevitable conclusion that all men are pigs.

Where this film had potential was with the idea that Matt would have to date a woman without having sex, both before and after she finds out about THE VOW. However, I find it hard to believe that finding out about such a thing would really be upsetting to a woman, especially if the guy knows how to handle a flower (and Matt really knows how to handle a flower; this film must have given lots of couples ideas for similar epsiodes of flower fun). But if you stop and think about it the idea that a couple could have a good time on a date with sex or any form of physical contact has to be against just about everything Hollywood stands for (assuming, of course, they are in an upright position).

I was planning on liking this 2002 comedy more, but then somebody bad does something really bad without consequences. No comeuppance. No joke at their expense. No sense of outraged expressed by another character. Nothing. I was so ticked off by that turn of events that when the film cobbled together the requisite happy ending I was not really in the mood to enjoy it. But the filmmakers do get props for coming up with a nice little gift as Matt's final act of contrition.

Final Note: "40 Days and 40 Nights" was certified for 11 year old in Sweden, 12 years old in the Netherlands and Portugal, 13 year olds in Spain, 14 years olds in Brazil and the cantons of Vaud and Geneva in Switzerland, 15 year olds in the United Kingdom, Finland and Norway, 16 year olds in Argentina and in the Swiss canon of Grisons. I have no idea what to make of these numbers but they sure are interesting and make me wonder what is up with those Swiss kids in Grisons (was it the sex or the vow part they are worried about?).

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Semi-Pro (2008)

Semi-ProCome on everybody! We're going back! Back to the 70's. Back to the bell bottoms and the big fro's. Back to the disco dancing and roller skating days. Back to when basketball players wore really...REALLY... short shorts.

Will Ferrell plays Jackie Moon who made a ton of money from his song "Love Me Sexy". What does Jackie go and do with it? He's buys himself a basketball team in the ABA called the Flint `Michigan' Tropicals. Jackie is a one man show who not only owns the Tropicals, but also coaches them. And to get fans into the stadium, he even promotes them with outlandish themes such as jumping over 10 cheerleaders while he's wearing roller-skates. Then one day it's decided that the ABA and the NBA will merge into one, and that 4 teams will go to the NBA. Jackie convinces them to let the 4 BEST teams go, not the 4 most popular. The commish, to make it harder on the not so popular teams, also says they have to bring in at least 2000 fans each game. So Jackie tries everything from free Corn Dog night to Jackie Wrestles Bear night. There are a decent amount of funny parts in the movie, but in all seriousness, the story is better than the comedy this time around.

To me the comedy seemed extremely forced in some parts. Usually Will Ferrell can just flow comedy out of his mouth without even a problem. But here it seemed he didn't have much help from his supporting cast when it came to impromptu time. Sometimes Will's antics will make you laugh and sometimes you wish Will would just put his comedy on hold for a few minutes so he could be fresh again. Now don't get me wrong though, there are funny parts in the movie. I for one liked the bear wrestling scene and also the interaction between Jackie Moon and the ref that is a priest. But that also has to do with the language that is used and there is a LOT of fowl language coming out of Ferrell's mouth in this movie. MF'r, F That, C-Sucker, and a lot more. I'm sure there will be more on the unrated version, but I have yet to see that one.

I'd also like to say that Andre Benjamin (from the rap group Outkast) did a really good job in this movie playing Clarence `Coffee' Black. The interaction on the bus between him and Woody Harrelson had me cringing in a good way cause I could just feel the tension between the two. Also Andre, with his big fro and all, just seemed like he should've lived in this time. Everything about him just seemed 70's. Great job.

All in all, this is definitely a rent especially if you like Ferrell. It had it's funny parts and a decent story, but I'm not sure if it was enough to actually give this a buy.

All you whiners giving this low ratings need to be quiet. This movie is clearly supposed to be stupid, not a smart witty comedy. It's classic Ferrell. While I do admit it isn't anywhere near as good as "Talladega Nights" or "Old School", it''s still full of good laughs. I don't see how anyone could watch this and not find it amusing. People these days are way too stuck up and expect too much when it comes to movies. I, personally, love comedies like this. They are supposed to be ridiculous and off-the-wall, and they make you feel good. If you don't like Will Ferrell, don't watch his movies. If you do like hi, then you should know what to expect.

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Synopsis: It's 1976 in Flint, Michigan. Jackie Moon (Will Ferrell) owns, operates, and plays for the Flint Tropics, which is the laughing stock of the American Basketball Association. Upon hearing the news that there will be a merger between the ABA and the NBA, Moon rejoices... until he hears that only the best teams will make the merger while the others will fold. Distressed, Jackie starts to inspire his group to be better, which includes bringing in veteran player Ed Monix (Woody Harrelson) to help fortify the playing style of the emerging Coffee Black (Andre Benjamin). Will the team succeed long enough to make it to the NBA?

Now, you can't all expect them to be hits with Will Ferrell and this is definitely an example of that. The jokes were tired after a while and while an uplifting story, it just seemed quite dull in comparison to the other comedies that have been recently released. I'd recommend it to die-hard fans of The Frat Pack, but other movie viewers probably won't enjoy it as much.

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This is a decent comedy. I don't think it deserves to be called terrible. But it is very uneven. Will Ferrell plays Jackie Moon a 70's one hit singing wonder who uses the money to buy an ABA team. When the ABA decides to merge with the NBA 4 teams will go to the NBA with the rest being disbanded including his Flint Tropics. Jackie then comes up with a plan to be part of the merge and tries to inspire his team to 4th place. Ferrell plays his usual character which is getting a little old at this point. The movie is full of great comedy actors and a few decent jokes. Not everything works in this movie, but it is not as bad as some make it out to be. It won't last long in the theaters so I would just wait for the unrated dvd release in a few months.

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The Will Ferrell movie machine keeps cranking out film after film. Unfortunately, they haven't been getting better. On a good note, they aren't all that bad either. This film has some very funny moments, but none as good as Ferrell's earlier outings. If your a fan you know what to expect and if your not.......why are you reading this?

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Tropic Thunder (Unrated Director's Cut + BD Live) (2008)

Tropic ThunderThere's no doubt that Tropic Thunder is one of the funniest movies of the yearif not THE funniest movie of the year. I remember seeing in the theater and laughing so hard I couldn't breathe. I was excited when I found out that there was an unrated DC coming out... 2 discs, and 15 more minutes more footage.

However, as much as I gotta say the movie rocks, I have to say: BUY THE THEATRICAL CUT INSTEAD. The unrated version slows the movie down a bit, and most of the added stuff doesn't seem to fit in. They changed some funny lines, and even took some out as well. In fact some of the added stuff makes the movie feel a lot longer than it really is, and after awhile the movie seems repetitive, which is one of the few things that killed the movie for me.

So if you're planning on buying the DVD, get the single disc rated version instead... this movie is definitely one of the funniest I've seen, and I definitely look forward to owning it, but really, just get the theatrical. It's MUCH better.

I never understood why Downey, Jr. received job after job after being released from prison. I knew he was a good actor, but his portrayal of Iron Man and his performance in this movie was just phenomenal (I never saw the Charlie Chaplin movie). I know this movie offended some, but my husband and I are Black and we missed some of the dialogue in this movie from laughing so hard. We were picking out family members who really talk like that! This movie is hilarious. It's unfortunate that Oscars aren't considered for these types of movies/performances. All of the characters in this movie contributed to it's pleasing experience, however, RDJ stole EVERY SCENE he was apart of. Great Job, RDJ!!! I'm now one of your biggest fans!!!

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You'll laugh but this movie isn't for the easily offended. Heck, even a few hard-to-offend viewers will cringe, too. A comedy hasn't had this much in-your-face political incorrectness since Blazing Saddles.

You'll be worn out by the end of this two-hour movie but that's not necessarily a bad thing. The hardest laughs come all too quickly before the film settles down to a slower pace.

The story follows a group of high-maintenance actors on the set of a Vietnam war movie that is spinning out of control and likely to become the all-time box office flop, pushing aside Cutthroat Island, The Adventures of Pluto Nash and Basic Instinct 2.

Ben Stiller has the most screen time but Robert Downey Jr. steals the scenes as an Australian method actor who manages to eclipse Robert De Niro's famed transformation in Raging Bull.

Jack Black (in a nod to Eddie Murphy's The Nutty Professor), Brandon T. Jackson, Jay Baruchel round out the rest of the main acting troupe. In smaller roles, Nick Nolte portrays the author of the book, Tropic Thunder, which "got" the movie deal (there's an in-joke). Matthew McConaughey appears as Stiller's TiVo-crazed agent and Tom Cruise appears nearly unrecognizable in creepy make-up as the film's producer. Not a single actor displays anything approaching subtlety or sanity.

One final warning: skip the DVD extras at your own risk. The viral video for MTV is hilarious.

Read Best Reviews of Tropic Thunder (Unrated Director's Cut + BD Live) (2008) Here

Yes, the movie is a little too long and the hardest laughs come in the first 10 minutes but apart from Robert Downey Jr. doing an awesome job I thought Tom Cruise stole this movie.

Now I am no Tom Cruise fan whatsoever, perhaps the opposite but his two 5-minute appearances together with his antics during the closing credits made me watch it over and over with my sides splitting from laughing so hard :)

The character is rumored to be based on Ben Stiller's agent. If so, I hope I never meet the guy :))

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A friend of mine came over a few months back with a DVD of Tropic Thunder (original cut). I thought it was hilarious, especially the beginning parodies of movie previews. I liked it so much I order this here blu-ray thinking maybe i'll get something extra out of the director's cut. Turns out the extra scenes in the director's cut were cut out of the original for a reason, they aren't funny. Not only that but they hurt the continuity of the movie and the characters. I would have really preferred if watching the theatrical version was an option on this blu-ray but it's not. I'll be trading this for the original on craigslist if there are any takers.

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How to Lose a Guy in 10 Days (2003)

How to Lose a Guy in 10 DaysKate Hudson plays Andie Anderson a columnist for Composure magazine. Even though she has a degree from Columbia, she is stuck writing a "How To" fluff piece for the magazine. Her latest assignment is to pick a guy, and do all the stupid things girls do to chase a man away. "How To Lose A Guy In 10 Days" is Andie's next challenge to write. Ben is the perfect man for her column!

Matthew McConaughey plays Benjamin Barry an ad executive wanting to break into a market he has never represented before. To market diamonds, his boss believes you have to understand what true love is, so Ben has to make a woman chosen for him, fall in love with him. Of course, Andie is the women Ben has to woo.

Kate and Matthew have so much chemistry on screen that they sizzle. This is such a fun movie. There are many funny moments, and some touching serious ones. You will want to see it over and over again.

A film by Donald Petrie

Here's a highly predictable, yet cute romantic comedy. I have to wonder if these sorts of situations actually occur in real life, but they seem to happen all of the time in the movies. Andie Anderson (Kate Hudson) is a columnist at Composure Magazine. She writes the "How To" column intended for a female audience (Composure is similar to Cosmo or Glamour). The column she agrees to write for the current month is "How to Lose a Guy in 10 Days". She has to find a guy and start dating him, but intentionally make all the classic mistakes that women make in relationships. These mistakes will cause the guy to dump Andie in 10 days or less, which is just in time for Andie to finish her column and get it published.

Benjamin Barry (Matthew McConaughey) works in advertising. He is very good at what he does, but he is known for working on "guy" related campaigns. Ben wants to land his company's largest client, a diamond company, but he is seen as not having the right expertise and style for it. Ben is very good at selling himself and convinces his boss that he can get any woman to fall in love with him (being able to do this is similar to being able to sell diamonds, apparently). His boss gives him ten days, until a party that his boss is throwing for the new client. Benjamin has to be able to prove to his boss that the woman he brings to the party has truly fallen in love with him.

Out of all of the people in New York City, Andie and Ben are going to meet at the perfect time to start dating and try to work out their conflicting assignments. How this happens is moderately clever, and is actually believable if convenient. Andie tries to get Ben to break up with her, though in a cute non-threatening way. Ben is trying to get Andie to fall in love with him, so is willing to put up with everything that Andie throws at him.

"How to Lose a Guy in 10 Days" is incredibly predictable, but it is still an enjoyable movie. Nothing is a surprise, but it is cute and slick and Andie and Ben are two very likable characters. Sure, the movie is not very plausible and not very realistic, but cuteness and likeability goes a long way.

-Joe Sherry

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"How to Lose a Guy in 10 Days" is a truly delightful little movie. It's packed full of laughs and fun and boasts a great cast that gives it the edge over the slew of romantic comedies recently released.

Ben (Matthew McConaughey) makes a bet with his boss that he can get a woman to fall in love with him in ten days to land a valuable advertising campaign (don't ask questions, you'll understand when you see the movie). Andie Anderson (Kate Hudson) is the "How To..." columnist as the hot new women's magazine, Composure. The topic of Andie's next column? How To Lose a Guy in 10 Days, hence the name of the film. If Andie writes the article, her boss, Lana, will give her complete freedom on the topics she writes about Apparently Andie wants to write about "serious" issues. That's great, hon, but why are you working at a glossy fashion mag if you want to write articles on global issues?

Of course, Ben and Andie see each other at a bar and coincidentally choose each other as their "victims". And then you know what happens...

Kate Hudson is an absolute gem! She is sweet, funny, and completely adorable. The audience genuinely likes Kate Hudson, and thus sympathizes with Andie. A big problem with most romantic comedies is that the characters are so dislikable that you don't really care what happens to them. Kate Hudson was able to prevent that.

McConaughey was fine, but I firmly believe that he doesn't really act in films, just plays himself (he plays the same kind of guy in almost all his movies).

Ever noticed how most romantic comedies are really quite funny until they reach that inevitable stage when the two stop hating each other (or whatever was holding them from love) and fall in love? Take McConaughey's "The Wedding Planner" (another film in which McConaughey plays himself), which I thoroughly enjoyed until they fell in love. "How to Lose a Guy in 10 Days" blessedly does not fall under this category. The film is consistently funny through and through and never gets boring.

Read Best Reviews of How to Lose a Guy in 10 Days (2003) Here

Why review this movie? For the simple reason that I was stuck on an airplane for hours with nothing to do. Against my better judgment I decided to check out this 'romantic comedy', a genre that has become a breeding ground for garbage in the past 20 years or so.

Should have known better. If we want to call romantic comedies genre films, then this has all the pieces. And like many genre films these days, it sucks, made of half-baked ideas or the same old ingredients baked to nauseating results. Here's a movie about two people you would never know: he works at a super cool ad agency and has the type of office no one you know has, she works at a Cosmo-like magazine writing vapid columns for vapid people in a vapid office. They both make bets with their respective bosses: he'll get a girl to fall in love with him in 10 days, and she'll get a guy to dump her in 10. Want an easy solution to lose someone in a weekend? Start here.

The characters are happy, beautiful people living in impossibly large Manhattan apartments in your typical romantic comedy New York (which means full of rich, pretty people and none of the grit of the real city). They make a bet that they can basically ruin someone for the sake of their jobs, both of which are appropriately hollow professions (he is trying to sell diamonds to more women, she is doing columns for your typical New York society ice queen boss). Of course this means we'll see him be the nicest guy on the planet (cooking, court side Knicks tickets )for her while she tries to make his life a living hell (buying a puntable little dog who does his business on the man's pool table, interrupting his poker night, etc.) But of course, he has to try and work it out as his job depends on it. Meanwhile most men would have booted her and the dog in a jiffy.

The movie flat out insulted my intelligence. It has the obligatory scene where he takes her to his humble beginnings, which in this case is Staten Island, a place they want to portray as more down to earth, romantic, homey, etc. Blah. Kate Hudson may be nice to look at but she has none of her mother's famous expressions and in general, she has about half the talent. Matthew Mc-whatever is his same down-home nice guy.

Romantic comedies do not have to be this sappy and cheesy and insulting. Movies like this border on contempt for audiences. Who can relate to these characters? Who cares in the end? I guess it's a safe investment for a studio. Avoid, unless you want to lose more respect for Hollywood in two hours. And if you're stuck on a plane, ask for a gin and tonic and go to sleep.

Want How to Lose a Guy in 10 Days (2003) Discount?

... Start with a good script that includes a twist, and add good acting and as much humor as possible. This movie has these elements. Kate Hudson plays a "How To" columnist for a fluffy women's mag, but she really wants to write about serious subjects. She is trying to impress her boss (Bebe Newirth) enough to earn free reign on her writing. In this process and after her coworker whines incessantly about being dumped, Hudson opts to write a reverse How To on what turns guys off. She must find a guy that will fall for her, then do everything that women do wrong in relationships. Concurrently, Matthew McConaghey plays a sharp-shooting, go-getter ad exec who has thus far worked predominantly in the sports arena. He would like to break into the very lucrative world of jewelry. What stands in his way? Two lovely ladies who believe they can do it better, and have the ear of McConaghey's boss. McConaghey makes a bet that he can make any woman fall in love with him in 10 days, in order to prove his adeptness at knowing and being able to speak to the female mind. His opposition, having overheard Hudson's latest assignment, pick her seemingly randomly as McConaghey's target, thinking he's sure to lose. This is how the couple comes together. The rest of the movie is how they come apart ... and it's funny. Actually, it's almost uncomfortably funny. Your sides will split in laughter in parts of the movie. Plus, you'll wonder how Kate Hudson ever managed to get through the embarrassingly funny things she did in her attempt to scare off unsuspecting McConaghey. Kate's performance is perfect. In the end, as you just have to know, the truth unravels with the unwitting help of McConaghey's sidekicks. All in all, this movie has everything ... a good plot, good acting, lots of laughs, and ample chemistry. This one is a must for the avid romantic comedy collector. (and guys should like it too)

As for the DVD itself ... The deleted scenes aren't bad to watch, but the movie wasn't missing anything for having left them on the cutting room floor. I don't know about you, but I never really get into the lengthy commentaries so I haven't gone there to speak about it.

Knight and Day (Two-Disc Blu-ray/DVD Holiday Gift Set) (2010)

Knight and DayKnight & Day is about a rogue agent (Tom Cruise) that hides a powerful battery in a normal woman named June's (Cameron Diaz) carry on case at an airport. He thought that would be it and he'd never see her again, but he finds himself having to protect her from the people he used to work with.

The movie is just fun and it may be silly that Cruise and Diaz talk casually during shoot-outs but that's one of the things I enjoyed about the movie. The movie isn't meant to be taken seriously, just sit back and enjoy all the entertaining non-sense. Out of a so far lackluster summer season, Knight & Day is one of the better summer movies. Don't listen to the idiots on At the Movies, this is a fun flick and I highly doubt the Killers is a better movie like they said!

My wife and I got a free ticket to attend one of three movies--"Predators," "Knight And Day," or "A-Team." It was a no-brainer. I'll wait for the other two to come to DVD to partake in them. My wife was fairly adamant about wanting to go and see "Knight And Day" right from the gate when the trailers were appearing here and there in different venues--internet, TV, DVD releases, what-have-you. It looked to be a ton of fun, and, boy, was it ever! There was so much wondering about what was really taking place as opposed to what was seen on the surface that it would be a bit difficult to explain it all here. Let's just say that Tom's character, Roy Miller, may have been a good guy or a bad guy throughout the movie, we just simply don't know, which adds to the suspense...ten-fold. His personality says he isn't, but his actions say otherwise. All in all, through all the guessing and wondering what was truly going on, there was a bit of well-placed humor and an exceptional chemistry between Cameron and Tom. They were having a ton of fun in the making of this movie, and it showed. My wife made note that the trailers didn't show every bit of the good stuff, leaving nothing for the movie-going experience. That was completely true. This is not a movie for all the tight-a**, boring, nepotistic critics out there. This one is for a great time out on a weekend and a soon-to-be great time on adult movie-night at home. One more note: Mid to late teens would be fine with the subject matter of "Knight And Day" as well. LOTS O' FUN!!!

Buy Knight and Day (Two-Disc Blu-ray/DVD Holiday Gift Set) (2010) Now

This is what movies are meant to be -great fun from start to finish with actors and a script and direction firing on all cylinders to create the most fun you will have at the movies this year. If you have ever liked tom cruise, this is a must see -cameron diaz is superb and I cannot say enough good things about this movie. IT'S A MUST SEE.

Read Best Reviews of Knight and Day (Two-Disc Blu-ray/DVD Holiday Gift Set) (2010) Here

I think the other 3 star reviews on this movie pretty much sum up how I felt about this movie.

Its entertaining in its own way, but Knight & Day just feels like its missing something. The way the story was put together felt kind of bland. I know that when I go into a movie like this there are going to be some over the top things going on, but there are a couple of instances in Knight & Day when you just shake your head saying no way. Its amazing how they avoid bullets without even trying on a couple of occasions. I'm sure the bad guys aren't that bad with a gun. I think the comedic element to the movie was one of its strong points, but the way it all comes together leaves a unsatisfied feeling in the end.

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Far better than I expected and yet, still somewhat lacking; `Knight and Day' is as fun as the genre allows but I was left wanting much more. I think the reason for this is the fact that everything `right' about this movie is VERY right. Tom Cruise may be one of the most obnoxious celebrities around, but he's a fun actor and he works that suspicious charm all over this film. I am smitten with Cameron Diaz (who I feel is highly underrated as on of her generations greatest working actresses) and she is all sorts of charismatically alluring in this film. The action sequences are non-stop and totally engrossing and the basic plot (a predictable twist off the expected espionage thriller) is interesting enough to hold it's own in the film. The supporting cast is a whose-who of respectable faces doing underwhelming things (Sarsgaard is demoted to predictably sleazy, Viola Davis is stuck in `Law and Order' mode and Paul Dano is laughably out of his element) yet they are forgiven thanks to the quick-fire pace of the film itself. It's like a `Bourne' films without the intelligence, but when all is said and done it's richly entertaining. It rides of cusp of greatness by teasing us with all the goodies it has in its bag, but I was waiting desperately for it to cross that line and really, really deliver.

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