Showing posts with label comedy family movies. Show all posts
Showing posts with label comedy family movies. Show all posts

There's Something About Mary (1998)

There's Something About MaryI really can't understand how this one didn't get five stars from everyone here. I mean I know that tastes differ, but I think people may have been expected something this one couldn't possibly deliver. As a comedy, it is absolutely phenomenal. I really have to say that it's the only movie of the nineties that can match up with Stripes or Animal House. It's utterly amazing.

There's Something about Mary is a mélange of every kind of comedy. There's slapstick, physical situation, and intellectual social satire. This movie made Ben Stiller and rightly so. I recall seeing it in the theatre and not being able to breathe at times due to the convulsions erupting from my abdomen. No time was this more true than when Stiller walks into the gay rest stop and gets busted, but there are a million scenarios that could be cited. All the actors were sensational. Matt Dillon's character is exquisite in his cheesiness and he really excels in his role especially when he's playing football with the "retards" and showing off his sensitive side by pummeling them on the gridiron. Chris Elliot is exceptional in his role and any film that features Jonathan Richman that much is special and rare. I could not recommend this one any more.

You will laugh from begining to end with this movie. The humor is very crude at times, but not raunchy. I found myself saying,"oh my" and at the same time laughing out loud.

The storyline is unpredictable and extremely enjoyable.

It is a comedy and love story all in one, intertwined superbly.

I wouldn't recommend watching this with your mom and dad. I am 37 and would have crawled under the carpet if my mom and dad were in the room watching this movie during the scenes "before the big date."

Buy There's Something About Mary (1998) Now

I hate it when they don't create a Blu Ray with a proper master copy! Why the hell would they bother using a lower quality copy to create this??!?! It's just plain lazy. Don't bother buying, as it is obviously about the same picture quality as the DVD you already own!

WAKE UP MOVIE STUDIOS!! IT'S SUPPOSED TO BE HIGH DEF, FROM THE ORIGINAL MASTER, WHY WOULD WE BOTHER BUYING IT IF THE PICTURE IS THE SAME AS DVD!!!

Read Best Reviews of There's Something About Mary (1998) Here

The Farrelly brothers, who gave us Dumb And Dumber, Kingpin, and Me Myself And Irene, direct There's Something About Mary, a movie that stars Ben Stiller (Meet The Parents), Cameron Diaz (The Mask, Gangs Of New York), Matt Dillon (The Outsiders, Crash), Chris Elliot (Groundhog Day, Scary Movie 2), and many others.

Mary is a story about a Rhode Island loser named Ted, played by Stiller, who can't keep his high school dreamgirl Mary, played by the charming Diaz, out of his mind 13 years after their prom date went terribly wrong way before it happened. He hires an obnoxious guy named Patrick, played by Dillon, to spy on her and tell him what she's been up to. Well, Patrick falls for Mary, and decides to move out to Florida where she resides to get to know her, and he does. Ted discovers that Patrick isn't giving him the truth about Mary and goes out to find her himself. It turns out that Mary has many admirers who try to win her heart (or shoes!) besides the lonely Ted. So the movie becomes a race on who can get her first and forever.

It's a silly tale but under the Farrellys direction, it's a surefire laugh-fest all the way through. Expect to see lots of sick humor like a guy giving a dog CPR, or bodily fluids used as toiletries. Also, the characters in Mary are funny by nature. The funniest character of them all is Warren, Mary's handicapped and heavy set brother, who punches people who touch his ears and loves to give piggy back rides.

Recommended

B-

Want There's Something About Mary (1998) Discount?

This was an interesting movie. It kept me laughing so hard that the next morning my stomach muscles felt as if I had done about a 1000 crunches. You will truly enjoy this one, but if you are soft of heart, weak of stomach or easily offended this may not be the movie for you.

Save 47% Off

Whip It (2009)

Whip It"Whip It" is surprisingly good in spite of itself, conventional as a sports movie yet mature in its development of character. It's also an entertaining spectacle, which is relief for me since I've never given much thought to women's Roller Derby (or even sports in general, but that's a topic for another day). Drew Barrymore has done well to hype it as her directorial debut; she proves that she not only has the technical skills, but also the ability to move a story along through dialogue, pacing, and emotion. Having practically grown up in front of the camera, I think it's safe to assume she knows a thing or two about what a film needs in order for it to work. The first thing she did right was cast Ellen Page, who has repeatedly demonstrated just how versatile an actress she is.

She's no exception here. She plays seventeen-year-old Bliss Cavendar, who was raised in a middle-of-nowhere Texas town and gets by as a diner waitress. Her overbearing mother, Brooke (Marcia Gay Harden), a product of a very different set of standards, pressures Bliss into competing in beauty pageants, believing you have to make do with what you've got when you're young and attractive. When Bliss is made aware of a Roller Derby match in nearby Austin, she decides to go and see what all the fuss is about. Lo and behold, she likes what she sees. She then meets Maggie Mayhem (Kristen Wiig), a teammate for the Hurl Scouts, and is encouraged to try out for the team. Maggie is one of several teammates that has adopted a clever nickname; some of the other Hurl Scouts are Smashley Simpson (Drew Barrymore), Rosa Sparks (Eve), and the Manson Sisters (Kristen Adolfi and Rachel Piplica).

Under the guise of taking an SAT studies class, Bliss sneaks away to Austin every week for practice. Conflict abounds: Not only have the Hurl Scouts never won a single game, Bliss' teammates are also unaware that she's underage (you have to be twenty-one in order to be considered for Roller Derby). By the time she starts participating in matches, she develops a rivalry with Iron Maven (Juliette Lewis), the confrontational leader of undefeated champions of Roller Derby, the Holy Rollers. Nevertheless, Bliss has never felt more alive. At long last, she has found something she loves to do, and she does it with people she enjoys being around. Eventually, she will have to find and maintain that delicate balance between her passion, her family, and her life back home, a process that isn't as easy as it might seem.

One could see this film just for the satisfaction of watching an uplifting, inspirational sports film, as has been done so many times before. For me, what made this movie so enjoyable were the characters, most so interesting and well developed that they seemed authentic. Bliss, for example, is willful and determined, yet not so haughty that she only seems like a spoiled brat. There's a remarkably tender side to her, and yes, some of it is reserved for her mother. It would have been easy to write Brooke as a controlling, spiteful stereotype, but all of that is avoided--despite having unrealistic expectations and a dated ideal of successful womanhood, she genuinely cares about her daughter, and we sense that all throughout. The only character who poses a bit of a problem is Bliss' father, Earl (Daniel Stern), seemingly included just for the sake of physically and morally clashing with his wife.

Other characters function as quirky interludes, like Bliss' supportive best friend, Pash (Alia Shawkat), the Hurl Scouts' eccentric coach, Razor (Andrew Wilson), and the boisterous Roller Derby announcer, "Hot Tub" Johnny Rocket (Jimmy Fallon). The screenplay even has room for a teen romance between Bliss and a guitarist named Oliver (Landon Pigg), who eventually swaps his coat for Bliss' Stryper tee shirt (which she claims is the only cool thing her mother ever gave her). Most of these characters, the last one especially, are expected, as is the inevitable final match between the Hurl Scouts and the Holy Rollers. And yet, it all comes together smoothly, making for a fun and endearing film that you'll want to see through to the end.

The game sequences are quite effective on their own, not only because of the well choreographed skating maneuvers, but also because of the camerawork; every shot exploits the spectacle that is Roller Derby, gliding in time with the actors as they zoom over and around each other on an inclined track. Other shots reveal the grungy feel of a Roller Derby event, from the makeshift arena to the ramshackle benches to the screaming fans, most of whom look no older than twenty. This is interesting in and of itself, given the fact that, save for Bliss, all the teammates are in their early to late thirties; one of them even has a young son. Knowing these women are mostly in it for the love of the game, one wonders how long Bliss can keep playing right alongside them. But if there is a message attached to "Whip It," it has nothing to do with what the future may or may not bring; this movie is all about living in the now and loving every minute of it.

Roller Derby. I can easily remember turning on the television and watching the Los Angeles T-Birds. Personally, I didn't know if this was a true sport or if it was like wrestling and it was just sports entertainment. But I was hooked. Not sure if it was the blonde women with poofy hair throwing other women out of the rink or that one person who didn't look should be on the rink, actually kicking butt. Needless to say, that roller derby has had its following for decades and now here we are with a film based on a character who takes part in roller derby competitions.

"Whip It" marks the directorial debut by actress Drew Barrymore ("E.T.", "50 First Dates", "The Wedding Singer", "Charlie's Angels" films) and is an adaptation of the novel "Derby Girl" by Shauna Cross, a fictionalized book of skating with the TXRD Lonestar Rollergirls.

The independent film was released in theaters during the fall of 2009 and now makes its Blu-ray and DVD debut. The Blu-ray edition comes with a second disc which contains a digital copy of the film.

VIDEO & AUDIO:

"Whip It" is presented in 1080 High Definition (Widescreen 2:40:1), AVC @ 36 MBPS. The film sports vibrant colors with the Hurl Scouts green outfits, while amber lights shine on the roller derby rink. You can see details in the surroundings, especially injuries ala bloody noses to bruises. Even the tattoos on Kristen Wiig are seen much clearly on HD. Skin tones are natural and blacks are nice and deep. Everything is visible from the freckles of Pash, to the sweat and tears of Bliss and the other girls during competition or the more emotional scenes of the film. I will say that at first, I thought this was a period film shot in the '80s but you realize that the film focuses on Bliss living in a very small town.

There is a fine amount of grain in the film and I didn't notice any compression artifacts, banding or any sign of DNR. A solid Blu-ray release in terms of PQ from Fox.

As for the audio, "Whip It" is featured in English 5.1 DTS-HD MA and Spanish, French 5.1 Dolby Digital. The film is front and center channel driven. Dialogue and music are both crystal clear but there is minimal use of surrounds. You can hear crowd ambiance and the women racing on the rink and hitting the side rails and hearing the skates but its not immersive as I would have hoped but still, the film is not all about the roller derby and there are plenty of dialogue scenes and music-driven scenes that are very clear, with some songs having a nice kick of bass. A pretty interesting soundtrack as well from '80s 38 Special's "Caught Up in You" to music from the Ramones and the Breeders.

Subtitles are in English SDH and Spanish.

SPECIAL FEATURES:

"Whip It" comes with a digital copy of the film and comes with a few special features:

* Deleted Scenes (16:14) Included is an alternate opening and eight deleted scenes.

* Fox Movie Channel Presents Writer's Draft: Shauna Cross of "Whip It" (3:04) A short featurette with an interview with novel and screenwriter Shauna Cross about "Whip It".

* Whip It Soundtrack Spot (:32) A promotional for the "Whip It" soundtrack.

JUDGMENT CALL:

"Whip It" may seem like a film about roller derby and the antics that go behind-the-scenes of the sport but truthfully, the film has many layers. From a coming-of-age film, a relationship movie and a girl power film, there are a good number of things going on in this film that there is far much more to enjoy than expected.

I have to admit that Drew Barrymore's directorial debut definitely shows promise. The actress has starred in so many films since she was a child and has worked with a good number of quality director's, I had no doubt that she would do a pretty solid job.

Part of the challenge of "Whip It" is bringing together this wild bunch of characters that the character Bliss associates with and then bringing this other side of her life as a teenager from a small town, having an overbearing pageant mother and working at a fast food restaurant while trying to maintain her friendship with her high school friends and then finding love. Definitely not an easy task for Barrymore but one thing she does have is the original author Shauna Cross involved with the screenplay and she has a talented actress in Ellen Page in the main role.

At first glance, I didn't know if Page can pull of such a role but as she did with "Juno" she manages to pull of Bliss very well for "Whip It".

As for the other supporting characters, personally I don't if roller derby lifestyles are similar to what is depicted in the movie. As much as I do enjoy Barrymore's directorial debut, her role as Smashley Simpson is a bit too much while I do feel Kristen Wiig manages to pull off another solid supporting role like she has done in "Extract" and Juliette Lewis still does a great job in portraying the bad girl. Marcia Gay Harden and Daniel Stern (who plays Bliss's father) also do a good job as the parents of Bliss.

As for the Blu-ray, the picture quality for the film was very good and the lossless audio was satisfactory but it would have been great to have it a bit more immersive via use of the surround channels. And it would have been great to have audio commentary by Barrymore and Shauna Cross or even a featurette on how the talent prepared for the film or even Behind-the-scenes footage. I felt the special features were a bit short for this Blu-ray release. But as for the film, "Whip It" is an entertaining, humorous and a solid coming-of-age, feel-good style of film. And again, although roller derby does play a big part in this film, "Whip It" is not an all out sports movie. The film has many layers to it and fortunately, the solid performances definitely made this film enjoyable.

Overall, "Whip It" is a solid directorial debut from Drew Barrymore and fine performances by Ellen Page and its supporting cast makes this film better than expected.

Buy Whip It (2009) Now

It's official: Until further notice, I will happily see any movie featuring Ellen Page. As in previous movies, Page does an outstanding job in bringing her angsty teenage character to life. This time, she's a slightly lost seventeen year old being herded around by a pageant-passionate mother. The first glimmering that she might have goals of her own comes when she sees roller derby girls dropping off flyers for an upcoming event. Of course, she sneaks out to see it using a pretext transparent to everyone but her parents, and she is transfixed. After the show, she tells one of the skaters, "You guys are my heroes!" The tattooed derby girl answers, "Come to the tryout be your own hero." And she does.

The rest follows an inspiring and hilarious season of sneaking around the parents, doing her part to bring the last-place team to the championship. As you might expect, the poo hits the fan when pageant-panicked Mom finds out that her little beauty queen has another life as Babe Ruthless. I found the parent/teen flareups somewhat milder than realistic, but then the rapprochement was unconvincingly minor, too.

But, if that tension had been much tenser, a lot of the movie's core fun would have been hidden. Barrymore, in her debut role as director, clearly had fun making this and the fun comes through in the final product. The girl-power, be-who-you-are messages come through without shrillness, and Page's navigation of teen heartbreak leaves her character convincingly in the lead. One scene near the very end, her father with hammer in hand (wait for it) was a bit predictable, but satisfying none the less. As was the whole movie. I don't always want a movie that takes itself too seriously. When you want a fun bit of fluff with plenty of physical comedy, give this one a shot. It's well worth the time spent seeing it.

-wiredweird

Read Best Reviews of Whip It (2009) Here

Not all movies are made to be Oscar contenders. Many are made to simply fill theater seats and offer solid entertainment and an enjoyable time. More often than not, these films offer a chance to see heroes made or characters that get the opportunity to follow their dreams. Such is the case with WHIP IT, the directorial debut of Drew Barrymore.

Bliss Cavender (Ellen Page) is an unenthusiastic beauty queen contestant. Fulfilling the dreams of her mother Brooke (Marcia Gay Harden) more than herself, Bliss does as she is told between school and working at the local BBQ restaurant. Bliss feels nothing more than trapped in small town Bowdeen, Texas.

While clothes shopping with her mother in Austin, Bliss happens to see a group of girls on skates come into the store they're in. Leaving behind a stack of flyers, Bliss picks one up to see that these are roller derby competitors trying to promote their next match.

Sneaking off with best friend Pash (Alia Shawkat), Bliss is totally taken in by the whole scene. The match takes place in a converted warehouse where emcee Johnny Rocket (Jimmy Fallon) announces the girls as they make their way to the track. With names like Iron Maven, Smashly Simpson and Maggie Mayhem you can tell this is no skate in the park. The girls come out rocking and knocking, making an impression on young Bliss. When she tells Maggie afterwards that she is her new hero, Maggie suggests she come to practice and try out.

Once home, Bliss begins skating once more in her Barbie skates, remnants of times gone by. She progresses from just being able to stand to skating through town. The day comes and she sneaks off again for Austin just in time to try out. With more speed than most of the rest trying out, Bliss gets her chance. Now all she has to do is sneak off to the matches.

The girls welcome Bliss in as one of the Hurl Scouts, a losing team that has resolved to stay in last place. But with the speed Bliss shows them and the ribbing they take from the other squads, the team slowly gels into a force to be reckoned with. It also makes Bliss a target for Iron Maven (Juliette Lewis), an aging star who wants to retain her position.

Along the way Bliss also picks up a new boyfriend. Oliver (Landon Pigg) is a member of a band that played at one of the house parties thrown by the team. The pair seems to connect but an upcoming tour tosses them into the possibility of a break up.

As Bliss, now known as Babe Ruthless, moves into the world of roller derby, she begins to distance herself from her friends. And when her parents find out about her lies (as does her team when it's revealed she's too young to skate without her parent's permission), Bliss finds herself alone.

The team now has a chance at the finals. The only thing stopping this from happening is Bliss' family. Resigned to beauty pageants once more, Bliss heads out to a new contest, her mother's favorite, the same night as the big contest. Is there a chance of her making it? Come on, this is a movie folks!

Is this movie believable? No way. First off no league would put themselves in the position of being shut down due to a teenager not being old enough. And the chances of walking in off the street and being better than anyone else? Slim to none. But it doesn't matter. What matters is feeling a sense of hope for Bliss as she has that opportunity to move beyond a life she hates into one she loves, finding that one thing in life that makes her feel more than she has ever before.

The acting in the film is solid, especially by Ellen Page. Changing from the shy Bliss who enters contests at her mothers request to becoming the young woman who makes her own decisions is fleshed out in her performance. Page has done such a great job with various roles in films like JUNO, HARD CANDY and even X-MEN that I'm beginning to think she's one of the best actresses around these days.

The supporting cast also does a great job. Barrymore takes on a small part as one of the derby girls as does singer Eve and stuntwoman Zoe Bell. But the one who stood out for me was Kristen Wiig as Maggie Mayhem. Wiig is one of the series regulars on SATURDAY NIGHT LIVE these days and what I've seen of her there is far too over the top. But like Robin Williams when given the right director, she comes through with a great performance as a single mom skater who acts as surrogate mom to Bliss.

Barrymore's first outing as director shows that she can put together a well made film. It's entertaining, fun and delivers everything the previews said it would. As I said, this isn't Oscar material but it is a fun film. Predictable at times but its less about the end result and more about the path taken to get there that makes movies like these work or fail. In this case, the movie works. So take a couple turns around the track and give this one a look.

Want Whip It (2009) Discount?

This film is amazing! It's got everything, an indie, fresh, real feel to it, a lot of great laughs and some very intense heartfelt moments. Drew is a lot more than a pretty face---it seems she's also a great judge of screenplays and a great director. The casting is absolutely perfect. Every line, every expression, every scene is pitch perfect. The acting is wow! If you can watch this without laughing yourself sore and tearing up (in a manly way, of course) then you're obviously suffering from the same degenerative brain disease as the reviewers who rate it below 4 stars. And what's amazing is there is nothing really gross or offensive in it. A few off color lines is all that gives it the 13+ rating. For gawd's sake, if you love great movies, rent this one and give Drew a chance to make another one.

Save 44% Off

Carnage (2011)

CarnageThis was a great and fun/funny film. A drama where two kids parents meet at ones apartment to decide "how to handle" the situation where one of the boys hit another boy with a stick, knocking out teeth. Who's fault was it? Who should apologize to whom? Should the parents get involved? Should they also take responsibility for their kids aggression and the others timidness? We learn the issue of aggression and short comings might be more so with the parents, than with the kids. And that poor hamster? A film by Roman Polanski, more so a short dinner theater type play brought to film. The shortest film I've seen in a theater. 1 hr 15 min. But great stars, fun plot. Things go from simple casual attempt(s) between two sets of parents with coming to an agreement concerning responsibility for their kids actions, to the parents engaged in something close to total WWIII. With a little apple cobbler tossed in (and up) along with way, plus way too many social cocktails in the mix. And a busy cell phone adding to the never ending comedy-drama.

With stars this wonderful, this film is a must see hit. And again... that poor hamster.

There are great court room dramas that keep you engaged. This is not a court room drama, but equal to such as a social drama between agreeing/disagreeing, then agreeing then back to disagreeing sets of parents.

With everyone carrying, then unloading, a lot of psychological baggage.

And YOU are the fly on the wall.

Great! Very fun! Interesting! Too short. I wanted more, a lot more. But what Roman Polanski gives us is totally worth experiencing.

Great directing mixed with great actors/acting really does make the difference.

NOTE: And just who was that peeking out the next door apartment at all the ruckus going on in the hall way? Could it have been by chance a VERY FAMOUS DIRECTOR's face????

And no... it wasn't Alfred Hitchcock. lol

What a good film. What good acting. Great stars. Great director. Great directing. But I'd totally skip the cobbler...

So what happens in NYC when parents of two boys decide to have a private meeting in order to resolve a conflict between their children? Meet two couples, who are equally concerned about well being of their 11 year old sons. Two boys got into a fight and the fight got physical. Before long, one boy is grounded and another one nearly looses his tooth. Surely, these young people need to be punished and thought a lesson; so their parents decide to meet and assess what to do next.

The entire movie is entirely set in a NYC apartment of one of the couples. It starts as civil and cordial meeting between two pairs of concerned parents and turns into, well carnage. In nearly two hours, we see these four people fighting it out with each other in words. It starts as one pair of parents against the other, but then lines become blurry as aliences between them start to shift. Every now and then, pairs would re-group, but then things would fall into a chaos again. It is witty, contemporary story about modern life, alienation between people, parents and their children; greed, glutony, assessment of our priorities and purpose in middle life. Great cast of actors, wonderful verbal duels. I truly enjoyed this movie. I always loved Roman Polanski's movies and this one adds to the wonderful collection of his already prized work.

Buy Carnage (2011) Now

"Carnage" opens like the play it is adapted from and is directed by Roman Polanski. Penelope Longstreet (Jodie Foster) along with husband Michael (John C. Reilly) invite the Cowans to their apartment; Nancy (Kate Winslet) and her work-consumed husband, Christoph Waltz.

The Longstreets feel it necessary to discuss the reason why their "victim" son was struck, and badly hurt, by the "maniac brutalizer" Cowan's son. Michael would simply appreciate an apology from their child, although Penelope seems to have her own agenda and intends to push it.

Penelope and Nancy have a tremendous amount of tension between them which is palpable from the onset. Michael appears personable, overly generous and friendly ... at first. Mr. Cowan is on the cell phone constantly as a pharmaceutical lawyer and much more absent in the genesis of the conversation.

The 'go-around' all plays out in the living room as you can sense the air suck right out of the room. It becomes almost claustrophobic, in feel, as the couples begin wildly talking, accusing, and definitely getting far off-the-topic of their sons.

In this obvious stress inducing situation, especially for Nancy and then Penelope, anxiety builds and the topics get verbally and emotionally out of control. The discussion of the children's situation is quickly set aside, as marital issues insidiously invade the 'conversation'. More like spouting-offs!

The husbands slowly get involved, by first defending their wives, arguing with each other and then challenging each other. The 'Scotch' comes on the scene, as they decide it would be a great time to take a vintage bottle out for a ride. Nancy demands a drink of her own, while defending Penelope, and challenges a reluctant Michael to pour his wife some also.

Alliances are formed and broken then reattached almost as fast as the mercurial, rapid-fire dialogue. The words are shot between them as bullets from a gun and land as caustically. The husbands start to turn on their wives while getting pretty frustrated; "you think too much...women think too much" and "yes, I feel like being completely despicable".

The talking and commenting becomes amazingly ludicrous in the verbal smack-down. All four actors are on top of their game in this; tightly wound, inflammatory, taut and hilarious 'study', as one topic is flying into another then back again.

At the very end of the film, before the credits roll, there is one of the best scenes for tying-up all the loose ends and a good shot in the arm of laughter for myself. It does put seemingly huge things in perspective in a very scant amount of time.

Read Best Reviews of Carnage (2011) Here

I though this was one of those slasher movies until I saw the names of the stars. This is actually very similar to the classic Who's Afraid of Virginia Woolf? (Two-Disc Special Edition). All of the action takes place during one afternoon after a schoolyard fight between two boys leads to a meeting between both sets of parents to settle the tiff. Very different socially, the two couples at first perform the usual polite dance of parents everywhere, trying to remain polite and civil. A bottle of single-malt scotch, and some expensive cigars, lead to a loosening of social norms and shifting alliances among the group. I found this to be among the most intelligent films that I have seen in quite some time, especially since it is not an "art film" and is readily accessible to a mass audience. This is like attending a well done one act play right in your living room.

Want Carnage (2011) Discount?

...despite his, er, private behavior, but gah! What awful people. Yes, it was funny in a very, very unpleasant way, but I think I watched it with an expression of horrified disgust pasted to my face. Don't we all know people like this? Completely tense, unable to stop the diarrhea of boring small talk about cobbler recipes and toilet parts while their restrained hostility growls audibly below the polite chatter? I felt like taking a hot bath after watching this. Yes, and becoming a hermit in a cave somewhere so I'd never have to see a human being again.

I will never, ever watch this movie again; it was like fingernails on a blackboard to me. And yet it was a great movie. I saw no flaw in the acting or direction. There was an ugly fascination in seeing how four people could all be arrogant bourgeois thugs, yet so different. Four different shades of awful.

I loved the hilarious irony of the scene in the park as the credits roll. You could almost miss it, but it beautifully sums up the ludicrousness of the situation that has just played out between the four adults.

Save 25% Off

Unfaithful (2002)

UnfaithfulThis sensual and somber drama about infidelity stars Diane Lane and Richard Gere as a married couple headed for tragedy. Connie (Lane) and Edward (Gere) are successful suburbanites with a seemingly happy marriage, until Connie meets an attractive younger man and begins an affair. Edward wonders what's going on, hires a private detective, and gets the answer he suspected all along.

Lane is memorable as the guilt-ridden wife who is obsessed with her lover. She is lovely, mature, and honest in her portrayal and deserved her nomination for Best Actress. Gere is almost a supporting actor here, but he is wonderful playing an average guy. Olivier Martinez plays Lane's paramour. His character was fairly one-dimensional and could have been developed further, but he was very good in the role.

The first time I saw the movie, I thought it was relatively dull because of its relentlessly low-key presentation and leisurely pace. On the second viewing, however, I found it a real winner. There are long periods without dialogue, where the camera focuses on facial nuances. The silence gives one a chance to appreciate the fine acting. The photography is excellent, from wide shots of dirty urban streets to warm glimpses of home. The musical score was lovely, lilting and romantic. "Unfaithful" is erotic and tender, with some surprises and an excellent ending.

There is a certain beauty contained within this film that makes it beyond a film about infidelity and its consequences. Diane Lane didn't get my attention until the recent "The Glass House." As a new fan, I had to see 'Unfaithful'...her performance is nothing short of remarkable.

The story revolves around a 'happily married', middle-aged couple living in the suburbs of NY with one small son. Their life is the picture of the 'American dream', until one day, Mrs. Sumner (Diane Lane) goes into the city on business and cosmically collides with the much younger Paul Martel (Martinez). When he invites her in to clean up her skinned knee a most deadly affair begins.

What makes this movie different from all the other films with themes such as betrayal, etc, is that we see the struggle and transformation Diane's character makes. Several times we see Diane reflect on her various 'visits' to Martinez and all at once her face displays pleasure, pain, and paranoia. She brings likability to a character we should hate. Richard Gere is one of my favorite actors and I deeply respect him for taking a 'backseat' role in this film. His character torments himself wondering why his wife would possibly want to cheat on him, as he thought he was providing a perfect life.

Added suspense and thrills come about when Gere starts to suspect and eventually finds out about the affair. We then see the direct effect affairs have on families. The murder mystery was thrown in more for entertainment value but the true artistic aspect remains in the adultress' mind.

We've seen affairs start from heartbreak, drunkeness, seduction...any reason other than this film's...boredom. From boredom and seduction we get obsession, we see Diane become addicted to her breakaway from daily life. For those of you who love Richard Gere as much as I do, you really have to bite your lip watching him getting cheated on! However, there is great remorse as Connie (Diane) really does love her husband, but someone dies before the affair is ended. This movie truly remains with its viewers. I recommend picking up the haunting tracks 'Moby Rushing' and 'E.S. Posthumus Nara' to reexperience the emotions captured through watching 'Unfathful.' This is a definete must see!

Buy Unfaithful (2002) Now

Adrian Lyne is not known as the king of subtlety, as in his "Fatal Attraction" or "Flashdance." He showed remarkable restraint in "Lolita"; giving the film a beautiful and reverent patina of intelligence and honor especially in Jeremy Iron's portrayal of Humbert. Why the major distributors did not take on the mantle of "Lolita" will forever remain a mystery.

In Lyne's newest film, "Unfaithful," he finally comes into his own with a film that is not only provocative but also one that resonates with clear headed thought and remarkably subtle performances.

"Unfaithful" is the story of Connie and Richard Sumner (Diane Lane and Richard Gere), happily married for eleven years with one son living in White Plains, New york. One day, Connie is in NYC for business in the middle of a hurricane-like windstorm when she literally runs into Paul Martel (Olivier Martinez). After Connie scuffs her knees in a fall, Paul invites her into his apartment in Soho for some tea and thus begins a torrid, ultra-sexual love affair. Everything up to this point is Lyne-like with Lane and Martinez never looking more beautiful and sensual in their entire careers amid scenes of photographically perfect lovemaking.

But Lyne throws a wrench into his usual mix of infidelity amd marital indiscretion by adding a murder and thriller plot that adds dimension and breadth to the film. Is it any wonder that this cast was interested in doing this film? Especially Richard Gere who is extremely picky about the projects he undertakes.

Even though Diane Lane has been making movies since she was twelve, she does wonders with her character here. Her Connie is in love with her husband and her life but simply cannot resist the charms of her "amour fou" Paul. There are no big decisions to be made here, Connie is bowled over by Paul and does almost nothing to resist his charms...he is French,handsome and young after all.

The reprecussions of Connie's affair are played out with Hitchcockian suspense yet without Hitchcock's 50's sensibilities and Calvinist modes of retribution. The ending is left remarkably open to interpretation.

Even though Diane Lane has been making movies for 30 years, she has never had a better part than that of Connie and she makes the most of every one of her scenes. She is a revelation in her reticent yet all-consuming realtionship with Paul and with her intelligent and sympathetic dealings with her family. We truly care for her and her situation: she transforms what could have been a negative part into something positive and life-affirming. Both Gere and Martinez are also first rate and empathetic: we care for both even though they are far from perfect human beings.

Adrian Lyne has had a rocky career with several lows ("Lolita") and few highs ("Fatal Attraction"). "Unfaithful" shows us all what a fine, accomplished, subtle film maker he is and what a diligent and persuasive director of actors he can be.

Read Best Reviews of Unfaithful (2002) Here

The three main actors, Diane Lane, Richard Gere and Olivier Martinez, do an absolutely wonderful job with this movie.

This is not a female version of Fatal Attraction as some have suggested. At least I did not feel it was so.

BASIC STORY:

Diane Lane is the happily married mid-forties woman who accidentally meets a young incredibly attractive man in his 20s who, is obviously attracted and interested in her. Her husband Richard Gere is a cuddly lovable, happily married and successful man. What really blows you away, is why would she stray? Oh yeah, this young man is drop dead gorgeous, sexy and is patiently interested in her.. Deadly combination.

This young man, is like light to the moth of Diane Lane's character and she keeps coming back despite the potential harm to her family. Since she is doing such a shoddy job of hiding her involvement, in her intensity to see this young man, Richard Gere's character begins to suspect something.

INTERESTING COUNTERPOINT:

At one point in the movie, Diane Lane's character is seen by some friends in the young man's neighborhood and she is forced to have lunch with them to allay suspicions. Olivier Martinez's character comes to the restaurant to have a dailliance in the back with Diane Lane's character, while she is supposedly in the ladies room. However, these ladies in conversation make it quite clear when they see Olivier Martinez that they feel he is wildly attractive. One even goes as far to say, she would go to bed with him in a second. The other, is wilting while recalling a former affair that she has had and its devastation. Diane Lane's character is forced to see both sides of the coin.

ACTING AND ACTION ARE INTENSE:

There are some pretty steamy scenes in this movie. Diane Lane does an excellent job also of showing both her mixed feelings and reckless abandon. You see her maniacly pursuing this forbidden relationship, once it is is started. Richard Gere is great as the devoted husband. He is playful and lovable, but not stupid. He does everything he can to understand what is going on, until he has proof in his hands. Olivier Martinez, is one very attractive and compeling young man. I'm sure we will see him even more in Hollywood (in English speaking films) now that he has done this movie. He is wonderful as the young lover.

I won't go further than this, but the movie takes some twists you don't expect and some you do. Wonderful job. Very entertaining.

I think this movie will make some people think. It could start some very interesting conversations.

Want Unfaithful (2002) Discount?

This is the movie that everyone should view before deciding whether to engage in an adulterous affair. Connie Summer (Diane Lane) is a woman with far too much time on her hands. Her husband Edward (Richard Gere) easily earns enough money to support the family in an upper middle class lifestyle. Connie only has one

boy and no serious avocations to focus upon. She is an attractive and bored woman approaching middle age. In other words, Connie is a walking time bomb waiting to go off. Connie literally runs into the much younger Paul during a windy afternoon in Manhattan. One thing leads to another, and eventually Connie ends up in Paul's bed. The odds are highly against this become a lasting relationship, but Connie enjoys the lustful encounters and isn't particularly interested in thinking about the distant future. The pleasure sectors of her brain now dominate the analytical. Practical questions can wait to be answered on another day.

Edward wasn't born yesterday and quickly realizes that something is amiss. We follow the unfolding events knowing full well something tragic is about to occur. The dialogue is near perfect, and the acting superb. Diane Lane is brilliant and this may be the best work that Gere has done in a number of years. Director Adrian Lyne's approach is thoroughly secular. These characters display no religious inclinations. Nonetheless, the awfulness of adultery comes across loud and clear. This is an act of betrayal that almost certainly will severely damage, if not completely destroy a marital relationship. Do you really wish to take that risk? After seeing Unfaithful, you will likely say it's not worth it. I can't quite give this film five stars, but four and a half seem appropriate.

Save 30% Off

The Last Days of Disco (The Criterion Collection) (1998)

The Last Days of DiscoDirected by the amazing Whit Stillman ("Barcelona"; "Metropolitan"), "The Last Days of Disco" examines the life of several young, upward, professionals (or "yuppies" for short) during the early 1980's, when the disco craze was dying and the Decade of Decadence was beginning.

Alice (Chloƫ Sevigny of "Boys Don't Cry") and Charlotte (Kate Beckisndale of "Brokedown Palace") are two young publishing assistants who live as roommates in the city. Living on a love/hate relationship with one another, both girls decide to socialize with New York's club elite at the most popular club in the city.

There, they meet up with the likes of advertising execs and employees, odd club characters such as the Tiger Lady (played by Drew Barrymore's real-life mother, Jaid Barrymore) and others who give the film a unique flavor when it comes to recreating the disco era of the late 1970's/early 1980's.

While I really can't give away the details that moves the film to its' conclusion, all I can say that this film blows away the only other disco-era film that was released around the same time, "Studio 54." While the latter tried to recreate the final days of New York City's most infamous nightspot, it failed to capture the energy that disco era was well-known for. Unlike "Studio 54," instead of revolving around the life of one character, "Last Days" focuses on the lives of several young professionals, which gives it more flavor and attraction.

Personally, Whit Stillman simply is one of the best American directors out there. His films all involve wit, energy, love, and the elements that plague young adults now and then. In one I consider to be one of the best-written scripts in recent years, Stillman pours plenty of wit and insight on what it is to be young and successful in a large city.

Another great thing about this film is its' excellent disco-era soundtrack. Covering such classics such as "I'm Coming Out" by Diana Ross and "Everybody Dance" by Chic, I almost felt that I was transported to the club in the film. If you loved this film, I highly recommend picking up a copy of the soundtrack.

If you love Disco and/or films about life in New York City, I highly recommend this film. It is one of the best films of 1998, and after watching it I can't wait for Whit Stillman's next project.

If you can't stand to watch another exploding helicopter, "Disco" and the other two Whit Stillman movies are a good antidote. The characters actually say interesting things.

You may want to watch "Metropolitan" before watching "The Last Days of Disco" to understand the world the characters come from. You may be a little misled by watching "Metropolitan" first, though. It's a simple, gentle story while "Barcelona" and "Disco" are sexier and set in more exotic locales.

Some reviewers didn't like these movies because the characters speak articulately in fully-formed, grammatically-correct sentences. I can see where they might mistake it for bad writing or acting. The bio commentary on the "Disco" DVD talks about the film crew being impressed by the Sevigny and Beckinsale's ability to recreate New England prep school speech an indication that preppies really talk that way. I'm from California where we're all inarticulate, so I wouldn't know. Ultimately, I don't care people don't break out singing in real life, either, but you wouldn't want to do away with musicals. Notice that the non-preppy characters in these movies talk like "normal" people.

Buy The Last Days of Disco (The Criterion Collection) (1998) Now

Whit Stillman's 1998 film "The Last Days of Disco" remains one of his best pictures a refreshing, intelligent, and often subtly hilarious look at shallow yuppies living, clubbing, and loving at the tail end of the Disco era (i.e. "the very early 1980s"). The demure Chloe Sevigny and the bitchy Kate Beckinsale play a vastly different pair of publishing assistants who decide to room in a New York railroad apartment while they hit the highlife at night with a colorful group of supporting characters -not the least of which include advertising man Mackenzie Astin (who needs the disco to attract clients), club bouncer Chris Eigeman (a Stillman regular), and assistant district attorney Matt Keeslar (who perhaps has both the hots for Sevigny, and ulterior motives for visiting the disco himself).

The performances are uniformly on target, each character believably echoing the frivolous nature of the music, but also the genuine feeling for the time and place they do share. Stillman provides seemingly every character with a vital scene or line of dialogue, and comes down hard on their essentially materialistic ideals while never condemning them or turning the picture into a broadly comic spoof. Sevigny's character, in particular, is a credible portrait of a young girl lost in the big city, emotionally if nothing else, and Beckinsale creates one of the most effectively obnoxious (but believable!) women you're ever likely to see on the big screen, years before the actress dedicated most of her time to becoming a plastic action figure.

They all speak Stillman's prose, which is funny, insightful and hip, making "The Last Days of Disco" engaging and fun, filled with an enjoyable soundtrack, while the director handles each turn -dramatic and (predominantly) comic -with an unabashed love for the era. It may not have a gigantic, thought-provoking point, but then again, neither did the early '80s.

Criterion's Blu-Ray of "The Last Days of Disco" is basically a HD reprise of their 2009 DVD edition, with the added surplus of an excellent 1080p AVC encoded transfer and DTS MA soundtrack. Extras include a commentary from Stillman, Sevigny and Eigeman; four deleted scenes; the trailer, a behind-the-scenes featurette, stills gallery, and an audio recording of Stillman reading a chapter from his book "The Last Days of Disco, with Cocktails at Petrossian Afterwards."

Read Best Reviews of The Last Days of Disco (The Criterion Collection) (1998) Here

The Last Days of Disco is a fantastic movie, but only if you are prepared to really listen to the dialogue.

The thing that I like most about Whit Stillman's movies is his characters dissatisfied and confused with their lives as they may be. My favourite actor in all of Stillman's movies is Chris Eigeman, who always plays a cynical character, who is offensive to all, but who I still find likeable. In The Last Days of Disco, Eigeman is Des, a cocaine snorting, womanising underboss in popular nightclub.

Look out for the hilarious Lady and the Tramp scene in the movie, as well as the scene where Des snorts some hot coffee because it may contain the same effects as cocaine. This is a movie that gets heavy on dialogue, but is worth it. Even though the characters are pompous, they are extremely well developed and acted.

The Last Days of Disco is a fantastic movie, and for me brought alive the disco era in a way that movies such as Studio 54 did not come near. But only for people who like to really watch movies, not just have them on in the background.

Want The Last Days of Disco (The Criterion Collection) (1998) Discount?

"The Last Days of Disco" recalls a specific time the very early 1980's. The video opens with a shot of two young women walking down the street. The shot is framed in such a way that you only see the bottom half of their legs. It's a shot that immediately recalls the disco-era classic, "Saturday Night Fever" with it's similar opening clearly Whit Stillman (who wrote and directed) knows what he's doing.

The film is a sort of coming-of-age story of two book publishing assistants Alice (well played by Chloe Sevigny who can be seen in the current "Boys Don't Cry") and Charlotte (Kate Beckinsale). Looking to expand their social circle, they frequent a hard-to-get-into nightclub (not mentioned but obviously patterned after New York's famed Studio 54). The more experienced Charlotte ("Maybe in physical terms I'm cuter than you but you should be much more popular than I am") gives Alice lots of advice like how she should always try and throw the word "sexy" into her conversation or how Harvard guys can be amazing creeps. She talks of the "tremendous importance of group social life" and claims to oppose "all this ferocious pairing off". She's a bit of a phony, however, which we (like Alice) come to find out. But Stillman rises above making crass judgements about her, he doesn't make fun of her he essentially likes her, as he does all the characters. This includes Des, whose act is to pretend he's recently discovered he's gay in order to gain sympathy from women, before cruelly dumping them.

Deftly observed, "The Last Days of Disco" is one of the best videos I saw in 1998. It's an extremely talky, almost plotless, CHARACTER-driven story. The talk, however, is often very witty. Take, for example, the debate that films like "Lady and the Tramp" program women to adore jerks. Or the idea that the environmental movement started in the 50's after we all saw "Bambi". This is a terrific film that shines a light on a confusing time a time many were scarcely prepared for.

Save 29% Off