Showing posts with label download movie. Show all posts
Showing posts with label download movie. Show all posts

Dead Before Dawn (2013)

Dead Before Dawn"Everything we said at the shop is actually happening! Whoever we make eye contact with is gonna kill themselves, then come back as zemons and kill us...via hickeys" Casper Galloway (Bostick) is a teenager who is very shy and jumpy due to what happened to him as a kid. When his grandfather (Lloyd) asks him to watch his store he is very afraid. After a group of kids from school show up Casper tries to kick them out until an urn breaks, thinking the warnings are a joke they begin to come up with ideas of what a curse would be. Then they realize its not a joke at all. This is a very very funny movie, but it is mainly stupid humor. I really liked it and laughed a lot but I don't think everyone will find it as funny as I did. For example the plot of the movie involves being killed by getting a hickey from a half zombie-half demon. The writing is funny and the acting is good for a movie like this. There really isn't much else to say about this other then if you like movies with humor like Anchorman and Shaun Of The Dead then you will like this as well. Overall, very funny but not for everyone...also hearing Christopher Lloyd say "Great Scott" was amazing. I give it a B.

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Battling Butler / Go West (Ultimate 2-Disc Edition) (1925)

Battling Butler / Go West**** = Go West video

*****= Go West story

****1/2= Battling Butler video

*** = Battling Butler story

To be fair, I compared the old "The Art of Buster Keaton" DVD 2005 release to this new blu-ray release using the same Sony Blu-ray player, up-converting the DVD to 1080i.

GO WEST (1925) 68 minutes

Video = While a credit is given to a Library of Congress/Packard Campus for audio visual conservation, there is little improvement here. Some scenes such as the one where Buster falls out of the train & goes down the hillside look way better here. In fact, almost all outdoor scenes are a little darker, bringing out more detail.

One scene originally timed wrong in the original release still looks wrong here. At the 23:22 mark during a night scene, Buster hears a Coyote and then we cut to a daytime scene of a coyote. Was this originally darkened for the theatrical release to look like nighttime, or am I missing the point and this is a joke targeted at "day-for-night" scenes?

Other scenes such as those outside the cabin, in the general store, and inside the freight car look almost the same, just sharper.

There are some new flaws in this transfer that were not in the old DVD which leads me to believe that either 1) an older sharper 35mm print was used for this transfer, or 2) the original 35mm print has suffered some new damage.

At 16:27 & 47:48 there is some Nitrate deterioration on the left side that was not there before.

At 23:59 there is a white emulsion scratch that appears and stays for a reel, this scratch is not in the old DVD transfer.

I find it hard to believe this is all a new 1080i transfer as there seems to be some up-conversion artifacting in several scenes. I had heard that some Buster Keaton films were transfered to lower resolution Hi-Defenition before 1080i became the standard. I don't know if this is true for GO WEST, but it appears that way.

Story = This is Buster in top form! Go West deserves better notoriety, it is almost up there with The General! Jobless Buster heads west and finds a job as a hapless cowboy on a cattle ranch. In general there is little plot, just Buster let loose on a cattle ranch to make his own misunderstood mayhem. But there is an underlying plot of a neighboring rancher trying to keep the cattle from this ranch from making their destination on a train. Now Buster gets to play on some real trains again! To go on about the non-stop visual gems of this feature would ruin it for anyone who hasn't seen it before. So stop reading & click the "Buy" button.

BATTLING BUTLER (1926) 85 minutes

Video = The first change is a new Library of Congress/Packard Campus for audio visual conservation notice followed by a title card informing viewers of the story's origin as a play, then we get the MGM roaring (mute) Leo logo, all of which were not on the original DVD. After that the title cards seem the same, including another credit for the story to the original play. It is puzzling as to why this duplicate credit is made, but both seem to be in the original negative and not re-created for this video.

The image is so much sharper on this new transfer for Blu-ray that the camping scenes seem to jump off of the screen! The details of the trees in the woods is amazing! This definitely looks like a 1080i transfer & well worth the upgrade.

The only complaint I have is that the film negative blemishes are not cleaned up. Spots & scratches appear through out, heavier around the 10 minute reel changes.

Story = Battling Butler makes little use of Buster's unique qualities. Only the camping scenes in the first 17 minutes or so show off Buster's brand of comedy. I especially enjoy the fishing scene, it is pure Buster at his best. The next hour of the film is standard screwball situation comedy, you could have substituted Buster with Harold Lloyd and gotten the same film. The boxing scenes are done mostly without laughs, I think boxing comedies were done better with Charlie Chaplin or The Three Stooges. I kept waiting for their antics to liven up the film. This is not say the film is a failure, it is a fun situation comedy that lacks Busters special brand of humor.

PC WARNING = some may be put off by seeing the other boxer's wife with a black eye, suggesting the beating she got from her husband. This was to emphasize the threat to Buster when he would encounter the boxer.

The music seems to be the same exact music as used in the old DVDs. I didn't watch the entire DVD to see if there were any changes.

Overall I think there is a reason Kino paired these together. GO WEST may not be enough of an upgrade to warrant a Blu-ray purchase, but BATTLING BUTLER is. So you end up buying this for the upgrade. BUTLER is not a strong enough film to sell on its own, so others may buy this to get WEST.

If you are still unsure about buying this, then consider the NEW BONUS MATERIAL:

1) A rare 60 minute audio recording of Buster Keaton reading a proposed script for the western TV show "Wagon Train".

2) GO WEST a 1923 Hal Roach DIPPY DO DADS short performed by a troupe of monkeys.

3) A Gallery of photographs from the ORIGINAL 1922 stage production of THE BATTLING BUTLER.

4) Galleries of production stills for both films revealing un-filmed scenes.

5) Screenplay excerpts from a proposed 1947 remake of BATTLING BUTLER.

Any chance to see a Dippy Do Dad short is worth the price. And seeing stills from GO WEST that illustrate some un-filmed scenes are a pleasure to see.

I don't have the new DVD version of this Blu-ray to compare to, so i don't know how much of an upgrade it would be.

****** Contrary to Amazon's listing, the Blu-ray version is just a single (1) disc release, both movies and all bonus material are on one Blu-ray Disc. It is the DVD that is on two (2) discs.******

GO WEST (everything by Buster Keaton, 1925, 69 minutes) & BATTLING BUTLER (everything by Keaton what else is new, 1926, 68 minutes) have to both go here because I am tired of offering confusing reviews on these double-bill DVDs.

GO WEST was BK's homage some say parody of Charlie Chaplin films. I disagree strongly. BK was fond of parody and occasionally parodied Chaplin, but not here. For some strange reason, Keaton said this was his "best film". Apparently not his favorite film, which is also considered his best: The General (Enhanced) 1927. Here BK is "Friendless", a drifter from Indiana who ends up going West to cattle ranch. This film is excellent in that it shows the cruelty of ranching.

Essentially this begins with Friendless falling in love with a very sweet cow named Brown Eyes and he ends up successfully herding 1,000 head of cattle to the stockyard in Pasadena. (Though this was filmed on location in L.A., people always erroneously say it takes place in L.A.) There is so much hilarious fun I won't spoil anything. How can I? This film features innovative work such as the cow-mounted camera work and BK's uncanny ability with cattle.

As in College (see my review), this film shows a terrible momentary camera flare due to the sun. I suspect BK shrugged it off, unable to do anything about it, but it would never again appear on his films. It also has a hair-raising train ride and a cute ending that will have you rolling on the floor. I do not know why critics dismiss this fine work.

BATTLING BUTLER (BK at the helm again, 1926, 68 minutes) is one of the darkest and most haunting of Buster Keaton's films. This movie inspired not only the comedy ARTHUR but was also studied by Scorsese for RAGING BULL. Here BK plays millionaire playboy Alfred Butler, who falls for a gal and also discovers a rising boxing star whose name is Alfred Butler, called "Battling" Butler.

To impress his gal and her family (because in those days money meant nothing I guess), Alfred tells them he is the boxer "Battling" Butler. In a complicated and gothic plotline, poor little Alfred is sucked into the world of prizefighting and training hard. Here, as with GO WEST, BK is determined to show cruelty: the cruelty of the boxing world. As he does his dance with the real boxer's identity, he inadvertently gives the wrong impression with the other Alfred's wife.

BK shows up ringside to watch some training and encounters the boxer's wife again he had met her when she injured a heel and he gave her a ride. He asks, "How's your heel?" She points to the ring and says, "He's alright." Does that ever look bad! Funny! Like the mean, snarling villain BK played in his 1922 short FROZEN NORTH, here he steps out of his usual zone to give a terrific performance. Like his formal wardrobe, he is noble, stiff and formal. No porkpie could possibly enter this yet his girl's brother wears one. That BK!! Never a dull moment.

He of course marries his sweetheart near the beginning of the film, so the rest is all the tension mounting. It is unbelievable and prescient of Hitchcock in its suspense. The dean from COLLEGE here plays BK's trusty and troublemaking butler Martin. Not only does BK do his crying/foot-stamping routine to great effect here for the first and only time since his silent shorts; he also shows some serious acting chops in the great finale fight between himself and boxing Alfred. He kicks butt and looks vicious there is no comedy at all in that harrowing scene.

Only a word of caution: this film is sometimes panned by certain critics and I see it is not as popular as it should be. This has the most complex, fascinating story/plot of any of BK's films. If it lacks comedy, it is because BK was pushing some new frontiers as always. Do not rebuke his memory or refuse this film just because it leaves the comfort zone. What do you think Buster Keaton's whole life was about anyway?!

The viewer can examine the whole list of Keaton's Golden Years of film, and watch them all. What pops out is this: BK's 'life-motif' in his movies is that the average Joe can achieve his American Dream no matter what that dream is. You learn from BK that you must find what's really important whether it is a girl, a cow or a job after that, anything's possible and you can do what you wish.

Buster Keaton always pays homage to every American, to the American spirit. He IS the original American spirit. He is THE American film master, the master of all time, and he IS comedy. You'll see that American spirit here and in films such as COLLEGE, Our Hospitality: ULTIMATE EDITION (which makes BK America's Jane Austen) and THE GENERAL (see my reviews of all his greats).

You cannot call yourself a film fan and miss either of these two classics. Or for that matter, miss any of Buster Keaton's golden classics. You miss out on BK, you might as well give up watching movies.

Buy Battling Butler / Go West (Ultimate 2-Disc Edition) (1925) Now

This is for the new Blu Ray Buster Keaton "Go West" and "Battling Butler." First of all let me state that I love all Buster Keaton, these films rank among my top favorites for Keaton. He was an absolute genius when doing what he loved best. I'm not sure what I expected but I have many restored silent films and restored Blu Ray films of different eras and this is a disappointment. Many scenes are washed out and as stated in another review, there are many scratches and other blemishes that I find distracting. The pictures are indeed sharper but overall I would be just as happy to watch the earlier versions KINO produced. The extras do nothing for me, the short is not my cup of tea and the other extras are just okay. Both films and extras are on a single disc.

Suggestion: unless you are a die hard fan and do not already own the KINO versions then certainly buy this disc as the films are wonderful and deserve a place in your home, but if you do own the earlier discs keep watching them, they are not so bad one must upgrade. Blu Ray for me should be a vast improvement in picture and or sound, such as the recent Red Shoes release or grand sagas such as Lord of the Rings or Star Wars. Black and White Silent films need restoring and I am thrilled that such projects continue to be done but I am not wildly impressed with the results here. (The Blu Ray Buster Keaton Steamboat Bill, Jr. is recommended as it is a vast improvement over earlier versions and offers a second version of the film.)

Read Best Reviews of Battling Butler / Go West (Ultimate 2-Disc Edition) (1925) Here

Regardless of the negative reviews about the print imperfections. The two films have never looked better. Go West is not so grey-scale as the previous DVD release, much more clarity, clearer and shows much more detail, especially as this is as good a print that is available.

Battling Butler, displays a beautiful Tinted print, clear, sharp and not as dull as the DVD release from the Art of Buster Keaton set.

There are not very many extras offered, but as these two films are considered the "lesser" of Keatons films I do not mind.

All in all you get two feature films in HD in pretty great condition on one blu-ray disc. Beautiful packaging and the films most importantly are great. A must for any fan.

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Exciting, enjoyable and the magnificent physical comedy of one of the greatest stars of all time...Buster Keaton!

Have you been wanting more Buster Keaton on Blu-ray! Kino Lorber has a new Blu-ray release planned for Sept. 2011 with the release of "Go West" (1925) and "Battling Buttler" (1926).

"Go West" is a film written and directed by Buster Keaton and it was a film in which Keaton wanted to capture the realistic scenery by filming in the deserts of Arizona (something that his film crew did not want to do because of the extreme heat). In fact, during the filming of "Go West", the film had to be reshot a few times because the film stock melted and the crew realized, the only way this film was going to be made is by quick thing and that was to submerged their cameras in ice to keep cameras operable and film stock intact.

The film also became one of Keaton's most expensive films ever made as it required a stampede of cows, especially having the cows walk through the city.

In 1925, the film didn't exactly do great in the box office but many years later, many fans of Keaton's silent films do feel that it's one of his most entertaining silent comedies.

VIDEO & AUDIO:

"Go West" (1925) and "Battling Butler" (1926) receives its HD release and are presented in black and white while the latter does have color-tinting. Having previously owned "The Art of Buster Keaton" Kino DVD boxset, I can easily say that these two films do look great on Blu-ray. The contrast looks great, the films look sharp and these are the best version of both films via picture quality to date.

While "Go West" is the better of the two when it comes to picture quality, both still manage to look better than its DVD counterpart in the fact that the whites and grays show awesome contrast, much more detail and black levels are nice and deep. You do see lines and white specks from time-to-time on "Battling Butler" but by no means does it take away from the viewing of these two films.

The fact that both of these films show no major nitrate degradation and are complete films is a major plus and have no doubt that Keaton fans will agree that the picture quality for both films are very good!

As for the audio, for "Go West", the music is composed and performed by Eric Beheim and "Battling Butler" features music arranged and directed by Robert Israel. There are no alternate soundtracks but for those who enjoyed the music from the previous DVD release, will be happy that they are featured in the Blu-ray release.

The music for both films are well done and compliment the film just perfectly!

SPECIAL FEATURES

"Go West" comes with the following special features:

Go West A 12 minute comedy short produced by Hal Roach and features the trained monkeys (The Dippy Do Dads).

60-Minute Audio Recording An audio recording of Buster Keaton working on a script proposal for the Western TV series "Wagon Train" (courtesy of Bob Bergen).

Photo Gallery Production stills from "Go West".

"Battling Butler" comes with the following special features:

Screenplay Excerpt A screenplay excerpt featuring text on the unproduced remake of "Battling Butler" written by Keaton in 1947.

Gallery Gallery of photographs from the 1922 stage production of "Battling Butler".

Photo Gallery Production stills from "Battling Butler".

EXTRAS:

"Go West and Battling Buttler" comes with a slipcase cover.

JUDGMENT CALL:

Once again, Buster Keaton fans are treated with two more films from the filmmaker's oeuvre showcasing his physical comedy as an actor but also his directorial and screenplay writing efforts in "Go West" and directorial effort for the film adaptation of the stage play "Battling Butler".

Both films precede his "The General" (1927) and "Steamboat Bill, Jr." but there was no doubt that Buster Keaton, a perfectionist, would cause concern with Metro-Goldwyn-Mayer with "Go West" as it was an expensive film that required multiple do-overs because of filming in the desert of Arizona proved to be problematic for the cameras and the film stock.

While "Go West" would showcase Buster Keaton as a cowboy, it was a silent comedy western that was unlike any Western ever made and still is a unique film that holds up perfectly well in 2011. In 1925, Buster Keaton brought in a large numer of cows to walk the streets of Hollywood. Just watching the scene of, who knows how many cows were featured, walking through the city of Los Angeles in broad daylight was accomplished.

It's probably the only film in which a woman is not Buster Keaton's leading lady but a cow named Brown Eyes who is his true friend throughout the film and the female that he is trying to protect. It really is an absurd film but it is a hilarious film that showcases Keaton's comedy. From being a cowboy that doesn't know how to milk a cow, nor does he know how to ride a horse or to lasso a young cow, "Go West" is a film that provides a lot of laughs but a stampede sequence that is literally shocking when you watch it today.

As for "Battling Butler", this is a straight-up Buster Keaton film that takes misunderstandings and lies to make for one exciting sports film. In fact, I'm not really sure if "Battling Butler" is the first boxing film ever created but what we do know is that it is an adaptation of a popular Broadway play that ran from 1923-1924 and that the film was Keaton's most financially successful feature film in the box office.

Keaton has said that "Battling Butler" is one of his favorite films, despite it being forced on him by Joe Schenck but it's a wonderful farce as we see Keaton put into a boxing role and having to go one-on-one with experienced boxers.

But in this screenplay, it diverts from the original Broadway play in the fact that fans do get to see Keaton's character Alfred Butler actually getting into a fight to protect his wife's honor.

But it's a hilarious film that is classic Keaton. Farce combined with Keaton's physical comedy, "Battling Butler" is highly entertaining!

And of the two films, I admit that I am more fond of "Battling Butler" in terms of story but admire the direction of "Go West" because how Keaton directed a large herd of cows through Los Angeles is surprising but yet an amazing thing to watch onscreen. Many decades before CGI and yet, Keaton as always ahead of his time, was able to make it happen.

As for the Blu-ray release, once again...these are the best looking versions of the film to date. In fact, I don't know if I can even watch my older Kino DVD's ever again because these films look so fantastic on Blu-ray. Granted, these films were never 100% pristine but the fact that the contrast and overall look of both films are an improvement from the original DVD release is a major plus.

The special features for this latest Blu-ray release offers different special features compared to the previous release. As I would have loved to see the special features on the behind-the-scenes of the making of both films, at least we are given a rare 60-minute audio recording of Keaton working on "Wagon Train" plus an excerpt of the screenplay for the "Battling Butler" 1947-remake. Sure, I would have loved to have additional choices for audio score but the Eric Beheim for "Go West" and the score for "Battling Butler" from Robert Israel which were used on the original DVD release are already wonderful and compliment the films really well!

Overall, if you have been watching the previous Buster Keaton films on Blu-ray, more than likely you will purchase "Go West" and "Battling Butler". If you are new to Buster Keaton, both films are highly entertaining...are they better than "The General" or "Steamboat Bill Jr.", in my opinion, definitely not. But these two films are still very entertaining and do a great job of showcasing Keaton's physical comedy but also his efforts as a director.

Enjoyable, entertaining and fun...these two Keaton classics are definitely worth watching and this Blu-ray release is definitely recommended!

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Love Actually (2003)

Love Actually"Love Actually" is just the right mix of romantic comedy and drama to leave you with that warm, fuzzy feeling as you leave the theatre. It's an ideal Christmas movie for moms and dads who want to see something else while the kids venture into more PG films.

Writer/director Richard Curtis enlists a plethora of some of the finest British actors (and a few noteworthy Americans) to tell several different love stories. While it seems that there may be a few too many characters at first, the overall flow of the film allows the viewer to keep track quite easily. The cast is led by the ever-so-charming Hugh Grant as the British Prime Minister. While some critics have called this casting unbelievable, Grant actually pulls it off by portraying a more human, but yet stronger PM that we would all love to have leading us. His dance to the Pointer Sisters' "Jump for My Love" borders a bit on ridiculous, but it is nevertheless fun to watch. In the film, the PM is caught between leading his country with a clear head, or giving in to his feelings of attraction to his tea server Natalie (played by musical actress Martine McCutcheon).

And then there's Emma Thompson, who plays Karen, sister to Grant's PM and a long-married devoted mother. She suspects that her husband Harry (Alan Rickman) may be cheating with a sexy co-worker. Her performance, simply put, is a revelation. The scene where she is in her bedroom is an example of phenominal acting. Hollywood Foreign Press and Academy members: please take notice!

Another strong performance award goes to Bill Nighy, who provides most of the film's comic relief as aging rock star Billy Mack. He puts out a cheesy Christmas record and then publicly bashes it. But in classic Hollywood ending style, he does have an epiphany and realizes his wild musician life has been missing true affection.

Liam Neeson shines as widower Daniel who tries to help his young stepson win the heart of a popular school crush. Equally sweet is Colin Firth as Jamie, a man recovering from a broken relationship in France who falls for his monolingual Portuguese maid. You know what? This film is such an abundance of great performances that I will run out of space discussing them all! Everybody shines! My only cast complaint is that Rowan Atkinson should have been given more screen time.

What I also love about "Love Actually" is that Curtis doesn't, if you'll pardon the pun, wrap up each story in a happy little Christmas package. There are a few sad, realistic moments, particularly in the Karen/Harry subplot and in Laura Linney's turn as Sarah, an assistant who has waited so long to be with the man she loves. She realizes, in some of the film's key dramatic instances, that family matters are getting in the way.

All in all, Curtis has struck gold again, in tradition of movies like "Four Weddings and a Funeral" and "Bridget Jones' Diary." Yeah, some of the love stories may be a little far-fetched, but aren't they all in fantasy movie world? What matters is that they are sweet and not without their share of obstacles. This film is a nice departure from some of the more disturbing violent films as of late. But be warned: it is a little more adult than most other comedies in theatres. The innuendos, language, and nudity earn the R-rating. So see it without the young kids, but do enjoy.

This is the perfect Christmas gift to get any member of the group of free-loading moochers you call your friends. It's the perfect excuse to have a movie night at THEIR house, and make them ante up some wine, cheese, grapes and lots of chocolate, then hunker down for an evening of cornball romantic comedy with a difference.

Chances are, with Colin Firth, Hugh Grant, Liam Neeson and Alan Rickman on show, you won't even notice that the storyline is hardly Pulitzer Prize material, but you do stand the chance of busting a seam when Hugh does his Footloose/Saturday Night Fever/Risky Business impression at Lot 10 Downing Street, and Bill Nighy makes like Robert Palmer for a video shoot of the worst ever chart topping Christmas song. There's also the incomparable Rowan Atkinson, making like Mr.Bean at appropriately inopportune moments.

In case you think it's all about the guys (it is but one can't take sides) there's a brilliant performance by Emma Thompson, and also Laura Linney, who has the worst cell phone ring tone ever invented. Keira Knightley is more "Bend It Like Beckham" than "Pirates of the Caribbean" in this one, feigning wide open surprise a little too often. She's cute though, even if I always get her mixed up with Natalie Portman, the Amidala girl.

There are enough love stories and love disasters here to sink a luxury liner and yes, there are "Titanic" references too. Even though the couples are for the most part separate little stories, there's a connection running through the movie that really ties them all together.

The music is great, the movie is funny, and your friends will have to entertain you at their expense what more could you ask from a movie? Did I mention it has Colin Firth, Hugh Grant, Liam Neeson and Alan Rickman?

Amanda Richards, November 17, 2004

Buy Love Actually (2003) Now

My rating is based on my enjoyment of this film. It has both major strengths and serious weaknesses, and as other reviews indicate has fostered very strong reactions, both positive and negative. Its format is somewhat disconcerting if you are not prepared for the methodology of the director. It contains nudity, profanity, sexual situations, and several situations that are very suggestive and some moviegoers may consider to border on the obscene. However, the situations that some people may consider offensive actually serve a purpose in developing the overall theme of the film.

Love, in all its manifestations wonder, joy, pain, happiness, passion, grief... is the theme of the film. A very talented ensemble cast is utilized to tell several somewhat interrelated stories concerning the emotional lives of the various characters. The cast includes Hugh Grant, Liam Neeson, Colin Firth, Emma Thompson, Laura Linney, Kiera Knightley and Alan Rickman. There are also telling cameos by Billy Bob Thornton and Rowan Atkinson. There is one other essential element of the story, it begins five weeks from Christmas and there are several aspects of the various vignettes where the seasonal aspect is a crucial element.

One of the more interesting and complex stories involves Liam Neeson and his young stepson preparing for the funeral of his wife, which has been moving scripted by her prior to her death. As he subsequently tries to deal with his grief, he is worried about the fact that the boy is isolating himself in his room. He is surprised to discover that while his son is disconsolate at the loss of his mother, more importantly he is heartsick over his unrequited love for a girl with whom he attends school. As they concentrate on his son's dilemma and develop a plan to attract her attention, the dialog ranges from comic to quite profound. And, as the movie progresses to the time of the school Christmas pageant their story gradually becomes interwoven with several of the others. Some of the most hilarious segments are in another thread of the movie involving Bill Nighy as a washed up pop singer trying to recycle one of his old love songs as a Christmas record. He effectively caricatures the dissolute rockers who abused their bodies for too long with drugs, booze and sex. Yet in the end, the alternate humor and pathos of his situation are resolved in a very effective and quite emotional scene. In yet another thread, a scene with Emma Thompson listening to a Joni Mitchell recording and thinking about the "both sides" of her life and love is a real tearjerker.

So this is a roller coaster of laughs and cheap humor combined with real insights about love and the pain that it can cause. If you aren't living in a bubble, you will probably relate to the experiences of at least one of the characters to some degree and knowingly nod in recognition of the similarities of others to people that you know. It is arguable whether the message of the film would be better conveyed with a fewer number of stories examined in somewhat more depth, but I think the result is quite powerful. Lives which seem only tangentially connected turn out to have a profound influence on others, and we really feel that we have come to understand the characters that we have been watching.

My first difficulty with the movie is that the complexity of developing so many stories means that it is well over two hours long (with the previews and unconscionable ads we were in the theater for well over two hours). Second, the audience is introduced to a very large number of characters during a very short period of time, since all the stories are interspersed sequentially as the movie proceeds toward Christmas Day. Very few individual segments until the finale are more than three or four minutes in length. However, the disorientation that I felt at first from the constant scene shifts was offset by the fact that this technique was successful in keeping the audience very interested; the film actually seemed shorter than it was because of the constant action. So, it was fun while actually conveying a message at the same time. I also want to see it again, since this is the type of movie that I often enjoy more during subsequent viewings. I find that once I know the basic story line and the relationship of the various characters, I can then pay attention to a lot of the details that went were difficult to appreciate because there was so much constantly happening during the film. (In fact, as I was thinking about the film prior to writing this review a few such instances came to mind.) So, go see this film when you have time to relax and want to laugh and contemplate life for a few hours.

Tucker Andersen

Read Best Reviews of Love Actually (2003) Here

This movie has passion, tenderness, poignancy, and humor. You are exposed to people of different classes, ethnicities, and general backgrounds in order to take a closer look at what "love" is.

You see the arrogant ex-rock star (Bill Nighy) trying to make a comeback and any cost and is chubby but likeable manager who is always there to support him. There's a prime minister (Hugh Grant) who is torn about his feelings for Natalie (Martine McCutcheon), the inconveniently beautiful head of his catering staff. After going through a horrible break up, we watch a B novelist (Colin Firth) discover love while writing his novel in France. Then there are married couples, best friends, siblings, parents, and children. As you can tell, the cast is top notch. It's a veritable who's who of British Cinema and every part is played to perfection.

What this movie does is to show how we have incredibly human experiences that tie us into something deeper. Sometimes, there is incredible pain and loss when we fall in love--or out of love--but no matter what happens, love strengthens us and reminds us that we are alive.

The DVD is fabulous because there are tons of extras in it. I've had the joy of watching it all and I love it. If you like Sam and Daniel (the father and son), you'll love the full cut of their story. There is actually 8 minutes of Sam, most of which was not in the theatrical film. I won't give away what's in it, but that is my top pick of extras to watch from the DVD. There are also hilarious bits if you watch the version of the movie with audio commentary by the director and several cast members. Hugh Grant is particularly funny in this, particularly when he talks about Colin Firth! If you are a lover of soundtracks, there is also a good section where the director goes into detail about each of the primary songs he picked in the film and why.

If you enjoyed this movie, buy it!! It makes a fabulous gift and you can watch it over and over and still see something new or have a good laugh!

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Now, how many of us have actually experienced love in real life the way actors and actresses portray it in films? Love actually brings together a very potent mix of comedy and romanticism into its whole state of affairs. You get several situations in this film all of which are connected to love and that of course is the main ingredient. Set in the very English environment you get the best of everything. The characters are excellent on their own, from the prime minister of Britain to the lonely office girl downtown, to the fading rock star, love is simply all around. What makes this movie special is the down to earth element that simply decides to sell well. Colin Firth, Liam Neeson, Hugh Grant, Emma Thompson, Kiera Knightly, Martine McCutcheon, Alan Rickman, Laura Linney, Bill Nighy and Rowan Atkinson all come together to deliver one excellent holiday movie, in a very long time, not to forget the excellent soundtrack to boot.

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Stanley Kubrick: Limited Edition Collection (Spartacus / Lolita / Dr. Strangelove / 2001: A Space O

Stanley Kubrick: Limited Edition CollectionI won't review the films themselves. I have done so elsewhere, and if you are reading this, you probably are a Kubrick fan, anyway. My set arrived yesterday and I have spent some quality time with it, though I have obviously not had a chance to watch every disk all the way through, yet.

On one user's negative review with respect to the "destructive" packaging: all I can say is, if you stop and think about it before wailing on the disks trying to get them out of their sleeves, you'll be FINE. The sleeves, are indeed, engineered to keep the disks in, so they don't fall on the floor if you tip the package the wrong way. A moment's thought will tell you that a thumb on the label side of the disk, a forefinger on the edge, and some firm but gentle pulling while rotating a little is all you need to get the disks out without a hint of damage. The sleeve will release its grip and all will be well. Believe me, you'll be glad for the snugness of the fit when you realize how well it protects the disks when you're not watching them.

On the continuing Aspect Ratio controversy: I could be wrong about this, but I think the esteemed Mr. Kubrick would be fine with the 16x9 cropping of The Shining, Full Metal Jacket, and Eyes Wide Shut. It's true that Kubrick initially only wanted videos of his films released "full frame", i.e. with the whole negative image showing unmasked, because he hated pan-scan, and thought letterboxing distracting. After Barry Lyndon, he shot 35mm without a hard matte, but composed for 1.85:1 precisely because he knew some theaters would project it 1.85:1 while others would go for 1.66:1, and still others would have their own "custom" aspect ratio i.e. funky screen size based more on the way larger theaters were being chopped up into multiplexes at the time, than on the needs of the films being shown. But newer 16x9 HD TVs, which became popular after his death, largely obviated the need for near full-negative cropping, as far as video is concerned. Kubrick's visual compositions are just slightly roomy in 16x9, without the oddly empty quality of some of his shots when viewed in full-frame on a 4x3 TV. There are purists who get almost violent when discussing the "proper" aspect ratios of Kubrick's *oeuvre* on video, and who insist we should be watching them in 4x3 even now, because "that's what he intended." I am not among them. His original reasoning made sense when TVs were all squarish, but I think he would have accommodated 16x9 home theatre TVs, had he lived into the Blu-ray era. Such TVs existed in his lifetime, but they were not the norm the way they are now. If you read his interviews carefully, he was a surprisingly practical guy, for being such a perfectionist.

The transfers appear, in most cases, to be the same ones used for the last release of the collection, but in a format closer to their native 4k resolution. They are thank God NOT over-enhanced the way so many mass-market "popular" films seem to be when released on Blu-ray, these days. While they are sharp and detailed, they don't have those artificially "cut out" looking edges, either. I'm not a videophile, but I like what I see and hear.

I was able to get the discs out easily without damage. They stick slightly but i just used my shirt and wedged them out. no scratches and no finger prints. They play fine. i did put them in jewel cases so i don"t have to worry about someone else having trouble. i wouldn't let the negative reviews turn you off to this box. They made it sound a lot worse than it is.

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While, as other noted reviewers have expressed, yes, most of the Blu-ray's in this set have been available previously. But altogether at once, including Dr. Strangelove, Spartacus, Lolita (first time on Blu), and Barry Lyndon (also first time on Blu), along with the new 40th anniversary edition of A Clockwork Orange? Yes, I'd say it's safe to venture that this set is worth the seemingly steep price. Because yes, at first glance, it seems like a lot of money until you realize the value at hand.

But value aside, the transfers are mostly fantastic, especially the transfer on my favorite of Kubrick's films, 2001: A Space Odyssey. The colors are crisp and the details are fantastic, especially the black and white on Lolita. I am so glad that this film had finally achieved a release on Blu Ray.

My only complaint is the lack of new features on the previously released discs and the lack of ANY FEATURES on Lolita and Barry Lyndon. Fans have been waiting years for these releases and we now only get half of a release (the other half should have contained a commentary by an expert AT LEAST). But the transfers are fantastic, making it a satisfying purchase.

Overall, I am especially happy with this release, save for the complaints that I have previously listed. I'd give the box set a four out of five.

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This is an absolutely amazing set in terms of the films and their respective transfers but the packaging is seriously atrocious. In terms of content I must advise anyone who is interested in Stanley Kubrick's films to buy this set but be forewarned, the packaging is really irritating. It's not because of how hard it is to remove the discs (that's not an issue for me), it's because of the smudges and scratches that may result from said removal. My advice: buy the set and some cheap plastic DVD cases, remove the discs and house them in the cases instead of the collection booklet.

Otherwise, I love this set. I've never seen Barry Lyndon look this beautiful!

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This is regarding the non-blu-ray version:

GENERAL: If you are a fan of Stanley Kubrick, you probably own all or most of these movies. The versions on these discs are the most recent versions released on DVD, just re-ripped to these colorful discs to make a snazzy package. In other words, there are no new extras. (For example: Clockwork Orange just has audio commentary and theatrical trailer, just like the version in the last Kubrick collection.)

ASPECT RATIOS: These are fine. (I mean for goodness' sake, people, get a grip...) As with all of the other releases that I've seen (again... for goodness' sake, people, get a grip...) these all have the varying aspect ratios intended by Kubrick. For example, Clockwork Orange and Barry Lyndon are 1.66 to 1. Space Odyssey is 2.35 to 1. These are honestly the only three I checked.

(As a matter of fact, Clockwork is the first DVD with a 1.66 to 1 ratio that my DVD player actually reads properly! With Barry Lyndon which is on this set and Nightmare Before Christmas, I have to mess around with my DVD player and my TV to get it the movies to not be stretched out.)

THE PACKAGING: One early reviewer had a problem with the DVDs coming in cardboard casings that scuffed the discs. The package I received from amazon does not use this type of casing for the discs. The discs are cased in a beautifully practical plastic binding. Each disc is on its own "page" in the binding, stuck into a spindle. Works great.

NOTE: Watched Spartacus. Actually looks pretty awful, considering. One scene opens focused a line of people about 20 feet from the camera, and their faces are just total blurs. Also, there are little black film blemishes that come up sometimes. That said, who was really buying this set to see Spartacus?

American Reunion (Blu-ray + DVD + Digital Copy + UltraViolet) (2012)

American ReunionWhen "American Pie" came out in 1999 it was a box office smash. It was a movie that cost $10 million and banked over $235 million. That was enough to spawn two legit sequels and two not-so-legit sequels. The two legit sequels, "American Pie 2" & "American Wedding", in my opinion, failed to capture the magic of the first movie. "American Pie" was about high school kids, teen angst and sexual exploration but the thing that put it over the top was the honesty and truthfulness behind it. They weren't afraid to tackle taboo subjects, but they did it with honesty. The sequels relied too heavily on the angst and gross out jokes.

Another thing "American Pie" did was make stars out of Jason Biggs, Chris Klein, Alyson Hannigan, Shannon Elizabeth, Tara Reid and Seann William Scott. All of them rose to quick fame and some of them, Hannigan (How I Met Your Mother), have managed to hang onto that fame or increase it. Some of them have fallen right off the map, so it was a perfect time for a sequel and a return of the old cast. They are all back and sure, they all needed career boosts, but they also came back for good reason. The script for "American Reunion" is better and the audience that came to the original movie grew to love the characters.

There are jokes that are rehashed from the original and the raunchy nature of the films is completely intact, but more importantly the writers remembered the truth and honesty that pushed "American Pie" over the hump. Of course the laughs were important as well.

The best part about "American Reunion" is that they gave veteran actor and SCTV alum, Eugene Levy (Splash, Waiting for Guffman, Best in Show), a big part in this one. Having been a widow for the past three years, he's content with his Sudoku and nights at home alone until his son returns for his 13-year class reunion. Once out of the house, he steals the show.

"American Reunion", much like the entire series, isn't for everyone. It is offensive and at times gross, but at the same time it manages to be poignant and truthful. It is an entertaining film with all the characters returning 13-years later in real life as well. We all need our friends and if you were invested in the characters 13-years ago, you won't want to miss this either.

Just got back from a sneak preview of this and I LOVED it.

If you liked American Pie and it's first sequels (and their raunch level), you will really enjoy this great return from the original cast.

The Class of 1999 gets together for their 13th year reunion (really? 13th? well, that's not going to spoil the rest of the movie) and we get to catch up with what life after high school is like for everyone. For the most part, everyone's personalities are the same, and the writers and actors did a great job of projecting those characters into adulthood. Although projecting an older Stifler still doesn't seem like "adulthood..."

I don't want to give away any of the jokes, but this was a really funny movie.... funnier than I expected, to be honest. And not only will the audience be consistently laughing out loud, but viewers will also feel an unexpected nostalgia in watching.

As I said, I did expect it to be funny, but this movie is MUCH better than I expected.

As with other crude comedies, this will probably play slightly better in the theaters, because of audience reactions, but this is a wonderful return from the cast, and is very well written and directed.

Go see this movie!

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I am going to repeat the title of this review. I don't care what anyone says, I love the American Pie movies. Not the crappy, straight to DVD portions of it, but 1, 2, American Wedding and this little gem. Despite the gross-out gags and gratuitous nudity, the American Pie franchise is actually quite sweet and a very conservative heart beats underneath. Good films versus great ones usually work out that way. You think its about one thing, and it surprises you with depth. When I first saw American Pie, I didn't want to go, thinking it would just be another vapid, teenage sex comedy. I was dragged kicking and screaming (I wanted to see The Haunting) and it turned out to be a gem. The other films have continued this funny but deep trend. If you can handle it, I would suggest this film.

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Well, I am 25 now, and for awhile I've been struggling with some feelings concerning the things I used to like not being relative or popular anymore, moving onto new hobbies and leaving other things I was constantly into behind, having a broader view on many different subjects, having different opinions on things that I used to feel a certain way about, etc. To put it mildly, I am growing up. I've realized it's important to hold onto things from your past, but you also have to be ready, both feet planted on the ground and facing forward, for the future and what it brings as life continuously changes. To live in the past is death, and I feel that this movie perfectly sums up my feelings and gives them a voice.

I was expecting way more off color jokes, but this movie was SURPRISINGLY deep to me. If you are a warm blooded male, you can remember a time when chasing women was a main reason for living at one point...which has pretty much been the backbone of the American Trilogy...Hey, Stiffler and Finch, were all about Cadence in "American Wedding" despite Jim and Michelle tying the note being the big deal in that film. But here the tone is DRASTICALLY changed. The boys are still themselves, but older. New challenges arise, as they do with any grown man who is heading into adulthood and away from the care-free days of being a teenager or young adult in their early 20's.

Also, Jim's mom being dead (I hope I didn't spoil this, but I assume we all saw the previews) and the challenges faced by Jim's father, Noah, in moving on also struck a cord with me ( I lost my mother this year) and gave this film a "REAL" feeling. So we not only saw, young thirty somethings dealing with the loss of youth and the expectations of adulthood, but we also witnessed an elderly man recovering from the heart break of losing the love of his life and the mother of his son. (SOMETHING ANY MARRIED PERSON WHO STICKS IT OUT UNTIL THE END WILL UNFORTUNATELY COME TO ONE DAY)

Most of all, I think the challenges faced by the boys (I mean, men) in their marriages and dealing with their relationships struck the deepest with me because they were authentic problems I think all adult males will run into some of them, at some point in their lives. How they were all handled though, came off as beautiful to me. Watch Vicki's and Kevin's scene at the actual reunion, towards the end of the film, and tell me you don't feel your heart get tugged at a smidge, if not a lot, at the dialogue and how it's finalized.

Keep an open mind and you will enjoy this. When I was young...The adults I saw in their 20's and 30's were "The Real Adults" to me. Anyone over that, was an "old person." Well, funny how things work out. I am sure kids now look up to me as "A real adult" and my father, uncles, and their friends are now "The Old people," when they used to be "The real adults"...funny how things change, but still stay the same overall...and that's the perfect way to describe this film. The tone is EXTREMELY different, but the characters are still the same, and still extremely enjoyable. As one character said in the film to another (I think it was Choir chick to Chris)..."You are so different, but you are still the same."

If you are going to see 1 movie in theaters for a long time, make it this one. Thanks for reading, and maybe bring some kleenex, if you are emotionally mature and inclined to being moved by well done movies.

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To me this movie was flat out hilarious. I laughed more in this movie than I have in a long time. Far exceeded my expectations.

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My Own Love Song (2010)

My Own Love SongI rented this movie for $2.00 from a Red Box because I love Renee Zellweger. I had never heard of the movie, so I was surprised to see it for rent. My sister and I love watching movies both at the theater and at home. As I told my sister, "this movie is a keeper!"

This movie is odd, quirky, and musically haunting. It is a lovely story of how our lives can touch other lives in big and small ways. The reality of broken lives all around us is too true. The times of hopelessness and loss are too true. And the possibility for anyone of us who have been desperately hurt physically, emotionally or mentally to find acceptance, healing and/or love from another person even someone other people dismiss as "crazy" or too strange is also real. This is the foundation of this story.

The main characters are Jane, a white quadriplegic (Renee Zellweger) and Joey, a mentally unstable black man (Forest Whitaker). They are the unlikeliest of friends. Jane is singer whose life is changed inexorably seven years earlier after a tragic accident kills her husband, leaves her wheelchair bound, and where she must give up her 3 yr old son for adoption because of being unable to care for him. She has not sung since. Joey has attached himself to Jane and helps to care for her some and is her only friend. How they meet is characteristic of this movies depth. (I'll let you see it to understand.) Joey claims to see angels and speak to them, but of course no one else believes him even Jane thinks he's "mental" about this claim.

Joey finds out his favorite author is going to be in New Orleans doing a conference to "sell" his latest book. This best-selling author writes about talking to angels to gain wisdom that angels are not only real, but want to speak to us. Joey desperately wants to go see the author so he can be vindicated about his unique gift. So Joey begs Jane to go on a road trip with him. Joey also finds a letter from Jane's now 10 year old son (a letter she had never opened) inviting "Jane or Mommy Jane" to come to his 1st official communion with the address located in Baton Rouge. Joey decides he's going to take Jane to her son's communion, but doesn't tell Jane about this part of their trip, or even that he found the letter until he was forced into it at a critical part of their trip.

The movie takes us with Jane and Joey where we witness how real life is sometimes good, sometimes bad and sometimes scary or just plain sad. While on this trip we meet other characters some we love and some we don't. The movie uniquely explores how every person we encounter long term or short term can change us for the better if we are receptive. The movie also shows how even from the most odd or unlikely of persons our own psyche can be healed and our understanding of ourselves can be expanded to give us the opportunity to stretch ourselves in new and good ways. Life is challenging, and this movie looks at life from two extremely unlikely "hero's" experience and we come away feeling like we've been touched by a lovely gift. By the way, Jane's (Renee Zellweger's) singing is incredibly moving and sweet. When Jane sings for the first time since her accident, she sings a well known but older patriotic song and it is REMARKABLY moving and heart-felt. Wow!

Treat yourself enjoy the people, experiences and the redemption that this movie offers.

I loved this movie!

I don't think this "little" film played many theatres when released in 2010 but it sure has GREAT credentials and star power. Just look: We have Academy Award Winners Renee Zellweger and Forest Whitaker in the key roles, Academy Award nominee (twice!) Nick Nolte (in a brief role similar to what Jeff Bridges has been doing lately) and it was directed by French Director Olivier Dahan (who won Academy Awards for the French film "La Vie En Rose" (the Edith Piaf story). Oh yes, did I forget to mention that it includes original songs and music by Bob Dylan???

With all that said, the film is really a "small quiet film". It's the story of two "friends" one the crippled Zellweger (who used to be a singers-songwriter with a vinyl Lp to her name!) and Whitaker who has some mental issues (and sees angels!) and cares for and transports Zellweger They set out on a journey to attend her (now adopted) son's Communion in New Orleans. You've seen these films before and this has a good story line though you know where it will end. The thing that makes this film "quirky"and you'll find yourself saying "what the heck?" is that there is a small side story which involves the legendary blues singer Robert Johnson and his pact with the devil at the "Crossroads" in Mississippi and at another point, animated birds begin to appear for no reason.

Those looking for Dylan's music will be frustrated as well. He sings seven songs on the soundtrack to move the action, but these are usually only one verse and a chorus, lasting less than a minute. The only full Dylan track is the nice "Life is Home" which he sings over the end credits. This is a Dylan song that Zellweger sings in a scene in the film. (She also sings Woody Guthrie's "This Land is Your Land" in a most unusual arrangement. Nolte plays guitar while Zellweger sings the Guthrie tune.

So, if you are looking for something "different" think "Independent Film", this is worth watching. I enjoyed all the acting performances. I'm still wondering about some of those ventures off the beaten track but it was 105 minutes I'm glad I spent. And, obviously, Zellweger, Whitaker, Nolte AND Dylan did this for more than just a "paycheck".

The standard DVD which I watched has only the Trailer as a bonus. I understand the Bluray has a "making of" featurette.

Steve Ramm

"Anything Phonographic"

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I had mixed reactions. Yet this film is not just another journey story; but uniquely different and probably so simple that one can easily miss the meaning because of all the details. It says what it says including a sequence of unusual animations in the form of giant drawings of colorful birds with narration. That is just one of the "different" parts!

Basically the story line involves a woman(Renee Zellwenger) who, having been injured in an accident and now in a wheelchair, had to give up her baby son seven years hence, because she could no longer care for him. This runs along side the antics and compassion of her schizophrenic and very supportive(He calls himself her 'bodyguard') friend.(Forest Whitaker) Together and joined by two more (Nick Nolte in a wonderfully supporting part..alone worth the price of renting the DVD) in which on a trip to attend a first communion, each one seeks resolution from past taumatic wounds such as: the car accident; great losses, mental anquish and disease, broken relationships, and even the economic depriving devestation wrought by a ghastly hurricane.

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My Own Love Song

This is a wonderfully casted movie that pulls at the human spirit to root for one another in life.

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This is an odd movie. Very artsy, but wonderful. If you appreciate Renee Zellwegar you'll enjoy this. She is such an awesome actress and an amazing singer. She gets to sing a couple of times and I wish she'd do an album. Bob Dylan did all the music and if you like him, you'll enjoy this too.

It reminded me somewhat of "Oh Brother Where are Thou" in that it is a "road" movie and not everything makes sense. All the way through, I kept saying, I don't know where this is going, but I'm enjoying the ride."

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Gray's Anatomy (The Criterion Collection) (1997)

Gray's AnatomyIncredible writer and monologuist Spalding Gray takes us on an incredible journey, around the world and through his soul. Though based on his his attempts to avoid dangerous eye surgery, the story is really about meeting fascinating characters and Gray's own fascinating neuroses. If the idea of a monologue sounds boring to you -basically Gray sitting and telling you a story -I especially challenge you to try this out.

While dry, Gray's humor keeps you laughing out loud. You'll find it mesmerizing, and at the end of your own journey through the film, changed for the better. Highly recommended.

Spalding Gray's death has left us poorer than when we started. How evident this is after viewing this edgy, moving, often riotous monologue directed by Stephen Soderbergh.

A macular "pucker" leaves Gray virtually blind in one eye. Born into Christian Science, Gray leaves the church when his CS practitioner demands he renounce allopathic medicine to receive help. Gray's breathless journeys through alternative healing remind us that we all face mortality at any cost, and that no religious or philosopical system will spare us the inevitability of suffering or dying.

What I loved most about this film were Gray's frequent outbursts of humor -framed in frustration, delivered in sentences which resonate like poetry in the mind, this guy rages -quite literally -against the dying of the light. And I would add that this is a film best viewed late at night.

While Soderbergh's direction is occasionally heavy-handed and selfconscious, it is still creative and ambitious and will never disqualify this film from classic status.

The movie doesn't benefit from the opening montage of "eye horror stories" delivered by subjects who almost lost their sight, and who occasionally make an unwelcome visit into Gray's monologue. Happily, Gray gets 'round them.

The man had a brilliant, brilliant mind and a great heart. Watch this, and the only thing you risk is awareness of his absence, and it is a sad feeling.

I just loved this movie, or should I say: I loved this mirror.

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This is a wonderful example of the 'gift of gab' that is, the art of telling a story. Spalding Gray has a story to tell mind you, the plot is not nearly as interesting as, say, a Jedi Knight fighting a battle in a galaxy far, far away. It is not so much what he has to say, but how he says it. If one of your favorite childhood memories includes sitting around a campfire listening to someone spinning a yarn about a headless ghost, then you might enjoy this more adult version of a scary story. Substitute the encounter with a headless horseman with an even more frightening trip to see a doctor to diagnose an incurable medical condition and you may start to understand this movie. It was fascinating listening to his tangential logic, flashbacks, and digressions of a gifted story teller. It is also somewhat of an insight into the mind Spalding Gray, whose favorite story was the life experience he gained by walking around Washington Square Park several times, breathing in all of life's drama.

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If you enjoyed "Swimming to Cambodia", then you will enjoy this film also. If you haven't scene "Swimming to Cambodia" buy this but watch "Swimming to Cambodia" first.

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once you get it, you will never forget it: to wit, how unique and singular it is to be a great storyteller. we discover this by the way this show opens. a slew of people from everyday life tell their stories of how an eye condition altered their lives. i found myself nodding off as i sat through this, admiring the infrared film but finding the rest of it yawn inducing. then i was electrified by spalding gray's coming onscreen. by solely using his monolog skills, he holds me spellbound while he relates his eye injury story. it is a story i will never forget because its telling sears it into my memory.

it was sad to realize anew what a huge talent we lost with his suicide in 2004. ironically, with life later imitating art, spalding gray was in a serious car collision after he filmed this. he could not handle the pain, the constant physical therapy, the constant use of crutchess, etc., this in part led to his suicide. in this film we watch his hysteria over the prospect of a low risk eye surgery for the not painful condition of macular puckering in the eye. he was a complete mess over this eye problem alone but in a very woody allen like neurotic way.

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Rock of Ages (Movie Only+UltraViolet Digital Copy) (2012)

Rock of AgesI saw "Rock of Ages" in a sneak preview tonight, and was pleasantly surprised by the overall experience. I had not seen the stage production, but I've seen some other stage musicals converted to movies, and have been generally disappointed, sometimes appalled (I'm looking at you, "Mama Mia!")

Set in 1987, the general plot involves a pair of newcomers to Hollywood, trying to become rock stars, but finding the closest they can get is working in the hottest rock & roll club on the Hollywood Strip. From here, the story expands to include the owners of the club, a politician and his wife who are fighting the corrupting influence of rock music, and the biggest rock god on the planet, Stacee Jaxx, played by Tom Cruise.

The movie starts out pretty cheesy, and the first few numbers garnered some giggles from the crowd, but when Tom Cruise arrives, he kicks the entire show into high gear. Say what you will about him off screen, the man is a star onscreen, and does a phenomenal job in this role.

The music was pretty solid, with the rock songs of the 80s performed by the actors. In stark contrast to Mama Mia!, the songs here have been studio produced, and sound great, avoiding the bad karaoke effect such performances often have. For the most part, the actors are not known for singing (who knew Tom Cruise and Alec Baldwin could sing? OK so maybe Baldwin wasn't the strongest singer, but still decent for his role...) Julianne Hough was likeable enough as the female lead, but surprisingly (considering a music career), her singing wasn't as good as some others.

The movie got progressively better, and was quite funny. But Tom Cruise carries this musical, and did so not only with very solid acting, but a shockingly decent rock and roll voice. Without him, this would have been an unremarkable show. With him, it is a fun movie that had people in the audience singing along with the film.

MOVIE REVIEW #38: " Rock of Ages "

The first thing I want to say is that this film is about the Music of the 80's! Having been a young `whipper-snapper' at the time what surprised me most about this film was that it was FUNNY!. Laugh out loud funny. That alone, seems to take the entire audience I was with by surprise. So-much-so, that they applauded and laughed throughout the film out loud. Like me!

Hearing these songs done by Tom Cruise (Mission Impossible, Top Gun) singing Bon Jovi's classic "Wanted Dead or Alive," (YES TOM SINGS AND VERY WELL TOO!) to Def Leppard's hit "Pour Some Sugar On Me," and Guns `N Roses anthem "Paradise City." Along with Cruise then doing duets with Malin Akerman (The Proposal, Watchmen) on Foreigner's power ballad, "I Want To Know What Love Is," and shares the mic with Julianne Hough (Footloose-2011, Burlesque) on The Scorpions' "Rock You Like A Hurricane." ...was a cinematic shock to me. As well as a hysterically performed, yet really heartfelt delivery, duet of my fav REO Speedwagon song "I Can't Fight This Feeling" between charismatic Alec Baldwin (30 Rock, Beetlejuice) and an off-the-wall Russell Brand (Arthur, Get Him To The Greek). (SPOILER: Yes, the song title tells it all!)

Based on the Broadway play which premiered at the King King club in Hollywood, CA in 2005 transferred to the Vanguard theatre in Los Angeles, CA and finally went to the Broadway stage in 2009 It was written by Justin Theroux (Iron Man 2, Tropic Thunder), Chris DArienzo (Hot, Barry Monday) and Allan Loeb (21, Just Go With It) it tells the story of small town girl from Ohio, Sherrie played electrically and brilliantly by Julianne Hough and the L.A. city boy Drew, again played brilliantly by Diego Bonita (Mean Girls 2, 90210) who meet on the Sunset Strip while pursuing their Hollywood dreams. Their rock 'n' roll romance is told through other heart-pounding hits of Def Leppard, Joan Jett, Journey, Night Ranger, Pat Benatar, Steve Perry, Twisted Sister, Poison and Whitesnake .

Director Adam Shankman (Hairspray, Bedtime Stories) did his best to make you tap your feet, sing along and again make you laugh out loud. He threaded the simple story using the dynamics of the performances and the clever `mashed' songs of the 80's. He definatle got the looks and hair styles of the time and even slams the popular `boy bands' of the time. Hysterically! From scene #1 It's got dance, choreography and bright colors...even an adjusted LA Skyline for the times!

Tom Cruise, as Stacee Jaxx, gives another amazingly eclectic, strange, exotic (and sometime erotically suggestive) and funny performance. And I never knew he could sing. Amazing voice yes it is him and great musical `chops' to carry the film. Bravo Tom!

Another stand-out performance was Cathrine Zeta-Jone (Chicago, The Terminal) as the religious wife of the Mayor of Los Angeles on vengeful (and personal) vendetta again Tom Cruise character the rock star himself, Stacee Jaxx! She is spicy, passionate with dance and funny and boy she can sing her version of Pat Benatar's most popular hit "Hit Me With Your Best Shot". Bravisimo Cathrine!

Also some other standout performances came from Paul Giamatti (Sideways, Saving Private Ryan) as the crummy musical agent, singer-songwriter Mary J Blige (Entourage, Ghost Whisperer) as the club manager who takes Sherrie under her wing and Malin Ackerman (The Hearbreak Kid, Catch .44) as the confused Rolling Stone Magazine Reporter. Included are hidden cameos of REO Speedwagon's Kevin Cronin and Debbie Gibson themselves!

My only concern is that if you were not familiar with these great songs of the 80's...will the newer generations of audiences get it? I hope so. I'm sure they will get the humor, but like me, will they be singing along out loud with the rest of the crowd like first screenings audience I saw it with who remembers the time way back when `Music Had Messages'? (Kinda' of like my experience at the theatre with the film version of Mamma Mia...you couldn't help but sing along out loud to the hits of ABBA!) This was a fun and most importantly funnier than I ever expected! Another good fun family (PG-13 for provocativeness) film that tells its entire simple story through its music! GO see it!

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Fell in love with Tom Cruise! This brought back so many good memories. I went and downloaded the soundtrack. Who knew Tom Cruise could sing!

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This movie was so fun and enjoyable! I found myself singing to the songs and very into the movie! Diego and Julianne were so good in this movie!! Tom Cruise, Alec Baldwin, and Russel Brand were very unforgettable in this movie. The soundtrack is amazing and I need to see it on Broadway pronto!

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I just love this movie! At this time, it is still playing in the theater and I've seen it three times. I'm an 80's kid so, I guess it really speaks to me, but, besides that, the movie just has this energy that pulsates off the screen.

Like with all musicals, especially cheesy ones like this, there are some songs I like, and some I don't.

But Tom Cruise is wonderful as Stacee Jaxx, the aging heavy metal rock star. I also think the Rolling Stone reporter he falls in love with is absoluetly stunning. I just love her Glenn Close, Fatal Attraction, hair! God, she's hot!

Her duet, with Cruise ('I want to know what love is') is so campy, sexy and fun that it hurts! The first time I saw it, I thought it was okay, and rather corny, but the second time, it really grew on me. I got where the film makers were going. The third time, was definitely the charm! I love how the song builds, and their sexual excitement rises! ('Let's talk about...looove! I wanna feel it, too!Wanna feeeel it, toooo!') Yummy. And sort of naughty.

Catherine Zeta Jone's 'Hit me with your best shot!' number, set in a church..(!).. to Michael Jackson-style dancing..(!?) is so 'over-the-top' that, after watching it, I had to ask myself, 'Did that just really freakin' happen?' This scene stayed with me way after leaving the theater, causing me to rush back, the next day, to watch it again. I'm not kidding.

Jeeze! Holy cow, Batman! Not since 'Xanadu','Sgt. Pepper's Lonely Hearts Club' 'Earth Girls are Easy' and, yes, 'From Justin to Kelly' has dancing and singing on the silver screen been so strange, and, well, sort of twisted. Almost at times, nightmarish. But, in a good way. Kinda.

The scenes with Mary J.Blige singing in her club while strippers dance and twirl on poles behind her to ,'Shadows of the Night' and 'Anyway you want it' has to be seen to believe. It's like a sexed-up circus performance. Two more scenes that had me running back to see it again.

The two young leads are so cute and sweet that you can almost smell the cotton candy. Maybe, taste it, too.

I just loooove Drew's hair! Sooo thick and wavy like chocolate frosting. And his 'Juxebox Hero' song, in the record store with Sherri, is just way cool and spunky! Love the star-framed shades, boy!

I also enjoyed their 'Waiting for a girl like you.' montage as they meet up for their first date behind the famous Hollywood sign. Oh, and Sherri spraying her 'big' hair with Aqua-Net while Drew sprays himself, down....there, with perfume, is pretty darn hot, in a cotton candy kind of way. Shades of 'Grease' come rolling like thunder during these scenes. (Summer Nights, Sandy, Hopelessly Devoted..)

The only big gripe I have, aside from the annoying scenes with Stacee Jax's manager, (those scenes really drag down the film's mojo, in my opinion) is, after listening to the movie's soundtrack, I discovered that the 'Rock you like a Hurricane' number, with Jax and Sherri..(!?)..has apparently been cut out of the film! Why!? 'Hurricane' is one of my all time favorite rock songs from the 80's. The song is just so, angry, and...alive! Why remove it from the film but yet have it on the soundtrack? Last minute tampering, no doubt.

By the way,is this the infamous scene where Sherri does a lap dance for Tom Cruise that was cut from the movie? And, if it was, where did it fit in with the rest of the story? Did Stacee come to the strip club where Sherri was working? Is it just a fantasy scene? Did it happen early on at The Bourbon Club?

Just like Drew shouts in the movie...'I wanna Rock!' 'I wanna know!' What is up with this deleted scene and if it is, the 'Rock you like a Hurricane' number. Is it in the original broadway production? I guess I have to look it up, and do a little research. Unless, someone out there knows and can fill me in. Any feedback on this missing scene, or any others, would be helpful. Thanx....

I read somewhere that it will be included on the director's DVD cut, and, well, that's just wrong. It smells like a gimmick to me. Just to make more money. 'Hey, if you want to see Sherri strip for Tom', you have to buy the DVD when it comes out. Boooo! That's pretty lame. Granted, I will be buying the DVD off Amazon when it comes out, it's just, watching the deleted scenes on TV, just isn't the same as watching it up on the big screen.

Also, it is a little disappointing that they didn't play the song 'Oh, Sherri' in the movie. (briefly playing the intro while Drew was thinking about Sherri,just didn't cut it for me.) Steve Perry's 'Oh, Sherri' is a song you just don't hear much anymore these days on the radio. It would've been refreshing to hear Drew sing it to his girl, somewhere, sometime in the movie, even if it was just part of the song.

Okay...I'm finished. For now. Until I start obsessing over the next poor movie that comes my way. And, I will. Being the movie freak that I am. Thanx for reading..........Kevin BriaN

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